Literatura científica selecionada sobre o tema "Rose de France – Histoire"
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Artigos de revistas sobre o assunto "Rose de France – Histoire"
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Gautier, J., F. Humbert e S. Wolikow. "Histoire et évolution des appellations d'origine françaises". BIO Web of Conferences 15 (2019): 03013. http://dx.doi.org/10.1051/bioconf/20191503013.
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During the 20th century, wine appellations of origin have largely developed to represent a significant part of the wine production of some countries, especially in Europe. The globalization of the production, trade and consumption of wine is a major fact of the 21st century economy. The question of appellations of origin and more generally geographical indications must be asked: Is it a survival 100 years after the first law on appellations of origin was adopted in France? Historical knowledge makes it possible to understand how law, both national and international, has been marked by major developments in this area. Regulations on the origin of products have undergone significant changes over the last century, extending well beyond the wine and spirits sector to cover many other sectors. In addition, international institutions are very involved in the development of this concept, be it the FAO in order to protect and sustainably develop agricultural products from emerging countries or whether it is WIPO or WTO in order to implement protection of signs of origin in the context of intellectual property. Since its creation in 1924 the OIV has been largely attentive to the issue of appellations of origin, in their different forms, (AOP, AOC) and according to the country. It continues to play an important role in reflecting and thinking about the role of legal norms in the globalized wine economy and international trade. A symposium organized in Dijon in May 2019, has commemorated and evoked the centenary of the concept of the appellation of origin in France, bringing together speakers from several disciplines, including historians and jurists, on this theme of the appellation of 'origin. The proposed communication present the main orientations identified during this conference, and in particular the strengths and weaknesses of this concept vis-à-vis the theme of international protection.
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ALLMAND, CHRISTOPHER. "Calais: An English Town in France, 1347-1558 - By Susan Rose". History 94, n.º 315 (julho de 2009): 388. http://dx.doi.org/10.1111/j.1468-229x.2009.00461_10.x.
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FLATMAN, JOE. "Calais: an English town in France, 1347-1538 - By Susan Rose". International Journal of Nautical Archaeology 40, n.º 1 (2 de fevereiro de 2011): 218–19. http://dx.doi.org/10.1111/j.1095-9270.2010.00300_12.x.
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Balassa, Bela. "The French Economy at the outset of the New Septennat". Tocqueville Review 9, n.º 1 (janeiro de 1988): 299–312. http://dx.doi.org/10.3138/ttr.9.1.299.
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Since the election of a center-right majority, economic expansion in France has been steady but unspectacular. The gross national product rose by 2.0 percent in 1986 and 2.1 percent in 1987. This increase exceeded the 1.2 percent average growth rate under the socialist government in 1980-85 and matched the German growth rate of 1985-87. In fact, France surpassed Germany in 1987 while falling behind it during the period of the socialist government
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Balassa, Bela. "The French Economy at the outset of the New Septennat". Tocqueville Review 9 (janeiro de 1988): 299–312. http://dx.doi.org/10.3138/ttr.9.299.
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Since the election of a center-right majority, economic expansion in France has been steady but unspectacular. The gross national product rose by 2.0 percent in 1986 and 2.1 percent in 1987. This increase exceeded the 1.2 percent average growth rate under the socialist government in 1980-85 and matched the German growth rate of 1985-87. In fact, France surpassed Germany in 1987 while falling behind it during the period of the socialist government
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Schmitt, Stéphane. "From Paris to Moscow via Leipzig (1749–1787): Translational Metamorphoses of Buffon’s Histoire naturelle". Erudition and the Republic of Letters 4, n.º 2 (22 de abril de 2019): 228–69. http://dx.doi.org/10.1163/24055069-00402003.
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This article explores the circulation of Buffon’s texts and ideas, in particular on animal species and their degenerations, from France to Germany and to Russia in the late eighteenth century. First, I outline the different agents of diffusion and their role in the biased transmission of Buffon’s conceptions. Second, I focus on the first German translation of the Histoire naturelle and examine how, through its different features, it offered to the German audience a modified version of Buffon’s work, adapted to the local demands and context. Third, I analyze a small German book on the degeneration of animals, almost wholly borrowed from that translation, published by a Russian student in Leipzig, and then translated into Russian. This case study shows the diversity of the vehicles for scientific texts and concepts, not only between two countries, but at the European level, and the oversimplifications and alterations resulting from this process.
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Truhlářová, Jana. "The History of French University Studies in Slovakia". Chuzhdoezikovo Obuchenie-Foreign Language Teaching 50, n.º 3 (20 de junho de 2023): 3–5. http://dx.doi.org/10.53656/for23.341hist.
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French language teaching at university is celebrating its centenary in Slovakia. The Romance Seminary (now the Department of Romance Studies) in the Faculty of Arts at Comenius University in Bratislava was set up in March 1923 as one of the first language departments in Slovakia, and French has been taught there without interruption to the present day. The creation of the Seminary also had an important cultural impact: Slovakia, which was part of inter-war Czechoslovakia, joined the French-speaking countries of Central and Eastern Europe (such as Romania, Bulgaria and others) in the 1920s, where linguistic, but above all cultural and diplomatic relations with France played an essential role. The article examines the place of the Romance seminary in these cultural relations and traces the history of French studies: alongside professors at Czech universities, it was above all the French lector Léon Chollet, Anton Vantuch and Jozef Felix who made a substantial contribution to its development. Based mainly on archive documents and unpublished correspondence, the article focuses on these founding figures and reconstructs the main stages in the history of the Seminary between 1923 and 1974.
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Decharme, Bertrand, Christine Delire e Aaron Boone. "La représentation des surfaces continentales dans la modélisation du climat à Météo-France". La Météorologie, n.º 108 (2020): 067. http://dx.doi.org/10.37053/lameteorologie-2020-0018.
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Les surfaces continentales jouent un rôle non négligeable dans le système climatique de la Terre. Elles occupent d'ailleurs une place majeure dans les cycles globaux de l'eau et du carbone. Elles ont été prises en compte dès les premiers modèles numériques de climat et, avec l'évolution des connaissances, des capacités de calcul et de la demande sociétale, leur représentation s'est aujourd'hui considérablement complexifiée. Nous présentons ici une brève histoire de l'évolution du modèle de surfaces Isba (Interactions sol-biosphère-atmosphère) de Météo-France dans son utilisation à l'échelle du globe en la replaçant dans le contexte international de la modélisation climatique. Land surfaces play a significant role in the Earth climate system, and they are a major component of the global carbon and water cycles. The first numerical climate models took them into account in very simple ways. Through time the complexity of their representation has increased a lot owing to improved knowledge, larger computational resources and changing societal demands. We present here a brief history of the ISBA (Interactions Soil-Biosphere-Atmosphere) land surface model developed at Météo-France when used at the global scale and how it evolved in the context of international climate modelling.
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Pfister-Langanay, Christian. "Susan Rose , Calais. An English town in France, 1347-1558 , Boydell Press, 2007, 187 p." Revue du Nord 385, n.º 2 (1 de abril de 2010): II. http://dx.doi.org/10.3917/rdn.385.0443b.
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Leveau, Philippe. "Le paysage aux époques historiques:un document archéologique". Annales. Histoire, Sciences Sociales 55, n.º 3 (junho de 2000): 555–82. http://dx.doi.org/10.3406/ahess.2000.279864.
