Artigos de revistas sobre o tema "Roots (Botany) – Songs and music"
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Vergano, Rina, e Roxana Vilk. "Songs that live in the bones". British Journal of Music Education 39, n.º 3 (novembro de 2022): 286–91. http://dx.doi.org/10.1017/s0265051722000328.
Texto completo da fonteGraebner, Werner. "Whose music? The songs of Remmy Ongala and Orchestra Super Matimila". Popular Music 8, n.º 3 (outubro de 1989): 243–58. http://dx.doi.org/10.1017/s0261143000003548.
Texto completo da fonteTang, Jing, e Phiphat Sornyai. "The Cultural Treasures of Baima Tibetan Folk Songs in Gansu Province, China, as a Resource for Literacy Education in Chinese Music History". International Journal of Education and Literacy Studies 11, n.º 3 (31 de julho de 2023): 234–43. http://dx.doi.org/10.7575/aiac.ijels.v.11n.3p.234.
Texto completo da fonteEvans, David. "Music Makers: Portraits and Songs from the Roots of America (review)". Notes 61, n.º 2 (2004): 469–71. http://dx.doi.org/10.1353/not.2004.0134.
Texto completo da fonteGÖK, Emre, e İsmet DOĞAN. "COMPILATION WORKS OF BELA BARTOK IN ANATOLIA". Zeitschrift für die Welt der Türken / Journal of World of Turks 14, n.º 2 (15 de agosto de 2022): 113–30. http://dx.doi.org/10.46291/zfwt/140206.
Texto completo da fonteBernstein, Tamara. "The Vocal Music of Ana Sokolović: Love Songs for the Twenty-First Century". Circuit 22, n.º 3 (20 de fevereiro de 2013): 19–35. http://dx.doi.org/10.7202/1014226ar.
Texto completo da fonteCox, Gordon. "Towards the National Song Book: The History of an Idea". British Journal of Music Education 9, n.º 3 (novembro de 1992): 239–53. http://dx.doi.org/10.1017/s0265051700009128.
Texto completo da fonteDomokos, Mária, e Katalin Paksa. "The Hungarian folk song in the 18th century". Studia Musicologica 49, n.º 1-2 (1 de março de 2008): 105–25. http://dx.doi.org/10.1556/smus.49.2008.1-2.6.
Texto completo da fonteDuinker, Ben. "Song Form and the Mainstreaming of Hip-Hop Music". Current Musicology 107 (27 de janeiro de 2021): 93–135. http://dx.doi.org/10.52214/cm.v107i.7177.
Texto completo da fonteZadorozhna, Tetyana. "THE SEMANTICS OF THE ACADEMIC SONGS AS A SIGNIFICANT FORM OF UKRAINIAN MUSIC COMPOSITION: EPISTEMOLOGICAL ASPECT". Baltic Journal of Legal and Social Sciences, n.º 2 (25 de outubro de 2022): 65–70. http://dx.doi.org/10.30525/2592-8813-2022-2-11.
Texto completo da fonteCoppi, Antonella, e Johann van der Sandt. "Andrá tutto bene! Musicking together and apart: The role of popular music and singing during the COVID-19 period in Italy". Journal of Popular Music Education 6, n.º 1 (1 de março de 2022): 65–80. http://dx.doi.org/10.1386/jpme_00075_1.
Texto completo da fonteCoppi, Antonella, e Johann van der Sandt. "Andrá tutto bene! Musicking together and apart: The role of popular music and singing during the COVID-19 period in Italy". Journal of Popular Music Education 6, n.º 1 (1 de março de 2022): 65–80. http://dx.doi.org/10.1386/jpme_00075_1.
Texto completo da fonteChaloupková, Lenka. "The Chinese Art Song, yishu gequ: Between Tradition and Modernity". AUC PHILOLOGICA 2021, n.º 3 (15 de fevereiro de 2022): 29–46. http://dx.doi.org/10.14712/24646830.2022.2.
Texto completo da fonteAkhmetova, A. K., e L. U. Brimgazina. "PROBLEMS IN THE DEVELOPMENT OF CREATIVE ABILITIES OF STUDENTS OF PRIMARY CLASSES THROUGH A.ESBAEV SONGS". BULLETIN Series of Pedagogical Sciences 68, n.º 4 (30 de dezembro de 2020): 232–39. http://dx.doi.org/10.51889/2020-4.1728-5496.34.
Texto completo da fonteCusimano, Christophe. "« The two old bachelors » de Edward Lear: étude sémantique et traductologique". Journal for Foreign Languages 11, n.º 1 (30 de dezembro de 2019): 291–302. http://dx.doi.org/10.4312/vestnik.11.291-302.
Texto completo da fonteRegmi, Aarati. "Redefining the Society in Hip-Hop Music: A Nepali Perspective". SCHOLARS: Journal of Arts & Humanities 3, n.º 1 (1 de março de 2021): 18–25. http://dx.doi.org/10.3126/sjah.v3i1.35355.
