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Literatura científica selecionada sobre o tema "Roman"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 26 de outubro de 2024

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Artigos de revistas sobre o assunto "Roman"

1

Marinčič, Katarina. "Vzhodnjaška domišljija in človeška šibkost: Huet in Sade o izvoru romana". Keria: Studia Latina et Graeca 14, n.º 2 (24 de dezembro de 2012): 51. http://dx.doi.org/10.4312/keria.14.2.51-58.

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Članek primerjalno obravnava dve zgodnji teoretični besedili o romanu: Razpravo o izvoru romanov (Traité sur l´Origine des romans) P.D. Hueta (1670) ter Razmislek o romanih (Idée sur les romans) Markiza de Sada (1800). Huet svoje prepričanje, da roman izvira na Orientu, med drugim utemeljuje z ugotovitvami o temperamentu orientalskih ljudstev, ki po njegovem mnenju v največji možni meri ustreza zahtevam romanesknega žanra. Za Markiza de Sada, ki se sicer opredeli za grški izvor romana, je temperament širši pojem. Roman je po njegovem nasledek dveh temeljnih človekovih potreb, potrebe po molitvi in potrebe po ljubezni. Predvidevamo sicer lahko, meni, da se je kot tak (najprej) pojavil v Egiptu, ki je zibelka vseh kultov, vendar pa romani nastajajo od nekdaj in povsod.

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2

Garraffoni, Renata S. "Bandidos na Literatura Romana: A importancia das sátiras para uma abordagem histórica do banditismo...Bandits in Roman literature: the importance of the satires for addressing the question of banditry..." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, n.º 5 (23 de maio de 2016): 41. http://dx.doi.org/10.18239/vdh.v0i5.201.

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RESUMEN Para los historiadores de la época romana imperial que se ocupen de los bandidos y de los pobres en la sociedad romana desde el inicio del Principado, las sátiras son, sin duda, una fuente de información muy importante. Así, el objetivo del artículo es discutir el bandolerismo en la sociedad romana teniendo en cuenta el Satyricon escrito por Petronio y las Metamorfosis, cuyo autor es Apuleyo. Intento estudiar la relación entre historia y literatura, en especial su potencialidad para discutir modelos normativos sobre el pasado romano y buscar formas alternativas para reflexionar sobre masculinidades marginalizadas. PALABRAS CLAVE: bandolerismo, literatura e historia, sociedad romana, sátiras romanas, masculinidades marginales ABSTRACT Regarding studies on bandits and poor people in Roman society during the beginning of the Principate, the satirical novels comprise a very important corpus of evidence. The aim of this paper is to focus on Petronius’ Satyricon and Apuleius’ Metamorphosis to discuss banditry in Roman society. I shall also discuss how literature can provide new insights to rethink marginalized masculinities in Roman society. KEYWORDS: banditry, history and literature, Roman society, Roman satires, marginalized masculinities

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3

Liebs, Detlef. "Vier Arten von Römern unter den Franken im 6. bis 8. Jh." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 133, n.º 1 (1 de setembro de 2016): 459–68. http://dx.doi.org/10.26498/zrgra-2016-0116.

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Abstract Four kinds of Romans in the Frankish kingdoms in the 6th to 8th centuries. Roman law texts from Merowingian Gaul make a difference between cives Romani, Latini and dediticii, all considered as Romans. This difference mattered only to slaves who had been freed. The status of Latin and dediticius was hereditary, whereas the descendants of one who had been freed as civis Romanus were free born Romans, who should be classified as a proper, a fourth kind of beeing Roman; it was the standard kind. The difference was important in civil law, procedural law and criminal law, especially in wergeld, the sum to be payed for expiation when somebody had been killed: Who had killed a Roman, had to pay different sums according to the status of the killed.

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Pearce, John. "Britannia Romana: Roman inscriptions and Roman Britain". Archaeological Journal 176, n.º 2 (8 de outubro de 2018): 380–81. http://dx.doi.org/10.1080/00665983.2018.1531595.

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Caggiano, Valeria, e Antonio Ragusa. "Human Skills and Roman Women. Proposals for Humanistic Education". Form@re - Open Journal per la formazione in rete 24, n.º 1 (31 de março de 2024): 310–18. http://dx.doi.org/10.36253/form-14594.

