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Artigos de revistas sobre o tema "Revenances"

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Autor: Grafiati

Publicado: 7 de julho de 2024

Última modificação: 7 de julho de 2024

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1

Berdet, Marc, e Gérard Dubey. "Place aux revenances !" Socio-anthropologie, n.º 34 (30 de dezembro de 2016): 9–21. http://dx.doi.org/10.4000/socio-anthropologie.2408.

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2

Paré, François. "Histoires de revenances". Voix et Images 33, n.º 1 (2007): 147. http://dx.doi.org/10.7202/017534ar.

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3

Trudel, Éric. "Revenances de Baudelaire". Littérature N° 209, n.º 1 (2 de março de 2023): 89–101. http://dx.doi.org/10.3917/litt.209.0089.

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4

Ménard, Sophie. "Revenances de la Corriveau". Cahiers de littérature orale, n.º 85 (18 de junho de 2019): 215–22. http://dx.doi.org/10.4000/clo.6157.

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5

Fruteau de Laclos, Frédéric. "Les concepts meurent-ils ? Survivances et revenances dans les sciences". Philosophia Scientae, n.º 26-1 (25 de fevereiro de 2022): 151–67. http://dx.doi.org/10.4000/philosophiascientiae.3414.

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6

Sill, Édouard. "Présences, revenances et rejeux espagnols dans l’internationalisme combattant féminin au Rojava (2014-2018)". Cahiers d’histoire. Revue d’histoire critique, n.º 141 (1 de maio de 2019): 97–117. http://dx.doi.org/10.4000/chrhc.9870.

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7

Foster, Jeremy. "Dancing on the grave of industry: Wenders, Bausch and the affective re-performance of environmental history". cultural geographies 25, n.º 2 (31 de dezembro de 2017): 319–38. http://dx.doi.org/10.1177/1474474017748709.

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Originally planned as a collaboration, Wim Wenders’ 2011 film about the choreographer Pina Bausch and her Tanztheater Wuppertal was made by Wenders alone, working with members of Bausch’s company after her unexpected early death. More than a documentary, Pina combines clips of staged productions, interviews with dancers, and sequences of them performing in selected settings in and around the city of Wuppertal. Combining Kracauer’s theories about film and dance with contemporary cultural geographical theory, this article unpacks how these landscape performances reflect Wenders and Bausch’s shared preoccupation with performance and temporality, and mediate a post-historical relationality between culture and nature. These performances occur in variety of overlooked places, in a region known to both Wenders and Bausch, and recently the subject of a renowned post-industrial regional regeneration project. This region’s material and ecological history, and the experimental approach adopted for its re-purposing, is set against broader histories of nature-culture, notions of bildung and self-actualization, environmental politics, and re-unification. Wenders’ direction and Bausch’s dancers combine to (re)perform this corrupted, post-carbon landscape, exorcising its revenances, and projecting an atmospheric, affect-saturated world by non-discursively working through its multiple pasts.

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8

Guzlowski, John Z. "Revenants". Polish American Studies 58, n.º 2 (1 de outubro de 2001): 110–11. http://dx.doi.org/10.2307/20148619.

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9

Rousseau, Julien. "Revenants affamés". Terrain, n.º 69 (24 de abril de 2018): 172–77. http://dx.doi.org/10.4000/terrain.16648.

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10

Traynor, Desmond, Dermot Bolger e Joe Ambrose. "Revenants' Revelance". Books Ireland, n.º 247 (2002): 56. http://dx.doi.org/10.2307/20632404.

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11

Barre, Aurélie. "L’image revenante". Poétique 181, n.º 1 (2017): 19. http://dx.doi.org/10.3917/poeti.181.0019.

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12

Lépingle, Gaël. "Les revenants". Vertigo 29, n.º 2 (2006): 75. http://dx.doi.org/10.3917/ver.029.0075.

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13

Robert, Lucie. "Les Revenants". Voix et Images 22, n.º 1 (1996): 159. http://dx.doi.org/10.7202/201288ar.

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14

Fabre, Daniel. "Juvéniles revenants". Études rurales 105, n.º 1 (1987): 147–64. http://dx.doi.org/10.3406/rural.1987.3186.

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15

Scepi, Henri. "Revenance de l’épique dansLe Spleen de Paris". Romantisme 172, n.º 2 (2016): 69. http://dx.doi.org/10.3917/rom.172.0069.

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16

Giraud, François. "Avec les « petits revenants »". L'Autre 21, n.º 2 (2020): 223. http://dx.doi.org/10.3917/lautr.062.0223.

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17

Disney, Dan. "Revenants by Adam Aitken". World Literature Today 96, n.º 4 (julho de 2022): 71. http://dx.doi.org/10.1353/wlt.2022.0188.

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18

Charuty, Giordana. "Morts et revenants d'Italie". Études rurales 105, n.º 1 (1987): 79–90. http://dx.doi.org/10.3406/rural.1987.3182.