Texto completo da fonteTOPÇU, Ömer Yusuf. "OVERVIEW OF POLYPHONY AND NATIONALISM IN EUROPE, OTTOMAN AND OTTOMAN TÜRKİYE". International Refereed Journal of Humanities and Academic Sciences, n.º 30 (2023): 57–72. http://dx.doi.org/10.17368/uhbab.2023.30.04.
Texto completo da fonteTemperley, David. "The origins of syncopation in American popular music". Popular Music 40, n.º 1 (fevereiro de 2021): 18–41. http://dx.doi.org/10.1017/s0261143021000283.
Texto completo da fonteGibbs, Levi S. "“Forming Partnerships”: Extramarital Songs and the Promotion of China's 1950 Marriage Law". China Quarterly 233 (26 de dezembro de 2017): 211–29. http://dx.doi.org/10.1017/s0305741017001692.
Texto completo da fonteGrimshaw, Michael. "‘Redneck religion and shitkickin' saviours?’: Gram Parsons, theology and country music". Popular Music 21, n.º 1 (janeiro de 2002): 93–105. http://dx.doi.org/10.1017/s0261143002002052.
Texto completo da fonteBeck, Guy. "Sacred Music and Hindu Religious Experience: From Ancient Roots to the Modern Classical Tradition". Religions 10, n.º 2 (29 de janeiro de 2019): 85. http://dx.doi.org/10.3390/rel10020085.
Texto completo da fonteApanavičius, Romualdas. "Upowszechnianie się polskiej etnicznej kultury muzycznej na Litwie w XVI–XX wieku". Analecta Cracoviensia 40 (4 de janeiro de 2023): 323–44. http://dx.doi.org/10.15633/acr.4021.
Texto completo da fonteGarcia, Marcelo Velloso, e Vítor Castelões Gama. "Brazilian native metal and the experience of transculturation". Metal Music Studies 7, n.º 1 (1 de março de 2021): 171–77. http://dx.doi.org/10.1386/mms_00041_1.
Texto completo da fonteSzczepaniak, Colette, e Aleksander Cywiński. "Pedagogia intelektualisty publicznego na przykładzie życia i twórczości Gordona Matthew Sumnera (Sting)". Parezja. Czasopismo Forum Młodych Pedagogów przy Komitecie Nauk Pedagogicznych PAN, n.º 1(19) (2023): 67–78. http://dx.doi.org/10.15290/parezja.2023.19.06.
Texto completo da fonteJOUBERT, ESTELLE. "SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE". Eighteenth Century Music 3, n.º 2 (setembro de 2006): 213–30. http://dx.doi.org/10.1017/s1478570606000583.
Texto completo da fonteZhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater". Pedagogy and Psychology 42, n.º 1 (30 de março de 2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.
Texto completo da fonteButler, Mark. "Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys". Popular Music 22, n.º 1 (janeiro de 2003): 1–19. http://dx.doi.org/10.1017/s0261143003003015.
Texto completo da fonteMuntean, Loredana. "THEORETICAL PERSPECTIVE ON THE THERAPEUTIC ROLE OF CHILDREN'S FOLK SONGS". Különleges Bánásmód - Interdiszciplináris folyóirat 6, n.º 1 (30 de março de 2020): 75–81. http://dx.doi.org/10.18458/kb.2020.1.75.
Texto completo da fonteManeliuk, Oksana. "CHAPEL “BESKYD” (IVANO-FRANKIVSK CITY) – POPULARIZER OF LEMKO SONGS". Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, n.º 2 (23 de maio de 2023): 24–33. http://dx.doi.org/10.25128/2411-3271.19.2.4.
Texto completo da fonteBODURIAN, Agota. "The evolution of Armenian liturgical music". Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), n.º 1 (20 de junho de 2020): 39–48. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.4.
Texto completo da fonteSanfratello, Giuseppe. "A Byzantine Chant Collection From Sicily. A Cοllaboration Between Cοpenhagen and Piana degli Albanesi (Palermo)". Kulturstudier 7, n.º 1 (14 de julho de 2016): 80. http://dx.doi.org/10.7146/ks.v7i1.24055.
Texto completo da fonteWeinreich, Matthias, e Mikhail Pelevin. "The Songs of the Taliban: Continuity of Form and Thought in an Ever-Changing Environment". Iran and the Caucasus 16, n.º 1 (2012): 45–70. http://dx.doi.org/10.1163/160984912x13309560274055.
Texto completo da fonteBohlman, Andrea F. "Solidarity, Song, and the Sound Document". Journal of Musicology 33, n.º 2 (2016): 232–69. http://dx.doi.org/10.1525/jm.2016.33.2.232.
Texto completo da fonteCooper, B. Lee. "Rock; Greatest Hits; Songs Our Daddy Taught Us: A Journey into the Roots of the Everly Brothers … and American Music". Rock Music Studies 3, n.º 1 (17 de julho de 2014): 122–24. http://dx.doi.org/10.1080/19401159.2014.939454.
