Bibliografias temáticas / Queer culture

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Literatura científica selecionada sobre o tema "Queer culture"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Queer culture"

Gaidash, Anna, e Andrii Mykhailiuk. "DRAG QUEEN CULTURE: THE INTERACTION OF FEMINITY AND THE MALE EGO IN D. H. HONG’S PLAY "M. BUTTERFLY"". LITERARY PROCESS: methodology, names, trends, n.º 19 (2022): 33–38. http://dx.doi.org/10.28925/2412-2475.2022.19.4.

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The study's relevance is due to the development and dissemination of works on the culture of a drag queen, as it is understood not only in queer research and literary exploration but also in fiction. The article analyses the interaction of femininity and male ego in D. H. Hwang's play "Madame Butterfly" through the prism of elements of drag queen culture. The study results will also help to outline new interpretations of images in works of art. The cultural-historical method, feminist approach and aspect analysis were used to achieve the goal. The study clarified the meaning and origin of the term "drag queen"; the specifics of the elements of drag queen culture are singled out; the term "femininity" and the features inherent in the feminine model of behaviour are outlined; the artistic image and worldview of the protagonists (M. Butterfly and R. Gallimard) are characterised. During the research, it appeared that M. Butterfly represents drag queen culture because it has elements of "transformation", but not in its traditional sense. Most of the representatives of this culture use reincarnations for entertainment purposes, but in our case, the main character uses these techniques to manipulate and deceive. In addition, the peculiarities of Gallimard's worldview were outlined, which allowed us to understand the peculiarities of the interaction of femininity and the male ego between the protagonists. Analysis of communicative acts between the main characters of the work showed that they represent the confrontation of two cultures: Western and Eastern (Orientalism). It is worth noting that the stereotypical and superficial perceptions of both cultures played an essential role in shaping the protagonists of Madame Butterfly. Given the result, we see prospects in further study of drag queen culture, as it will not only improve the film adaptation of works and more thoroughly study the artistic images of the characters. Our study also has the prospect of growth in the field of queer research, as members of the drag queen culture primarily identify themselves as queer people.

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Chatzipapatheodoridis, Constantine. "Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics". Open Cultural Studies 1, n.º 1 (20 de dezembro de 2017): 406–16. http://dx.doi.org/10.1515/culture-2017-0038.

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Abstract This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersection of feminist, racial and queer poetics. By examining video and live performances, the scope of this article is to underline those queer nuances inherent in Beyonce’s dramatisation of black femininity and the cultural pool she draws from for its effective staging. More specifically, since Beyonce plays with tropes and themes that are common in camp culture, her performance relies on a meta-camping effect that interacts with African-American queer culture. This article, thus, traces black queer traditions and discourses in the artist’s praxis of black camp.

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Lopes, Denilson. "Desafios dos Estudos Gays, Lésbicos e Transgêneros". Comunicação Mídia e Consumo 1, n.º 1 (15 de setembro de 2008): 63–73. http://dx.doi.org/10.18568/cmc.v1i1.5.

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Resumo: Este ensaio introduz algumas questões relativas aos estudos feministas, gays, lésbicos, transgênecos e teoria queer na busca de contribuições teórico-metodológicas na análise da cultura contemporânea. Palavras-chave: Estudos gays e lésbicos, estudos transgêneros, teoria queer, cultura. Abstrat: This essay introduces some issues related tofeminist studies, gay and lesbian studies, transgender studies and queer theory in the search of theoretical and methodological contributions in the analysis of contemporary culture. Key-words: Gay and Lesbian Studies, transgender studies, queer theory, culture

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Sliwinska, Basia. "Art and Queer Culture". Third Text 27, n.º 6 (novembro de 2013): 808–10. http://dx.doi.org/10.1080/09528822.2013.860794.

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Amin, Kadji. "Taxonomically Queer?" GLQ: A Journal of Lesbian and Gay Studies 29, n.º 1 (1 de janeiro de 2023): 91–107. http://dx.doi.org/10.1215/10642684-10144435.

