Bibliografias temáticas / Russian fiction – 20th century

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  2. Teses / dissertações
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Literatura científica selecionada sobre o tema "Russian fiction – 20th century"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Russian fiction – 20th century"

1

Bogoderova, A. A. "Temporary marriage as Russian literary pattern in the 19th – early 20th century." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 92–106. http://dx.doi.org/10.17223/18137083/72/7.

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The paper deals with the subject of temporary marriage between Russian sailors and Japanese women in fictional and non-fictional literature. The literary pattern of temporary marriage includes time limitation of the marriage, the language or/and cultural barrier and the man’s leaving at the end. The time limitation sometimes makes one or both spouses consider this marriage as legal, but “not true.” There are two main variants of the pattern in Russian travel notes of the 19th − early 20th century. The first is the positive one (A. Krasnov, D. Schreider, and N. Bartoshewsky). Both husband and w
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Shmelkova, Vera V., and Yelena V. Makarova. "Semantic changes of the word “home” in the Russian language of the first decades of the 20th century." Russian Language Studies 20, no. 4 (2022): 467–82. http://dx.doi.org/10.22363/2618-8163-2022-20-4-467-482.

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The relevance of the study is determined by the necessity to identify semantic changes of the word “home” in the social consciousness associated with historical, cultural, social, political and economic transformations. This authors describe and analyze the semantic changes of the word “home” in the social consciousness of the Soviet Russia and the Russian diaspora abroad in the first three decades of the 20th century. The purpose of the study is to reveal the semantics of the word “home” in the first three decades of the 20th century through the ana-lysis of fiction texts of that time. For th
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Malykh, Vyacheslav Sergeevich. "RUSSIAN AND AMERICAN HORROR FICTION AS A GENRE, CREATIVE WRITING AND EDUCATIONAL PHENOMENON: A PROBLEM STATEMENT." Russian Journal of Multilingualism and Education 11, no. 1 (2019): 63–69. http://dx.doi.org/10.35634/2500-0748-2019-11-63-69.

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Although the genre of horror has gained an extraordinary popularity in contemporary literature, it still raises controversy among specialists. The situation in Russia is especially complicated. Until the beginning of the 20th century, Russian horror fiction used to develop concurrently with the evolution of horror genre in the U.S., but after the revolution of 1917 and until the late 1980s this tradition was interrupted in Russia. Therefore, nowadays the question “What is horror fiction?” is unclear for Russian philologists, the question “How to write horror fiction?” is unclear for Russian wr
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Khoruzhenko, Tatiana I. "“Martian” Novels in Russian Science Fiction in the Early 20th Century." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 2 (2022): 44–56. http://dx.doi.org/10.15826/izv2.2022.24.2.023.

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This article presents an attempt to consider the formation of the “Martian” text in Russian literature during the Silver Age. The author studies three novels about trips to Mars (On Another Planet by P. Infantiev, On a Neighboring Planet by V. Kryzhanovskaya, Red Star by A. Bogdanov) published in Russia from 1901 to 1908. The aim of the study is to identify the main stable elements of the structure that appeared in all the three novels. The author employs methods of comparative historical analysis. All the three novels are compared with each other and placed into the context of the mystical, u
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Moiseev, Petr A. "Russian Detective Studies in the First Half of the 20th Century." Studia Litterarum 7, no. 1 (2022): 40–69. http://dx.doi.org/10.22455/2500-4247-2022-7-1-40-69.

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The article examines the works of Russian literary critics of the first half of the 20th century, such as K. Chukovsky, V. Bryusov, V. Shklovsky, E. Lann, N. Berkovsky, E. Vinaver, S. Eisenstein. The author considers Shklovsky’s article “The Novella of Mysteries,” notes its advantages and disadvantages (in particular, indicates the absence of definition of mystery, which is the central concept in the article, as well as Shklovsky’s mixing of the genres of detective story, Gothic novel, sensational novel, etc.). The author indicates advantages of Berkovsky’s note “About the Soviet detective fic
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Yudina, Natalia. "Terminology of kinship relations in the Russian language discourse of the 21st century." Przegląd Wschodnioeuropejski 8, no. 2 (2018): 255–61. http://dx.doi.org/10.31648/pw.3584.