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Despite societal assumptions, women in ancient Rome actively participated in public discussions and policy-making, taking on leadership roles that contributed to developing educational and employment opportunities for themselves, their families, and their communities. The leadership characteristics of Roman women in civic institutions, which differed from those of Roman men or non-Roman women, have yet to be studied in academic literature. The article explores what we have identified as dialogical traits in the leadership of Roman social and political action. We define these traits as ‘dialogical’ because they are built upon and have emerged from equal and intersubjective dialogue between Roman women and their communities. These traits involve leadership assumed relationally, seen as a collective responsibility, developed with others. The focus is on shared values and identity, with a profound understanding of the necessity for intergenerational solidarity to drive organisational action. Competenze umane e donne romane. Proposte per l’educazione umanistica. A prescindere da ciò che la società tradizionale ritiene, le donne romane sono coinvolte nel dibattito pubblico e nella definizione delle politiche, assumendo un ruolo di leadership nella creazione di opportunità di istruzione e di lavoro per loro stesse, per le loro famiglie e per le loro comunità. I tratti specifici del tipo di leadership sviluppata ed esercitata dalle donne romane nelle istituzioni civiche, rispetto al tipo di leadership esercitata dagli uomini romani o dalle donne non romane, sono ancora poco studiati nella letteratura accademica. L’articolo introduce e discute quelli che abbiamo identificato come tratti dialogici nella leadership delle donne romane quando sono impegnate nell’azione sociale e politica. Definiamo questi tratti “dialogici”, in quanto costruiti ed emersi sulla base di un dialogo paritario e intersoggettivo tra le donne romane e le loro comunità. La leadership relazionale, come responsabilità collettiva costruita con gli altri, incentrata sui valori e sull’identità condivisa dei Romani con una forte intuizione della necessità di solidarietà intergenerazionale tra loro come motore dell’azione organizzativa.

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Borchardt, Karl-Heinz. "„Wovon man nicht sprechen kann, darüber muss man allmählich zu schweigen aufhören.“ Nachdenken über Christa Wolfs Kindheitsmuster (1976)." Brünner Hefte zu Deutsch als Fremdsprache 2, n.º 1 (30 de junho de 2009): 11–25. http://dx.doi.org/10.5817/bhdf2009-1-11.

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Der Beitrag beschäftigt sich mit Christa Wolfs Roman Kindheitsmuster (1976), einem der wichtigsten Romane der DDR-Literaturgeschichte. Der Beitrag geht auch auf die Rezeption des Romans ein. Denn wer sich in der Gegenwart mit Christa Wolf beschäftigt, sollte diese Rezeptionsgeschichte zur Kenntnis nehmen. Mit dem Roman entwickelt Christa Wolf eine neue Art autobiografischen Schreibens, deren Traditionen kurz angesprochen werden. Der Roman Kindheitsmuster erzählt von Nelly Jordan, die in den Jahren zwischen 1933 und 1947 heranwächst und von der erwachsenen Frau, die Jahrzehnte später ihre nun polnische Heimat besucht und sich an das Kind erinnert, das sie einmal war.

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Šibal, Rahela. "Moderne literarne metode in grški helenistični roman". Keria: Studia Latina et Graeca 4, n.º 2 (6 de dezembro de 2002): 131. http://dx.doi.org/10.4312/keria.4.2.131-146.

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Grški helenistični roman je bil v zadnjih tridesetih letih deležen ponovnega zanimanja, delno tudi zaradi premikov, ki so se zgodili na področju raziskovanja književnosti. Podrobneje sem pregledala dva slovenska članka o grškem antičnem romanu in v nadaljevanju opisala nekaj modernih literarnih metod, ki so jih pogosteje uporabljali za preučevanje grškega helenističnega romana.

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Álvarez Soria, Ignacio Jesús. "barbarización del ejército romano". Studium, n.º 24 (22 de setembro de 2019): 13–40. http://dx.doi.org/10.26754/ojs_studium/stud.2018242603.

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Resumen En el presente artículo repasaremos someramente algunos de los hitos más reseñables de la historia militar del Imperio Romano Tardío, haciendo hincapié en el papel de los bárbaros que luchaban junto a los romanos, puesto que la barbarización del ejercito romano ha sido uno de los puntos de referencia en las investigaciones acerca de la decadencia y caída del Imperio Romano. En este sentido, haremos referencia al papel integrador que tuvo el ejército romano durante buena parte de la historia del Imperio Romano, y señalaremos los principales hechos que condujeron al final de dicho papel; esbozando también las desastrosas consecuencias que tuvo este hecho para el futuro del Imperio, especialmente del Occidental. Palabras clave: Bárbaros, ejército, integración, migración, godos, reclutamiento. Abstract In this article we will briefly review some of the most important milestones in the military history of the Late Roman Empire. In it we will emphasize the role of the barbarians who fought with the Romans, since the barbarización of the Roman army is one of the points of reference in the investigations about the decay and fall of the Roman Empire. In this sense, we will refer to the role played by the Roman army in the integration of foreigners during a large part of the history of the Roman Empire. In addition, we will point out the main events that led to the end of this integrating role; we will also indicate the disastrous consequences this fact had for the future of the Empire, especially for the Western part. Key words: Barbarians, army, integration, migration, goths, recruitment.

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Cleary, Simon Esmonde. "R.S.O. Tomlin, Britannia Romana: Roman Inscriptions and Roman Britain". Northern History 57, n.º 2 (7 de abril de 2020): 334–35. http://dx.doi.org/10.1080/0078172x.2020.1744888.

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Samardžić, Gligor. "Notes on the ancient population from the area of 'Dilunto': A few examples from the south of the province Dalmatia". Zbornik radova Filozofskog fakulteta u Pristini 52, n.º 1 (2022): 159–69. http://dx.doi.org/10.5937/zrffp52-36021.

