Literatura científica selecionada sobre o tema "Révolutionnaires dans la littérature"
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Artigos de revistas sobre o assunto "Révolutionnaires dans la littérature"
Gasparian, David. "Littérature interdite". Connexe : les espaces postcommunistes en question(s) 8 (30 de dezembro de 2022): 129–46. http://dx.doi.org/10.5077/journals/connexe.2022.e1033.
Texto completo da fonteGÜRSES ŞANBAY, Selin. "Le théâtre de Molière comme pratique de cour". RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Ö13 (23 de outubro de 2023): 1181–88. http://dx.doi.org/10.29000/rumelide.1379325.
Texto completo da fonteGobille, Boris. "Politiques de l’écriture et régimes du collectif dans les avant-gardes littéraires en mai-juin 1968". Études françaises 54, n.º 1 (16 de janeiro de 2018): 13–36. http://dx.doi.org/10.7202/1042864ar.
Texto completo da fonteDupuy, P. "La diffusion des stéréotypes révolutionnaires dans la littérature et le cinéma anglo-saxons (1789-1989)". Annales historiques de la Révolution française 305, n.º 1 (1996): 511–28. http://dx.doi.org/10.3406/ahrf.1996.1992.
Texto completo da fontePereira, João Carlos Vitorino. "Littérature de parti et écriture normative : l’oeuvre de Manuel Tiago/Álvaro Cunhal". Abril – NEPA / UFF 7, n.º 14 (15 de abril de 2015): 101–18. http://dx.doi.org/10.22409/abriluff.v7i14.29853.
Texto completo da fonteGuillibert, Paul. "Ouvriers, paysans et indigènes : José Carlos Mariátegui face à la Troisième Internationale". Actuel Marx 75, n.º 1 (8 de abril de 2024): 29–46. http://dx.doi.org/10.3917/amx.075.0029.
Texto completo da fonteHamel, Jean-François. "« Plus de livre, plus jamais de livre »". Études françaises 54, n.º 1 (16 de janeiro de 2018): 77–96. http://dx.doi.org/10.7202/1042867ar.
Texto completo da fonteCalzolari, Valentina. "« Écrire les camps » en Arménie soviétique : Barbelés en fleurs de Gourguen Mahari". Connexe : les espaces postcommunistes en question(s) 8 (30 de dezembro de 2022): 61–79. http://dx.doi.org/10.5077/journals/connexe.2022.e1040.
Texto completo da fontede Saxcé, Anne. "Spiritualité et temps présent. Plaidoyer pour un langage inactuel". Nouvelle revue théologique Tome 145, n.º 3 (19 de junho de 2023): 387–402. http://dx.doi.org/10.3917/nrt.453.0387.
Texto completo da fonteRosignoli, Margareth. "A revolução na literatura portuguesa". Revista do Centro de Estudos Portugueses 24, n.º 33 (31 de dezembro de 2004): 69. http://dx.doi.org/10.17851/2359-0076.24.33.69-77.
Texto completo da fonteTeses / dissertações sobre o assunto "Révolutionnaires dans la littérature"
Sevrain, Emilie. "Des pensées politiques subversives aux conduites révolutionnaires : les personnages feminins dans les littératures francophones de l'Afrique subsaharienne : (1975 à 2005)". Paris 13, 2010. http://www.theses.fr/2010PA131009.
Texto completo da fonteFurther to the violent colonial conquests and the postcolonial civil wars, many writers, men and women, applied themselves to depict contemporary Africa's political and cultural upheavals. Female figures emerge from these struggles of power and the underlying resistance movements. Holding political sponsibilities or commited in revolutionary missions, they scope of African societies’tendancies to corruption and despotism through subversive speeches and/or protesting reactions. Based on recent texts published between 1975 and 2005, this dissertation proposes to highlight the rhetorical and stylistic processes at work in the development of a women’s political imaginary. Following an interdisciplinary methodology, we will try to determine the cultural and ideological issues of these constant features and/or poetic innovations in the rewriting, modelling or subversion processes of African struggles’memory
Galal, Mohamed Ahmed. "Ecrire la révolution égyptienne de 2011 : entre témoignage et fiction". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF029.