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RésuméDepuis une vingtaine d'annees, l'approche archeologique du paysage aux epoques historiques s'est considerablement diversified. Trois etapes sont distinguees. En France, elle a d'abord ete pratiquee par des historiens pour la recherche des cadastres fossiles datant de la pe“riode antique. L'identification de centuriations permettait d'ecrire une histoire de l'appropriation du sol par Rome. Pratiquees d'abord dans un objectif patrimonial, les prospections archeologiques ont pris une importance croissante; les grandes operations d'archeologie preventive qui se sont developpees ces dernieres annees ont permis de multiplier les sondages et de realiser le decapage de grandes surfaces. Une troisieme etape a ete marquee par l'integration de l'archeologie environnementale. Celle-ci fait appel aux geomorphologues pour l'étude des modeles du paysage et des paleobotanistes pour l'histoire de la vegetation naturelle et cultivee. L'histoire des paysages dans la vallee des Baux est presentee comme exemple.
Teses / dissertações sobre o assunto "Rose de France – Histoire"
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Pawula, Clovis. "Rosa gallica L. and other Gallic roses : origin(s) and role in the genesis of cultivated roses". Electronic Thesis or Diss., Angers, 2023. http://www.theses.fr/2023ANGE0065.
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Rosa gallica L., une espèce pérenne, tétraploïde, hétérozygote, qui se propage naturellement par graines et drageons, existe à l’état sauvage, principalement en Europe, et sous forme de cultivars. En France, sa diversité génétique sauvage est structurée géographiquement. De plus, cette espèce est supposée être à l’origine des premiers groupes horticoles (Hybrides Gallica, Centifolia, Alba, Damas…) de rosiers dont sont issus par hybridation les rosiers actuels. Les objectifs de cette thèse sont (1) d’identifier les facteurs à l’origine de la structuration des populations françaises par la caractérisation de la diversité sauvage européenne, et (2) d’évaluer la contribution de R. gallica aux premiers groupes horticoles. Près de 1600 individus, sauvages,échantillonnés sur quasiment l’ensemble de l’aire de répartition européenne, et cultivés ont été génotypés par séquençage de microsatellites, nouvellement développés. Pour analyser ces données chez des polyploïdes, une méthode de prédiction du niveau de ploïdie a été mise au point. La diversité française est particulièrement structurée comparée au reste de l’Europe, ce qui suggère des origines multiples en France. Les populations de la façade Est française semblent être issues, comme pour le reste de l’Europe, d’une dispersion naturelle depuis un refuge glaciaire situé plus au sud. A l’inverse, les populations de la façade Ouest seraient plus récentes et issues d’une dispersion naturelle ou humaine. Contrairement aux Hybrides Galliques, les autres groupes horticoles anciens sont issus d’hybridations interspécifiques. Ces résultats représentent une étape vers la compréhension de l’histoire évolutive de R. gallicaRosa gallica L., a perennial, tetraploid, heterozygous species that propagates naturally by seed and sucker, occurs in the wild, mainly in Europe, and as cultivars. In France, its wild genetic diversity is geographically structured. In addition, this species is thought to be at the origin of the first horticultural groups (Hybrid Gallica, Centifolia, Alba, Damas...) of roses from which modern roses are derived by hybridization. The aims of this thesis are (1) to identify the factors responsible for the structure of French populations by characterizing European wild diversity, and (2) to assess the contribution of R. gallica to the first horticultural groups. Nearly 1,600 individuals, both wild, sampled over almost the entire European range, and cultivated were genotyped by sequencing newlydeveloped microsatellites. To analyze these data in polyploids, a method for predicting ploidy levels was developed. French diversity is particularly structured compared to the rest of Europe, suggesting multiple origins in France. As in the rest of Europe, populations on the eastern side of France seem to have originated by natural dispersal from a glacial refugium located further south. In contrast, populations on the western side of the country appear to be the result of more recent humanor natural dispersal. Unlike the Hybrid Gallica, the other ancient horticultural groups are the result of interspecific hybridizations. These findings represent a step towards understanding the evolutionary history of R. gallica
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Pottier, Philippe. "Evolution des plans de secours en france : role des services d'aide medicale urgente". Lyon 1, 1989. http://www.theses.fr/1989LYO1M072.
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Wanegffelen, Thierry. "Des chrétiens entre Rome et Genève : une histoire de choix religieux en France, vers 1520-vers 1610". Paris 1, 1994. http://www.theses.fr/1994PA010696.
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1520-1580 : Deux mises en œuvre rivales de l'idéal de réforme, les réformations protestante et catholique, déchirent la chrétienté occidentale. Chacune constitue une église qui prétend à l'universalité. Mais ce phénomène de « construction confessionnelle » (konfessionsbildung) est trop rapide (à peine le temps d'une vie) pour que tous les chrétiens parviennent à l'accepter sans difficulté. Or, ni l'histoire des églises, ni l'histoire des dogmes ne rendent compte de positions « d'entredeux confessionnel » pourtant fort répandues. Pour les aborder, il faut, au contraire, tenter une histoire de la sensibilité religieuse, être attentif aux destins singuliers. Ceux-ci ont permis l'élaboration de quatre concepts : nicodemites, moyenneurs, temporiseurs et ireniques. Nicodemites (en particulier Marguerite de Navarre et son confesseur Gérard Roussel) et moyenneurs (notamment, a des titres divers, Claude d'Espense, le cardinal Charles de Lorraine, Charles du Moulin, Jean de Monluc et Michel de L'Hospital) sont inscrits dans le premier XVIe siècle, avant le tournant des années 1550-1560, donc dans une époque où il demeure possible, même si c'est de plus en plus difficile, de refuser le choix confessionnel tout en restant catholique; les iréniques, quant à eux (surtout Jean Hotman de Villiers et Pierre de L'Estoile), dans les années 1580-1610, catholiques comme protestants, n'ont pu que s'y plier, tout en le relativisant. Enfin les temporiseurs (Hugues Sureau du Rosier, les « fidèles infidèles » de Troyes et de Lectoure. . . ), encore dans les années 1560-1580, ont tout fait pour le différer. L'étude permet d'abandonner la vision frontale traditionnelle, et d'opérer des distinctions qui manquent aux analyses habituelles du fait confessionnel, en particulier entre catholicisme et reformation catholique. Elle facilite, entre autres, la compréhension de la conversion d'Henri IV, elle éclaire d'un jour nouveau des phénomènes majeurs du XVIIe siècle , tels que le jansénisme voire l'arminianisme, et elle contribue à mieux comprendre le développement du déisme au XVIIIeFrom 1520 up to 1580, western christianity was split by the two competing protestant and catholic reformations. Each camp set up its own church which pretended to be universal, yet this denominational settlement (konfessionsbildung) was too quick to be fully acceptable by all christians (it hardly covered a life-span). Neither the history of churches nor a history of doctrines have so far properly insisted on the existence of a distinctive via media advocated by a number of contemporaries. This approach rests on a history of religious sensibility, and a number of individual cases emerge. Four groups of people were involved at the time : nicodemites, moyenneurs, temporiseurs et ireniques. The nicodemites (in particular Marguerite de Navarre and her confessor, Gérard Roussel) and the middle-of-the-road moyenneurs (Claude D’Espense, cardinal Charles de Lorraine, Charles du Moulin, Jean de Monluc and Michel de L'Hospital. . . ) Lived in the fir st half of the sixteenth century, prior to the 1550-60 turning point. They could still regard themselves as catholic, though it was increasingly difficult to avoid denominational commitment. The irenics (especially the protestant jean hotman de villiers and the catholic pierre de l'estoile) only paid lip service to religious allegiance, while the delaying temporiseurs (Hugues Sureau du Rosier, and some inhabitants of troyes in champagne and lectoure in gascony) tri ed to postpone their choice indefinitely in the 1560s-1580s. This study questions received denominational interpretation s, by introducing new, hitherto unexplored distinctions between catholicism and the catholic reformation. In tum, it ope ns, new perspectives on the conversion of Henri IV, seventeenth-century arminianism and jansenism, not ot forget later deism in the age of the enlightement
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Ferrand, Nathalie. "Une élite de l’horticulture : Les rosiéristes de la région lyonnaise entre 1820 et 1939". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20091.
