Livros sobre o tema "Richardson, Samuel, 1689-1761 Criticism and interpretation History"

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1

Samuel Richardson. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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2

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. New York: St. Martin's Press, 1996.

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3

Samuel Richardson, dress, and discourse. New York: Palgrave Macmillan, 2008.

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4

Making gender, culture, and the self in the fiction of Samuel Richardson: The novel individual. Burlington, VT: Ashgate, 2012.

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5

1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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6

Samuel Richardson's fictions of gender. Stanford, Calif: Stanford University Press, 1993.

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7

Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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8

Shepherd, Lynn. Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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9

McKee, Patricia. Heroic commitment in Richardson, Eliot and James. Princeton: Princeton University Press, 1986.

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10

Heroic commitment in Richardson, Eliot, and James. Princeton, N.J: Princeton University Press, 1986.

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11

Samuel Richardson's new nation: Paragons of the domestic sphere and "native" virtue. New York: Peter Lang, 1998.

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12

Le système du libertinage de Crébillon à Laclos. Oxford: Voltaire Foundation, 1991.

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13

Bringing travel home to England: Tourism, gender, and imaginative literature in the eighteenth century. Newark: University of Delaware Press, 2009.

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14

Philosophers and romance readers, 1680-1740. New York: Palgrave Macmillan, 2012.

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15

1958-, Pettit Alexander, ed. Early works. Cambridge: Cambridge University Press, 2011.

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16

Tom, Keymer, ed. Samuel Richardson's published commentary on Clarissa, 1747-65. London: Pickering & Chatto, 1998.

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17

How art produces art: Samuel Richardsons Clarissa im Spiegel ihrer deutschen Übersetzungen. Frankfurt am Main: P. Lang, 2000.

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18

Rhetorik und Moral in Samuel Richardsons Clarissa: Ein systemtheoretischer Versuch. Bern: P. Lang, 1991.

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19

Graphic design, print culture, and the eighteenth-century novel. Cambridge, U.K: Cambridge University Press, 2003.

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20

Fulton, Gordon D. Styles of meaning and meanings of style in Richardson's Clarissa. Montreal: McGill-Queen's University Press, 1999.

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21

Models of reading: Paragons and parasites in Richardson, Burney, and Laclos. Lewisburg, Pa: Bucknell University Presses, 2005.

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22

Political constructions: Defoe, Richardson, and Sterne in relation to Hobbes, Hume, and Burke. Ithaca: Cornell University Press, 1988.

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23

Richardson's Clarissa and the eighteenth-century reader. Cambridge: Cambridge University Press, 1992.

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24

Integration und Differenz der Geschlechter: Ihre Entdeckung in didaktischer Absicht zu Beginn des Zeitalters der Aufklärung : Rekonstruktion an Samuel Richardsons Erziehungsroman Pamela. Frankfurt am Main: P. Lang, 2003.

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25

Bueler, Lois E. Clarissa's plots. Newark: University of Delaware Press, 1994.

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26

Menippean satire reconsidered: From antiquity to the Eighteenth Century. Baltimore, MD: Johns Hopkins University Press, 2004.

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27

Lehmann, Christine. Das Modell Clarissa: Liebe, Verführung, Sexualität und Tod der Romanheldinnen des 18. und 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchh., 1991.

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28

Clarissa's narrators. New York: P. Lang, 2001.

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29

Beebee, Thomas O. Clarissa on the Continent: Translation and seduction. University Park: Pennsylvania State University Press, 1990.

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30

Sir Charles Grandison: The compleat conduct book. Lewisburg: Bucknell University Press, 1986.

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31

Narrative transvestism: Rhetoric and gender in the eighteenth-century English novel. Ithaca, N.Y: Cornell University Press, 1991.

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32

Enlightened sentiments: Judgment and autonomy in the age of sensibility. New York: Fordham University Press, 2012.

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33

Hinton, Laura. The perverse gaze of sympathy: Sadomasochistic sentiments from Clarissa to Rescue 911. Albany: State University of New York Press, 1999.

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34

Anger, guilt, and the psychology of the self in Clarissa. New York: P. Lang, 1999.

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35

Weisser, Susan Ostrov. A craving vacancy: Women and sexual love in the British novel, 1740-1880. New York: New York University Press, 1997.

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36

Literature and crime in Augustan England. London: Routledge, 1991.

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37

Speaking in hunger: Gender, discourse, and consumption in Richardson's Clarissa. Columbia, S.C: University of South Carolina Press, 1998.

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38

Anne, Doody Margaret, e Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge [England]: Cambridge University Press, 1989.

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39

Margaret, Doody, e Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge: Cambridge University Press, 1989.

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40

(Editor), Margaret Anne Doody, e Peter Sabor (Editor), eds. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 1989.

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41

Sabor, Peter, e Margaret Anne Doody. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 2011.

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42

Grosvenor, Myer Valerie, ed. Samuel Richardson: Passion and prudence. London: Vision, 1986.

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43

Konigsberg, Ira. Samuel Richardson and the Dramatic Novel. University Press of Kentucky, 2014.

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44

Konigsberg, Ira. Samuel Richardson and the Dramatic Novel. University Press of Kentucky, 2014.

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45

Konigsberg, Ira. Samuel Richardson and the Dramatic Novel. University Press of Kentucky, 2021.

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46

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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47

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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48

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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49

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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50

Curran, Louise. Samuel Richardson and the Art of Letter-Writing. Cambridge University Press, 2018.

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