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The paper presents data on the population from the south of the province Dalmatia (Dilunto / Stolac). The conquest of the Illyrians and the education in the province of Dalmatia led not only to territorial but to ethnic changes as well. As shown by the epigraph statues from the valley of the Bregava (Dilunto / Stolac), the locals, during the Roman rule, lived together with the Romans who came to the area (cives Romani). A stronger influence of the Roman culture and civilisation, as well as lifestyle, was mostly pronounced by the Italic peoples, as highly significant contributors. They brought with themselves all the achievements of the Roman civilisation, which influenced the locals in various ways. Epigraph statues, various archeological findings and oral sources shed light to a certain degree on all these facts in the south of the province Dalmatia.

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Mais fontes

Teses / dissertações sobre o assunto "Roman"

1

Petit, Aimé. "L'anachronisme dans les romans antiques du XIIe siècle : le "Roman de Thèbes", le "Roman d'Énéas", le "Roman de Troie", le "Roman d'Alexandre /". Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb388862146.

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2

Santalucia, Stefania <1974&gt. "La nuit dans les romans des Lumières Du roman libertin au roman gothique". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5031/1/Santalucia_Stefania_Tesi.pdf.

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Cette thèse se propose d’analyser les images de la nuit et ses significations dans les romans du XVIII siècle, à partir des années 1730-1740, dans le cadre de trois littératures: la littérature anglaise, française et italienne. Deux conceptions opposées sont mises en comparaison: la première, d’exorcisation de la nuit, est typique de la première partie du siècle; elle est représentée principalement par le genre des romans libertins. La deuxième conception montre une valorisation de la nuit qu’on trouve en particulier dans les romans gothiques, qui se sont développés à partir de la seconde partie du siècle. Le but final de la présente recherche est de trouver une explication au refus de la nuit de la part de certains auteurs et ensuite de repérer les causes du bouleversement de cette vision. Puisque la nuit empêche le sens de la vue, elle a été considérée une forme de négation de l’espace physique; selon le profil psychologique et anthropologique la nuit constituerait alors la cause principale de la perte d’orientation. Selon une interprétation intellectuelle et philosophique, elle serait un symbole d’ignorance et d’irrationalité. La situation change vers la moitié du siècle des Lumières, car la nuit commence à assumer un rôle actif et nécessaire dans le processus d’apprentissage. Au niveau social, les rencontres les plus importantes adviennent pendant la nuit. Dans le revival des cathédrales gothiques et des châteaux médiévaux, on voit que la nuit s’empare désormais de l’espace, qui s’enrichit de lumières et d’ombres.
This thesis has the purpose to analyze the images of the night and its meanings in the novels of the 18th century, from 1730-1740, in the ambit of three literatures: the English, the French and the Italian literature. Two opposite conceptions are compared: the first, to exorcise the night, is typical in the first half of the century and it is represented mainly by libertine novels. The second shows a valorisation of the night that can be found above all in the gothic novels that belong to the second part of the century. The final objective of the following research is to find an explanation to the rejection of the night by some authors and therefore to retrieve the causes of the change of vision. Since the night impedes sight, it has been considered a negation of space; according to the psychological and anthropological profile night would then be the main cause of the loss of orientation. Finally, according to an intellectual interpretation, it would be a sign of ignorance. The situation changes when the night starts to assume an active and necessary role in the learning process. In the literary fiction, the most important encounters happen at night. In the revival of the gothic cathedrals and the medieval castles, it is evident how the night takes possession of the space that is enriched with lights and shades.

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Santalucia, Stefania <1974&gt. "La nuit dans les romans des Lumières Du roman libertin au roman gothique". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5031/.

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Cette thèse se propose d’analyser les images de la nuit et ses significations dans les romans du XVIII siècle, à partir des années 1730-1740, dans le cadre de trois littératures: la littérature anglaise, française et italienne. Deux conceptions opposées sont mises en comparaison: la première, d’exorcisation de la nuit, est typique de la première partie du siècle; elle est représentée principalement par le genre des romans libertins. La deuxième conception montre une valorisation de la nuit qu’on trouve en particulier dans les romans gothiques, qui se sont développés à partir de la seconde partie du siècle. Le but final de la présente recherche est de trouver une explication au refus de la nuit de la part de certains auteurs et ensuite de repérer les causes du bouleversement de cette vision. Puisque la nuit empêche le sens de la vue, elle a été considérée une forme de négation de l’espace physique; selon le profil psychologique et anthropologique la nuit constituerait alors la cause principale de la perte d’orientation. Selon une interprétation intellectuelle et philosophique, elle serait un symbole d’ignorance et d’irrationalité. La situation change vers la moitié du siècle des Lumières, car la nuit commence à assumer un rôle actif et nécessaire dans le processus d’apprentissage. Au niveau social, les rencontres les plus importantes adviennent pendant la nuit. Dans le revival des cathédrales gothiques et des châteaux médiévaux, on voit que la nuit s’empare désormais de l’espace, qui s’enrichit de lumières et d’ombres.
This thesis has the purpose to analyze the images of the night and its meanings in the novels of the 18th century, from 1730-1740, in the ambit of three literatures: the English, the French and the Italian literature. Two opposite conceptions are compared: the first, to exorcise the night, is typical in the first half of the century and it is represented mainly by libertine novels. The second shows a valorisation of the night that can be found above all in the gothic novels that belong to the second part of the century. The final objective of the following research is to find an explanation to the rejection of the night by some authors and therefore to retrieve the causes of the change of vision. Since the night impedes sight, it has been considered a negation of space; according to the psychological and anthropological profile night would then be the main cause of the loss of orientation. Finally, according to an intellectual interpretation, it would be a sign of ignorance. The situation changes when the night starts to assume an active and necessary role in the learning process. In the literary fiction, the most important encounters happen at night. In the revival of the gothic cathedrals and the medieval castles, it is evident how the night takes possession of the space that is enriched with lights and shades.

