Teses / dissertações sobre o tema "Saint-chapelle de Saint-Germain-en-Laye (Saint-Germain-en-Laye, France)"
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Barthe-Deloizy, Francine. "Parcs et jardins : étude de pratiques spatiales urbaines (Les Mureaux-Saint-Germain-en-Laye)". Paris 4, 1997. http://www.theses.fr/1997PA040321.
Texto completo da fonteMost of the analyses dealing with the urban space dwell on its main features, namely its high density and concentration of population, functions, buildings, seldom on another feature, that of public gardens and parks. We have chosen to focus on the unproductive "empty" areas pertaining to these urbanized spaces. We will investigate the place and role of these "hollow" areas as well as the stakes they represent. At first, we strongly posit that power leaves its marks on public gardens and parks. Subsequently, taking stock of long term evolutions as well as of recent changes, a wider analysis will enable us to take a close look at the dialectics of development and use. The latter helps pinpoint the adequacies and/or the discrepancies between both practices of an original urban space. Thus, our study shows that gardens and parks cannot be apprehended merely as having an ornamental function and as being national heritage but also as now bearing several meanings ranging from the ideological and political to the economy, the social and the cultural. Through these meanings the places are endowed with a fundamental mirror effect function. The observation and study of these areas paves the way for a finer understanding of the societies that breed and foster them. Our research on spatial practices thus comes within the framework of a geography that is at once urban, social and cultural
Léon, Cécile. "Le château de Saint-Germain-en-Laye (Yvelines) au Moyen Âge : étude historique et archéologique d'une résidence royale (XIIe - XIVe siècles)". Paris, EHESS, 2006. http://www.theses.fr/2006EHES0139.
Texto completo da fonteThe royal house, founded in the 12th century, is developped with Philippe Auguste and Louis IX. They set up a royal chapel with a permanent chaplain, a superintendant, a water adduction system, a garden and a private hunting ground. The surrounding houses were Les Loges in the forest of Laye, casties of Montjoie and Retz in the forest of Marly. The architectural evolution of the royal house is a permanent extension of the residential area with each monarch. A first oblong royal accommodation with a cellar is extended at the end of the 13th century on a structure of royal accommodation / residential tower. A second royal accommodation is founded in the 14th century and the cellar is use again. The building of a surrounding wall with a path round the battlements around the area of the residence by Charles V is the last extension of the royal house and now the place is call « castle » in the medieval texts
Paul, Juliette. "The manuscript presentation volume of Jane Barker and her imaginative Catholic faith". Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/5913.
Texto completo da fonteThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 30, 2007) Includes bibliographical references.
Léon, Cécile. "Le château de Saint-Germain-en-Laye au Moyen âge : XIIe - XIVe siècles : histoire et évolution architecturale d'une résidence royale /". Paris : Presses Franciliennes, 2008. http://swbplus.bsz-bw.de/bsz304359246inh.htm.
Texto completo da fonteGenet-Rouffiac, Nathalie. "La premiere generation de l'exil jacobite a paris et saint-germain-en-laye : 1688-1715". Paris, EPHE, 1995. http://www.theses.fr/1995EPHE4035.
Texto completo da fonteThis work presents the exile of the jacobites at paris and saint-germain-en-laye after the glorious revolution of 1688. Jacobitism is despincted as a political power involved in the international relationship untill the death of the sun king in 1715. The exiled community was based upon three institutions ; the court of saint-germainand the central figure of the king, the irish regiments in louis xiv'army and british religious communities in paris. The status of stangers in the ancien regime france and the difficulties, both on the judicial and institutional point of view, of the "aliens" to get integrated are the very center of this study. The demographic and social characteristics of the exiled community are described : the outsanding number of the irish, the high proportion of members of the gentry, the number of women, the bad relations between the three national groups, inner violence and suspicion from french authorities. . . Sir daniel arthur the irish banker, and his sons give an exemple of an irish network all over europe, socially integrated into french society but still in balance between national and religious fidelity to the stuarts and success in france
McDonnell, Madeline Clark. "MUSEUMS OF PARIS: FORMER ROYAL RESIDENCES TO CREATE NATIONAL CULTURAL NARRATIVES". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1166.