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Cette thèse sur l’histoire des rosiéristes lyonnais entre 1820 et 1939 s’articule autour de plusieurs problématiques : l’individu et l’exploitation familiale, l’activité commerciale et les goûts des consommateurs, et l’action collective d’une profession qui se démarque progressivement au sein du monde horticole. De l’apparition des premières spécialisations, vers 1820, au déclin de l’activité rosicole pendant l’entre-deux-guerres, la périodisation souligne l’âge d’or de la rosiculture française matérialisée, entre autre, par la formation de lignées professionnelles tout au long du XIXe siècle. L’étude se propose de reconstituer les divers aspects, chronologiques, entrepreneuriaux, socio-économiques, techniques ou culturels de l’activité et apporte des éléments explicatifs à la compréhension du travail des obtenteurs : ceux-ci appartiennent à l’excellence du monde horticole et sont, à ce titre, sujets de l’histoire des élites – il s’agit ici d’élites professionnelles. Grâce aux archives des établissements — livres de comptes, registres d’expédition, correspondances commerciales — la thèse met à jour les évolutions du marché du rosier et montre comment une activité marginale, ignorée des statistiques officielles, se développe par l’intermédiaire d’un réseau commercial étendu. Pour ce faire, le diaporama des acheteurs et l’examen d’une clientèle élitaire et mondaine permettent de décrypter la consommation d’une époque et l’émergence de nouveaux codes esthétiques articulés autour d’un produit qui renvoie à des pratiques culturelles et à des constructions sociales et identitaires. L’exploitation des données quantifiées relatives à la structuration du marché, l’identification nominative de la clientèle et la périodisation des modes en matière de roses, illustrée par une exploitation statistique des préférences des acheteurs, confèrent à cette thèse une démarche neuve et originale. L’analyse des logiques économiques et sociales qui ont influencé la réussite puis le recul du secteur rosicole donne à voir le fonctionnement d’une filière artisanale, son évolution quantitative et qualitative et l’organisation d’un marché à vaste échelle, soutenu par un savoir-faire garant de la qualité du produit et du choix de l’acheteur. Certaines de ces micro-entreprises consolident leur position par une politique dynamique faisant interagir mécanismes de vente et talents créatifs en adoptant des pratiques commerciales relativement modernes pour répondre à un accroissement et une diversification progressive des transactions commerciales. Quant à la mise en adéquation du marché de l’offre et de celui de la demande, elle montre un élargissement de la clientèle lié aux transformations économiques et culturelles provoquées par l’évolution des loisirs dans la majorité des catégories sociales qui voient dans la culture des fleurs une activité de détente et un moyen d’embellir le cadre de vie. Au fil de la réflexion se déclinent de nouvelles préférences florales établies autour de considérations esthétiques qui ne sont pas sans rapport avec la mise en scène ornementale que les architectes paysagistes s’attachent à reproduire. La nouveauté du coloris n’est-elle pas un constitutif déterminant dans le succès d’une variété ? En ce sens, l’engouement en faveur de la rose jaune informe sur les codes de l’élégance qui se généralisent dans les jardins. La colorimétrie dominante constitue donc un observatoire privilégié des sensibilités et des mutations esthétiques et allégoriques qui s’inscrivent au cœur d’une histoire des représentations. Dans un autre versant, l’enquête prosopographique révèle des relations économiques et familiales solidement imbriquées et livre des éléments explicatifs sur la réalité de la petite exploitation et sur les mécanismes comportementaux qui président à la constitution d’une culture familialeThis thesis on the story of Lyon’s roses’ breeders between 1820 and 1939 focuses on several issues: the individual and the family farm, the commercial activity and consumers’ tastes, and the collective action of a profession which gradually stands apart from the horticultural world. From the apparition of first specializations around 1820 to the decline of the activity related to roses during the interwar, the periodization highlights the golden age of French roses’ culture materialized, among others, by the formation of professional lines throughout the nineteenth century. This study proposes to reconstruct various aspects, historical, entrepreneurial, socio-economic, technical or cultural of the activity and provides explanatory material in order to understand the work of breeders: they belong to the excellence of the horticultural world and are, as such, subject to the history of elites – we are talking here of professional elites: With the archives of companies – account books, shipping records, professional correspondence – the thesis updates the developments of the roses’ market and shows how a marginal activity, ignored by official statistics, develops through an extensive sales network. In order to do so, the overview of buyers and the examination of an elitist and fashionable clients permits to decrypts the consumption of an epoch and the emergence of new aesthetic codes articulated around a product that refers to cultural practices and social and identity constructions. The exploitation of quantified data about the market’s structuration, the nominal identification of clients and the periodization of roses’ trends, illustrated by a statistical analysis of the preferences of buyers, give to this thesis a new and original approach. The analysis of economic and social logics that have influenced the success and the decline of the roses’ sector show the functioning of a traditional industry, its quantitative and qualitative evolution and the organization of a large-scale market, supported by a know-how which guarantees the quality of the product and the choice of the buyer. Some of those micro-companies consolidate their position by choosing a dynamic policy using and combining both sales’ mechanisms and creative talents, taking relatively modern business practices in response to a gradual increase and diversification of commercial transactions. Concerning the matching of supply and demand, it shows a broadening of the customer, which is related to the economic and cultural changes brought about by the expansion of leisure in most social groups who see the flowers ’culture as a relaxing activity and a way to beautify the living environment. Throughout the reflexion, new floral preferences established have been declined; around aesthetic considerations which are not unrelated with the development of ornamental staging which landscape architects strive to reproduce. Isn’t the novelty of a colour a preeminent element determining the success of a variety? In this sense, the enthusiasm for the yellow rose lets us know about codes of elegance that became widespread in the gardens. The colorimetry is therefore a privileged observatory of sensibilities and aesthetic and allegorical mutations that join the heart of a history of representations.In another side, the prosopographic survey reveals economic and family relationships securely nested and delivers explanatory elements of the reality of small farm functioning and behavioural mechanisms that govern the formation of a family culture. De facto, this work aims to provide a contribution to the understanding of the historical genesis of a professional group, whose history is constructed in terms of lineage and genealogy
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Serié, Pierre. "La peinture d'histoire en France (1867-1900)". Paris 4, 2008. http://www.theses.fr/2008PA040229.
