Teses / dissertações sobre o tema "Republic Architecture"
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Sleeper, Buck (Thomas Buck). "Last resorts : a tour guide to territorial protection for the Republic of the Maldives". Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/63056.
Texto completo da fonteCataloged from PDF version of thesis.
Includes bibliographical references (p. 180-181).
A two meter rise in sea levels projected by the end of this century threatens the sovereignty of the Maldivian nation state. While flight from the Maldives to establish a new homeland elsewhere has been proposed, the culture and economy of this country is inextricably entrenched in its geophysical environment. Although the Maldives is known for super luxury resorts, the nation's government is poorly positioned to defend a population of 400,000 people spread across 1200 islands. This thesis proposes a strategy by which the international resort operator, an autonomous and independently funded entity, can be mobilized as an agent of coastal defense. Also investigated are issues of artificial reef ecology, defensive coastal infrastructures, and prefabricated composite construction and modularity.
by Buck Sleeper.
M.Arch.
Uchill, Rebecca 1978. "Developing experience : Alexander Dorner's Exhibitions, from Weimar Republic Germany to the Cold War United States". Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100327.
Texto completo da fonteCD-ROM contains PDF of Addenda section, quarterly report and 5 PDFs of images for thesis.
Cataloged from PDF version of thesis. Pages 237 to 428 of original thesis for Addenda section are removed and copied onto CD-ROM.
Includes bibliographical references (pages 429-446).
Following the work of German-American curator Alexander Dorner (1893-1957) from his early curatorial career in Niedersachsen to professorships in New England, this dissertation explores the intersections of Euro-American modernism and developing ideations of experience within aesthetic philosophy. Dorner's work was formulated in deep engagement with (and often intentional contradiction to) the art theory being incubated in contemporaneous art institutions, pedagogies, and practices. His written texts and museum praxis responded to emerging notions of subjectivity, restoration, and perception in the aesthetic theory of Alois Riegl and Erwin Panofsky, art restoration mandates advocated by German museum leaders such as Max Sauerlandt and Kurt Karl Eberlein, and the artistic productions of El Lissitzky and Herbert Bayer. Against shifting expressions of democracy in Weimar Germany and the mid-century United States, Dorner's polemical focus on museum experience was, in effect, an attempt to train citizens for collective but heterogeneous social life.
by Rebecca K. Uchill.
Ph. D. in History and Theory of Art
Armstrong, Naja Regina. "Round temples in Roman architecture of the Republic through the late Imperial period". Thesis, University of Oxford, 2001. http://ora.ox.ac.uk/objects/uuid:6bf53ac0-87a0-443c-8daa-f7b710196c4b.
Texto completo da fonteZampieri, Eleonora. "Rebuilding the Republic : the propaganda in architecture of Caesar and Pompey in Rome". Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40037.
Texto completo da fonteBecker, Jeffrey Alan Terrenato Nicola. "The building blocks of empire civic architecture, central Italy, and the Roman Middle Republic /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1675.
Texto completo da fonteTitle from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics Classical Archaeology." Discipline: Classics; Department/School: Classics.
Woods, Timothy Joseph. "Architecture in context: the rehabilitation of the historic waterfront of Puerto Plata, Dominican Republic". Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/52049.
Texto completo da fonteMaster of Architecture
Di, Hongbo. "The incorporation of features of traditional Chinese architecture in modern buildings in the People's Republic of China". Thesis, University of Sheffield, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265152.
Texto completo da fonteDamluÌ„ji, SalmaÌ Samar. "The principles of architectural planning in Hadramut 'Shibam & Terim' : a case study the People's Republic of Yemen". Thesis, Royal College of Art, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303124.
Texto completo da fonteRigattieri, Romy <1974>. "Traduzione del volume di Fiske Kimball "Domestic Architecture of the American Colonies and of the Early Republic"". Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9374.
Texto completo da fonteDaen, Laurel Richardson. "Art/Self: Martha Ann Honeywell and the Politics of Display in the Early Republic". W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626668.
Texto completo da fonteŽantovská, Murray Irena 1946. ""Our slav acropolis" : language and architecture in the Prague castle under Masaryk". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82940.