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Can taxonomy—a scientific method critiqued for its utility within Western imperial projects of racial and species classification—be queered? This article mines the tensions between the hostility to taxonomy within critical theory and the taxonomical renaissance within contemporary queer, trans, and asexual vernacular systems of classification. Contemporary queer uses of taxonomy express a shared utopian vision of combinatorial queerness, in which sexual, gender, and relational liberation occur through a multiplying menu of increasingly fine-grained identity options. The article examines the untimely echoes between contemporary queer classification systems and German sexologist Magnus Hirschfeld's 1910 taxonomy of “sexual intermediaries,” which forwards a combinatorially lush kaleidoscope of sexual and gendered possibilities that outflanks even contemporary developments. The goal is to simultaneously challenge the notion that sexology is contrary to queer projects and to consider the consequences of acknowledging sexology as a living inheritance of contemporary queer and trans culture. The conclusion asks how Native and racialized queers might resist the universalizing logics of taxonomy from within.

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Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure". Open Cultural Studies 2, n.º 1 (1 de novembro de 2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of bodies, objects, and spaces in particular scenes of lossy encounter generates unplanned affective intensities which may disorient and undo the consuming subject. Borrowing the concept of lossy file compression and adapting it for this purpose, the article’s broad aim is to offer a queer critical framework for inhabiting the contingent, emergent, and dissipating energies of media encounters beyond the capital-driven instrumentalisation of agency and the neoliberal imperatives of update culture.

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Stacey, Judith, Mary Bernstein e Renate Reimann. "Queer Families, Queer Politics: Challenging Culture and the State". Contemporary Sociology 31, n.º 4 (julho de 2002): 411. http://dx.doi.org/10.2307/3089078.

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See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes". PMLA/Publications of the Modern Language Association of America 124, n.º 3 (maio de 2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were propagated by early-twentieth-century sexological science and degeneration theory: namely, that blacks and queers were unnatural and degenerate because they, unlike whites and heterosexuals, exhibited a lack of racial and gender differentiation. Disidentifying with those stereotypes, the primitive drag in The Weary Blues depicts queer feeling as natural and nature as queer, thus offering a productive paradox for rethinking literary histories of modernism and theories of sexuality by the rather Darwinian notion that “the nature of the universe,” as Hughes calls it, is always subject to change, or queering.

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Lindner, Katharina. "Review of Queer Film Culture: Queer Cinema & Queer Film Festivals International Conference". Transnational Cinemas 6, n.º 1 (2 de janeiro de 2015): 97–103. http://dx.doi.org/10.1080/20403526.2015.1014176.

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Newhall, Kristine. "“Look at Me! I Can Change Your Tire”". Journal of Bodies, Sexualities, and Masculinities 2, n.º 2 (1 de setembro de 2021): 39–56. http://dx.doi.org/10.3167/jbsm.2021.020204.

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Outside of bodybuilding, queer women in fitness and exercise cultures have received little attention in popular discourse and academic research. In this article, I examine how queer use of gym space can inform and reify a queer identity, specifically the enactment of queer female masculinity. I use Jack Halberstam’s work on female masculinity and literature in the fields of cultural studies and sport studies to discuss how queer identity, space, and power operate on the body in the context of fitness culture.

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Teses / dissertações sobre o assunto "Queer culture"

Brady, Anita, e n/a. "Constituting queer : performativity and commodity culture". University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.