Texto completo da fonteRahmawati, Aulia, Syafrida Nurrachmi Febriyanti e Ririn Puspita Tutiasri. "Young, Noisy and Angry: Voice of Baceprot and Feminism in Metal Band". Journal of Gender, Culture and Society 3, n.º 2 (13 de novembro de 2023): 55–63. http://dx.doi.org/10.32996/jgcs.2023.3.2.5.
Texto completo da fonteMukherjee, Kamalini. "Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music". International Journal of Pedagogy, Innovation and New Technologies 4, n.º 2 (28 de dezembro de 2017): 35–47. http://dx.doi.org/10.5604/01.3001.0011.5843.
Texto completo da fonteMorgan, Elizabeth. "Combat at the Keys: Women and Battle Pieces for the Piano during the American Civil War". 19th-Century Music 40, n.º 1 (2016): 7–19. http://dx.doi.org/10.1525/ncm.2016.40.1.7.
Texto completo da fonteChomsky, Aviva. "Rewriting Gender in the New Revolutionary Song". Radical History Review 2020, n.º 136 (1 de janeiro de 2020): 142–55. http://dx.doi.org/10.1215/01636545-7857319.
Texto completo da fonteJaime, Karen. "“I’m A Stripper, Ho": The Sonics of Cardi B’s Ratchet, Diasporic Feminism". Performance Matters 8, n.º 1 (9 de junho de 2022): 83–96. http://dx.doi.org/10.7202/1089680ar.
Texto completo da fonteWatulo, Aggrey Wafula. "Figurative language and Symbolism Manifested in Bukusu Cultural Songs and Proverbs". Sociometry Journal of Social Science, Art and Humanity 1, n.º 1 (31 de julho de 2021): 26–34. http://dx.doi.org/10.24127/sociometry.v1i1.1342.
Texto completo da fonteBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, n.º 66 (9 de abril de 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Texto completo da fonteSpyra, Piotr. "Religijne inspiracje w twórczości muzyków jazzowych". Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 14, n.º 2 (12 de janeiro de 2017): 119. http://dx.doi.org/10.17951/l.2016.14.2.119.
Texto completo da fonteKELL, JODIE, e STEVEN GAGAU. "Songs of the Solomon Islands. 2017. A Tree With Roots Music. Recorded and produced by Andrew Murphy and David Bettencourt. Accompanied by video report available at https://atreewithrootsmusic.wordpress.com/. CD, 21 tracks (61:03)." Yearbook for Traditional Music 53 (dezembro de 2021): 181–83. http://dx.doi.org/10.1017/ytm.2021.18.
Texto completo da fonteEdwards, Leigh H. "The Songs of Jimmie Rodgers: A Legacy in Country Music by Jocelyn R. Neal�Meeting Jimmie Rodgers: How America's Original Roots Music Hero Changed the Pop Sounds of a Century by Mazor, Barry". Journal of Popular Music Studies 22, n.º 1 (março de 2010): 111–14. http://dx.doi.org/10.1111/j.1533-1598.2010.01227.x.
Texto completo da fontePurik, Elsa E., Marina G. Shakirova, Mars L. Akhmadullin e Vilur R. Shakirov. "The Melody of Form and Space: Music as a Source of Inspiration". ICONI, n.º 2 (2020): 97–107. http://dx.doi.org/10.33779/2658-4824.2020.2.097-107.
Texto completo da fonteDi Santo, Federico. "Sull’origine della poesia romanza: ipotesi andalusa e mediolatina alla luce del rapporto fra rima e melodia". Zeitschrift für romanische Philologie 135, n.º 2 (5 de junho de 2019): 535–82. http://dx.doi.org/10.1515/zrp-2019-0029.
Texto completo da fonteHarris, Rachel. "China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978–1997. By Nimrod Baranovitch. [Berkeley, Los Angeles and London: University of California Press, 2003. xiv+332 pp. £16.95; $24.95. ISBN 0-520-23450-2.]". China Quarterly 178 (junho de 2004): 518–19. http://dx.doi.org/10.1017/s0305741004270291.
Texto completo da fonteOsameka Oyindamola Mercy e Eze Mabel Nkechinyere. "The Influence of Western Drama on Contemporary African Drama". International Journal of Sustainable Applied Sciences 2, n.º 3 (1 de abril de 2024): 185–98. http://dx.doi.org/10.59890/ijsas.v2i3.1481.
Texto completo da fonteKumar, Om Prakash, e Amit Soni. "Socio-Cultural Lifestyle of Tri-Natives: Gond, Bhil and Santhal". Indian Journal of Research in Anthropology 8, n.º 2 (26 de fevereiro de 2023): 97–105. http://dx.doi.org/10.21088/ijra.2454.9118.8222.5.
Texto completo da fonteGelažiūtė-Pranevičienė, Eglė. "Shifts in Authenticity: Electronic Dance Music as Environment for Contemporary Folklore Forms". Tautosakos darbai 61 (1 de junho de 2021): 122–40. http://dx.doi.org/10.51554/td.21.61.05.
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