Texto completo da fonteIn the hierarchy of public spaces, the Castle was meant to constitute the ultimate symbolic space not just for Prague, but for the entire nation. Memory as recollection, but also as imagination and ingegno, impelled symbolic action both verbally and architecturally. Plecnik's own "grammar of creation" sought constitutive forms in the traditions of Antiquity and ancient Egypt, in Masaryk's ideas of democratic governance as well as in the collective memory of the city. These were the informing principles that created a more layered referential field.
The invention of the tradition and symbolic identity of the Castle in the new context of republican Czechoslovakia was a complex process accompanied by competing narratives. Masaryk wished the Castle to become "a symbol of our [Czech and Slovak] national democratic ideals," and spoke of a need to "embody" the new parliament in search for an ethical existence rooted in faith and self-education, imbued with both scientific rigour and poetic making, and implemented through the everyday work by all citizens.
A unique example of another type of narrative is a body of correspondence addressed to Plecnik between 1920 and 1956 by the President's daughter, Alice Garrigue Masaryk (1879--1966), who represented her father in his role as patron and served as a conduit between him, the Castle Building Administration and Plecnik himself. A close reading of these letters explores to interrogate the role of language in both the transmission of tradition and in the actual process of architectural making and constitutes an original contribution to scholarship.
Justus, Kevin Lane 1961. "Louis XV and Versailles: Selective patrimony in the French Third Republic, Pierre de Nolhac, and the formation of a scholarly tradition". Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291842.
Texto completo da fonteKul, Busra. "Conservation Proposal Of An Early Republic Period Building: Ataturk Orman Ciftligi Hamami". Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614190/index.pdf.
Texto completo da fonterk Orman Ç
iftligi Hamami, which was designed by an important architect of the Republic period buildings architect Ernst Egli in 1937s a part of a complex with Beer Factory and its mass housing. The building couldn&rsquo
t keep up within the transformation of the site and lost its function. Today the building is away from attention and under danger of destruction due to several material and structural problems. As a milestone project of modernization of a nation, Atatü
rk Orman Ç
iftligi&rsquo
s important role on the community, with its recreation areas and industrialization of agriculture has also been evaluated in the study and the building is studied as a whole with its close environment. In that respect a new function is proposed that will help the transformation of site in a positive manner together with considering the problems and the values of the building. By this way the building existing situation is documented, the values and problems are revealed out by systematic methods
and with proposed new function a conservation project that fore seen to reveal the importance of the building, preserve it by using and pass inheritence to next generations.
Bornhorst, Charlotte Sophie. "Fragments of Time: Politics of Memory in Contemporary Berlin". University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242663894.
Texto completo da fonteVinsand, Daniel John. "Architecture and politics in Central Europe". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2004. http://library.nps.navy.mil/uhtbin/hyperion/04Dec%5FVinsand.pdf.
Texto completo da fonteOrun, Gonca. "Acoustical Analysis And Taxonomy Of Performance Halls In Early Republican Period In Ankara: Resim Heykel Muzesi, Kucuk Tiyatro And Opera". Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613872/index.pdf.
Texto completo da fonteç
ü
k Theatre and Opera Halls, are chosen as cases. The acoustical qualities of performance halls of Turkish Early Republican period in Ankara is studied in parallel to the acoustical design of performance halls in Europe which may reveal similarities in case halls. Detailed 3-D models of the halls for acoustical simulations based on the original design data have been prepared and results are to be compared with acoustically recognized halls in the world.
Velez-Romero, Vanessa. "Historic Hispanic gardens of La Ciudad Colonial of Santo Domingo, Dominican Republic". Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1180789.
Texto completo da fonteDepartment of Landscape Architecture
Zarabadi, Seyedeh Ladan. "Governmental Islamic Patriarchy and the Gendered City: The Re-making of Iranian Public Spaces under the 21st Century Islamic Republic". University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1573575958986507.
Texto completo da fonteMikšíková, Eva. "Mezinárodní komparace získávání soukromých a veřejných zakázek architektonického ateliéru v České republice a v Chorvatsku". Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-264045.
Texto completo da fonteAndersen, Angela Lyn. "Cem Evleri: An Examination of the Historical Roots and Contemporary Meanings of Alevi Architecture and Iconography". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436301378.
Texto completo da fonteNeumuller, Nadège. "Varron et les beaux-arts : architecture, sculpture, peinture". Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC047.