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This thesis foregrounds a question unanswered in queer theory�s account of the ongoing reproduction of heteronormativity. In Gender Trouble, Judith Butler asks "From where does the performative draw its force, and what happens to the performative whose task it is to undo" that discursively legitimated enacting? (Bodies That Matter 224-5). While queer theory offers a compelling account of how the normative fictions of identity privilege heterosexuality, the first part of Butler�s question remains relatively under-theorised. This thesis addresses this gap and argues that to understand the source of performative authority, we must address the intimate relationship between gay identity and commodity culture. Thus, I investigate the connections between the marketing industry, an historically politicised gay press, and a lesbian and gay politics imagined through the paradigm of identity, and argue that they combine in a citational feedback loop to performatively produce gay identity as the "ideal consumer." I then undertake case studies of two media texts, the website Gay.com and the television series Queer Eye for the Straight Guy, in order to demonstrate how the white, male, middle-class gay aesthete functions hegemonically as gayness in culture. My analysis then turns to the second part of Butler�s question -"what happens to the performative whose task it is to undo?"- and examines the consequences of the absence of an analysis of commodity culture for the notion of queer. To that end, I suggest that alongside their repetitions of gay normativity, both Gay.com and Queer Eye perform queer possibility. However, the case studies I undertake, along with the critical reception of Queer Eye and the internet technologies behind Gay.com, suggests that these media texts fall short of the promise of queerness. This apparent failure to disturb heteronormative reproduction is connected in these critiques to each text�s commercial imperatives. This thesis argues that such critiques tend to rely on determinations of the authenticity of queer performance, and emphasise veracity over queer theory�s potential to exploit the critical potential of deliberate indeterminacy. I argue, instead, that a key part of queer theory�s contingency is its capacity to respond to the changing performative contexts of the normative repetitions it seeks to undo. To put this more simply: If consumer desire defines contemporary gayness, then it is with consumer desire that queer theory must contend. It is precisely the indeterminacy of queer that enables such shifts in its strategies of subversion. Recognition of how queer�s indeterminacy enables those subversive moves returns us to the importance to queer theory of a sustained consideration of the constitutive capacities of commodity culture. What I suggest in this thesis is that if we do no ask "From where does the performance draw its force?" then we cannot answer "And what happens to the performative whose task it is to undo?" the normative framework of identity.

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Lee, Juwon. "The Globality of the Seoul Queer Culture Festival: Subverting the Neocolonial Queer Narrative". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555520368932493.

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Maddison, Stephen. "Queer sisters : gay male culture, women and gender dissent". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.

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Gay male culture is suffused with indications of the importance of women and bonds with women. Indeed the Stonewall riots, mythologised moment of the birth of modern gay politics, are often said to have been catalysed by gay male grief at the death of Judy Garland. Why should a culture apparently founded on same-sex desire be so preoccupied with relationships across gender difference? The thesis attempts to map the shape and effects of bonds with women by using a materialist analytical framework in relation to texts and their critical retinue. The first chapter looks at A Streetcar Named Desire, a play that has engendered significant cultural contest which spans key historical and political shifts in the nature of gay male identity. This chapter attempts to show how a diverse range of critical engagements with Tennessee Williams's work, including authoritative and resistant, heterosexual, homosexual and queer ones, exhibit considerable investment in the proposition that the playwright's sexuality not only structures a libidinous desire, but a gender identification. The second chapter situates gay men within the homosocial gender bonds mapped by Eve Sedgwick, and draws attention to the dissident opportunities gay male culture has exploited within this narrative system. It goes on to examine the potential political and cultural links between such strategies and the resistance of straight women who are also organised as homosocial subjects. This chapter includes a reading of Tarantino's Pulp Fiction as homosocial text and looks at a number of autobiographical and journalistic writings which identify a predominant dissident strategy which I refer to as heterosocial bonds. The latter part of the thesis comprises two complementary chapters. The first of these, chapter three, assesses the plausibility of heterosocial bonding in the representations of relationships between straight women, lesbians and gay men in the American situation comedy Roseanne. Chapter four conducts a similar inquiry in relation to Pedro Almodovar and the representational alignment he makes with women in the film Women on the Verge of a Nervous Breakdown. The analysis conducted in both of these chapters attempts to treat the texts not only as generic and formal representations,but as attempted acts of bonding. The thesis attempts to judge the political expediency and effectiveness of heterosocial bonding, and locates the difficulty and contingency of such endeavours within the fabric of homosocial structures.

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Hannan-Leith, Madeline Naomi. ""That's how I found queer culture in so many ways" : narratives of online dating in queer women". Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61850.

