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1

Gasió, Guillermo. Jean Richepin y el tango argentino en París en 1913. [Buenos Aires, Argentina?]: Ediciones Corregidor, 1999.

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2

Richepin, Jean. Selections from Jean Richepin. Franklin Classics Trade Press, 2018.

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3

Richepin, Jean. Selections from Jean Richepin. Creative Media Partners, LLC, 2018.

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4

Sophie Monnier, maîtresse de Mirabeau / par Jean Richepin, … LEN POD, 2017.

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5

Jean Richepin y El Tango Argentino En Paris En 1913. Ediciones Corregidor, 1999.

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6

Marlowe, Christopher. Théâtre: Traduction de Félix Rabbe. Avec une préface par Jean Richepin. Tome 1. Adamant Media Corporation, 2001.

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7

Jean 1849-1926 La Sulamite Richepin e Emmanuel Chabrier. Sulamite; Scène Lyrique Pour Mezzosoprano et Choeur de Femmes. Poésie de Jean Richepin. Creative Media Partners, LLC, 2018.

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8

Sulamite; Scène Lyrique Pour Mezzosoprano et Choeur de Femmes. Poésie de Jean Richepin. Creative Media Partners, LLC, 2023.

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9

Sulamite; Scène Lyrique Pour Mezzosoprano et Choeur de Femmes. Poésie de Jean Richepin. Creative Media Partners, LLC, 2023.

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10

Sulamite; Scène Lyrique Pour Mezzosoprano et Choeur de Femmes. Poésie de Jean Richepin. Creative Media Partners, LLC, 2019.

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11

Boutin, Aimée. “Cry Louder, Street Crier”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039218.003.0006.

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This chapter follows representations of peddlers from Baudelaire to François Coppée, Charles Cros, and Jean Richepin, and finally to symbolists such as Stéphane Mallarmé and Joris Karl Huysmans. It considers whether they perceived the city-as-concert as harmonious or dissonant by analyzing the extent to which their poems reflect or inflect the discourse on the picturesque. Poetry about peddlers incorporates the vitality of street noise, the formal experimentation of popular song, and the aural acuity of flâneur-writing into the art of the establishment or the avant-garde. Such mixing of high and low registers is especially salient when Mallarmé's Chansons bas are read alongside Jean-François Raffaëlli's illustrations of types in the tradition of the Cris de Paris. The parodic poetry of Cros and Richepin, written in reaction to Coppée's moralizing sentimental dizain, in a way sets the stage for Mallarmé's “lowly songs.”
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12

Olivier, Paul, e Jean Richepin. Cent Poètes Lyriques, Précieux Ou Burlesques de 17e Siècle Avec, en Guise de Préface, un Poème de Jean Richepin. Creative Media Partners, LLC, 2018.

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13

Roux, Hugues 1860-1925 Le. Portraits de Cire: Jules Lemaître, Guy de Maupassant, Jean Richepin, Melchior de Voguë, Puvis de Chavannes, la Reine Nathalie, la Belle Fatma, Yvette Guilbert, Etc. Creative Media Partners, LLC, 2018.

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14

Roux, Hugues 1860-1925 Le. Portraits de Cire: Jules Lemaître, Guy de Maupassant, Jean Richepin, Melchior de Voguë, Puvis de Chavannes, la Reine Nathalie, la Belle Fatma, Yvette Guilbert, Etc. Creative Media Partners, LLC, 2019.

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15

Romer, Stephen, ed. French Decadent Tales. Oxford University Press, 2013. http://dx.doi.org/10.1093/owc/9780199569274.001.0001.

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‘He had become the dandy of the unpredictable.’ A quest for new sensations, and an avowed desire to shock possessed the Decadent writers of fin-de-siècle Paris. The years 1880–1900 saw an extraordinary, hothouse flowering of talent, that produced some of the most exotic, stylized, and cerebral literature in the French language. While ‘Decadence’ was a European movement, its epicentre was the French capital. On the eve of Freud’s early discoveries, writers such as Gourmont, Lorrain, Maupassant, Mirbeau, Richepin, Schwob, and Villiers engaged in a species of wild analysis of their own, perfecting the art of short fiction as they did so. Death and Eros haunt these pages, and a polymorphous perversity by turns hilarious and horrifying. Their stories teem with addicts, maniacs, and murderers as they strive to outdo each other. This newly translated selection brings together the very best writing of the period, from lesser known figures as well as famous names. Provocative and unsettling, these extraordinary, corrosive little tales continue to cast a cold eye on the modern world.
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16

Richeson, Michelle. Michelle Richeson: Oil Paintings. Independent Publisher, 2017.

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17

Jennifer Richeson on Perceptions of Racial Inequality. 1 Oliver’s Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd., 2021. http://dx.doi.org/10.4135/9781529612127.

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18

Briggs, L. Vernon 1863-1941. Manner of Man That Kills: Spencer--Czolgosz--Richeson. Creative Media Partners, LLC, 2018.

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19

Briggs, Lloyd Vernon. The Manner Of Man That Kills: Spencer, Czolgosz, Richeson. Kessinger Publishing, LLC, 2006.

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20

Briggs, Lloyd Vernon. The Manner Of Man That Kills: Spencer, Czolgosz, Richeson. Kessinger Publishing, LLC, 2007.

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21

The Rev. William Davis (1663-1745), his descendants and allied families: Ream, Jordan, Richeson, Carmin, Snider, Van Horn... S.l.]: The Author, 1993.

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22

Stadte-Verlag E. v. Wagner & J. Mitterhuber. Stadtplan Eppingen: Mit allen Stadtteilen : Adelshofen, Elsenz, Kleingartach, Muhlbach, Richen, Rohrbach sowie dem Ottilienberg = Plan de ville = Town map. Stadte-Verlag, 1985.

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23

Publishing, Tobias. Ich Liebe Furzen Pupsen Stinken Richen Sarkasmus: Notizbuch - Notizheft - Notizblock - Tagebuch - Planer - Kariert - Karierter Notizblock- 6 X 9 Zoll - 120 Seiten. Independently Published, 2021.

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24

Publishing, Tobias. Ich Liebe Furzen Pupsen Stinken Richen Sarkasmus: Notizbuch - Notizheft - Notizblock - Tagebuch - Planer - Liniert - Liniertes Notizbuch - Linierter Notizblock - 6 X 9 Zoll - 120 Seiten. Independently Published, 2021.

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25

Stadte-Verlag E. v. Wagner & J. Mitterhuber. Stadt- und Wanderplan Eppingen, Gemmingen-Ittlingen: Mit den Stadtteilen Adelshofen, Elsenz, Kleingartach, Muhlbach, Richen, Rohrbach und dem Ortsteil Ge-Stebbach = Plan de ville = Town map. Stadte-Verlag, 1996.

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26

Emundi Richerii...Libellus de ecclesiastica et politica potestate. Nec non eiusdem libelli per eundem Richerium demonstratio. Ecclesia, est politia monarchica, ad finem supernaturalem instituta; regimine aristocratico, quod omnium optimum, & naturae convenientissimum est, temperata à summo animarum pastore Domino nostro Iesu Christo. Alexandria, VA: Alexander Street Press, 2008.

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