Texto completo da fonteThis thesis is devoted to aspects related to art in the work of Marcus Terentius Varro, a Roman encyclopedist from the first century BCE. His work, partly preserved, partly reduced to fragments, was passed on namely by Pliny the Elder, Aulus Gellius, and various Roman grammarians. The first part will emphasize on one of Varro’s works, the 'Disciplinarum Libri', in order to situate liberal arts in a philosophical framework, and on the genesis of varronian art criticism, dating back to Plato and Aristotle as well as Xenocrates of Athens. In parallel the artistic concepts of Cicero, contemporary with Varro, are presented. This section is followed by one dedicated to architecture, relating to men’s dwellings, and the homes of the gods. An excursus focuses on the villa of Varro in Casinum and on his tomb. In the next section, the views of the Reatinian on Greek and Hellenistic sculptors as well as the ones of his era are presented, each being subject of a particular development. The same approach is then applied on painting, offering individual notes on the Greek and Roman painters. Extensions are brought through the study of a Menippean Satire which is particularly related to the topic of the thesis, and by the analysis of 'De imaginibus', the work which gave Varro a fertile ground for expressing judgments of art criticism. A thorough conclusive synthesis exposes the influences exerted by the opinions and writings of Varro, whose aesthetic tastes can be described as eclectic. He enjoyed the works of past and present, depicting gods and men, landscapes and objects, but kept a marked preference for classicism and tradition. A final development considers the question of the influence of art-related varronian writings on Augustan classicism, and considers the restoration policy led by the victor of Actium
Salty, Iman. "Ha Ha Hannah Höch: Beautiful, Dancing, Androgynous Girls, 1919-22". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1021.
Texto completo da fonteKulykivska, Mariia. "President of Crimea. Constitution : Author(s) Autonomous Republic of Xena-Maria". Thesis, Konstfack, Institutionen för Konst (K), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7252.
Texto completo da fonteChirhalwirwa, Liévin. "Habitat périurbain autoconstruit en République démocratique du Congo: perspectives d'amélioration des logements de terre crue en climat tropical". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210462.
Texto completo da fonteCette thèse démontre qu’il est possible, à travers l’autoconstruction – procédé utilisé par plus de 80% de ménages congolais pour produire leurs logements – ,d’améliorer l’habitat dans ce pays en partant de la zone périurbaine. On peut donc, à partir des propositions faites dans cet espace idéalement localisé entre les zones urbaine et rurale, envisager des répercutions positives au sein de ces deux zones qui lui sont contiguës.
L’observation constitue la principale méthodologie utilisée.
Des enquêtes menées sur quelques 930 logements situés au sein de trois sous zones climatiques de la RDCONGO ont permis, suivant 29 critères principaux appliqués sur 3 différents paliers (la maison, la parcelle et le quartier) d’engranger plus de 100 000 (cent mille) données reprises dans les annexes à la présente et offrant la possibilité d’extrapoler les résultats obtenus sur l’ensemble du territoire de la RDCONGO.
Inventaire des intelligences et connaissances locales relatives à l’utilisation du matériau terre en construction (Savoirs et Pratiques Populaires « SPP »), espaces engendrés par les architectures de terre en RDCONGO, cartographies des constructions en terre en RDCONGO, maisons périurbaines autoconstruites en adobes, modélisation d’un lotissement de 200 logements réalisables en terre crue, etc. constituent les principaux résultats atteints par cette thèse.
Toutefois, il sied de préciser qu’il s’agit ici, non seulement de construire des maisons en terre, mais surtout de développer un style d’habitat répondant à la fonctionnalité des logements et susceptible de renforcer les dimensions sociales et culturelles tout en respectant l’environnement.
Enfin, des pistes de recherches ultérieures sont envisagées. Elles nécessitent d’être creusées en vue d’autres améliorations des logements de terre crue en climat tropical.
Il s’agit de :l’érosion due au ruissellement sur les murs de terre, l’étude des logements de terre crue en hauteur (R+1, 2, 3, …n ;où n représente le nombre d’étages) pour la RDCONGO, le développement des activités économiques liées aux constructions en terre, la stabilisation organique des sols à l’aide des produits locaux, etc.
Contact :arch2002chiral@yahoo.fr
Doctorat en Art de bâtir et urbanisme
info:eu-repo/semantics/nonPublished
Hrabě, Pavel. "Koncepce podnikové architektury pro reformu veřejné správy ČR". Doctoral thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-200022.