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19

Losange, Adam. "Le communisme des revenants". Multitudes 73, n.º 4 (2018): 213. http://dx.doi.org/10.3917/mult.073.0213.

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20

Kaës, René. "Les revenants du transfert". Revue de psychothérapie psychanalytique de groupe 12, n.º 1 (1989): 35–43. http://dx.doi.org/10.3406/rppg.1989.1013.

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21

Oprelianska, Alina. "The Sealed Grave and Burial Rituals in the Context of Revenants in Ukrainian Belief". Journal of Ethnology and Folkloristics 15, n.º 1 (1 de junho de 2021): 27–49. http://dx.doi.org/10.2478/jef-2021-0003.

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Abstract The article* sets the goal of describing the Ukrainian ritual of the sealed grave and its relation to revenants, or the unquiet dead, based both on the author’s fieldwork and ethnographic collections of the turn of the 20th century. The meaning of the ritual and its variants are delineated through folk beliefs and institutionalised Orthodoxy and are defined as one of the main reasons for becoming revenants. Depending on a proper or failed funeral, the dead have different possibilities and time boundaries to visit the living. Together with biological reasons, the ritual of sealing a grave allows a seven-year period of return prior to the grave being finally sealed.

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22

Holland, Nancy J. "The Revenante of Abu Ghraib". Philosophy Today 50, n.º 9999 (2006): 182–86. http://dx.doi.org/10.5840/philtoday200650supplement22.

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23

Vitali, Ilaria. "Vénus Khoury-Ghata, La revenante". Studi Francesi, n.º 161 (LIV | II) (1 de setembro de 2010): 421. http://dx.doi.org/10.4000/studifrancesi.7074.

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24

Caciola. "Revenants, Resurrection, and Burnt Sacrifice". Preternature: Critical and Historical Studies on the Preternatural 3, n.º 2 (2014): 311. http://dx.doi.org/10.5325/preternature.3.2.0311.

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25

Kliebenstein, Georges. "Ce que dit la revenante". Critique 721-722, n.º 6 (2007): 472. http://dx.doi.org/10.3917/criti.721.0472.

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26

Lorcin, Marie-Thérèse. "Les revenants dans les fabliaux". Reinardus / Yearbook of the International Reynard Society 2 (1 de janeiro de 1989): 91–101. http://dx.doi.org/10.1075/rein.2.08lor.

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27

Hemptinne, Pierre. "Reprise et revenance. Ornette Coleman revu par John Zorn". Volume !, n.º 7 : 2 (15 de outubro de 2010): 143–47. http://dx.doi.org/10.4000/volume.754.

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28

Closs, August, e Claude Lecouteux. "Fantomes et revenants au moyen age". Modern Language Review 82, n.º 3 (julho de 1987): 691. http://dx.doi.org/10.2307/3730430.

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29

Chouin, Nicolas. "David Thomson, Les revenants". Humanisme N° 314, n.º 1 (1 de fevereiro de 2017): 120–21. http://dx.doi.org/10.3917/huma.314.0120.

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30

Kermicle, Jerry L., Mary Alleman e Stephen L. Dellaporta. "Sequential mutagenesis of a maize gene, using the transposable element Dissociation". Genome 31, n.º 2 (15 de janeiro de 1989): 712–16. http://dx.doi.org/10.1139/g89-129.

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Forty unstable isolates of an R allele conferring strongly colored seed (R-sc:124) were established using a two-step procedure involving the Ac – Ds transposable element system. First, a series of full-color reversions to R-sc were isolated from two existing Ds mutable alleles, r-sc:m1 and r-sc:m3. Variegated kernels were then selected from large-scale testcrosses of the revenant strains (Ac still present) to establish new mutants. Four of the 9 R-sc revenants from r-sc:m3 gave no mutable alleles, whereas 5 produced a total of 40, in frequencies ranging from 0.8 × 10−4 to 10.2 × 10−4. Upon removal of Ac, each of the 40 mutations was stabilized as colorless or pale, indicating insertion of a Ds element at the R locus. When placed in heterozygous combination with r-sc:m3 (Ac absent), all but possibly 1 of the 38 mutants tested gave R-sc recombinants, showing that insertion had occurred in sites different from that in r-sc:m3. Thirty-eight of the 40 new mutable alleles that were examined by Southern blotting contained a Ds insert of 2.1 kbp, the same size as that found for r-sc:m3. These findings are consistent with the excision of Ds from r-sc:m3, followed by its insertion into a linked site in the R-sc revertant, and the subsequent reinsertion of the element into R. The testcrosses of R-sc revenants obtained from r-sc:m3 also produced five stable mutations to colorless or pale. In contrast with the r-sc:m3 revertant series, no r-mutable or stable variant was obtained from 10 R-sc revenants of r-sc:m1. Either the Ds involved (~ 400 bp) does not transpose to linked sites preferentially or, when it does, it becomes relatively immobile.Key words: mutagenesis, transposable elements, Dissociation (Ds), Activator (Ac), maize.