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The paper reveals the peculiarities of the functioning of kinship relations terminology in Russian language discourse of the 21st century. The review of subject-oriented scientific literature and discourse use of relationship terms in fiction and mass media of the 20th – 21st century makes it possible to distinguish several tendencies in the functioning of relationship nominations in the Modern Russian language. They are characterized by interdisciplinary and synergetic features and demonstrate the unity of genealogical, mental, social, cultural and linguistic processes and principles typical
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Klafkowski, Piotr. "Citizen of the universe. Konstantin Tsiolkovsky’s cosmic philosophy and science fiction." Studia Rossica Gedanensia, no. 4 (December 30, 2017): 335–60. http://dx.doi.org/10.26881/srg.2017.4.21.

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The paper discusses Konstantin Tsiolkovsky’s philosophy as it can be reconstructed from his writings of two kinds, the academic papers and the works generally, though not always correctly, classified as science fiction. It is stressed that Tsiolkovsky belongs to the large school of Russian philosophers known as the Cosmists, and he is placed within the group of 20th century academic-minded Cosmists. The first part of the paper reconstructs Tsiolkovsky’s cosmic philosophy on the basis of his philosophical works, which amount to half of his published works. The second part of the paper discusses
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Malykh, Viacheslav Sergeyevich. "HYBRID SPECULATIVE FICTION AS A GENRE PHENOMENON IN MODERN LITERATURE OF THE U.S. AND RUSSIA." Russian Journal of Multilingualism and Education 14 (December 28, 2022): 79–85. http://dx.doi.org/10.35634/2500-0748-2022-14-79-85.

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The article is devoted to theoretical exploration of modern hybrid speculative fiction. This term comprises a huge body of creative works which are written at the intersection of genres related to speculative prose. On the one hand, hybrid speculative fiction is rooted in post-modern epoch, on the other hand, it returns to the principles of hybrid genre genesis, which flourished at the beginning of the 20th century. The tendency to genre eclecticism is a common feature of a great number of modern creative works and seems to be an efficient way out of conceptual crisis emerged in speculative fi
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Korshunkov, V. A., and S. M. Ledrov. "FUR ANIMALS: CAT PELTS EXTRACTION AND PROCESSING IN 19TH AND EARLY 20TH CENTURY RUSSIA." Вестник Пермского университета. История 63, no. 4 (2023): 29–39. http://dx.doi.org/10.17072/2219-3111-2023-4-29-39.

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There were huge reserves of raw materials for the fur and leather industry in the territory of Russian Empire. The climate of Northern Russia and Siberia has also contributed to the development of this industry. The demand for its products has long been great among the population of Russia and abroad: “Russian fur” was exported to European countries and China. In addition to wild animals, domestic animal skins were also mined, collected, and processed. Harvesting and processing of cat pelts was common in the past. In the 19th and early 20th centuries, cats were caught, killed and processed pre
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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.

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The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New
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Teses / dissertações sobre o assunto "Russian fiction – 20th century"

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Elbaum, Henry. "Rhetoric and fiction : interaction of verbal genres in the Soviet literature of the twenties and thirties." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75698.

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Soviet literature of the twenties and thirties is examined in the present study in its relationship to other verbal genres, primarily, the speeches of Party leaders, newspaper rhetoric and political posters. The first four chapters of the dissertation focus on such topics as the reception of Marxist-Leninist discourse by peasants and workers as well as its representation in fiction; the refraction of official discursive formulas in characters' speech and the dialogization of Party rhetoric; the integration of political documents into fiction and their structural function. Particular attention
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Dreyer, Nicolas D. "'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.

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The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the R
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Goggin, Joyce. "The big deal, card games in 20th-century fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/NQ35594.pdf.

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Allen, Claire. "Beyond postmodernism : London fiction at the millenium." Thesis, University of Northampton, 2010. http://nectar.northampton.ac.uk/8845/.

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Milstead, Mary. "Quiet Little Animals." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1620.