Texto completo da fonteVivien, Béatrice. "Les demeures et collections d'un grand seigneur : René de Longueil, Président de Maisons (1597-1677)". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040195.
Texto completo da fonteIn an unexpected manner, and in a short time, Rene de Longueil inherited to the family seigneury of Maisons in 1629 and the heritage of his wife’s family in 1630 which he took advantage by his cleverness. Ever since Rene de Longueil undertook the construction of a new chateau, trusted François Mansart and Jacques Sarrazin’s team, and celebrated as one of the most beautiful residence in France. But he saw the finishing of the project only ten years before his death: Maisons was an endless building site, done one stage at a time. In Paris, he lived at rue de Béthisy, in a town house, inherited from Nicolas Chevalier, his uncle in-law. His wife, Madeleine, dead too early, stays a mysterious person who inspired the decoration of the new chateau. He had one’s heart set on extending the seigneury with the purchase of fief which constituted a huge territory in le Pincerais, surrounding nearly the crown estate of Saint-Germain. Descendant of a noble family, he baught the charges of la Cour des Aides and Président à mortier. During the Fronde, he played an important role as an agent between the Parlment and the Regency. He had the honour of serving the king as captain of his chateau in Versailles and Saint-Germain, before he’s promoted Superintendent of Finances in 1650. He lived in exile in Normandy a few years. Back in favour, he could assent to rank of Marquis in 1658 and welcoming the king and the Court. His places of residence in Maisons and Bethisy contained sumptuous and precious furniture, as well as many works of art. Man with a lot of taste and moving with the times, he took an interest in tapestries work, chinas, and orange trees. The poets celebrated the gardens of Maisons. Excellence became his rule employing the best craftmens and the best servants. Powerful, rich and famous man, he transferred a considerable heritage and his title of Marquis to his descendants
Hering, Kristina [Verfasser]. "Automatenkunst in Saint-Germain-en-Laye : Zur Herrscheridealisierung und Reflexion zeitgenössischer Weltmodelle im Garten König Heinrichs IV. / Kristina Hering". Braunschweig : Bibliothek der Hochschule für bildende Künste Braunschweig, 2018. http://d-nb.info/115561738X/34.
Texto completo da fonteSchlatt, Anna-Sarah. "Jean-Baptiste Lepère (1761-1844), „Architecte de l'Empereur” : die Zeichnungen der Paläste von Saint-Cloud, Meudon und Saint-Germain-en-Laye im Kontext der Architekturpolitik Napoleon I. 1811-1814". Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEP019.