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4

Grau, Donatien. "Le roman romain : généalogie d'un genre français". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040069.

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Cette thèse a pour but d’étudier l’émergence et le développement dans la littérature française d’un genre nouveau, du début du XIXe jusqu’à la fin du XXe siècle : le roman romain à sujet contemporain. N’évoquant pas la stabilité de la Ville antique, de ses ruines et de ses monuments, mais le paysage urbain et humain en mouvement de l’époque, il rompt avec la tradition du Grand Tour, qui était implicitement fondée sur la notion qu’aucune fiction ne pouvait être inventée dans le présent éternel de Rome, puisque la perception qu’on en pouvait nourrir était si profondément ancrée dans le passé. En faisant usage du roman, les écrivains étaient confrontés simultanément à la modernité du médium et à la modernisation urbaine et politique de la Ville, alors qu’ils avaient toujours à l’esprit le signe de Rome – le mythe de la Ville Éternelle. Les romans situés dans la Rome contemporaine fournissaient à leurs auteurs la possibilité de traiter des questions les plus fondamentales de l’éthique et de l’esthétique dela fiction : le rôle de la croyance dans la civilisation moderne – en terme de religion et de son contrepoint, la fiction littéraire ; le rôle du passé dans la construction de la modernité ; l’importance du présent dans l’expérience du passé ; la signification des Anciens à l’époque des Modernes. Analyser les formes du roman français à sujet romain contemporain signifie plus encore que de se confronter au portrait d’une ville : c’est une étude de la pertinence des paradigmes occidentaux
This thesis aims to address the emergence and the development in French literature of a whole new genre, from the beginning of the 19th until the end of the 20th century: the contemporaneous Roman-themed novel. Dealing not with the stability of the Ancient City, its ruins and its monuments, but with the shifting urban and human landscape of the time, it disrupts the tradition of the Grand Tour, which was implicitly based on the notion that no fiction could be invented in the eternal present of Rome, since the perception one could have there was so deeply rooted in the past. By using the novel, writers were simultaneously confronted to the modernity of the medium and to the urban and political modernisation of the city, while the sign of Rome – the myth of the Eternal City – was always present in their mind. Novels set in contemporaneous Rome provided their authors with the possibility to engage with the most crucial issues inherent to the aesthetics and ethics of fiction: the role of belief in modern cultures – in terms of religion and its counterpart, literary fiction; the role of the past in the construction of modernity; the importance of the present in the experience of the past; the meaning of the Ancients at the time of the Moderns. Analysing the forms of the French contemporaneous Roman-themed novel signifies even more than engaging with the portrait of a city: it is a study in the relevance of Western paradigms

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Gontero, Valérie. "Parures d'or et de gemmes, l'orfèvrerie dans les romans antiques du 12e siècle : Roman de Thèbes, Roman d'Eneas, Roman de Troie de Benoit de Sainte-Maure, Roman d'Alexandre d'Alexandre de Paris". Aix-Marseille 1, 2000. http://www.theses.fr/2000AIX10076.

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Cette thèse, dont le sujet est l'étude de l'orfèvrerie dans les romans antiques du XIIe siècle (le Roman de Thèbes, le Roman d'Enéas, le Roman de Troie de Benoît de Sainte-Maure et le Roman d'Alexandre de Paris) est composé de trois parties, suivies de quatre index, de trois annexes (occurrences du terme pierres dans les romans antiques ; occurences des gemmes dans les romans antiques ; tableau comparatif des gemmes à partir du "de lapibibus" de Marbode et de lapidaires médiévaux) et d'une bibliographie. La première partie considère l'orfèvrerie sous l'angle du miroir du prince : les vêtements et les armes contribuent au portrait des personnages (Ch. I) ; le décor est à l'image du prince (Ch. II) ; la circulation des présents fait l'apologie de la largesse, vertu cardinale (Ch. III). La deuxième partie aborde le savoir encyclopédique véhiculé par l'orfèvrerie : les ekphrasis décrites s'apparentent à des encyclopédies en images (Ch. I) ; les monstres et les gemmes dérivent, selon des modalités variées, des bestiaires et des lapidaires (Ch. II et III). La troisième partie est consacrée à la dimension poétique de l'orfèvrerie. Partie intégrante de la "translatio studii et imperi". La traduction des textes latins donne naissance à des oeuvres novatrices (Ch. I). Les descriptions d'orfèvrerie dessinent en filigrane un art poétique (Ch. II). Au travers des multiples figures de l'artiste qui jalonnent ces romans transparait celle du poète, orfèvre et artisant des mots (Ch. III). Rédigés dans l'orbe de l'espace Plantagenet, les romans antiques illustrent des aspects nouveaux de "la translatio", et participent à la renaissance du XIIe siècle.