Texto completo da fonteTranca, Ioana Alexandra. "Aesthetics in ruins : Parisian writing, photography and art, 1851-1892". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/270739.
Texto completo da fonteBarbe, Diane. "Berlin(s) à l'écran de 1961 à 1989. Essai de topographie cinématographie cinématographique : la représentation de Berlin divisé dans les cinémas est- et ouest-allemands". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA162.
Texto completo da fonteFrom 1961 to 1989, Berlin is a divided city, split by a concrete wall separating the eastern part, capital city of the German Democratic Republic, from the western one, isolated island of the German Federal Republic. Frontline of the Cold War, the cameras captured it.Filming Berlin was not only depicting a precise and bound urban territory, it was bringing to the screen a space ruled by a very significant historical, social and political context conveying strong specificities. Two systems of representation of the urban space coexisted as soon as 1945, fueled by each side of town’s own elements and specific aesthetic forms. From August 13th 1961, the day the Wall was built, the reality of the division of the city is made concrete-solid. Cinema was made the witness of this reality. These pictures, of the Self, of the Other, can be considered as products of both societies, with their own symbolisms, their sociocultural codes and parallel histories. As such, they are indicative of the way Berlin has been shown.Both imageries take part in the construction of a plural urban identity, that sometimes tends towards a shape-shifting hallmark, whose aspects it seems important to question. This PhD in cinematic studies endeavours to describe, analyse and interpret the filmed expressions of this alterity, this singular urban space. At the crossroad of several disciplinary fields and in a geo-centered approach, it offers an essay on cinematic topography
Inoue, Luciana Massami. "A iniciativa privada e o mercado formal de habitação para o trabalhador na cidade de São Paulo, 1942-1964". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-08092010-093927/.
Texto completo da fonteThe aim of this research was to verify the existence of big and small private capitalist entrepreneurs in the housing production for workers in São Paulo, between 1942 and 1964. The housing problem is old and it is due very much to the fact that the worker never was fully integrated to Brazilian society. The formal and informal labor market developed simultaneously as the same way it occured with the formal and informal housing market. The major historic features in the period were: the Second World War, the debates about the topic of development, external debt, inflation (that affected strongly the consumption pattern of the workers, their capacity to save money, and at the same time the whole building industry complex), the industrialization, and the internal migration. In the city of São Paulo, there was the phenomena of verticalization downtown and horizontalization at the peripheries, along the metropolization process. Specialized bibliography was studied, and as primary sources, we have consulted the collections of economy periodicals and the real state advertisement in the newspapers. After 1942, the private enterprise stopped to invest in the rental market for a short time, however, it did not abandon the prior housing options of investments before, as shantytowns or cortiços and workers´ villages. The private enterprise has acted mainly in four fields of investment with the focus on the workers housing: sale of one or two storey houses; kitchnettes; condominium buildings, and periphery lots.
Kanipak, Omer 1972. "Modernism and dwelling : residential architecture in early republican Turkey". Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/67516.
Texto completo da fonteIncludes bibliographical references (leaves 214-219).
The entire cultural and social context of the 1930s' Turkey was heavily influenced by the modernization reforms and the official ideologies of the Republican regime. By these reforms, Kemalist regime aimed to transform the whole society and its cultural production. While the existing transformations in the social context was already on their way to Westernization, they were appropriated and accelerated by the Republican modernization reforms. On the other hand, architectural discourse experienced more radical and abrupt transformations when modern architecture was introduced into the architectural culture: Although precedents of modern architecture existed in the pre-Republican period, the official Republican ideology incited the introduction of modern architecture into Turkey. Despite the exceptional importance given to the architectural field, usually it was the foreign architects who got the large scale commissions. This discrimination eventually created a discomfort among Turkish architects. Consequently, Turkish architects who were enthusiastic to produce modern architectural examples had been compelled to operate in the domain of residential architecture. Hence, 1930s' architectural culture experienced the intricate amalgamation formed by the interaction of contradictory ideologies such as dwelling, modernism and nationalism. In addition to the brief analyses made on the Istanbul households and the architectural discourse of the 1930s, the main aim of this study lies in the close formal readings of the residential examples built in Istanbul between the years 1931 and 1940. In this section, I focused on some of the recurrent formal features of these buildings. By analyzing the cultural and ideological significance of these recurrent architectural features, I avoided the architectural examples to determine the framework of my study with their seemingly coherent images. Hence, it became possible to analyze the constitutive gestures of this architectural culture without being influenced by the larger collective images of the buildings. The analyses on the social and symbolic functions of these recurrent features help us to understand the unique characteristics of the architectural culture of the early Republican period.
by Omer Kanipak.