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The past few decades have seen a rise in the visibility and legal rights of lesbian, gay, bisexual, transgender and queer (LGBTQ) people, yet persistent stigmatization has left many searching for alternate ways of seeking connection. An increasingly popular means for LGBTQ individuals to find relationships is through online dating. While the Internet has been prolific in connecting LGBTQ communities, existing research on the use of Internet-dating sites in sexual minorities has focused primarily on gay men’s dating practices, overlooking queer women. The present study used a narrative approach to address the primary research question: What are queer women’s experiences of using online dating websites to find partnership? Qualitative, open-ended interviews were conducted with a purposive sample of five women who identified as queer and had used dating websites. Interviews were then transcribed and analyzed using Braun and Clarke’s (2006) thematic content analysis, resulting in the creation of three themes and 13 subthemes. These themes represent a significant and unique aspect of participants’ experiences of online dating, including their reasons for going online, how they navigated those spaces and the issues that they faced. The research findings aligned with previous literature on the subjects of online dating and queer women’s communities, and also highlighted new ideas for consideration and further exploration. Investigating these narratives may ultimately be used to inform clinical practice for sexual minority clients by contributing to our understanding of queer lived experiences and adapting counselling approaches based on this knowledge. This may improve LGBTQ client satisfaction with counselling and increase the potential for beneficial therapeutic outcomes.
Education, Faculty of
Educational and Counselling Psychology, and Special Education (ECPS), Department of
Graduate

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Adair, David Francis, e n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence". Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists and many of their critics have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and routes by which it became possible and desirable to pose 'queer' problems across so many diverse sites and practices. In addition, if there are discernible patterns to these distributed cultural capacities and inclinations, what political significance do they have? These questions inform my account of the career of 'Queer Theory' during the 1990s. A post-humanist approach to these matters is not premised on an essential or a socially constituted general category of 'subjectivity'. Instead, it addresses 'Queer Theory' as a problem, without automatically critiquing it; it is sceptical of the perfectionist pulsion that has treated this critical practice as either a good or a bad object: dual roles that are mandated by the logic of dialectical criticism. These roles are exemplified by the frequent relegation of 'queer' in the relevant literature to the 'innately political' or the 'merely aesthetic'. In this thesis I identify ethical, cultural, and political yields of these conventional choices and the modes of problematisation in which they operate; I positively redescribe them as aesthetico-political practices. My approach therefore not only deviates from the 'good' or 'bad' critical options, but also from a third option: the equally rationalist response of assuming that 'Queer Theory' is fundamentally a problem of under-theorisation.

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Adair, David Francis. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367520.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists – and many of their critics – have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and routes by which it became possible and desirable to pose 'queer' problems across so many diverse sites and practices. In addition, if there are discernible patterns to these distributed cultural capacities and inclinations, what political significance do they have? These questions inform my account of the career of 'Queer Theory' during the 1990s. A post-humanist approach to these matters is not premised on an essential or a socially constituted general category of 'subjectivity'. Instead, it addresses 'Queer Theory' as a problem, without automatically critiquing it; it is sceptical of the perfectionist pulsion that has treated this critical practice as either a good or a bad object: dual roles that are mandated by the logic of dialectical criticism. These roles are exemplified by the frequent relegation of 'queer' in the relevant literature to the 'innately political' or the 'merely aesthetic'. In this thesis I identify ethical, cultural, and political yields of these conventional choices and the modes of problematisation in which they operate; I positively redescribe them as aesthetico-political practices. My approach therefore not only deviates from the 'good' or 'bad' critical options, but also from a third option: the equally rationalist response of assuming that 'Queer Theory' is fundamentally a problem of under-theorisation.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
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Patel, Alpesh Kantilal. "Queer Desi visual culture across the 'Brown Atlantic' (US/UK)". Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494299.

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Through an intersectional, embodied (psycho-spatial and synaesthetic), and processual theoretical matrix, my thesis unpacks the complex mechanisms underpinning the visual identification of subjects and artworks as "Desi" - the Hindi word meaning "from my country" - within the geographical and conceptual space that roughly includes the US, UK, and the South Asian subcontinent. To add further traction to my investigation, I yoke "queer" to Desi. The latter as two overlapping, and at other times competing, sets of visual identifications, serve to bring to the fore, rather than subsume, the complexities of the broader spectrum of intersecting visual identifications connected to both.