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Quiet Little Animals is a novel set in early-1940s Spain. The story begins with a young couple, Carmen and Ernesto, who are expecting their first child. Carmen gives birth to their daughter Isadora in a Catholic hospital, but when she wakes up after the birth, she's told that the baby has died. However, the truth is that the baby was kidnapped by the nun Sor Eugenia, who decided that she would provide the baby with a better life by sending her away to be adopted by a more "proper" family - and a young religious woman named Ava finally gets the baby she's been trying for years to have, her litt
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Rampton, Vanessa. "Conceptions of freedom in Russian liberal theory, 1900 to 1914." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607937.

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Harris, Katharine. "The neo-historical aesthetic : mediations of historical narrative in post-postmodern fiction." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/76623/.

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Sabatini, Sandra. "Making babies, representations of the infant in 20th century Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60564.pdf.

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Greenidge, Ruqqiya Lydia. "After the end : post-apocalyptic fiction in the long 20th century." Thesis, Aberystwyth University, 2018. http://hdl.handle.net/2160/b6574289-a5f3-41c3-b666-04e8e51f5250.

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This thesis seeks to discuss and analyse the taxonomy of post-apocalyptic fiction in the 20th and 21st century, while at the same time detail why the subgenre is distinctive and attractive for writers. The thesis delves into both the cultural and historical backgrounds of both the novels discussed and the authors, to give each taxonomic category a factual base and context. The overall end result of this thesis is an evolutionary survey of the post-apocalyptic subgenre of both form and content.
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Gardam, Sarah Christine. "THE PATHOS OF TEMPORALITY IN MID-20TH CENTURY ASIAN AMERICAN FICTION." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/487648.

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English<br>Ph.D.<br>Lack of understanding regarding the role that temporality-pathos plays in Asian American literature leads scholars to misread many textual passages as deviations from the implied authors’ political critiques. This dissertation invites scholars to recognize temporality-focused passages in Younghill Kang’s East Goes West, Carlos Bulosan’s America is in the Heart, and John Okada’s No-No Boy, as part of a pathos formula developed by avant-garde Asian American writers to resist systemic alienations experienced by Asian Americans by diagnosing and treating America’s empathy gap.
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Livros sobre o assunto "Russian fiction – 20th century"

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V, Bobrishcheva S., ed. Opasnosti svobody vooruzhenii͡a︡: Proza molodykh. Novosibirskoe knizhnoe izd-vo, 1992.

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K, Shcheglov I͡U︡, ред. Mir avtora i struktura teksta: Statʹi o russkoĭ literature. Ėrmitazh, 1986.

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3

I, Reĭtblat A., ed. Lubochnai͡a︡ kniga. Khudozh. lit-ra, 1990.

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4

Quaker US/USSR Committee. Soviet/American Joint Editorial Board., ed. The Human experience: Contemporary American and Soviet fiction and poetry. Joshua Odell Editions/Capra Press, 1989.

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5

Pelevin, Viktor Olegovich. A werewolf problem in central Russia: And other stories. Harbord, 1998.

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Pasternak, Boris Leonidovich. Poems 1955-1959 ; An essay in autobiography. Collins Harvill, 1990.

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Nabokov, Vladimir Vladimirovich. Speak, memory. Knopf, 1994.

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Nabokov, Vladimir Vladimirovich. Speak, memory: An autobiography revisited. Alfred A. Knopf, 1999.

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Nabokov, Vladimir Vladimirovich. Drugie berega. Izd-vo "Knizhnai͡a︡ palata", 1989.

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Fedunina, O. V. Poėtika sna: (russkiĭ roman pervoĭ treti XX v. v kontekste tradit︠s︡ii) : Monografii︠a︡ = The poetics of a Dream : (the Russian novel of the 1st third of the 20th century in the context of tradition) : Monograph. Intrada, 2013.

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Capítulos de livros sobre o assunto "Russian fiction – 20th century"

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Harland, Richard. "20th-Century Russian Theory." In Literary Theory From Plato to Barthes. Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27673-8_8.

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Herdman, John. "The Russian Double." In The Double in Nineteenth-Century Fiction. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230371637_7.

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Roberts, Adam. "The Early 20th Century, 2: The Pulps." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_10.

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Dowthwaite, James. "‘End Fact. Try Fiction’." In Ezra Pound and 20th-Century Theories of Language. Routledge, 2019. http://dx.doi.org/10.4324/9780429292316-2.

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Roberts, Adam. "The Early 20th Century, 1: High Modernist SF." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_9.

