Literatura científica selecionada sobre o tema "Reconnaissance de scènes"
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Artigos de revistas sobre o assunto "Reconnaissance de scènes"
Pham, Trong-Ton, Loïc Maisonnasse, Philippe Muhlen e Eric Gaussier. "Modèle de graphe et modèle de langue pour la reconnaissance de scènes visuelles". Document numérique 13, n.º 1 (30 de abril de 2010): 211–27. http://dx.doi.org/10.3166/dn.13.1.211-227.
Texto completo da fontePhillips, John. "La prose dramatique de Sade : Ce « dangereux supplément »?" Dossier — Sade au théâtre : la scène et l’obscène, n.º 41 (7 de maio de 2010): 50–62. http://dx.doi.org/10.7202/041670ar.
Texto completo da fonteKei, Nikolina. "Offrir une fleur, offrir sa philia". Tempo 21, n.º 38 (dezembro de 2015): 95–107. http://dx.doi.org/10.1590/tem-1980-542x2015v213806.
Texto completo da fonteRobiano, Patrick. "La scène de reconnaissance de Chariton, «Chéréas et Callirhoé»". Hermes 136, n.º 4 (2008): 426–37. http://dx.doi.org/10.25162/hermes-2008-0033.
Texto completo da fonteMarie, Pierre. "Freud et la question politique". Figures de la psychanalyse 45, n.º 1 (23 de abril de 2024): 15–29. http://dx.doi.org/10.3917/fp.045.0015.
Texto completo da fonteRoca i Escoda, Marta. "L’expérience juridique de l’action collective et l’espace public médiatique". Le dossier : De l’intervention à l’action : nouvelles avenues d’inclusion des communautés LGBTQI 28, n.º 1 (15 de março de 2017): 87–106. http://dx.doi.org/10.7202/1039175ar.
Texto completo da fonteLamine, Anne-Sophie. "Mise en scène de la « bonne entente » interreligieuse et reconnaissance". Archives de sciences sociales des religions, n.º 129 (1 de janeiro de 2005): 83–96. http://dx.doi.org/10.4000/assr.1112.
Texto completo da fonteMaman, Catherine. "La surdité du prestataire dans la relation de service : quand le déficit de reconnaissance dégrade la satisfaction du client". Management & Sciences Sociales N° 16, n.º 1 (1 de janeiro de 2014): 32–46. http://dx.doi.org/10.3917/mss.016.0032.
Texto completo da fonteWhatley, E. Gordon. "Αναγνώρισμος: La scène de reconnaissance dans l'hagiographie antique et médiévale.Pascal Boulhol". Speculum 73, n.º 4 (outubro de 1998): 1117–19. http://dx.doi.org/10.2307/2887379.
Texto completo da fonteJacquet, Caroline. "Reconnaître le pluralisme religieux en démocratie libérale". Diversité urbaine 10, n.º 1 (1 de dezembro de 2010): 9–26. http://dx.doi.org/10.7202/045041ar.
Texto completo da fonteTeses / dissertações sobre o assunto "Reconnaissance de scènes"
Blachon, David. "Reconnaissance de scènes multimodale embarquée". Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAM001/document.
Texto completo da fonteContext: This PhD takes place in the contexts of Ambient Intelligence and (Mobile) Context/Scene Awareness. Historically, the project comes from the company ST-Ericsson. The project was depicted as a need to develop and embed a “context server” on the smartphone that would get and provide context information to applications that would require it. One use case was given for illustration: when someone is involved in a meeting and receives a call, then thanks to the understanding of the current scene (meet at work), the smartphone is able to automatically act and, in this case, switch to vibrate mode in order not to disturb the meeting. The main problems consist of i) proposing a definition of what is a scene and what examples of scenes would suit the use case, ii) acquiring a corpus of data to be exploited with machine learning based approaches, and iii) propose algorithmic solutions to the problem of scene recognition.Data collection: After a review of existing databases, it appeared that none fitted the criteria I fixed (long continuous records, multi-sources synchronized records necessarily including audio, relevant labels). Hence, I developed an Android application for collecting data. The application is called RecordMe and has been successfully tested on 10+ devices, running Android 2.3 and 4.0 OS versions. It has been used for 3 different campaigns including the one for scenes. This results in 500+ hours recorded, 25+ volunteers were involved, mostly in Grenoble area but abroad also (Dublin, Singapore, Budapest). The application and the collection protocol both include features for protecting volunteers privacy: for instance, raw audio is not saved, instead MFCCs are saved; sensitive strings (GPS coordinates, device ids) are hashed on the phone.Scene definition: The study of existing works related to the task of scene recognition, along with the analysis of the annotations provided by the volunteers during the data collection, allowed me to propose a definition of a scene. It is defined as a generalisation of a situation, composed of a place and an action performed by one person (the smartphone owner). Examples of scenes include taking a transportation, being involved in a work meeting, walking in the street. The composition allows to get different kinds of information to provide on the current scene. However, the definition is still too generic, and I think that it might be completed with additionnal information, integrated as new elements of the composition.Algorithmics: I have performed experiments involving machine learning techniques, both supervised and unsupervised. The supervised one is about classification. The method is quite standard: find relevant descriptors of the data through the use of an attribute selection method. Then train and test several classifiers (in my case, there were J48 and Random Forest trees ; GMM ; HMM ; and DNN). Also, I have tried a 2-stage system composed of a first step of classifiers trained to identify intermediate concepts and whose predictions are merged in order to estimate the most likely scene. The unsupervised part of the work aimed at extracting information from the data, in an unsupervised way. For this purpose, I applied a bottom-up hierarchical clustering, based on the EM algorithm on acceleration and audio data, taken separately and together. One of the results is the distinction of acceleration into groups based on the amount of agitation
Paumard, José. "Reconnaissance multiéchelle d'objets dans des scènes". Cachan, Ecole normale supérieure, 1996. http://www.theses.fr/1996DENS0025.