M.S.
Botas, Nilce Cristina Aravecchia. "Entre o progresso técnico e a ordem política arquitetura e urbanismo na ação habitacional do IAPI". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16139/tde-05092011-141742/.
Texto completo da fonteThis research deals with the public housing production financed by the social security after 1930, with a specific range over the performance of the Industrial Reti rement and Pension Institute (IAPI). It deals with this object considering the following aspects: political and economic relationships that conditioned projects and Works; links between the intellectual field and the political project; exchange of ideas national and international in the creation of an own concept of architecture, urbanism and housing; limits and possibilities of the technological development. The engineers´ and the architects´ performance, in the scope of the adherence to the developmental project, are assessed by the interfaces of their theoretical formation, political and administrative vision and their action itself.
Collard, Susan Patricia. "The grands travaux : the politics of Francois Mitterrand's architectural projects in Paris". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321349.
Texto completo da fonteWolf, Barbara. "Wohnarchitektur in Augsburg : Kommunale Bauten der Weimarer Republik /". Berlin : Reimer, 2002. http://catalogue.bnf.fr/ark:/12148/cb39124468w.
Texto completo da fonteChaaya, Anis. "Le dispositif défensif du Comté de Tripoli". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20011.
Texto completo da fonteThe County of Tripoli was the last one to be created between the Frenkish States established after the First Crusade. It is the only State that kept its capital city within the power of the Crusades till the last years of the existence of these States. Some of the oldest castles built at the beginning of the XIIth century are located in this County; such as the castles of Tripoli and Gibelet.This PhD has several objectives; it aims to define the frontiers of the County of Tripoli, to list and specify all its strongholds, to study exhaustively the various fortified sites in the territory of the Republic of Lebanon, and to develop a typology of defensive architecture of the Crusades during the XIIth - XIIIth centuries in this county.Through various methods of archaeological survey, study of the topography of the territory with archaeological landscape reading, it was possible to identify and explore several fortified sites, mainly towers not known before. In our work, special interest was devoted on extensive reading and systematic analysis of some major fortified sites. This enabled a better understanding of their installation, their history and the evolution of their construction. The sites are: Archas, Castle of Gibelet, Castle of Smar Jbeil, the castle of St. Gilles in Tripoli, the tower Bahani and the tower Mouheish
Nünnerich-Asmus, Annette. "Basilika und Portikus : die architektur der Säulenhallen als Ausdruck gewandelter Urbanität in später Republik und früher Kaiserzeit /". Köln : Böhlau, 1994. http://catalogue.bnf.fr/ark:/12148/cb39900480r.
Texto completo da fonteMattern, Torsten. "Gesims und Ornament : zur stadtrömischen Architektur von der Republik bis Septimius Severus /". Münster : Scriptorium, 2001. http://catalogue.bnf.fr/ark:/12148/cb41304240w.
Texto completo da fonteKul, Fatma Nursen. "A New Approach For Defining The Conservation Status Of Early Republican Architecture, Case Study: Primary School Buildings In Izmir". Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12611759/index.pdf.
Texto completo da fonteKutmanová, Lucie. "Společenské, ekonomické a legislativní aspekty výstavby soběstačných domů v České republice". Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193068.
Texto completo da fonteZirnheld, Bernard Paul. "Presque Un Monument| Republican Urbanism and the Commercial Architecture of the Rue Reaumur (1896-1900)". Thesis, Yale University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10957349.
Texto completo da fonteThe Rue Réaumur, cleared and constructed between 1896 and 1900, was the first major urbanism project initiated in central Paris after the dismissal of Haussmann. Realized under the Third Republic and under the guidance of a democratically elected Paris Municipal Council, the street provoked an unprecedented public debate about urbanist priorities, the management of municipal debt, and architectural aesthetics. Disappointed with the visual homogeneity of the Haussmannian boulevard, Councilors liberalized building code and declared a Concours des Façades in the Rue Réaumur in order to visually revitalize their city.