Texto completo da fonteThe scientific examination of the inheritance of Jean-Baptiste Lepère conserved by the Wallraf-Richartz-Museum in Cologne is a desideratum of the early architectural history of the 19th century. The aim of this work is, to investigate the architectural politics of Napoleon I. on the basis of Lepère’s drawings of the Palaces of Saint-Cloud, Meudon and Saint-Germain-en-Laye. The architectural politics of the emperor include the architectural program and the organisation of the imperial construction firm. These two aspects will be represented in detail. Thereupon it will be explored in which way the construction firm of Napoleon operated concretely, by referring to the projects at the three palaces. Which role do the constructor and architect play? How are the governmental directives reflected in the building activity? This work examines the years from 1811 until 1814, which span a period from the point of culmination of the Grand Empire with the birth of the Roi de Rome until the abdication of Napoleon. Therefore it is necessary to analyse the consequences of the political development on Lepère’s architectural projects. To capture Napoleon's architectural policy precisely, decrees firstly time discovered in the archives, concerning the organisation of the imperial construction firm, will be used. Based on the decrees, the tasks and functions of the individual offices of the construction firm can be declared. Furthermore the roots of the Ancien Régime and innovations of Napoleon I. are to be clarified. This raises the question as to what political intentions hide behind the decrees, respectively behind the new organisation? The architectural preconditions for Lepère as an architect will be clarified with the help of the existing literature concerning the three palaces. In this dissertation, 65 drawings of the Palaces of Saint-Cloud, Meudon and Saint-Germain-en-Laye will be described, analyzed and put into context with the architectural policy of Napoleon I. In order to place the drawings into context, they will be attributed to individual project-chapters with the help of previously undiscovered documents in the archives. Within one chapter dedicated to one project the drawings will be illustrated and information of the inventory number, inheritance, artist, material, technique, dimensions, restoration and archival documents will be presented. Afterwards the details about the inscriptions like title, signature, dating, measure rod, measures and the reverse side succeed. Followed by a description of the drawing and a reconstruction of the context of the project based on the archival documents, that had to be prepared according to the instructions of the government. A stylistic analysis of Lepère’s designs will explore and evaluate his personal interpretation of a napoleonic architecture of palaces in consideration of biographical aspects and the private library of Lepère. Doing so will clarify, which typological and formal repertoire Lepère used. The design of the plans will be classified in context with classicism, architectural concepts of the revolution period as well as ideas of an imperial representation architecture during the Premier Empire. A closing chapter will reveal, with aid of the acquired results, the aim of Napoleon’s architectural policy and summarize the consequences of the civil service for Lepère’s projects on the three palaces. The illustrations and informations of the drawings will not be presented in a catalogue at the end of this dissertation but in the beginning of each chapter dedicated to one project. The significant documents in the archives allow to determine the evolution of the projects. This dissertation aims to establish a context between the drawings, the building history and the process of the projects
LASCOUTOUNAX, FREDERIC. "La psychiatrie de l'urgence a l'hopital general de saint-germain-en-laye (yvelines) : d'une estimation clinique vers une specificite des soins". Lyon 1, 1991. http://www.theses.fr/1991LYO1M014.
Texto completo da fonteWimschulte, Sonja [Verfasser]. "Die Jakobiten am Exil-Hof der Stuarts in Saint-Germain-en-Laye 1688/89 bis 1712 : Migration, Exilerfahrung und Sinnstiftung / Sonja Wimschulte". Göttingen : Vandenhoeck & Ruprecht, 2018. http://www.v-r.de/.
Texto completo da fonteBERNIS, JEAN-CHARLES. "Audit sur la prise en charge de la presentation du siege pendant la grossesse et le travail dans le service de gynecologie-obstetrique dans l'hopital de saint-germain-en-laye". Toulouse 3, 1988. http://www.theses.fr/1988TOU31295.
Texto completo da fonteBedianashvili, Giorgi. "The Koban necropolis and the Late Bronze -Early Iron Age Caucasus : Ernest Chantre’s Koban collections from the French National Archaeological (Saint-Germain-en-Laye) and Confluences (Lyon) Museums". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4035.
Texto completo da fonteThis work examines Ernest Chantre’s archaeological collections from the Koban necropolis, stored at the National Archaeological Museum of France, at Saint-Germain-en-Laye and the Confluences Museum in Lyon. The Koban necropolis, which was excavated by Chantre in 1881, is located in the North Caucasus. It has given its name to one of the Late Bronze and Early Iron Age cultures of the Caucasus.This dissertation brings to light Koban objects, both published and unpublished, and organizes themin a systematic fashion. Typological classification of each group of objects is examined andpresented. These data are then compared with materials from other parts of the Caucasus. The focus of the research determines the cultural environment of the Koban necropolis in the Caucasus region, as objects from this site reflect certain characteristic features of different regions of the Caucasus such as Colchis and Shida Kartli.One of the main components of this dissertation is the reconstruction of Koban funeral assemblages.These are presented differently here than has previously been done. Along with presenting the assemblages, radiocarbon data is also presented from grave no. 9, which enables us to re-examine, to an extent, the chronology of Koban necropolis
Proust, Clotilde. "Les ateliers du Musée des Antiquités nationales : aux origines de la restauration en archéologie". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H015/document.