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Antiqueira, Moisés. "O império romano de Aurélio Vítor". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28022013-122341/.

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Um estudo historiográfico das Historiae abbreuiatae de Aurélio Vítor. Nisto consiste o presente trabalho, que procura determinar de que modo o referido historiador, no ocaso do reinado de Constâncio II, compôs uma narrativa dedicada à história do Império romano em sua totalidade. Para tanto, em primeiro lugar buscamos definir a natureza da obra. Em que pese os nítidos elementos biográficos que a integram, assim como a brevidade do texto, a obra de Aurélio Vítor deve ser pensada enquanto uma história, na medida em que o objetivo do autor se voltava para a exposição das causas que teriam condicionado o curso dos acontecimentos, da batalha de Ácio até o penúltimo ano do governo de Constâncio II. Desta forma, em um segundo momento, analisamos as estratégias de periodização e as concepções que Aurélio Vítor adotou a fim de contemplar a história imperial. As ações e o caráter moral dos sucessivos imperadores emergem nas Historiae abbreuiatae como o motor a partir do qual se movimentava a história da era imperial romana. Isto implicava, pois, o reconhecimento das oscilações que o mundo romano teria vivenciado ao longo de quase quatro séculos e as contradições que animavam a conduta das personagens históricas. Do que resultava, igualmente, na impossibilidade de se identificar um modelo ideal de imperador, em razão dos fatores e das circunstâncias distintas que marcariam o desenrolar da história do Império romano, como narrada por Aurélio Vítor.
A historiographical study of Aurelius Victors Historiae abbreuiatae. That is what defines the present work, which tries to ascertain how the aforementioned historian settled up a narrative about the history of the Roman Empire in the twilight of the reign of Constantius II. Therefore, we discuss at first the nature of the work. Despite the clear biographical trend we can observe in the text, as well as the brevity that characterizes it, the work of Aurelius Victor should be seen as a historical narrative since the author aimed to expose both the causes and the course of Roman imperial history, from the Battle of Actium to the last but one year of Constantius IIs reign. Thereupon we examine the strategies of periodization and the perspectives defined by Aurelius Victor in order to compose his text. In the Historiae abbreuiatae, the conduct showed by the emperors and their moral character represented the driving force of the narrative. That led the author to emphasize the ups and downs of Roman past in almost four hundred years of history. In this sense, Aurelius Victor did not lose track of some contradictions that encourage historical figures into action. That resulted in Aurelius Victors failure to identify an idealized model of Roman emperor due to distinct elements and circunstances that he himself pointed out in the course of the history of the Roman Empire.

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Khaknegar, Moghadam Nahal. "La représentation de l'immigration dans le roman contemporain (roman occidental-roman iranien)". Montpellier 3, 2009. http://www.theses.fr/2009MON30019.

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Source de débats, parfois de querelles, d’inquiétudes et, surtout, d’un important renouvellement thématique et stylistique, la question de l’immigration a marqué la fin du XXe siècle, tant dans la littérature française que dans celle des autres cultures. Jusqu’à l’époque actuelle, les œuvres de l’immigration et de l’exil ont souvent été influencées par l’expérience de leurs auteurs. Elles évoquaient le souvenir douloureux d’une perte et d’un vertige identitaire, mais aussi l’engagement d’un auteur qui a adopté une nouvelle langue. Aujourd’hui, une nouvelle génération d’écrivains semble avoir pris le relais. Trois œuvres à l’appui, Voyage des bouteilles vides de K. Abdolah, Les belles choses que porte le ciel de D. Mengestu et Chicago d’A. El Aswany, nous avons constaté que la littérature contemporaine de l’immigration a évolué, et ce surtout en redéfinissant l’identité du personnage immigré. L’individualisme est valorisé au détriment du sentiment d’appartenance culturelle. L’immigré est désormais un être cosmopolite qui se situe à la croisée de différentes cultures tout en poursuivant son parcours personnel d’intégration. Le roman iranien d’immigration, libéré de ses contraintes politiques et sociales, offre une vision originale vis-à-vis des autres littératures. Grâce à sa rencontre avec d’autres sphères de culture, il s’engage à mieux comprendre « l’homme », et plus particulièrement « l’Iranien »
Source of debate, sometimes disputes, causes for concern and above all, for important thematic and stylistic revival, the issue of immigration marked the end of twentieth century, both in the French literature and other cultures. Up to current time, the works of immigration and exile has been usually influenced by experience of their authors. They were incarnating not only the painful memory of a loss and identity crisis, but also engagement of an author who has adopted a new language. Nowadays, a new generation of writers seems to follow the same path. By means of three works, Journey of empty bottles of K. Abdolah, The beautiful things that heaven bears of D. Mengestu and Chicago of A. El Aswany, we have noticed that the contemporary literature of immigration has been reformed, especially by redefining of immigrant character’s identity. The individualism has been enhanced to the detriment of cultural belonging. The immigrant is now a cosmopolitan person who is placed at the crossroads of several cultures, while following his personal path of integration. The Iranian immigration novel, released from its political and social pressures, presents an original vision towards other literatures. Thanks to its meeting with different cultures, a better understanding of "human being" and particularly of the "Iranian" is incorporated in it