That variation of the streetscape would turn on a monumentalization of the urban party-wall building through enlarged saillies and avant-propos, corbelled façade elements hitherto banned in the streets of Paris. Conceived as a central business district, the Rue Réaumur was also a unique concentration of commercial architecture, which encouraged an expanded use of iron structure to open building interiors and façades into naturally illuminated, floor-through spaces of manufacture. Construction in the Rue Réaumur was, then, guided by contradictory impulses. Charged with psychically countering the uniformity of the rationalized city, the exuberant elevations of the new street simultaneously masked a reordering of the architectural object by similar pressures towards economic and technological efficiency.
This dissertation treats the architecture of the Rue Réaumur and the public debate that shaped it as mutually determining engagements of architectural modernity. It situates the street's evolution as a response to the political, economic, spatial, and psychic challenges posed by the emerging capitalist metropolis. Reconstruction of the architectural and social discourses that informed design practice in the Rue Réaumur positions late-century eclecticism as an indispensable step in the development of interwar Parisian modernism. That architecture served as the primary object of rejection within modernist historiography and avant-garde theory due to its reliance on historical vocabularies. This study demonstrates that the perceptual immediacy desired of the late-century Parisian façade was of equal importance to the development of architectural modernism as theories of structural rationalism. It considers eclecticist architecture like that of the Rue Réaumur as a moment of dynamic invention within nineteenth-century theory and design practice, the terms of which would integrally condition Le Corbusier's reconception of architecture and architectural aesthetics a generation later.
Moravec, Tadeáš. "Analýza webových stránek vybraných fakult v České republice". Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-197436.
Texto completo da fonteDědina, Jiří. "Chování expatriantů a jejich vliv na organizační architekturu německých a rakouských dceřiných společností v České republice". Doctoral thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-76872.
Texto completo da fonteAkansel, Can. "Revealing The Values Of A Republican Park: Genclik Parki Deciphered In Memory And As Monument". Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610369/index.pdf.
Texto completo da fontenamely Genç
lik Parki, and analyzes its disintegration process with changing decades and conditions. There are several discourses, which are practiced in Genç
lik Parki, are found valuable
therefore, it is considered to be preserved. These discourses may be considered as
Genç
lik Parki consists the values of the Republican Period, it is the urban space for the cultural formation of the society, it is the historical stage for the social and historic events in Ankara, it is one of the green zones within the growing city. On the other hand, the architectural, namely the objective values of the park are not considered within these discourses. In this sense, the main concern of the thesis will be to read the drastic change in the treatment of the values of Genç
lik Parki after its foundation through successive decades of different administration and usage to the current situation. The values pertaining to the modern monument will be envisaged in the terminology of Alois Riegl, who has put forth his views in the late 19th century. In other words, our concern is to examine the urban artifact which is one of the most significant productions of the Republican Period, and to explore the values, and analyze its disintegration process with changing decades and conditions. Moreover, this thesis searches an answer to the question, Do we really know Genç
lik Parki?
Peters, Christian. "Hauptstadtsymbolik und Architektur : eine Untersuchung zu den Formen politischer Selbstdarstellung in der Berliner Republik und im Paris der Ära Mitterand". Paris, EPHE, 2008. http://www.theses.fr/2008EPHE4024.
Texto completo da fonteCifani, Gabriele. "Architettura romana arcaica : edilizia e società tra Monarchia e Repubblica". Roma L' Erma di Bretschneider, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016392094&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
Texto completo da fonteHenderson, Amy Hudson. "Furnishing the Republican Court building and decorating Philadelphia homes, 1790-1800 /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 373 p, 2008. http://proquest.umi.com/pqdweb?did=1612979201&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Texto completo da fontePelen, Ovgu. "Spatial Memory Of Electrification In Early Republican Capital, Ankara". Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12609986/index.pdf.
Texto completo da fontemagazines, newspapers, films are going to be investigated and re-read in order to decipher how discursive formations were constructed. The intervals of the research period are theheydays of these Modernist discursive formations, mainly the 1930s
starting from 1928 the foundation of Ankara Gas and Electricity Factory which is the symbol and generator of electrification in the new capital Ankara, and ending with 1938 with Mustafa Kemal Atatü
rk&
#8217
s death which can be considered a major turning point in the discursive formations. The theoretical framework of the thesis will take the modernity project in the Turkish Republic, focusing on how collective memory and social identity was constructed at that time.