Texto completo da fonteThis research focuses on narratological and stylistic issues in the writings that appeared at the end of the popular uprising in Egypt in 2011. It combines two axes, one notional and the other analytical. On the one hand, it deals with questions of literary genre, space, temporality and language of writing. On the other hand, it offers to compare five texts which will be examined at the literary as well as at the thematic level : Ayyām al-Taḥrīr (2011), Cairo: my city, our revolution (2012), al-Ṯawra 2.0 (2012), Aǧniḥat al-farāša and Sabʿat ayyām fī al-Taḥrīr (2011). These works are considered within the framework of what critics have called adab al-ṯawra or adabiyyāt al-ṯawra--"literature(s) of the revolution". I try to highlight the characteristics and peculiarities of this very young production. The challenge here is to study how contemporary Egyptian writers have produced narratives which reveal a process of wonderment, reconfiguration and transformation of the representation of the citizen, especially that of young people
Morel, Anne-Rozenn. "Les fictions utopiques pendant la Révolution française : enquête sur les interactions entre réalité révolutionnaire et modèles politiques imaginaires". Phd thesis, Rennes 2, 2007. https://theses.hal.science/tel-00204479.
Texto completo da fonteThe present work purports to demonstrate that utopian fictions were successful during the French Revolution, even if critical literature did not acknowledge that success. The analysis, based on a corpus of fifty five works, bears on the various aesthetic and political stakes involved in the recourse to utopias. Utopian fictions, as testament to the cultural and political crisis of the times, are marked by the diversity, relativity and perfectibility of the ideal societies they imagine. The characteristic of French Revolution utopias is to reduce the gap between the ideal world presented in fiction and contemporary society. But though utopian writers resort to fiction to represent the French Revolution, they nevertheless offer fully-fledged political models. They set out reflections on the foundations of ideal society, and they meditate over the best form of government possible, which should be able to safeguard political liberty while reconciling legal and practical equality. The dissertation finally investigates in what ways that utopian imagination might have influenced revolutionary beliefs and mindsets. Some utopian writers wished to see their social models realized. The revolutionary context, more than ever, encouraged people to think that such desires were possible
Roy, Daphnée. "(en) revenir suivi de Josée Yvon et ses Filles-commandos bandées : le potentiel révolutionnaire des marginales". Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66688.
Texto completo da fonteMorel, Anne-Rozenn. "Les fictions utopiques pendant la Révolution française : enquête sur les interactions entre réalité révolutionnaire et modèles politiques imaginaires". Phd thesis, Université Rennes 2, 2007. http://tel.archives-ouvertes.fr/tel-00204479.
Texto completo da fonteFouladvind, Leyla. "La femme iranienne dans l'espace public post-révolutionnaire à travers les œuvres des romancières contemporaines (1990-2005)". Paris, EHESS, 2012. http://www.theses.fr/2012EHES0009.
Texto completo da fonteRelating to sociology, litterature and women's social status, the goal of this inter-disciplinary research is to analyze the social status of women in post-revolutionary Iran, through the work of eight contemporary novelists (F. Aghayi, T. Alavi, F. Hadj Seyyed Djavadi, Ch. Parsipour, Z. Pirzad, M. Ravanipour, P. Sani'i et F. Vafi) during 15 post-revolutionary years (1990-2005). As the first main part of this thesis, the interest about the private sphere (family, marital and personal privacy) and in the public space (urban, professional and social). In the second part, the detailed study of Iranian women's accessibility to public spaces (to education, to employement and to sozialisation) reveal that the female question, with all its ambivalences, is a major issue in the democratization of the Iranian society. The field of literature opens an area for novelists to express themselves. By playing with the close relationship between reality and fiction they bypass the censorship. With their different approaches, they all describe the socio-political disappointment of the post-revolutionary era. These "intermediate intellectuals", all women and writers, all women and writers at the same time, denounce the "unequal oppression" done against women and nourish the public debate around iconic themes such as democracy, individual freedom, community tolerance, etc. , and actively participate in the education of the civil society
Diallo, Oumar. "Remise en cause du processus révolutionnaire et projet de renouveau dans l'oeuvre romanesque de Pepetela". Thesis, Université Clermont Auvergne (2017-2020), 2019. http://www.theses.fr/2019CLFAL013.