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Roberts, Adam. "Late 20th Century SF: Multimedia, Visual SF and Others." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_15.

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Corwin, Jay. "Honor killing in 20th-Century Latin American Fiction." In The Routledge Handbook of Violence in Latin American Literature. Routledge, 2022. http://dx.doi.org/10.4324/9780367520069-9.

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Bazayev, Inessa, and Christopher Segall. "Introduction." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-1.

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Zavlunov, Daniil. "Alexander Mosolov’s Piano Sonata No. 1 and Its Synthetic Modernism." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-10.

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Móricz, Klára. "The Rebirth of Melody in Lourié’s Post-Neoclassical Concerto da camera." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-11.

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Trabalhos de conferências sobre o assunto "Russian fiction – 20th century"

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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are bey
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Podkovalnikova, Anna. "Russian Fiction in the First Decade of the XXI Century: Confession of the Professional." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.04.

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Podkovalnikova, Anna. "Russian Fiction in the First Decade of the XXI Century: Confession of the Professional." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.04.

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Titova, Elena. "FACTUROLOGY IN THE RUSSIAN MUSICOLOGY OF THE 20TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s26.040.

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Zhou, Dian. "THE HISTORY OF THE RUSSIAN ETCHING OF THE 20th CENTURY." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.134.138.

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Shakhova, V. E. "ROBINSON IMAGE IN RUSSIAN POETIC DISCOURSE OF THE 20TH CENTURY." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-80.

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Baranov, A. N., and D. O. Dobrovol’skij. "STYLE DYNAMICS OF THE RUSSIAN WRITTEN SPEECH OF THE 19TH CENTURY: A CORPUS STUDY." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-48-61.

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The starting point of the present paper is the hypothesis that the distribution of discursive words characterizes the trends in the development of the writing style of the 19th century. The paper presents and discusses the results of an experiment based on the data of the Russian National Corpus on the frequency of using discursive words with the semantics of epistemic modality, such as konechno, razumeetsya (both roughly meaning ‘of course’), po-vidimomu ‘apparently’, kak kazhetsya, kazalos’ by (both ≈ ‘it would seem’), naverno ≈ ‘as it were’, veroyatno ‘probably’, pozhaluy ≈ ‘maybe’, deystvi
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"EVOLUTION RUSSIA'S RIGHT TO VOTE AT THE BEGINNING OF THE 20TH CENTURY." In Russian science: actual researches and developments. Samara State University of Economics, 2019. http://dx.doi.org/10.46554/russian.science-2019.10-2-344/347.

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Kushida, Maria. "Образ писателя-художника как коммуникативный феномен". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.

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The article analyzes the illustrative work of Russian writers of the first quarter of the 19th century. Special attention is paid to the definition of the term "writer-artist", as well as to techniques for creating the image of a writer-Illustrator in a work of fiction. In conclusion, we draw a conclusion about the relationship between literature and painting (on the example of interpreting the creativity of word masters who create illustrations for their works), as well as about the unique communicative nature of the image of the writer-artist.
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Ratner, Faina L. "Russian Scientists’ Contribution In Early 20th Century Towards Inclusive Education Development." In 3rd International Forum on Teacher Education. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.08.02.78.

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Relatórios de organizações sobre o assunto "Russian fiction – 20th century"

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Korolev, Sergei Viktorovich. RUSSIAN PHILOSOPHY OF LAW IN EXILE (first half of the 20th century) The concept of Eurasianism and axiology of law. DOI СODE, 2023. http://dx.doi.org/10.18411/doicode-2023.126.

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TITOVA, E. HISTORIOGRAPHIC REVIEW ON THE TOPIC OF THE STUDY OF MIGRATION PROCESSES IN THE RUSSIAN FAR EAST AT THE BEGINNING OF THE XXI CENTURY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-34-53.

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The article provides an overview of scientific research on the study of migration processes in the Far Eastern regions. The problems of migration, the state mechanism for regulating migration issues, and the peculiarities of interethnic interactions are very topical topics not only at the regional, but also at the national level. In the Russian Federation, studies on these topics have appeared relatively recently. Due to the fact that at the end of the 20th century there was a surge in the ethnic self-awareness of the peoples of the country, together with the intensification of socio-economic
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