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En 1867 la peinture d’histoire peut sembler sur le déclin, mais, à la vérité, elle n’aura probablement jamais été, au XIXe siècle tout du moins, si dynamique qu’entre cette date et 1900. Théoriquement d’abord, ce genre assailli par la modernité ne cesse de se redéfinir puisqu’il s’est déjà ouvert au paysan (1830-1860) et qu’il englobe bientôt l’ouvrier (1880-1890). Surtout, l’émergence progressive de la notion de décoration le mine dans ses fondements en même temps qu’elle tend à lui disputer sa préséance : un combat est livré au terme duquel le tableau d’histoire, recentré sur le contenu (le sujet, l’histoire) voit lui échapper sa raison d’être formelle – le style, la plastique – échue à la décoration. À l’heure du retour de la peinture sur elle-même, sur ce qui la constitue, voilà qui revient à définitivement déclasser le tableau d’histoire dans la création contemporaine. La richesse de ces questionnements sur les prémices du grand genre se traduit pourtant aussi, pratiquement, au niveau des formes – ce que Matisse aurait appelé le « sens majeur » –, par une prolifération de tendances stylistiques contradictoires : entre 1860 et 1880, au classicisme raphaélien de Bouguereau et de Cabanel répond l’anticlassicisme de Moreau et de ses fils spirituels coloristes ou dessinateurs ; tandis que, de 1875 à 1900, le réalisme de metteur en scène développé par Gérôme, Laurens puis Rochegrosse et Tattegrain est systématiquement désavoué par une tendance plus élégiaque (Henner), littéraire (Fantin-Latour), voire murale (Martin). Les ultimes contributeurs à la peinture d’histoire semblent avoir déjà l’âme de décorateurs – c’est effectivement comme tel que Martin passera à la postérité –, mais, en définitive, ces décorateurs du début du XXe siècle pourraient bien être compris comme les héritiers directs de ceux que, quelques décennies plus tôt, on qualifiait de « peintres d’histoire » : dans les deux cas on aspire à la synthèse et l’on perpétue la tradition fresquiste italienne. Le « grand goût » aura survécu à sa causeIn 1867, history painting may seem to be on the decline but, actually, it may have never been, in the XIXth century at the very least, so dynamic than it was between this date and 1900. In theory first, this genre assailed by modernity is constantly redefining itself since it has already opened to the peasant (1830-1860) and soon includes the labour (1880-1890). Above all , the progressive emergence of the notion of decoration saps its foundations as well as it aims at robbing it of its precedence : at the end of the battle which is fought, history painting, reoriented towards its content (the topic, the story) experiences the loss of its formal raison d’être –style, plastic- fallen to decoration. At the time of the return of painting towards itself, towards its constituents, this comes down to definitely downgrading history painting in contemporary creation. The richness of these questionings about the beginning of the great genre is also conveyed, in practice, at forms level - what Matisse would have called the “sens majeur”, by a proliferation of conflicting stylistic trends : between 1860 and 1880, Bouguereau and Cabanel’s Raphaelesque classicism responds to the anti-classicism of Moreau and his spiritual sons, colourists or drawers ; whilst, from 1875 to 1900, the director-like realism developed by Gérôme, Laurens then by Rochegrosse and Tattegrain is systematically disavowed by a more elegiac (Henner), literary (Fantin-Latour) indeed mural trend (Martin). The final contributors to history painting already seem to have decorator souls - and it is as such that Martin will actually go down to posterity, but finally, these decorators of the early part of the XXth century could definitely be seen as the direct heirs of those who, a few decades earlier, were called “history painters” : in both cases one aspires to a synthesis and the Italian tradition of fresco painters is perpetuated. The “grand goût” will have survived its cause
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Raskolnikoff, Mouza Frézouls Edmond. "Histoire romaine et critique historique dans l'Europe des Lumières : la naissance de l'hypercritique dans l'historiographie de la Rome antique /". Rome : Strasbourg (1 rue de Rome, 67000) : École française de Rome ; AECR [Association pour l'étude de la civilisation romaine], 1992. http://catalogue.bnf.fr/ark:/12148/cb35537861n.
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Lechleiter, France. "Les envois de Rome des pensionnaires peintres de l’Académie de France à Rome de 1863 à 1914". Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040175/document.
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La direction artistique de l’Académie de France à Rome et de ses pensionnaires est placée sous le patronage de l’Académie des beaux-arts. Elle détermine et réglemente les conditions de séjour et le programme des travaux annuels, les envois de Rome. Ce privilège est interrompu le 13 novembre 1863 par un décret qui lui retire sa tutelle pour la confier à l’Etat. Cette rupture est révélatrice d’une crise majeure de l’enseignement des beaux-arts en France et bien que l’Académie récupère la totalité de ses prérogatives huit ans plus tard, elle devra désormais composer avec les exigences que l’époque lui imposera, entre tradition et modernité. C’est dans cette perspective que vienne s’inscrire les pensionnaires peintres et leurs envois de Rome. Tributaires d’un enseignement et d’un système académique des beaux-arts, les lauréats des grands prix de Rome de peinture sont le symbole de la tradition. Ils sont peintres d’histoire et achèvent leur formation artistique en Italie, à Rome, au contact des grands maîtres de la Renaissance et des chef-d’œuvres de l’antiquité. Mais ils sont aussi enfants de leur siècle et à ce titre partagent les problématiques artistiques contemporaines. La question est de savoir dans quelle mesure cette présence au monde se manifeste dans leurs envois et de quelle nature sont les formes qu’elle revêtThe artistic direction of the Académie de France à Rome and its artists in residence is placed under the patronage of the Academy of fine arts. The Academy determines and regulates the conditions of stay and the programme of annual work, the « envois de Rome ». This privilège is interrupted on the 13th November 1863 by a decree witch withdraws its guardianship to entrust it to the government. This rupture shows major crisis in fine arts education in France. even though the Academy recovers the totality of its prerogatives eight years later, from then on it has to take into account the demands that epoch imposes, oscillatin between tradition and modernity. It is in this perspective that the painters in residents and their « envois de Rome » position themselves. tributaries of the education and of the academic system of fine arts, laureates of the prix de Rome in painting are the symbol of the tradition. They are history painters and complete their artistic training in Italy, in Rome, in touch with the old masters of the Renaissance and the masterpiecies of antiquity. But they are also children of their century and for this reason they share the contemporary artistic issues . The point is to know to what extent this presence in world is manifested in their work and what is the nature of the forms it takes on
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Bonnin, Judith. "L'internationalisme rose au tournant de la mondialisation : la politique internationale du Parti socialiste français de 1971 à 1983". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC082.