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Climaco, Joana Campos. "Cultura e poder na Alexandria romana". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-05082008-122828/.

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O objetivo da presente dissertação é investigar um conjunto de pequenos fragmentos de papiros alexandrinos nomeado Acta Alexandrinorum. Os escritos narram episódios referentes à Alexandria nos dois primeiros séculos de Império Romano. Foram, no entanto, encontrados em diferentes locais do Egito, fato que sugere uma moderada circulação dos escritos na região. A hipótese é que um estruturado e coeso grupo de cidadãos alexandrinos do Ginásio, de ascendência grega e origem nobre, utilizaram-se dos escritos para manifestar suas insatisfações ao poder imperial. Pretendiam, com os relatos, criar um clima de resistência aos romanos e, ao mesmo tempo, exaltar a importância de Alexandria naquele universo, delimitando também uma identidade alexandrina restrita aos seus elementos de maior distinção. E mais: desejavam marcar a indignação quanto aos vizinhos judeus, que estariam ameaçando alguns direitos antes restritos ao grupo. Através dos textos, pode-se analisar como a romanização foi recebida e entendida pelos alexandrinos. Além disso, a documentação lança luz sobre elementos diversos da vida cívica e social da cidade e nos permite avaliar a sua importância no contexto imperial.
The aim of this dissertation is to investigate a group of small Alexandrian fragments of papyrus named Acta Alexandrinorum. The texts narrate episodes concerning Alexandria in the two first centuries of Roman Empire. But they were found in different places of Egypt, fact that suggests a moderate circulation of the writings in the region. The hypothesis is that a structured and limited group of Alexandrian citizens from the gymnasium, of Greek ascendance and noble birth, would use the writings to express their feelings of dissatisfaction to the Imperial power. They intended, with the accounts, to create an atmosphere of resistance to the Romans, and at the same time, to exalt the importance of Alexandria in that universe and also, to delimit an Alexandrian identity that should be restricted to their elements of higher distinction. Besides that, they also longed to emphasize the indignation to their Jewish neighbors, which were 8 threatening some rights that were before limited to their group. Through the texts, we can analyze how Romanization was received and understood by the Alexandrians. Besides that, the documents illustrate several elements of the civic and social life of the city and help to evaluate its importance in the imperial context.

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Ilboudo, Pierre Claver. "Nouveau roman et roman africain d'expression francaise". Cergy-Pontoise, 1995. http://www.theses.fr/1995CERG0003.

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Comme l'indique son titre, la these a pour but de comparer le nouveau roman francais et le roman africain d'expression francaise. Dans l'introduction, il est souligne le caractere malaise de l'etude, malaise qui est du essentiellement au fait que pratiquement tous les romanciers dont les oeuvres sont etudiees vivent et ecrivent toujours. Le sujet est traite en quatre parties. La premiere partie est une presentation d'ensemble du nouveau roman francais. Entre autres, il y est question des principales idees des nouveaux romanciers sur l'evolution du roman moderne, sur la technique narrative et sur les formes du recit. La deuxieme partie porte sur une vue globale du roman africain. Les principaux points examines concernent la naissance et l'evolution du roman africain. Dans cette partie il est egalement question des difficultes et des risques lies a la creation romanesque en afrique. La troisieme partie concerne les points de similitude qui existent entre les deux phenomenes romanesques. Il s'agit essentiellement de la langue. Et la quatrieme partie concerne les points de divergence que l'on peut constater entre les deux types de romans. Ces points ont surtout trait a la question de l'engagement, aurole du romancier et au role du lecteur. Pour conclure, l'auteur souligne le fait que le roman francais et le roman africain divergent sur des aspects fondamentaux tout en presentant quelques aspects semblables dans la forme.

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Hormière, Jean. "Roman d'apprentissage, apprentissage du roman Adrien Zograffi". Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37598347g.

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Mais fontes

Livros sobre o assunto "Roman"

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Lys, Volodymyr. Romana: [roman]. Lʹviv: "Kalʹvarii͡a︡", 2003.

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2

Graham, Greene. Konet︠s︡ romana: Roman. Moskva: T︠S︡entrpoligraf, 2002.

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3

Danon-Boileau, Laurent. Romain l'égaré: Roman. [Paris]: Gallimard, 1989.

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4

Beard, Julie. Romans o roze: Roman. Moskva: Izd-vo AST, 2000.