Texto completo da fonteAffected by the death of the revolutionary utopia and the disappointment of the Angolan people, Pepetela’s work questions the Angolan identity: “a Angolanidade”. Through allegory, irony, humour, metonymy, parable and myth, Pepetela denounces the behaviour of the Angolan elite and reinstates certain cultural and ancestral African values long since wiped out by Portuguese colonialism. Pepetela’s work disseminates a strong critique of the post independence Angolan regime while seeking to establish links between tradition and modernity. Our work seeks to demonstrate this fictional reality, whilst giving an analysis of characters who are striving to match their ideology with the reality of the Angolan people. As Aventuras de Ngunga, Muana Puó, A Geração da Utopia, O Desejo de Kianda and Parábola do Cágado Velho are novels which bring into focus certain questions about Angolan identity.Key words: Pepeptela, Angola, revolution, utopia, identity, myth, ideology, tradition, modernity, post-independence
Marcada pela morte da utopia revolucionária e pelo desencanto do povo angolano, a obra de Pepetela questiona a identidade angolana: "a Angolanidade". Através de alegoria, ironia, humor, metonímia, parábola e mito, Pepetela denuncia o comportamento da elite angolana e reabilita certos valores culturais e ancestrais africanos muito tempo maltratados pelo colonialismo português. A obra de Pepetela transmite fortes críticas ao regime angolano pós-independência, procurando criar pontes entre a tradição e a modernidade. O nosso trabalho procura demonstrar esta realidade ficional, privilegiando a análise dos personagens que se esforçam em harmonizar a sua ideologia e a realidade do povo angolano. As Aventuras de Ngunga, Muana Puó, A Geração da Utopia, O Desejo de Kianda e Parábola do Cágado Velho são romances que evidenciam algumas interregações sobre a identidade angolana
Kompanietz, Paul-Adrien. "Les imaginaires romanesques de la Terreur (1793-1874). Des lettres trouvées dans des portefeuilles d'émigrés d'Isabelle de Charrière à Quatrevingt-Treize de Victor Hugo". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES003.
Texto completo da fonteFrom Isabelle de Charrière's lettres trouvées dans des portefeuilles d'émigrés ( 1793) to Victor Hugo's Quatrevingttreize(1874), which reinterprets the period in the mirror of the Commune, the Terror fed the imagination of manynovelists. Unprecedented surge of violence or unheard of democratic moment ? The fecundity of this revolutionary moment is in part due to its paradoxes and the tensions triggered by its memory. At the heart of the historical and ideological controversies that, to this day, have not been extinguished, the Terror was, throughout the 19th century, a subject even more topical than the revolutionary tremors of 1830 and 1848, particularly by reawakening the memory.Exceeding the historical nove! genre, the fictional treatment of the Terror is not the result of a simple fictional transposition of the historical reality, but can be envisaged as the fruit of a system of complex relationships between historiography, memorial literature and other literary genres.From the Revolution to the Commune, the fictional genre was one of the spaces where the invention of what we have chosen to call an "imagination of the Terror" - in homage to Daniel Arasse's great book - was not exhausted by the image of the guillotine. Looking at how the novel participated, in conjunction or competition with other types of writing, in discursive constructions and the development of this imagination, and how undertaking fictional figurationrevolved around ideological issues and political choices, is the challenge of this new investigation. From Ducray Duminilto Dumas, Sénac de Meilhan to Barbey d'Aurevilly, Germaine de Staël to George Sand, via Ballanche, Nodier, Balzac and even Vigny, this genealogy of fiction dissertation is supported by a large corpus oftexts and intends to makeway for little-known works, whose role was no less than that of the most canonical works in fictionalising the revolutionary Terror
Berthet, Dominique. "Les esthétiques révolutionnaires : théorie du reflet et imaginaire". Paris 1, 1993. http://www.theses.fr/1993PA010650.