Texto completo da fonteBremond, François. "Interprétation de Scènes : perception, fusion multi-capteurs, raisonnement spatio-temporel et reconnaissance d'activités". Habilitation à diriger des recherches, Université de Nice Sophia-Antipolis, 2007. http://tel.archives-ouvertes.fr/tel-00275889.
Texto completo da fonteTupin, Florence. "Reconnaissance des formes et analyse de scènes en imagerie radar a ouverture synthetique". Paris, ENST, 1997. http://www.theses.fr/1997ENST0016.
Texto completo da fonteGrandjean, Pierrick. "Perception multisensorielle et interprétation de scènes". Toulouse 3, 1991. http://www.theses.fr/1991TOU30232.
Texto completo da fonteFua, Pascal. "Une approche variationnelle pour la reconnaissance d'objets". Paris 11, 1989. http://www.theses.fr/1989PA112357.
Texto completo da fonteTran, Thi Hà Châu. "La reconnaissance des objets et des scènes naturelles dans la dégénérescence maculaire liée à l'âge". Phd thesis, Université du Droit et de la Santé - Lille II, 2011. http://tel.archives-ouvertes.fr/tel-00638964.
Texto completo da fontePeyrin, Carole. "Reconnaissance des scènes naturelles : approche neurocognitive de la spécialisation hémisphérique du traitement des fréquences spatiales". Grenoble 2, 2003. http://www.theses.fr/2003GRE29020.
Texto completo da fonteTran, Thi Hà Châu. "La reconnaissance des objets et des scènes naturelles dans la dégénérescence maculaire liée à l’âge". Thesis, Lille 2, 2011. http://www.theses.fr/2011LIL2S010/document.
Texto completo da fonteAMD (Age Related Macular Degeneration) is the leading cause of blindness in western countries. Quality of life Questionnaires indicate that people with AMD exhibit difficulties in finding objects and in mobility. In the natural environment, objects seldom appear in isolation. They appear in their natural setting in which they can be masked by other objects. The contrast of a scene may also change, as light varies as a function of the hour in the day and the light source. The objective of the study was to access objects and scene recognition impairments in people with AMD. We studied the perception of natural scenes, figure/ground discrimination, the effect of contrast on object recognition in achromatic scenes, and then navigation and spatial memory in a virtual environment. Performance was compared for people with AMD and age matched normally sighted controls. The results show that scene gist recognition can be accomplished with high accuracy with the low spatial resolution of peripheral vision, which supports the “scene centered approach” in scene recognition. Figure/ground discrimination is impaired in AMD. A white space surrounding the object is sufficient to improve its recognition and to facilitate figure/ground segregation. Performance is also improved when the object is displayed on its natural setting than when it appears on a non structured, non significant background. Sensitivity for the detection of a target object in achromatic scenes is impaired in AMD patients, who are more affected by contrast reductions than normally sighted people. A study on spatial nagigation showed a compression of space representation. People with AMD underestimate the virtual distance in a spatial navigation task. The results of our studies have implications for rehabilitation, for improving texts and magazines destined to people with low vision and for the improvement of the spatial environment of people suffering from AMD in order to facilitate mobility, object search and reduce the risk of falls
Romdhane, Rim. "Reconnaissance d'activités et connaissances incertaines dans les scènes vidéos appliquées à la surveillance de personnes âgées". Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00967943.
Texto completo da fonteLivros sobre o assunto "Reconnaissance de scènes"
La reconnaissance sur la scène française: XVIIe-XXIe siècle. Arras: Artois Presses Université, 2009.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Reconnaissance de scènes"
Ferreira, Filipe, e Nicolas Delferrière. "Les aditus du théâtre du Haut du Verger à Autun". In Les théâtres antiques et leurs entrées, 259–304. Lyon: MOM Éditions, 2024. http://dx.doi.org/10.4000/11qrw.
Texto completo da fonteAraiza Hernández, Elizabeth. "La mise en scène des expériences indiennes de l’altérité au Mexique". In Les formes de reconnaissance de l’autre en question, 89–100. Presses universitaires de Perpignan, 2004. http://dx.doi.org/10.4000/books.pupvd.28539.
Texto completo da fontePélisson-Karro, Françoise. "Chapitre 6 – La reconnaissance de la Bibliothèque de mises en scène (1929-1939)". In Régie théâtrale et mise en scène, 155–94. Presses universitaires du Septentrion, 2014. http://dx.doi.org/10.4000/books.septentrion.1380.
Texto completo da fonteSteger-Kicinski, Arthur. "Annuaire français de relations internationales". In Annuaire français de relations internationales, 661–75. Éditions Panthéon-Assas, 2024. http://dx.doi.org/10.3917/epas.ferna.2024.01.0661.
Texto completo da fonteRenoir, Simon. "Les rapports d’un film avec le territoire qu’il met en scène. Le cas du film Detroit". In Marque et Territoire : Dispositifs, stratégies et enjeux, 165–88. Éditions de l'Université de Lorraine, 2023. http://dx.doi.org/10.62688/edul/b9782384510122/c03b.
Texto completo da fonteMechin, Martin. "Chapitre V. Le double visage de la victime en France, entre quête de reconnaissance et quête d’un véritable rôle procédural". In La victime sur la scène pénale en Europe, 104. Presses Universitaires de France, 2008. http://dx.doi.org/10.3917/puf.giud.2008.01.0104.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Reconnaissance de scènes"
Séguy, Mireille. "Scènes de la reconnaissance dans les Lais de Marie de France. Mémoire, identité, invention littéraire". In Marie de France, en son temps. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6251.
Texto completo da fonte