Uysal, Zeynep Cigdem. "Architectural Interpretations Of Modernity And Cultural Identity: A Comparative Study On Sedad Hakki Eldem And Bruno Taut In Early Republican Turkey". Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605171/index.pdf.
Texto completo da fonteigdem M.Arch., Department of Architecture Supervisor: Asst. Prof. Dr. Elvan Altan Ergut July 2004, 163 pages The thesis aims to reveal the decisive influence of the tension that stems from the contemporary searches for cultural identity on the architectural production of the early Republican Turkey. It attempts to demonstrate the conceptual and practical strategies that were devised in contemporary architecture for the resolution of the cultural tension by examining the architectural attitudes and practices of Sedad Hakki Eldem and Bruno Taut in the late 1930s and the early 1940s. In the first part, &lsquo
cultural identity&rsquo
is examined from within the general discussion of &lsquo
modernity&rsquo
, where the relevant phenomena, such as &lsquo
nationalism&rsquo
and the &lsquo
nation-state&rsquo
, are discussed. In the second part, the contextual developments and the architectural production of the early Republican period are examined through the theoretical discussions held in the previous part. In the third part, the architectural attitudes and practices of Sedad Hakki Eldem and Bruno Taut are examined and analyzed as to reveal the conceptual and practical strategies in the resolution of contemporary cultural tension. In the conclusion, the significance of the architectural attitudes of Sedad Hakki Eldem and Bruno Taut is re-stated in terms of their contextually sensitive efforts for the disband of the cultural tension in the light of the recent cultural theory.
Ozdemir, Diler. "Ankara Hippodrome: The National Celebrations Of Early Republican Turkey,1923-1938". Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/3/12605484/index.pdf.
Texto completo da fonteFlores, Palomino Solange Stania Stephany. "Centro de difusión gastronómica en el distrito de Ancón". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652636.
Texto completo da fonteThis project arises from the need to reactivate the gastronomic boom that has been lost, where one of the main factors is the lack of investment, reflecting the need for projects that promote gastronomy. The selected district will be Ancon, since it combines three important factors that make it an attractive destination, not only for tourism, but also for gastronomy. Factors such as: 1.The great cultural heritage it has 2.The diversity of natural resources it possesses due to its proximity to the sea 3.Ancon is a beach by excellence All this translates into a gastronomic market with an architectural emphasis on flexibility, generating spaces capable of adapting over time. This project has a triangular terrain with three fronts, which will share the block with a building to be maintained that is the Fire Department. It will consist of three levels, with a permeable volumetry developed around a central courtyard. The first level will consist of a small gourmet market. A second level with restaurants overlooking the FAP club and a third level totally open becoming a gastronomic terrace. An important criterion in the design process will be the architectural history of the area, where Republican architecture prevails, from which specific elements will be taken that are typical of the time, such as the use of «Teatinas»
Trabajo de investigación
Pickerill-Power, Tracy. "Financing the conservation of the architectural heritage in Western Europe and North America : developing an area-based funding model for the conservation of the architectural heritage in the Republic of Ireland". Thesis, Northumbria University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410381.
Texto completo da fonteDauss, Markus. "Die architektonische Symbolisierung politischer, sozialer und kultureller Institutionen in Berlin und Paris (1871-1918) : Studien zur politischen Ikonologie öffentlicher Architekturen im deutschen Kaiserreich und der dritten Republik". Paris, EPHE, 2004. http://www.theses.fr/2004EPHE4029.
Texto completo da fonteOur study tries to examine the role of public buildings in the capitals of the German Empire (Berlin) and the third French Republic (Paris) from 1871 to 1918. The urban space is therefore being considered as a crystallization of the national community and its construction of identity. Political history has since some time focussed on the study of collective identity and its symbolization. The approach we have adopted for our study is a crossing of this current of political history and of a more classical kind of history of architecture. It could be called political iconology of architecture in Paris and Berlin. Our study which tries to close this gap hopes to find its readers in both countries. It treats the following building types: Basilique of the Holy Heart, parliamentary assemblies, government and post offices, town halls, museums, churches and Synagogues