Texto completo da fonteThe xixth century has seen the birth of modern socialism and the emergence of a new concept applied to art : modernity. From that period on, two types of socialism have developed, competed and incessantly argued. The origin of the conflict to date back to the argument between marx and proudhon. These two forms of socialism, as far as art and aesthetics are concerned, have made different and sometimescontrary propositions. However, Proudhon, Marx and Engels' aesthetics have in common the fact that they are ideological, they contemplate art in its direct relation to the social field. Consequently, marxist an libertarian aesthetics are to differentiate one from the other in the long run. Anarchist aesthetics have the peculiarity of being numerous and of offering very different approaches towards art. However, they come from statements that are very distinct from those that founded marxist aesthetics. The way they showed through social realism and jdanovism. Afterwards, in front of what had become state aesthetics, some marxists turned away from that kind of art to adopt some points of view borrowed from the libertarian aesthetics
Coste-Rooryck, Yolande. "Le réalisme militant dans le "Tableau de Paris" et le "Nouveau Paris" de Louis-Sébastien Mercier : une tentative de révolution esthétique et éthique". Poitiers, 2006. http://www.theses.fr/2006POIT5012.
Texto completo da fonteThe Picture of Paris and The New Paris, before and after the historical cut of French Revolution, compose a unique diptych that reflects a colourful capital ; but Mercier also wanted to show the misery, willing to reach possibly the leaders of the country ( particularly in the first picture) to make them " realize " what was really happening in the everyday life. He had clearly a political and moral aim. He set up a brandnew technic for observing, combining two necessities, convince and " make true ". This militant realism came also as a result of rejecting the academic litterature, and an ideal of democratic litterature that is to be related to the underlying realism in the novels and theater pieces at the time. Mercier provides a large range of styles, from comic to touching, and sometimes uses vehemence and visions. But reality very often is far from the philosophical ideal, so that Mercier always has to juggle with them both, what is not very conclusive
Livros sobre o assunto "Révolutionnaires dans la littérature"
(Simone), Bernard-Griffiths S., Le Borgne Françoise, Madelénat Daniel e Université de Clermont-Ferrand II, eds. Jardins et intimité dans la littérature européenne: 1750-1920 : actes du colloque du Centre de recherches révolutionnaires et romantiques, Université Blaise-Pascal, Clermont-Ferrand, 22-24 mars 2006. Clermont-Ferrand: Presses universitaires Blaise-Pascal, 2008.
Encontre o texto completo da fonteColloque, Université de Clermont-Ferrand II Centre de recherches révolutionnaires et romantiques. La voix dans la culture et la littérature françaises (1713-1875): Actes du Colloque du Centre de recherches révolutionnaires et romantiques, Université Blaise-Pascal (Clermont-Ferrand, 10,11,12 septembre 1997). Clermont-Ferrand: Presses universitaires Blaise Pascal, 2001.
Encontre o texto completo da fontepréf, Loubinoux Gérard, e Wagner Jacques éd, eds. La voix dans la culture et la littérature françaises, 1713-1875: Actes du colloque du Centre de Recherches Révolutionnaires et Romantiques, Université Blaise Pascal, Clermont-Ferrand, 10, 11, 12 septembre 1997. Clermont-Ferrand: Presses universitaires Blaise Pascal, 2000.