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L’internationalisme socialiste, doctrine prônant l'union et la solidarité des peuples par-delà les frontières, est un marqueur identitaire du socialisme du premier comme du second vingtième siècle. Après sa refondation au congrès d’Épinay en 1971, le nouveau Parti socialiste français (PS), dirigé par François Mitterrand, adhère à l’Internationale socialiste et annonce vouloir construire un « nouvel internationalisme ». C’est sous ce nom qu’il mène sa politique internationale durant une décennie charnière, marquée par la poursuite de la Guerre froide, l’accélération de la mondialisation économique, l’internationalisation croissante de la politique, et la conclusion d’un programme commun avec le Parti communiste français et le Mouvement des radicaux de gauche. Au terme de dix ans de montée en puissance du PS, F. Mitterrand est élu Président de la République française en mai 1981. Étudier la politique internationale et l'internationalisme du PS durant cette décennie clé, c’est ainsi éclairer l’articulation politique des échelles nationale et internationale dans un monde plus globalisé et c’est appréhender le tournant idéologique et politique de la gauche sous un angle nouveau. Dans cette thèse, on analyse ainsi dans une première partie la nature et la place de la notion d'internationalisme dans la culture, la doctrine et l’identité du PS. Puis dans un second temps, on s’intéresse aux pratiques internationales du PS, à ce qui caractérise sa diplomatie à toutes les échelles impliquées. En analysant la vision du monde et l’action internationale d’un groupe politique particulier, cette thèse cherche ainsi à questionner les bases sur lesquelles se sont construites la diplomatie et la société politique mondiales au moment même de l'approfondissement de la mondialisationThe socialist internationalism is a doctrine advocating the union and the solidarity between the peoples and beyond the borders. It is an identity marker of the socialism of the whole twentieth century, not only of its beginning. After the congress of Épinay in 1971, the new French Socialist Party (PS) supervised by François Mitterrand adheres to the Socialist International and announces its will to shape a "new internationalism". The French socialists lead their international policy following this slogan, for a pivotal decade marked by the pursuit of the Cold War, the acceleration of the economic globalization, the increasing internationalization of politics, and the conclusion of a common program with the French communist Party and the “Mouvement des Radicaux de Gauche”. After ten years of growing importance for the PS, F. Mitterrand is elected President of the French Republic in May 1981. Studying the international policy and the internationalism of the PS during this key decade enables to inform the political articulation of the national and international scales in a more globalized world. It is a way to understand the ideological and political turning point of the left under a new angle. To do so in this thesis, we analyze in a first part the nature and the place of the notion of internationalism in the culture, the doctrine and the identity of the PS. In a second part, we analyze the international practices of the PS, what characterizes its diplomacy on all the involved scales. By analyzing the vision of the world and the international action of a particular political group, this thesis finally tries to question the bases of global diplomacy and of a new global society at the time of the deepening of globalization
L'internazionalismo socialista, dottrina che esalta l'unione e la solidarietà fra i popoli, rappresenta una caratteristica identitaria del socialismo dell'inizio attraverso l’intero ventesimo secolo. A seguito della sua rifondazione al congresso di Épinay nel 1971, il nuovo Partito socialista francese (PS), sotto la direzione di François Mitterrand, aderisce all'Internazionale socialista ed annuncia di voler costruire un "nuovo internazionalismo". Sarà questo slogan che condurrà la sua politica internazionale durante un decennio contrassegnato dalla continuazione della Guerra fredda, l'accelerazione della mondializzazione economica, l'internazionalizzazione crescente della politica, e la conclusione di un programma comune col Partito comunista francese ed il Movimento dei radicali di sinistra. Sull’onda di un crescente consenso ingenerato nei dieci anni precedenti, F. Mitterrand viene eletto Presidente della Repubblica francese nel maggio del 1981. Studiare l’evoluzione della politica internazionale e dell'internazionalismo del PS durante questo decennio, significa analizzare l’interazione fra politiche nazionali ed internazionali in un contesto sempre più globalizzato ed osservare, sotto una prospettiva differente, il mutamento ideologico e politico della sinistra. La prima parte di questa tesi, si sofferma pertanto sulla natura e la collocazione della nozione di internazionalismo nella cultura, nella dottrina e nell'identità del PS. La seconda parte si inoltra nello studio delle pratiche internazionali e diplomatiche del PS a tutti livelli. Attraverso l’esegesi “della visione del mondo” e dell'azione internazionale di un gruppo politico particolare, questa tesi si interroga sulle basi fondanti la diplomazia e le società politiche mondiali al sopraggiungere della mondializzazione
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Cho, Ah Young. "Enjeux de la gestion des ressources humaines : histoire et perspectives de la professionnalisation du personnel des musées". Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010555.
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Cette thèse appréhende l'histoire de l'évolution des musées et la professionnalisation de ses acteurs, la diversification de leurs fonctions pour répondre à des nouvelles tâches, pour favoriser véritablement un rôle de service public et implanter des services des publics. Nous nous sommes intéressés aux deux groupes professionnels liés à la conservation et à la médiation dans le contexte du rôle social des musées. Cette recherche explore l'état actuel de la fonction des médiateurs et leur non-reconnaissance professionnelle par rapport aux conservateurs dans la division du travail au sein de l'organisation, en dévoilant le processus de construction du champ d'action dédié à la médiation culturelle dans les musées. Finalement, elle se focalise sur les enjeux de la Gestion des Ressources Humaines, à travers une observation des dispositifs visant à reconnaître l'identité professionnelle et les activités des médiateurs au sein des muséesThis thesis apprehends the history of museums development and the professionalization of its actors, the diversification of their functions to meet new tasks, to promote a public service role and implement public services. We were interested in two professional groups related to the conservation and mediation in the context of the social role of museums. This research explores the current state of mediators' function and its non-professional recognition from the curators in the task division within the organization, revealing the process of building the scope dedicated to cultural mediation in museums. Finally, it focuses on Human Resource Management issues in order to recognize the professional identity and activities of mediators in museums
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Pinon, Pierre. "Pierre-Adrien Pâris architecte (1745-1819) ou l'archéologie malgré soi". Paris 4, 1998. http://www.theses.fr/1997PA040294.
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Pierre-Adrien Pâris, né et mort à Besançon (1745-1819), a mené une carrière d'architecte et d'archéologue très particulière. Comme architecte, il a d'abord suivi un parcours brillant l'amenant à cumuler les "places" : premier dessinateur des menus-plaisirs, membre de l'Académie d'architecture, architecte de l'Académie de musique, architecte des économats. Si la Révolution y a mis un terme, ce n'est pas seulement par la force des circonstances, mais parce qu'il a choisi de ne plus habiter à Paris et de ne plus construire après la mort du roi, en janvier 1792. Durant les 18 années de sa courte carrière, il a tout de même édifié ou aménagé une cinquantaine de bâtiments, sans compter les architectures de fêtes et les décors d'opéras qui ont fait sa renommée. Comme archéologue, malgré lui, car il a opéré en architecte, en opposition à la démarche des "antiquaires", il a consacré une quinzaine d'années de sa vie, notamment après 1806, à étudier les monuments antiques de Rome. Nouveau Desgodetz, il a dessiné, mesuré, analysé, interprété l'architecture romaine, selon une démarche concrète et critique. Paradoxalement, la part la plus originale de sa théorie de l'architecture est d'avoir mis en garde contre l'abus des modèles antiquesPierre-Adrien Pâris was born in Besancon in 1745 where he died in 1819. He had a most unusual career, being both an architect and an archaeologist. As was a brilliant architect and held concurrently a number of high offices including the menus-plaisirs. He was also a member of the architectural academy, architect for the musical academy and of the "economats". If his career ended with the revolution, it was not only due to circumstances: in fact he elected to leave Paris never to return, refused to build anything after the king's death, in January 1792. However, during the eighteen years he built or redesigned about fifty buildings. As an archeologist he devoted about fifteen years of his life, in particular from 1806, to studying the ancient monuments of Rome. His approach differed entirely from that of an antique dealers in that he drew, measured, analyzed and interpreted roman architecture using the critical and pragmatic methods of Desgodetz. Paradoxically, his most original contribution to architectural theory consisted in condemning the abuse of antique models
Livros sobre o assunto "Rose de France – Histoire"
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traducteur, Mailhot-Sarrasin Karine, ed. La mystérieuse histoire de l'œillet rose. Varennes, Québec, Canada: AdA éditions, 2015.
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Bayard, Jean-Pierre. La spiritualite de la Rose-Croix : histoire, tradition et valeur initiatique. Saint-Jean-de-Braye: Ed.Dangles, 1990.