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Dawson, Leanne. "Femme : Representations of queer femininities in post-war German culture". Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511248.

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Robertson, Megan. "Called and Queer Exploring the lived experiences of queer clergy in the Methodist Church of Southern Africa". university of western cape, 2020. http://hdl.handle.net/11394/7306.

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Doctor Theologiae - DTh
In South Africa anti-queer attitudes are propped up by religious moral claims and by strong assertions that queer sexualities are un-African and a secular Western import. This study contributes to the growing body of literature which challenge these claims, and at the same time interrupts scholarly trends in the field of religion and sexuality which either characterises institutional religion as singularly oppressive or homogenises queer Christians as inherently subversive. In this thesis, I explored the lived experiences of six queer clergy (one of whom was discontinued) in the Methodist Church of Southern Africa (MCSA), in order to understand the complex relationship between institutional power and the ordinary lived realities of clergy. The study focuses particularly on the MCSA as it is statistically the largest mainline Protestant denomination in South Africa and holds significant positions of power and influence on national, interdenominational and political platforms, not least of all because it has fostered an institutional identity as the ‘church of Mandela.’ Further, situated within a continental and national context where anti-queer attitudes are politicised through cultural and religious discourses, I have argued that the MCSA also serves as a case study which represents the ways in which institutionalised religion continues to be co-constitutive of social systems and hierarchies.

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Pereira, Cristiano Fabrício Lopes. "Rhiz'hommes: redes de subjetividades". Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4443.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Com a profusão de imagens fotográficas do mundo capitalista e o incentivo para que todos sejamos produtores, o modo de fruição das fotografias e a nossa relação com esses simulacros vão se alterando. A necessidade que a web traz de nos apresentarmos em imagens faz com que tenhamos que fabricá-las e através delas passamos a nos relacionar de maneira narcísica. Com o projeto artístico Rhiz'hommes vão se discutindo as construções desses avatares nos sites de relacionamento e a (des)construção da figura masculina heteronormativa como observadora ideal, ponto de fuga para onde deveriam convergir todas as representações. Junto à queda do homem cartesiano, a autoria e a originalidade artística foram se transformando e cedendo espaço a práticas mais permissivas e abrangentes. Essa diluição de fronteiras é o epíteto de tempos pós-orgânicos de relações telemáticas e rizomas de subjetividades
With the profusion of photographic images in the capitalist world and with the incentive for all of us to become photographic producers, the enjoyment of photography and our relations with it keep changing. The virtual need that web brings to present ourselves as images leads us to make them and is through then that we will relate to each other in a narcisistic way. With the artistic project called Rhiz'hommes it will be discussed the construction of avatars on social networking websites and the (de)construction of the heteronormative male figure as the ideal observer, the vanishing point where all representations should converge. After the fall of cartesian man, the authorship and the artistic originality will be changed, making room for more permissives and broad pratices. This boundaries dissolution is the epitet of post-organic times with telematic relations and subjectivities rhizomes

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Mais fontes

Livros sobre o assunto "Queer culture"

Peele, Thomas, ed. Queer Popular Culture. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384.

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Peele, Thomas, ed. Queer Popular Culture. Basingstoke: Palgrave Macmillan, 2011. http://dx.doi.org/10.1057/9780230118287.

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Peele, Thomas, ed. Queer Popular Culture. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6.

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Mary, Bernstein, e Reimann Renate, eds. Queer families, queer politics: Challenging culture and the state. New York: Columbia University Press, 2001.

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Dima, Ramona. Queer Culture in Romania, 1920–2018. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1.

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Miguel Rodrigues de Sousa Netto e Aguinaldo Rodrigues Gomes. História & teoria queer. Simões Filho, BA: Editora Devires, 2018.

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Padva, Gilad. Queer Nostalgia in Cinema and Pop Culture. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137266347.

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Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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K, Creekmur Corey, e Doty Alexander, eds. Out in culture: Gay, lesbian, and queer essays on popular culture. Durham: Duke University Press, 1995.

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K, Creekmur Corey, e Doty Alexander, eds. Out in culture: Gay, lesbian, and queer essays on popular culture. London: Cassell, 1995.