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5

Boyle, Elizabeth. Geroĭ moego romana: Roman. Moskva: AST, 2005.

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6

I͡Arŭmov, Dimitŭr. Smeshen roman: Roman. Plovdiv: Izd-vo "Khristo G. Danov", 1988.

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7

Gilʻadi, Daṿid. Roman Yiśreʼeli: Roman. Tel-Aviv: Y. Golan, 1996.

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Gilʻadi, Daṿid. Roman Yiśreʾeli: Roman. Tel-Aviv: Y. Golan, 1996.

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9

Steel, Danielle. Neozhidannyí roman: Roman. Moskva: ĖKSMO-Press, 2001.

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10

Léger, Jack-Alain. Le roman: Roman. Paris: O. Orban, 1991.

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Capítulos de livros sobre o assunto "Roman"

1

Helduser, Urte. "Roman". In Behinderung, 334–42. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05738-9_60.

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Marx, Friedhelm. "Roman". In Handbuch Weimarer Republik, 101–12. Stuttgart: J.B. Metzler, 2024. http://dx.doi.org/10.1007/978-3-476-05951-2_11.

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Black, Jeremy. "Pre-Roman and Roman Britain". In A History of the British Isles, 1–6. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24974-9_1.

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Bauer, Matthias. "Roman comique und Roman bourgeois". In Der Schelmenroman, 141–62. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03979-8_7.

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Black, Jeremy. "Pre-Roman and Roman Britain". In A History of the British Isles, 1–11. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-13125-6_1.

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Black, Jeremy. "Pre-Roman and Roman Britain". In A History of the British Isles, 1–6. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-26006-5_1.

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Black, Jeremy. "Pre-Roman and Roman Britain". In A History of the British Isles, 1–10. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-57363-6_1.

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Hallett, Judith P., e Judith Hindermann. "Roman Elegy and the Roman Novel". In A Companion to the Ancient Novel, 300–316. Oxford: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118350416.ch19.

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Gaier, Ulrich. "Europäischer Roman". In Wozu braucht der Mensch Dichtung?, 223–42. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05361-9_12.

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Köppe, Tilmann. "Roman/Romantisch". In Friedrich Schlegel-Handbuch, 328–30. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05370-1_79.

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Trabalhos de conferências sobre o assunto "Roman"

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Mrđenović, Ksenija. "REPRESENTATION IN ROMAN LAW". In International scientific conference challenges and open issues of service law. Vol. 2. University of Kragujevac, Faculty of law, 2024. http://dx.doi.org/10.46793/xxmajsko2.743m.

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In Roman legal tradition, representation emerges and evolves as a significant institution that facilitates and expedites legal relationships among individuals. Representation during the Roman law period was not merely a legal instrument but also a reflection of the social norms and values of that time. The indirect representation developed by the Romans implied that the representative would conclude a transaction in their own name but on behalf of another, transferring all effects of the performed task to the represented party. The study highlights the development of representation and its various forms that evolved as needs and circumstances changed within the state, emphasizing its importance in the daily lives of Romans and its influence on contemporary legal representation as we know it today.

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Prnová, Jana. "Nástroje právnej ochrany životného prostredia v prameňoch rímskeho práva". In Naděje právní vědy 2022. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.nadeje.2022.515-529.

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This paper is dedicated to the environmental protection according to the rules of Roman law. Combining Roman and environmental law may seem controversial, since the latter is regulated by the means of public law, and on the contrary, Roman private law is not suitable for systematic environmental protection. Hence, the protection of environment was neither a main issue of Roman politics nor Roman law. Nevertheless, the Romans created several legal instruments that could be used to protect the collective interest in preventing the environmental damages. Regarding the above mentioned, this paper offers a view on the different sources that record the protective attitude of Romans towards the nature and environment. In addition, this paper examines the instruments of legal protection of environment in the sources of Roman law, i.e., interdicts and actions that tend to protect the purity of air and waters. The paper is intended to serve as a source of information for practitioners as well as for historians or academics dealing with Roman law, while everyone will be approaching the text differently and with different questions.

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Cernosek, Gary J. "ROMAN-9X". In the conference. New York, New York, USA: ACM Press, 1993. http://dx.doi.org/10.1145/170657.170764.

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Bilal, Anas, Aimal Rextin, Ahmad Kakakhel e Mehwish Nasim. "Roman-txt". In MobileHCI '17: 19th International Conference on Human-Computer Interaction with Mobile Devices and Services. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3098279.3098552.

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Verostko, Roman. "Roman Verostko". In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086135.

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Verostko, Roman. "Roman Verostko". In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086136.

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Verostko, Roman. "Roman Verostko". In the 5th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1321261.1321326.

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Di Fiore, Vincenzo, Michele Punzo, Daniela Tarallo, Maria Elisa Amadasi e Giovanni Leucci. "Geophysical surveys at the Roman Aqueduct Aqua Virgo (Roma, Italy)". In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.195.