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The rose grower. London: Vintage, 2000.
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Genre, femmes, histoire en Europe: France, Italie, Espagne, Autriche. [Nanterre]: Presses universitaires de Paris Ouest, 2011.
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The rose grower. New York: Bantam Books, 2001.
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Avery, Fiona. The crown rose. Amherst, NY: Pyr, 2005.
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Bourne, Joanna. The forbidden rose. New York: Berkley Publishing Group, 2010.
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Bourne, Joanna. The forbidden rose. London: Headline Eternal, 2014.
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Kretser, Michelle De. The rose grower: A novel. New York: Carroll & Graf, 2000.
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Lemoine, Yves. La grande robe, le mariage et l'argent: Histoire d'une grande famille parlementaire, 1560-1660. [Paris]: Michel de Maule, 2000.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Rose de France – Histoire"
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Rosenberg, Pnina. "Undesirable asylum-seekers from National Socialist Germany in France". In Histoire, 159–76. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459270-012.
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Maier, Lilly. "Interventions by non-governmental organisations in state-run internment camps in France". In Histoire, 97–110. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459270-007.
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Buchet, Antoine. "INTEGRATION EN FRANCE DE LA CONVENTION PORTANT STATUT DE LA COUR PENALE INTERNATIONALE HISTOIRE BREVE ETINACHEVEE D’UNE MUTATION ATTENDUE". In The Rome Statute and Domestic Legal Orders, 98–123. Nomos, 2000. http://dx.doi.org/10.5771/9783845258683_98.
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Courgeau, Daniel, e Éva Leliévre. "Interrelations between First Home-Ownership, Constitution of the Family, and Professional Occupation in France". In Demographic Applications OF Event History Analysis, 120–40. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198283867.003.0006.
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Abstract An important aim in the life of a Frenchman or Frenchwoman is to become the owner of his or her own home. Nevertheless, in 1982, only 50.6% of French households were home-owners, and among households whose head was between 55 and 64 years old, this proportion rose to 63.5%. These results, which reflect a behaviour pattern toward home-ownership distinct from other European countries, are well known from census data. Nevertheless, the processes that lead to the fulfilment of this ambition to own a home are more difficult to study. To analyse this process of first home-ownership, longitudinal data are necessary. In order to obtain such data, we conducted a survey that collected retrospective information on the entire family, professional career, and migration histories of the interviewees. The sample consists of the life histories of 4602 individuals, and is representative of the population living in France in 1981 and born between 1911 and 1935. These data will enable us to explore in more detail the process of home-ownership.
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Verhaart, Floris. "The Quest for Civic Virtue". In Classical Learning in Britain, France, and the Dutch Republic, 1690-1750, 120–98. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861690.003.0004.
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This chapter focuses on those eighteenth-century students of ancient history and literature who were mainly interested in Latin and Greek writings as moral edification. Recent decades have witnessed a growing awareness of the role played by models drawn from classical antiquity in the advancement of the concept of politeness in the eighteenth century. Much less attention has been paid to the connection between the popularizing works on antiquity that were read by the social and intellectual elites to form a conception of these classical models and contemporary scholarly debates. In order to tackle this question, I will discuss two eighteenth-century bestsellers. The first of these was the History of the Life of Marcus Tullius Cicero by Conyers Middleton (1683–1750) and the second was the Histoire Romaine (1738–48) by the Jansenist Charles Rollin (1661–1741). Although these men had vastly different religious outlooks—Middleton was a deist and Rollin a Jansenist—they each made an important contribution to the popularization of classical culture in the eighteenth century. It will be demonstrated that the life and work of both men was deeply influenced by the moralizing and popularizing approach to classical texts (philosophia), and that they created a conception of antiquity that found its way into the works of some of the foremost philosophes of the eighteenth century, such as Voltaire and Montesquieu.
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Shelley, Mary, e Percy Bysshe Shelley. "France". In Histoire d’un voyage de six semaines, 57–66. Presses universitaires de Provence, 2015. http://dx.doi.org/10.4000/books.pup.9616.
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"Compléments bibliographiques 2003". In Histoire de France, 1078. Odile Jacob, 2001. http://dx.doi.org/10.3917/oj.ferro.2001.01.1078.
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"Sélection bibliographique". In Histoire de France, 1011–36. Odile Jacob, 2001. http://dx.doi.org/10.3917/oj.ferro.2001.01.1011.
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LOYSEN, KATHLEEN. "“Ceste histoire veritable”:". In Storytelling in Sixteenth-Century France, 32–56. University of Delaware Press, 2022. http://dx.doi.org/10.2307/j.ctv2v55gsc.5.
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Pong, Beryl. "The Literary Cartography of Ruins". In British Literature and Culture in Second World Wartime, 234–56. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198840923.003.0010.
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After air raids destroyed much of London’s landscape, there were attempts at not only material but imaginative reconstruction. Books of photographs comparing London’s landmarks before and after ruination were made; maps of ‘ruin-walks’ were created for tourists to follow; and new editions of past histories of London were reissued without incorporating present-day damage, as if to elide and erase the wartime years. The intersection between memory and ruins is of primordial concern in a post-war Bildungsroman by Rose Macaulay, whose young protagonist remains unable to assimilate into her post-war landscape. Through the chronotope of ruin, Chapter 9 explores how Macaulay combines London’s landscape with that of her character’s traumatized childhood in Vichy France. In doing so, she explores the limits of the Bildungsroman, in its emphasis on individual-social formation, as a genre for the post-war world.
Trabalhos de conferências sobre o assunto "Rose de France – Histoire"
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Connan-Pintado, Christiane. "Métamorphoses d’une histoire d’eau en littérature de jeunesse (1865-2004) Perspectives scientifiques/ littéraires/pédagogiques". In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2489.
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En lien avec l’axe littéraire du colloque, la présente contribution à la réflexion s’attachera à trois « histoires d’eau » publiées en France pour la jeunesse, en l’espèce trois fictions qui ont en commun de prendre pour protagoniste une goutte d’eau : Métamorphoses d’une goutte d’eau, de Zulma Carraud (Hachette, « Petite Bibliothèque rose illustrée », 1864), Histoire de Perlette goutte d’eau de Marie Colmont (Flammarion, « Père Castor », ill. Béatrice Appia, 1936 et Gerda Muller, 1960) et Histoire courte d’une goutte de Beatrice Alemagna (Autrement jeunesse, 2004). Dans la mesure où la littérature pour la jeunesse se caractérise séculairement par la double visée d’instruire et de plaire, on pourra s’interroger sur la manière dont elle accomplit cette mission en jouant de l’anthropomorphisation de l’inanimé et de la fictionnalisation des phénomènes naturels. La perspective diachronique adoptée invite à observer l’évolution de l’édition et de la création pour la jeunesse sur le long terme. Individualisée, humanisée, féminisée, la goutte d’eau devenue personnage prend la parole pour raconter son histoire avec le soutien d’une iconographie de plus en plus prégnante au cours de l’itinéraire qui conduit du livre illustré à l’album contemporain. Si nombre de ressources littéraires sont convoquées pour rendre le savoir plus aimable et le mettre à la portée des enfants, la leçon scientifique semble peu à peu marquer le pas au profit d’un projet poétique, esthétique et/ou idéologique où l’imaginaire de l’eau prend toute sa place. Cette étude prendra appui sur nombre de travaux qui se penchent sur la production pour la jeunesse, afin de mettre en valeur son intérêt historique, littéraire, artistique et pédagogique.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2489
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Aouichaoui, Mehdi, Claire Dejoie, François Heysen, Pauline Lebris, Quentin Pointillart e Azad Lusbaronian. "Rose Bleue [mp4] (France)". In SA '16: SIGGRAPH Asia 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2997500.2997536.