Encontre o texto completo da fonteReynolds, Larry J. European revolutions and the American literary Renaissance. New Haven: Yale University Press, 1988.
Encontre o texto completo da fontePascale, Auraix-Jonchière, Montandon Alain, Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines. e Université de Clermont-Ferrand II. Centre de recherches révolutionnaires et romantiques., eds. Poétique des lieux: Journées d'études organisées dans le cadre du DEA de littératures modernes et contemporaines par le Centre de recherches révolutionnaires et romantiques, CRRR, et le Centre de recherches sur les littératures modernes et contemporaines, CRLMC, avec le soutien de l'Ecole doctorale LSHS. Clermont-Ferrand: Presses universitaires Blaise Pascal, 2004.
Encontre o texto completo da fonteChristiane, Benardeau, ed. Napoléon dans la littérature. Paris: Nouveau monde, 2004.
Encontre o texto completo da fontePujade-Renaud, Claude. L'ÉCOLE DANS LA LITTÉRATURE. Paris: Editions L'Harmattan, 2006.
Encontre o texto completo da fonteChristiane, Bénardeau, ed. Napoléon dans la littérature. [Paris]: Nouveau Monde, 2004.
Encontre o texto completo da fonteBoisard, Stéphane. Mobilisations sociales et effervescences révolutionnaires dans le Cône Sud (1964-1976). Paris: CNED-Presses universitaires de France, 2015.
Encontre o texto completo da fonteDelaroche, Bruno. Figures christiques dans la littérature. Angers, France: Association Saint-Yves, Université Catholique de l'Ouest, 1992.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Révolutionnaires dans la littérature"
Daros, Philippe. "Discours anthropologique et littérature". In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 230–42. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch17.
Texto completo da fonteMourlan, Lou. "Humanisme et littérature d’après-guerre". In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 337–47. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch25.
Texto completo da fontePONOMAREVA, Anna. "Maxim Gorky’s World Literature Project". In Ecrire entre les langues, 103–6. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6444.
Texto completo da fonteSaminadayar-Perrin, Corinne. "L’insaisissable corps du peuple dans le cycle révolutionnaire d’Alexandre Dumas". In Corps, littérature, société (1789-1900), 141–60. Presses universitaires de Saint-Étienne, 2005. http://dx.doi.org/10.4000/books.puse.3171.
Texto completo da fonteVerlet, Agnès. "Les « amants de la mort » : physionomie du corps révolutionnaire dans les Mémoires d’outre-tombe de Chateaubriand". In Corps, littérature, société (1789-1900), 163–73. Presses universitaires de Saint-Étienne, 2005. http://dx.doi.org/10.4000/books.puse.3179.
Texto completo da fonteGarcía, Hugo. "Rojos. L’image du communisme dans la littérature contre-révolutionnaire espagnole, 1918-1939". In « Extrême » ?, 291–302. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.127035.
Texto completo da fonteBergez, Daniel, Christiane Lauvergnat-Gagnière, Anne Paupert, Yves Stalloni e Gilles Vannier. "Orateurs révolutionnaires". In Précis de littérature française, 262–64. Armand Colin, 2023. http://dx.doi.org/10.3917/arco.berge.2023.01.0355.
Texto completo da fonteLouichon, Brigitte. "De quelques tombeaux romanesques post-révolutionnaires". In Deuil et littérature, 63–75. Presses Universitaires de Bordeaux, 2005. http://dx.doi.org/10.4000/books.pub.6446.
Texto completo da fonteSpivak, Gayatri Chakravorty. "Gayatri Chakravorty Spivak". In Gayatri Chakravorty Spivak, 29–44. Hermann, 2023. http://dx.doi.org/10.3917/herm.renau.2023.02.0029.