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Mais fontes

Capítulos de livros sobre o assunto "Queer culture"

Cashmore, Ellis. "Queer". In Celebrity Culture, 213–26. 3^a ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003259992-22.

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Smuga, Łukasz, e Patrycja Poniatowska. "Against Culture". In Queer Rebels, 134–74. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003245124-4.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture". In Queer Popular Culture, 1–8. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_1.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture". In Queer Popular Culture, 1–8. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_1.

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Mazer, Sharon. "Queer shows". In Performance in Popular Culture, 180–88. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003188346-24.

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Hadjiioannou, Erene, e Julian-Pascal Saadi. "Queer minds, Queer needs". In Diversity, Inclusion and Culture Wars in Psychotherapy, 11–25. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032695501-2.

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Strukov, Vlad. "Queer economics". In Queering Russian Media and Culture, 134–53. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003042358-8.

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Dima, Ramona. "Queer Literature". In Queer Culture in Romania, 1920–2018, 55–90. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1_3.

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Pearson, Wendy Gay. "Queer Theory". In The Routledge Companion to Cyberpunk Culture, 300–307. London; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351139885-36.

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Mowlabocus, Sharif. "Arse Bandits: Exploring Nostalgic Representations of Queerness in Gangster Films". In Queer Popular Culture, 137–49. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_10.

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Trabalhos de conferências sobre o assunto "Queer culture"

"Queer Strategies in an Era of LGBT Information Abundance". In iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14332.

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Yang, Xiaofei, e Zhuying Li. "A Shifting Gender Regime in Contemporary China? Fans’ Queer Readings of the Film Ne Zha". In – The Barcelona Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2435-9475.2020.4.

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Nurbaity, Nurbaity. "Representation of Queer Muslim in @artqueerhabibi Postcard Illustration". In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296943.

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Laborde, Chandra M., e Stathis G. Yeros. "Trans-ecological Imaginations in San Francisco’s Tenderloin". In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.7.

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Much of the violence, social, and racial marginalization associated with downtown urban neighborhoods in the last forty years, exacerbated post-Covid, can be traced back to histories of targeted dispossession masked as urban redevelopment during those decades. This paper examines the dynamics of dispossession, disinvestment, and displacement in the context of the Tenderloin, an under-resourced downtown area in San Francisco.It focuses on the intersection of Turk and Taylor Streets in the Tenderloin as the site of a speculative design proposal aiming to reverse the erasure of Tenderloin’s activist past and the cultures of the queer and trans people who consider it home. The intersection was the site of a queer grassroots uprising against police brutality, the Compton’s Cafeteria Riot of 1966. The riot at Compton’s was spearheaded by street youth and gender-nonconforming people and occurred three years before the Stonewall Riot in New York which typically marks the beginning of the modern LGBTQ rights movement. As such, its symbolism extends far beyond the Tenderloin. Today, the three-story building that housed Compton’s Cafeteria at street level and a residential hotel above is operated as a halfway house by GEO Group, a for-profit prison company that also operated broadly criticized children detention spaces on the US-Mexico border.At a time when advances in LGBTQ rights during the last three decades are increasingly facing political and policy obstacles nationwide, Compton’s legacy and the building’s current use demonstrate American society’s enduring perception of specific bodies, especially those of queer, transgender, and non-binary people of color, as urban interlopers. Moreover, these bodies don’t fit mainstream representations of queerness as a predominantly white, middle-class, consumerist culture.

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Stefanovska, Vesna. "QUEER CRIMINOLOGY: A NEW THEORETICAL DIRECTION OR A PART OF CRITICAL CRIMINOLOGY". In SECURITY HORIZONS. Faculty of Security- Skopje, 2021. http://dx.doi.org/10.20544/icp.2.4.21.p13.