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Siviero, E., M. Culatti e A. Zanchettin. "Riccardo Morandi and his Legacy in the Realization of Italian Concrete Bridges". In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0291.
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<p>The realization of concrete bridges in Italy in the last century started a bit later in comparison to other Europena countries such as Germany and France. However, the work of important designers such as Arturo Danusso, Eugenio Miozzi, Giulio Krall gave a huge impulse to bridge engineering in Italy, reducing the gap with leading countries. In particular, the role of Riccardo Morandi was quite exceptional, due to his innovative design criteria which are very well represented, for example, in the Storms River bridge in South Africa and in the Fiumarella Bridge in Catanzaro. The recent tragedy of the collapse of Polcevera viaduct in Genova is instrumental in discussing the different approaches needed when dealing with important existing bridges and the possibile retrofitting techniques.</p>
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Plutniak, Sébastien. "L’automatisation éditoriale da la publication des données. Des tirés-à-part aux data journals en archéologie (1950-2000)". In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/qbtj3499.
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Les formes éditoriales adoptées pour la publication des données scientifiques ont varié au cours de l’histoire. Les données étaient premièrement incluses dans la même unité éditoriale imprimée que leur étude, puis, avec les formats numériques, externalisées d’abord sous la forme de « matériaux supplémentaires » et, plus récemment, publiées de manière indépendante sur Internet, notamment avec les data journals. Cette étude porte sur un « chaînon manquant » dans cette histoire des formats éditoriaux : la publication de données imprimée et indépendante. Elle prend comme cas une méthode d’analyse des industries lithiques préhistoriques développée entre 1950 et 2000, en France, Italie et Espagne, ainsi qu’un périodique relatif, l’Archivio di tipologia analitica. Cela permet (1) de proposer un cadre d’analyse des transformations historiques de la publication des données scientifiques, (2) de montrer l’importance du phénomène d’autonomisation des formats éditoriaux, illustré ici à la fois par les tirés-à-part et par le développement de formats de représentation informatisés, (3) d’illustrer la pertinence et le potentiel des tirés-à-part en tant que source pour l’étude des sociabilités scientifiques.
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.
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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en France’ (‘Note on the Destruction of Monuments in France’), ‘Guerre aux Démolisseurs!’ (‘War on the Demolishers!’) and Notre-Dame de Paris (also known as The Hunchback of Notre-Dame). Through an analysis of these four texts, the paper will attempt to understand Hugo’s convictions about the role of buildings – especially Notre-Dame de Paris – in establishing the memory of the city and the nation, and how these in turn underpinned his arguments for conservation. Whilst these texts were all written in a period before the development of key contemporary concepts in the psychology and neuroscience of memory, this paper nevertheless uses the concepts of memory, imagination and Mental Time Travel to try to understand the kind of memory work that the Cathedral performs, and that Hugo suggests it performs in his writing. By examining how Hugo’s literature augmented and engaged the reader’s memory and imagination of the past, this paper will explain how Hugo romanticised the idea that the building was a witness to history. The paper ultimately argues that Hugo positioned Notre-Dame de Paris not only as the centrepiece in his own fiction, but as a beacon of memory for Paris and France, and as such the building came to represent Paris, and indeed the nation as a whole.
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Khizriyev, A. Kh. "The Creation of the United Saudi State in the Context of International Relations in the 1920s-1930s". In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-66-71.
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The article studies the most crucial period in the history of the Kingdom of Saudi Arabia (KSA) – the emergence of the third Saudi state. This event was one of the immediate results of World War I since the winners – Great Britain and France – redrawn the Middle East map after the Ottoman Empire's dissolution. Its founder, Abdel-Aziz ibn Saud, played a vital role in creating the Saudi state. His personal leadership and diplomatic qualities influenced the success of restoring the Saudi state in the Arabian Peninsula. Nevertheless, the great powers were the main actors in this event and used it to create a political balance in the Middle East and gain their goals and interests in the region. Despite their prominent role in this process, they failed to obtain any significant benefits since the emergence of the Saudi state, and the policy of King Abdel-Aziz opened the door for the infiltration of American oil companies into the Middle East. Competing with British companies, they succeeded and eventually strengthened the political and economic influence of the USA in the Arab world.
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Domenech Rodríguez, Marta, David López López e Còssima Cornadó Bardón. "The role of cultural heritage in urban reuse". In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14392.
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Cities face the challenge of transforming existing buildings to be reused, particularly those that are underused or not used at all. Tackling this issue, the European Commission approved in 2014 a package of measures to promote a circular economy. According to this agreement, our cities can be more sustainable and resilient by transforming these underused existing buildings with proposals for their adaptive temporary reuse, favoring the citizens’ well-being and quality of life and promoting social inclusion and economic growth with respect for the environment. This paper studies the role of heritage education in adaptive urban reuse, exploring the possibilities and methodologies for the reprogramming of existing buildings for different types of activities to offer citizens and communities the opportunity to participate in the life of the city, favouring their social inclusion. In contrast to the common new-builds or refurbishment commissions, reuse offers a greater possibility of disseminating, transforming and reinventing architectural methodologies and approaches to integrate in the design process forms of citizen participation, favouring the transition towards a model of a circular economy and more sustainable consumption. The paper analyses the possibilities of urban reuse applied to five major public heritage buildings in Barcelona: the Post Office Building, the Old Customs House, the France Train Station, the Martorell Museum and the Castle of the Three Dragons. Each of them has a particular condition regarding current uses and its public owning institution and presents specific characteristics regarding building typology, heritage protection, conservation and construction materials and techniques. The buildings date either from the late 19th century or the early 20th century and are grouped along a 1 km axis on the threshold between the historic center and the port of the city. This unique location represents a great strategic potential for the regeneration and urban reactivation of the city.
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Dmitrieva, E. E. "Rachmaninov`s Senar and Bunin`s Grasse: Russian Estate Life, Continued in Exile". In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-105-126.
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The idea that the Russian estate as a phenomenon lived a short life, which began in 1762 and abruptly ended in 1917 with the Russian Revolution and destruction of the institute of private landownership, dominated Russian historiography for quite a long period of time. However, in the last decades, this perspective changed significantly, and now researchers are more focused on studying what role estate life played in Russian culture after 1917. There were many forms of the existence of estate life: some estates transformed into museums of everyday life in the countryside or places where famous personalities lived and worked before their death, and so on. Others were restored or newly constructed in the Soviet times, especially during the wave of passeism, when writers reconsidered the estate world and the estate history as an essential component of cultural and historical memory, the “sanctuary of the soul.” Nevertheless, this myth-making also had a genuine basis – an attempt to reconstruct the estate history from abroad. The article, written in the genre of comparative case-study, is devoted to a comparative description of estate experiments, the actors of which were two famous Russian artists who found themselves in exile. The first case is the experience of I.A. Bunin, who settled in exile in the south of France and tried – under seemingly unfavorable conditions – to create some semblance of Russian estate life in a foreign land. The second case, a much more prosperous, at least in a material sense, is S.V. Rachmaninov’s project of building an estate on the shores of Lake Firvaldstät (Lucerne) to comfort his wife, who yearned for their Tambov family estate enormously. The article’s central question is what role such a resurrection of a piece of Russia abroad played in the exiled existence of Rachmaninov and Bunin, but also to what extent and how it was able to sublimate in their work.