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Di Fiore, Vincenzo, Michele Punzo, Daniela Tarallo, Maria Elisa Amadasi e Giovanni Leucci. "Geophysical surveys at the Roman Aqueduct Aqua Virgo (Roma, Italy)". In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.195.

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Shikhi, M. "Roman domination matrix". In 2nd INTERNATIONAL CONFERENCE ON COMPUTATIONAL SCIENCES-MODELLING, COMPUTING AND SOFT COMPUTING (CSMCS 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0154140.

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Relatórios de organizações sobre o assunto "Roman"

1

Hunter, Fraser, e Martin Carruthers. Scotland: The Roman Presence. Society of Antiquaries of Scotland, junho de 2012. http://dx.doi.org/10.9750/scarf.06.2012.104.

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The main recommendations of the panel report can be summarised under five key headings:  Scotland in the Roman world: Research into Roman Scotland requires an appreciation of the wider frontier and Empire-wide perspectives, and Scottish projects must be integrated into these wider, international debates. The rich data set and chronological control that Scotland has to offer can be used to inform broader understandings of the impact of Rome.  Changing worlds: Roman Scotland’s rich data set should be employed to contribute to wider theoretical perspectives on topics such as identity and ethnicity, and how these changed over time. What was the experience of daily life for the various peoples in Roman Scotland and how did interactions between incomers and local communities develop and change over the period in question, and, indeed, at and after its end?  Frontier Life: Questions still remain regarding the disposition and chronology of forts and forces, as well as the logistics of sustaining and supplying an army of conquest and occupation. Sites must be viewed as part of a wider, interlocking set of landscapes, and the study of movement over land and by sea incorporated within this. The Antonine Wall provides a continuing focus of research which would benefit from more comparison with frontier structures and regimes in other areas.  Multiple landscapes: Roman sites need to be seen in a broader landscape context, ‘looking beyond the fort’ and explored as nested and interlocking landscapes. This will allow exploration of frontier life and the changing worlds of the Roman period. To do justice to this resource requires two elements: o Development-control archaeology should look as standard at the hinterland of forts (up to c.1 km from the ‘core’), as sensitive areas and worthy of evaluation; examples such as Inveresk show the density of activity around such nodes. The interiors of camps should be extensively excavated as standard. o Integrated approaches to military landscapes are required, bringing in where appropriate topographical and aerial survey, LIDAR, geophysics, the use of stray and metal-detected finds, as well as fieldwalking and ultimately, excavation.  The Legacy of Rome: How did the longer term influence of the Romans, and their legacy, influence the formation, nature and organisation of the Pictish and other emergent kingdoms?

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Strachan, Denis M., Edgar C. Buck, Karl T. Mueller, Jon M. Schwantes, Matthew J. Olszta, Suntharampillai Thevuthasan e Ronald M. Heeren. Analytical Plan for Roman Glasses. Office of Scientific and Technical Information (OSTI), janeiro de 2011. http://dx.doi.org/10.2172/1012519.

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Bradner, S. The Roman Standards Process -- Revision III. RFC Editor, abril de 1999. http://dx.doi.org/10.17487/rfc2551.

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Mullen, Lincoln. Roman Catholic Dioceses in North America. Roy Rosenzweig Center for History and New Media, 2020. http://dx.doi.org/10.31835/relec.dioceses.

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Turnbull, Daisy K. E. A Lost Cargo: An Archaeological Study of Amphorae of a Late Roman Merchant Ship in the Western Black Sea. Honor Frost Foundation, 2023. http://dx.doi.org/10.33583/mags2021.09.

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This paper discusses the remains of a ceramic assemblage associated with the cargo of a Late Roman trading vessel, discovered by the Black Sea Maritime Archaeology Project (BSMAP) in 2017. Dating from the early 4th century AD, this previously undisturbed wreck is arguably the most comprehensive assemblage of a Late Roman trading vessel yet discovered outside of the Mediterranean. Through comparative analysis of 81 amphorae in the forward section of the wreck, this paper aims to draw further understanding of the maritime trade systems that operated between the major seas of the Eastern Roman empire.

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Papakosta, Lefkothea. The Late Roman Anchorage of Cape Petounda, Cyprus. Honor Frost Foundation, 2020. http://dx.doi.org/10.33583/utm2020.09.

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Allison Smith, Allison Smith. An Archaeological Excavation of a Roman Bath Complex. Experiment, fevereiro de 2014. http://dx.doi.org/10.18258/2089.

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Schopp, Claude. Écrire l’Histoire de l’humanité. Destin d’un roman monstre. Edicions de la Universitat de Lleida, 2021. http://dx.doi.org/10.21001/luc.23.24.06.

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Kenehan, David A. Shortage of Roman Catholic Chaplains: Can It Be Fixed? Fort Belvoir, VA: Defense Technical Information Center, abril de 2003. http://dx.doi.org/10.21236/ada415875.

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Kapusta, A. A., e J. H. Underwood. A Fractographic Study of a Circa AD83 Roman Nail. Fort Belvoir, VA: Defense Technical Information Center, maio de 2000. http://dx.doi.org/10.21236/ada392069.

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