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The academic discourse about the development and establishment of the foundations of Queer criminology as a theoretical path within critical criminology is associated with several factors. First, the expansion of queer theory within gender studies and the involvement of the queer community in public discourse require a special theoretical explanation within other social sciences that deal with issues related to human behaviour, human rights, punishment, protection, etc. However, the tendency to achieve greater visibility of the queer population through a particular theoretical and research approach rather than within other theories dealing with marginalized communities or certain forms of subcultural behaviour has opened a debate in the academic community as to whether a queer criminology should receive a special theoretical direction or the research on queer population should remain within the framework of the critical cultural criminology, or as part of feminist studies. The stated dilemma, bases and challenges of queer criminology will be the subject of a special elaboration and theoretical discussion within this paper. Key words: Queer criminology, LGBT, Intersectionality, heteronormatively.

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Zapletniuk, O. A. "Queen Ankhesenamun and the Crisis of the Amarna Dynasty". In Preislamic Near East: History, Religion, Culture. A.Yu. Krymskyi Institute of Oriental Studies of the NAS of Ukraine, 2021. http://dx.doi.org/10.15407/preislamic2021.02.061.

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Watts, Ali. "Queer Theory Has Entered the CHAT: Dis/orienting Cultural Historical Activity Theory". In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2011078.

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Artime Pinilla, Joaquín. "Referentes invertidos: intervención artística, teoría queer y literatura". In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9589.

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Este artículo es un análisis del trabajo teórico y creativo que da como resultado la intervención artística “Referentes invertidos”. Inaugurada el 26 de abril de 2018 como una obra más de la exposición colectiva “Biblioteca en paral·lel”, proyecto ganador de un PAC (Propuesta de Acción Cultural), una ayuda que concede el Àrea d’Activitats Culturals de la Universitat Politècnica de València. Este site specific se insertó en el edificio de la Biblioteca Central de la Universitat Politècnica de València. En sus cristaleras se escribió con rotulador de tiza en grandes dimensiones los apellidos de tres escritores que, en habla española, catalana e inglesa, reivindicaron activamente su condición de hombres gays, visibilizando y estableciendo otros imaginarios sobre las relaciones afectivas, amorosas y sexuales. Cada uno de los apellidos –Burroughs, Moix y Lemebel– se construyó con los títulos de las obras literarias que sus autores dejaron como legado. Se escribieron con un color secundario y al revés, para aludir al insulto “invertido”, reclamar la procedencia de unos escritores que han creado desde el margen, perteneciendo a una minoría, y así poner en valor su producción literaria, su importancia histórica y sus aportaciones al mundo de las letras. Con la elección de estos autores, el empleo de conceptos como la apropiación, la metodología artística usada, la escritura a mano y el color, se genera un espacio que vincula arte y literatura, así como visibiliza escritores clave en la producción de relatos propios al mundo queer.

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Galarza, José, e Lisa C. Henry. "Decolonizing Studio Pedagogy Through Critical Theory and Integrated Research Methods -- A Curriculum Reimagination". In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.108.

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The School of Architecture at The University of Utah has engaged in curriculum reimagination for the last three years. At the heart of this faculty-wide effort is the mission to make architects civic entrepreneurs and socially responsible global citizens. In response, we have sought to broaden our disciplinary horizons. Our collective has envisioned an integrated curriculum in which research methods and critical theories from many disciplines such as literature, queer theory, ethnography, or indigenous studies become the primer for design. Students learn that research is a systematic inquiry directed towards the creation of knowledge, and that each method produces different ways of knowing. Our primary aim is to disrupt the notion that the acquisition and application of knowledge is somehow universal, as opposed to the result of a particular set of cultural constructs. The “integrated model” with research methods at its base allows us to move towards a larger project of decolonizing design pedagogy. By decolonizing we mean braiding together Western and other ways of knowing to transform the imagination and structure of design practice and the academy. The metaphor of braiding in this case maintains the identity of each mode of knowledge, while strengthening the whole by introducing different critical views of land and property, design and project delivery, plus client and community1. Placing diverse critical theories as well as both western and indigenous research methods as the foundation of the curriculum allows us to ask difficult questions about how architecture can contribute to the cultural survival, resilience, and healing of cultures devastated by European Enlightenment, the foundation of modern education, with its roots in racism, sexism, homophobia, ableism, and economic exploitation of the colonized world.