Texto completo da fonteDufresne Aubertin, Laurence. "1. Les garçons des quartiers populaires dans le hirak. Retour sur des pratiques ambivalentes de la contestation". In Cheminements révolutionnaires, 29–48. CNRS Éditions, 2021. http://dx.doi.org/10.4000/books.editionscnrs.56529.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Révolutionnaires dans la littérature"
Petitier, Paule, e Claude Millet. "L’histoire dans tous ses états". In Littérature et histoire en débats. Fabula, 2013. http://dx.doi.org/10.58282/colloques.2104.
Texto completo da fonteDebaene, Vincent, e Jean-Louis Jeannelle. "Où est la littérature ?" In L'idée de littérature dans les années 1950. Fabula, 2004. http://dx.doi.org/10.58282/colloques.66.
Texto completo da fontePoels, Géraldine. "La littérature dans les collections de l’INA". In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9231.
Texto completo da fonteMurat, Michel. "Progrès dans le roman assez lents". In Jean Paulhan et l’idée de littérature. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1712.
Texto completo da fonteDitche, Élisabeth Rallo. "Voix et émotions dans DanielDeronda de George Eliot". In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2333.
Texto completo da fonteRobinson, Jenefer. "L’empathie, l’expression, et l’expressivité dans la poésie lyrique". In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2329.
Texto completo da fonteVérilhac, Yoan. "Science et sensationnalisme dans Détective (1928-1940)". In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/ieub4478.
Texto completo da fonteAbramovici, Jean-Christophe. "Les traces littéraires dans La Fable mystique". In Michel de Certeau et la littérature. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5058.
Texto completo da fonteFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire". In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Texto completo da fonteVaugeois, Dominique. "« Faire son cinéma » : la citation audiovisuelle dans le texte critique". In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9165.
Texto completo da fonteRelatórios de organizações sobre o assunto "Révolutionnaires dans la littérature"
Belkaïd, Meryem. Figures de la marginalité dans la littérature policière française contemporaine. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.14.
Texto completo da fonteReverdy, Thomas, e Alicia Roehrich. Incertitude et résilience dans les projets technologiques. Fondation pour une culture de sécurité industrielle, janeiro de 2016. http://dx.doi.org/10.57071/582prj.
Texto completo da fonteAlaoui, Siham, Nadia Naffi e Simon Collin. Les technologies éducatives en milieu scolaire et universitaire. Observatoire international sur les impacts sociétaux de l'IA et du numérique, junho de 2023. http://dx.doi.org/10.61737/nvtm1722.
Texto completo da fonteMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo e Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, março de 2023. http://dx.doi.org/10.19088/ids.2023.015.
Texto completo da fonteAlexis, Alex, e Alexandra Bahary-Dionne. Réduire les impacts de la fracture numérique sur les populations marginalisées : leçons apprises de la littérature à la portée des organismes communautaires. Observatoire international sur les impacts sociétaux de l'IA et du numérique, setembro de 2022. http://dx.doi.org/10.61737/ctfe9118.
Texto completo da fonteBellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa e Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, agosto de 2023. http://dx.doi.org/10.19088/ids.2023.037.
Texto completo da fonteScarpini, Celeste, Oyebola Okunogbe e Fabrizio Santoro. Les promesses et les limites des technologies de l’information dans la mobilisation fiscale. Institute of Development Studies, abril de 2023. http://dx.doi.org/10.19088/ictd.2023.019.
Texto completo da fonteGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, junho de 2005. http://dx.doi.org/10.57071/867rex.
Texto completo da fonteGobeil-Proulx, Julien. Recension des besoins en compétences suscités par le développement et la mise en oeuvre de l'IA. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2021. http://dx.doi.org/10.61737/hsuj4131.
Texto completo da fonteLucinda, Cazdow, Martin Hearson, Frederik Heitmüller, Katharina Kuhn, Okagna Okagna e Tovony Randriamanalina. Une coopération fiscale internationale inclusive et efficace : Points de vue des pays du Sud. Institute of Development Studies, dezembro de 2023. http://dx.doi.org/10.19088/ictd.2023.059.
Texto completo da fonte