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Défossez, Arièle, Eric Dupont, Laurence Grammosenis, Hervé Cordier e Tiphaine Le Morvan. "Protection of Nuclear Power Plants Against Severe Winds: Impact of the Local Building Configuration on the Wind Speed to Consider". In 2020 International Conference on Nuclear Engineering collocated with the ASME 2020 Power Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/icone2020-16136.
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Abstract Over the years, power plants have been hit by numerous severe weather events (storm, flood, heat wave...). EDF (Electricity of France) and ASN (Nuclear Safety Authority) want to assess the future impact of severe weather events on the power plants. Furthermore, recent research on storms estimates more accurate wind speed return values than before. For this reason, the severe wind value is an important parameter to quantify on a NPP (Nuclear Power Plant) site, in order to verify if the protection measures are sufficient or, if necessary, to design adequate protection. To cope with those objectives, wind flow behavior around a PWR (Pressurized Water Reactor) nuclear power plant is studied. The goal of this work is to check that there is no exceeding local wind speed relative to the wind entering the site. The severe winds are characterized locally near the buildings in terms of location and amplitude. Different kind of topology for the nuclear power plant sites are studied in the project: near a cliff, in a plain or in a basin. In our study, the CFD (Computational Fluid Dynamics) open source tool Code_Saturne developed at EDF-R&D is used to simulate the wind over a French PWR site located in nearly flat terrain in a plain. The 3D mesh includes buildings of the site. Several wind directions corresponding to the prevailing winds are studied. Two wind speeds corresponding to wind speed return values are studied (eg: the inlet wind speed is 25 m/s at 10 meter high for a return period of 50 years). Furthermore, several locations selected near buildings are studied carefully. Swirling flows have been viewed between buildings. Analysis of the results shows that the wind speed near the buildings does not exceed the wind speed at the entrance of the domain for the three directions studied except near the cooling towers and above buildings. However, this result should not be generalized to other PWR sites due to the specificities of each site such as relief, buildings position, buildings size, roughness, wind rose... This methodology could be applied at other nuclear power plant sites.
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Forni, Massimo, Alessandro Poggianti, Nicola Ranieri e Gerardo De Canio. "Shaking Table Tests on Innovative Anti-Seismic Systems Developed in the Framework of the LESSLOSS European Integrated Project". In ASME 2008 Pressure Vessels and Piping Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/pvp2008-61229.
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The Integrated Project LESSLOSS (Risk Mitigation for Earthquakes and Landslides), partially funded by the European Commission within the 6th Framework Programme, started on September 2004 and was concluded in August 2007. Activities were carried out by 46 European partners, with a total budget of 9.4 ME. The Project was divided into 11 Sub-Projects. This paper describes the activities performed in the framework of Sub-Project 6 (Development and Manufacturing of Energy Dissipation Devices and Seismic Isolators), which was coordinated by ENEA and whose partnership included two manufacturers of antiseismic devices (ALGA, Milan, Italy and MAURER SHO¨NE, Munich, Germany) and two consulting and construction companies (STAP, Lisbon, Portugal and VINCI, Paris-Rueil, France). Aim of Sub-Project 6 was the development and validation of two innovative antiseismic devices (a low stiffness isolator and an electroinductive damper), the improvement of the performances of a slider with curved surface and the evaluation of benefits and limits of isolation systems based on steel hysteretic dissipaters coupled with flat sliders. The Low Stiffness Isolator (LSI) was developed by ALGA; it is a natural rubber seismic isolator particularly addressed to light structures like family houses. The Electroinductive Damper (DECS), developed by ALGA, is an energy dissipater based on the interaction of a diamagnetic material, like aluminium, with an electric field generated by permanent magnets. The Sliding Isolation Pendulum (SIP) developed by MAURER is an improved curved surface slider, capable of withstanding high weights for long periods without creep effects and high velocity deformations without damages due to friction. Finally, several types of Steel Hysteretic (SH) elements of different geometries and materials have been analyzed and tested in order of evaluating the benefits and the limits of such devices, with particular regard to the re-centering capabilities. All the abovementioned devices have been tested on the ENEA shaking table of the Casaccia labs (near Rome), with a suitable mock-up capable of providing a 300 kN force on the devices in the acceleration and frequency ranges of interest, using several natural and artificial acceleration time histories purposely developed by ENEA. The paper describes the main features of the devices, the numerical activity aimed at the optimization of their behavior and the results of the four shaking table campaigns carried out on each device.
Relatórios de organizações sobre o assunto "Rose de France – Histoire"
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Buchanan, Riley, Daniel Elias, Darren Holden, Daniel Baldino, Martin Drum e Richard P. Hamilton. The archive hunter: The life and work of Leslie R. Marchant. The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.2.
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Professor Leslie R. Marchant was a Western Australian historian of international renown. Richly educated as a child in political philosophy and critical reason, Marchant’s understandings of western political philosophies were deepened in World War Two when serving with an international crew of the merchant navy. After the war’s end, Marchant was appointed as a Protector of Aborigines in Western Australia’s Depart of Native Affairs. His passionate belief in Enlightenment ideals, including the equality of all people, was challenged by his experiences as a Protector. Leaving that role, he commenced his studies at The University of Western Australia where, in 1952, his Honours thesis made an early case that genocide had been committed in the administration of Aboriginal people in Western Australia. In the years that followed, Marchant became an early researcher of modern China and its relationship with the West, and won respect for his archival research of French maritime history in the Asia-Pacific. This work, including the publication of France Australe in 1982, was later recognised with the award of a French knighthood, the Chevalier d’Ordre National du Mèrite, and his election as a fellow to the Royal Geographical Society. In this festschrift, scholars from The University of Notre Dame Australia appraise Marchant’s work in such areas as Aboriginal history and policy, Westminster traditions, political philosophy, Australia and China and French maritime history.
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Wezeman, Pieter D., Justine Gadon e Siemon T. Wezeman. Trends in International Arms Transfers, 2022. Stockholm International Peace Research Institute, março de 2023. http://dx.doi.org/10.55163/cpns8443.
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Imports of major arms by European states rose by 47 per cent between 2013–17 and 2018–22, while the global volume of international arms transfers fell by 5.1 per cent. There were decreases in arms transfers to Africa (–40 per cent), the Americas (–21 per cent), Asia and Oceania (–7.5 per cent) and the Middle East (–8.8 per cent) between the two periods. The five largest arms importers in 2018–22 were India, Saudi Arabia, Qatar, Australia and China. The five largest arms exporters were the United States, Russia, France, China and Germany. The war in Ukraine had only a limited impact on the total volume of arms transfers in 2018–22, but Ukraine did become a major importer of arms in 2022. In addition, most European states substantially increased their arms import orders and the war will have significant ramifications for future supplier–recipient arms trade relations globally. From 13 March 2023 the freely accessible SIPRI Arms Transfers Database includes updated data on transfers of major arms for 1950–2022, which replaces all previous data on arms transfers published by SIPRI. Based on the new data, this fact sheet presents global trends in arms exports and arms imports, and highlights selected issues related to transfers of major arms.