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31

Canty, Daniel. "Revenants ou la vie dans les livres". Tangence, n.º 43 (1994): 33. http://dx.doi.org/10.7202/025800ar.

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32

Gosset, Hélène. "I.9. J’ai parlé à une revenante". Revue d’Histoire de la Shoah N°211, n.º 1 (2020): 101. http://dx.doi.org/10.3917/rhsho.211.0101.

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33

Caciola, N. "WRAITHS, REVENANTS AND RITUAL IN MEDIEVAL CULTURE". Past & Present 152, n.º 1 (1 de agosto de 1996): 3–45. http://dx.doi.org/10.1093/past/152.1.3.

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34

Konkobo, Christophe. "Le Carrefour du théâtre et ses revenants". Africultures 86, n.º 4 (2011): 30. http://dx.doi.org/10.3917/afcul.086.0030.

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35

Robert, François. "Les Enfers, les ombres et les revenants". Analyse Freudienne Presse 8, n.º 2 (2003): 11. http://dx.doi.org/10.3917/afp.008.16.

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36

Nordholt, A. S. "Les Revenantes. Charlotte Delbo: la voix d'une communaute a jamais deportee". French Studies 66, n.º 4 (1 de outubro de 2012): 577. http://dx.doi.org/10.1093/fs/kns196.

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37

Venn, Edward, e Anna McAuley. "Narrating the Uncanny: The Music of Les Revenants". Music and the Moving Image 15, n.º 2 (1 de julho de 2022): 25–43. http://dx.doi.org/10.5406/19407610.15.2.02.

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Abstract This article explores the narrative function of music in the French TV drama Les Revenants and its connection to the literary tradition of the fantastic. It argues that the music enacts the narrative device of hesitation to provide generic, timbral, tonal, semantic, and temporal ambiguity and, in doing so, gives voice to the show's characteristic fantastical presentation of the Freudian uncanny.

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38

Rahmani, Meriama. "Ô Maria ou la revenance mémorielle dans la littérature «post-mortem»". Филолошки преглед 47, n.º 2 (2020): 77–88. http://dx.doi.org/10.18485/fpregled.2020.47.2.5.

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39

Massonnaud, Dominique. "Modalités et enjeux de la « revenance textuelle » dans La Comédie humaine". Les Lettres Romanes 71, n.º 1-2 (janeiro de 2017): 23–36. http://dx.doi.org/10.1484/j.llr.5.113613.

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40

Castagnès, Gilles. "Formes et significations de l’autoscopie et de la « revenance » chez Musset". Littératures, n.º 85 (1 de dezembro de 2021): 99–114. http://dx.doi.org/10.4000/litteratures.3404.

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41

Gordon, Joan. "Rehabilitating Revenants, or Sympathetic Vampires in Recent Fiction". Extrapolation 29, n.º 3 (outubro de 1988): 227–34. http://dx.doi.org/10.3828/extr.1988.29.3.227.

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42

Hamon, Étienne. "Fantômes et revenants : les dessins français d’architecture gothique". Livraisons d'histoire de l'architecture, n.º 30 (30 de dezembro de 2015): 13–27. http://dx.doi.org/10.4000/lha.572.

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43

Déléage, Pierre. "Trois points de vue sur les revenants sharanahua". L'Homme, n.º 183 (1 de setembro de 2007): 117–46. http://dx.doi.org/10.4000/lhomme.25149.

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44

Déléage, Pierre. "Trois points de vue sur les revenants sharanahua". L Homme, n.º 183 (22 de junho de 2007): 117–46. http://dx.doi.org/10.4000/lhomme.9301.

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45

Buchan, David, e Edward D. Ives. "Tale Roles and Revenants: A Morphology of Ghosts". Western Folklore 45, n.º 2 (abril de 1986): 143. http://dx.doi.org/10.2307/1500041.

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46

Kramer, L. "Revenants: Masculine Thresholds in Schubert, James, and Freud". Modern Language Quarterly 57, n.º 3 (1 de janeiro de 1996): 449–77. http://dx.doi.org/10.1215/00267929-57-3-449.

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47

Kilroy-Marac, Katie. "Speaking with revenants: Haunting and the ethnographic enterprise". Ethnography 15, n.º 2 (23 de outubro de 2013): 255–76. http://dx.doi.org/10.1177/1466138113505028.

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48

Novotná, Marie. "Revenants in Old Norse literature as embodied memory". AUC PHILOLOGICA 2020, n.º 1 (2 de novembro de 2020): 9–22. http://dx.doi.org/10.14712/24646830.2020.17.

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49

Tisseron, Serge. "Quand les revenants et les fantômes hantent le corps". Le Journal des psychologues 238, n.º 5 (2006): 55. http://dx.doi.org/10.3917/jdp.238.0055.

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50

Tisseron, Serge. "Quand les revenants et les fantômes hantent le corps". Champ psychosomatique 37, n.º 1 (2005): 93. http://dx.doi.org/10.3917/cpsy.037.0093.

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