Texto completo da fonteThe National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon Ill in 1862. With the proposed creation of the museum has become the need to equip the workshops of molding and restoration. Abel Maître, a sculptor by training, is the first leader of workshop in the late 19th century. Indispensable part of the MAN, Il proved to be a !rue precursor of the restoration of archaeological objects as it conceives today. His successor, Benoit-Claude Champion, leads workshops throughout the first half of the 20th century and works to professionalize the discipline, at a time when the Issue of training for restorers is central to the debate. Through concrete example of MAN workshops, this research alms to show how archeology has emerged as a specialty in the highly artistic restoration, and how the development of this discipline is closely linked to International politics Heritage Preservation, which comes into its own after World war 1
Bedault, Lisandre. "L'exploitation des ressources animales dans la société du Néolithique ancien du Villeneuve-Saint-Germain en Bassin Parisien : synthèse des données archéozoologiques". Paris 1, 2012. https://hal.archives-ouvertes.fr/tel-01374007.
Texto completo da fonteSchlatt, Anna-Sarah [Verfasser], Norbert [Gutachter] Nußbaum, Bruno [Gutachter] Klein, Udo [Gutachter] Mainzer e Klaus Jan [Gutachter] Philipp. "Jean-Baptiste Lepère (1761-1844) - „Architecte de l’Empereur“. Die Zeichnungen der Paläste von Saint-Cloud, Meudon und Saint-Germain-en-Laye im Kontext der Architekturpolitik Napoleon I. 1811-1814 / Anna-Sarah Schlatt ; Gutachter: Norbert Nußbaum, Bruno Klein, Udo Mainzer, Klaus Jan Philipp". Köln : Universitäts- und Stadtbibliothek Köln, 2019. http://d-nb.info/1191365638/34.
Texto completo da fonteRévillion, Stéphane. "Les industries laminaires du paléolithique moyen en Europe septentrionale : l'exemple des gisements de Saint-Germain-des-Vaux/Port-Racine (Manche), de Seclin (Nord) et de Riencourt-les-Bapaume (Pas-de-Calais)". Lille 1, 1993. http://www.theses.fr/1993LIL10156.
Texto completo da fonteThe technological study of these three industries shows that a trend towards laminar production existed during the middle paleolithic era in northern france. It demonstartes the coexistence of an upper palaeolithic "style" laminar debitage and a levallois flakes production. Thanks to the morphometrico and typological data, this study gives a behavioral dimension to this new archaeological reality. These results may help one understand the laminar phenomenon during the middle palaeolithic era in northern europe. Since the end of the middle pleistocene, it is expressed through a non-levallois direct debitage or a levallois debitage and seldom an upper palaeolithic "style" debitage. The latter saw a real development in the early stage of the last glacial period in northern france, in belgium and germany. It gives evidence of a peculiar behavior. It casts a new light upon the "chatelperroniennes" industries, which can illustrate the transition between the middle palaeolithic and the upper palaeolithic era. The technological evolution in the middle palaeolithic is made up of a succession of breaking-down and continuity periods because the laminar trend, present in other parts of the world, is not a synchronous phenomenon. Its technological veriability demonstartes the chronological meaninglessness of laminar industries. It is advisable to wonder what the meaning of the classical subdivisions of palaeolithic period is. The distinction the upper palaeolithic and a large anterior stage which is to be named, is valid only if lithic industries and evidences of structuration of the habitat, symbolism. . . Are considered. The apparition of complex lithic operational sequences at different periods of the middle pleistocene proves the complexity of the interpretation of lithic materials, the study of which cannot be sufficient to. .
Neumann, Miloš. "Práva národnostních menšin v ČSR a jejich uplatňování". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329173.
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