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Kim, Hye Jung, e Dong Hyuk Jo. "Cultural Capital of the Red Queen Focusing on Univore and Omnivore". In 2022 IEEE/ACIS 7th International Conference on Big Data, Cloud Computing, and Data Science (BCD). IEEE, 2022. http://dx.doi.org/10.1109/bcd54882.2022.9900822.

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Relatórios de organizações sobre o assunto "Queer culture"

Kerrigan, Susan, Phillip McIntyre e Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.

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Cothron, Annaliese, Don Clermont, Amber Shaver, Elizabeth Alpert e Chukwuebuka Ogwo. Improving Knowledge, Comfort, and Attitudes for LGBTQIA+ Clinical Care and Dental Education. American Institute of Dental Public Health, 2023. http://dx.doi.org/10.58677/tvin3595.

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Oral health does not exist in a silo. The mouth-body connection is a biological aspect of physical wellbeing that exists alongside the social and political drivers of whole-person health. Lesbian, gay, bisexual, transgender, queer, intersex, and agender/ asexual people, and people of other marginalized gender or sexual identities (LGBTQIA+), have experienced historical exclusion from healthcare systems perpetuated by chronic stigma. Ongoing discrimination, cultural insensitivity, and blatant homophobia/transphobia among healthcare staff results in poor health outcomes, including oral health. These exchanges either facilitate or inhibit respectful, high-quality, patient-centered care cognizant of intersectionality. In 2022, the American Institute of Dental Public Health (AIDPH) disseminated a mixed-methods survey to just over 200 oral health professionals to assess knowledge, attitudes, and practices regarding LGBTQIA+ oral health.

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BLANCO VEGA, MARIA DE JESUS, Sandra Milena Rincón Infante e Francy Milena Ladino Calderón. APRENDIZAJE ESTRATÉGICO EN LA MEDIACIÓN TECNOLÓGICA DE LA FORMACIÓN DE PROFESIONALES DE LA EDUCACIÓN. IberAm, 2021. http://dx.doi.org/10.33881/ibr0001.

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En un mundo cada vez más globalizado, las interacciones comunicativas de gran parte de la población se encuentran mediadas por recursos tecnológicos que permiten acercar la realidad propia con la de culturas y contextos diferentes, en ambientes en los que la distancia ya no es una limitante. Estas nuevas dinámicas sociales moldean los recursos para el aprendizaje, ofreciendo oportunidades de experimentación de la realidad que hace algunos años no existían, lo que ofrece distintas posibilidades de enseñar y de aprender en interrelaciones que normalmente han sido mediadas por el conocimiento y en las que ahora entran a participar el querer aprender, las herramientas y las motivaciones para enseñar (OECD, 2013).

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As bandas de música populares en Galicia. Observatorio da Cultura Galega, junho de 2021. http://dx.doi.org/10.17075/bmpg.2021.

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O obxecto deste traballo é revisar as condicións actuais das bandas de música populares en Galicia e o papel de desenvolvemento cultural que realizan os seus compoñentes, músicos, persoal directivo, docentes de música, así como a súa integración no contorno xeográfico e económico no que se integran, que en Galicia se adscribe a vilas onde hai un conservatorio ou unha escola municipal de música ou mesmo a pequenas aldeas nun contorno máis rural. Tamén se quere describir en que medida se viron afectadas polas condicións impostas pola pandemia da COVID-19 nas súas actividades cotiás. O universo de estudo son as bandas de música asociadas á Federación Galega de Bandas de Música Populares. Das 94 entidades federadas contestaron 85 bandas. O cuestionario aplicouse de maneira telemática entre o 28 de abril e o 17 de maio de 2021. O corpo e contido do estudo xiran arredor da dimensión social das bandas de música populares en Galicia e abrangue información que vai dende datos xerais destas entidades musicais; características dos seus intérpretes; equipo de dirección; escolas de música pertencentes ás bandas; nivel de xestión; avaliación da calidade do equipamento das súas infraestruturas; programa de actividades; fontes de financiamento; público; difusión e imaxe e incidencia da COVID-19 no seu funcionamento.

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