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Livros sobre o tema "Projection de graphe"

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Autor: Grafiati

Publicado: 25 de maio de 2024

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1

Hemispherical projection methods in rock mechanics. London: Allen & Unwin, 1985.

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2

Shepherd, Angela. Australian wine grape production and winery intake: Projections to 2002-03. Canberra: ABARE, 2000.

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3

Projective graphics: The first album. London: Hertfordshire Press, 2014.

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4

Ali, Abdalla, e Australian Bureau of Agricultural and Resource Economics., eds. Wine grapes: Projections of wine grape production and winery intake to 1994-95. Canberra: Australian Bureau of Agricultural and Resource Economics, 1992.

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5

Guriev, T. S. Trimetricheskie proekt͡s︡ii. Moskva: "Nedra", 1992.

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6

Sal'kov, Nikolay. Descriptive geometry. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1874094.

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The textbook contains a complete course on descriptive geometry for architects. It covers the theoretical issues of orthogonal projections, axonometry, perspective and shadow theory in these sections. It fully meets the requirements of the Federal State Educational Standard of Secondary Vocational Education, approved by the order of the Ministry of Education and Science of the Russian Federation No. 850 dated July 28, 2014. It is addressed to students of secondary vocational education institutions studying in the specialty 07.02.01 "Architecture". It can be useful for students of other fields of study, as well as teachers of geometric and graphic disciplines.

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7

Rodin, Esquejo, e Alphona Adrian, eds. Mind the gap: Intimate strangers. Berkeley, Calif: Image Comics, 2012.

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8

Dunn, Brenda. Les spectacles de lanterne magique et l'armée britannique: Matériel de projection de la garnison de Halifax dans les années 1860. Ottawa, Ont: Patrimoine canadien, Parcs Canada, 1994.

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9

1624-1683, Guarini Guarino, e Università di Roma. Dipartimento di rilievo, analisi, disegno dell'ambiente e dell'architettura., eds. La scienza della rappresentazione nella concezione di Guarino Guarini. Roma: Gangemi, 2008.

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10

Shades of Simon Gray. New York: Delacorte Press, 2001.

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11

Alberto, Corso, e Polini Claudia 1966-, eds. Commutative algebra and its connections to geometry: Pan-American Advanced Studies Institute, August 3--14, 2009, Universidade Federal de Pernambuco, Olinda, Brazil. Providence, R.I: American Mathematical Society, 2011.

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12

Coolen, A. C. C., A. Annibale e E. S. Roberts. Applications of random graphs. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198709893.003.0011.

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This chapter reviews graph generation techniques in the context of applications. The first case study is power grids, where proposed strategies to prevent blackouts have been tested on tailored random graphs. The second case study is in social networks. Applications of random graphs to social networks are extremely wide ranging – the particular aspect looked at here is modelling the spread of disease on a social network – and how a particular construction based on projecting from a bipartite graph successfully captures some of the clustering observed in real social networks. The third case study is on null models of food webs, discussing the specific constraints relevant to this application, and the topological features which may contribute to the stability of an ecosystem. The final case study is taken from molecular biology, discussing the importance of unbiased graph sampling when considering if motifs are over-represented in a protein–protein interaction network.

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13

Palis, Eleni. Classical Projections. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197558171.001.0001.

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Classical Projections theorizes a new term, “film quotation,” for the medium-specific repurposing, re-framing, and re-viewing of preexisting films within subsequent films. As a visual corollary to literary quotation, film quotation embeds film fragments within on-screen televisions, movie theaters, and computer screens. Quotation accesses the way the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence, invoking authority, or interrogating literary and scholarly writing. Film studies has yet to seriously examine how film quotations convene interaction and create new knowledge across time. Classical Projections focuses on film quotations of classical Hollywood film—mainstream American studio production, 1915–1950—as quoted in post-classical Hollywood, roughly 1960 to present. Though film quotation has been used since early silent cinema, this strategic historical frame asks, How does post-classical cinema visualize its own “belatedness,” its awareness of coming after a “classical” or “golden age”? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether marginalized by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture “classical” Hollywood in retrospective, highly strategic ways. Considering both archival quotations and “created-quotations,” which are fabricated by the quoting filmmakers, uncovers the images, voices, and fragments of the “classical” canon that either never existed, were never preserved, were mired in caricature, or that classical Hollywood could not “image/imagine.” By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.

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14

Dicks, W. Groups, Trees and Projective Modules. Springer London, Limited, 2006.

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15

Ballenger, Jesse, Vance Holliday e Guadelupe Sanchez. The Earliest People in the Southwest. Editado por Barbara Mills e Severin Fowles. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199978427.013.11.

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Paleoindian occupations across the Southwest are known largely from surface artifact collections because relatively few in situ sites are known. Clovis is the exception, with one of the world’s highest concentrations of Clovis mammoth kills occurring in southeast Arizona (Murray Springs, Naco, and Lehner). Otherwise Clovis is thinly scattered across New Mexico, Chihuahua, and Sonora. Folsom is the most common Paleoindian projectile point type in the Southwest in terms of numbers, but is largely concentrated in the basins of the Upper Rio Grande valley in New Mexico and Colorado. Unfluted Paleoindian artifact styles are widely scattered throughout the region, but most are concentrated along the Upper Rio Grande valley.

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16

Whispers. 2014.

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17

Lemos, Maria Carmen, e Christine Kirchhoff. Climate Information and Water Management. Editado por Ken Conca e Erika Weinthal. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199335084.013.17.

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Climate-change projections suggest water managers, policymakers, and planners will need to grapple both with increased stress on water supplies and more climate variability and extremes. In the context of water governance, climate information can play a critical role in informing planning preparedness and response options; however, research shows that the level of use of climate information among water managers is still relatively low. This review examines three different disconnects at the intersection of scientific knowledge and water management. First, it tackles the disconnect between the production of knowledge and that knowledge’s application in specific water-management decision contexts. Second, it explores the disconnect between what different water management models, such as integrated water resource management, should in principle do to foster the use of climate information and how well they accomplish this goal in practice. Third, it examines the potential disconnect between adoption of climate information and adaptive capacity building.

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18

McCann, Jim. Mind the gap: Out of bodies. 2013.

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19

artist, Seaton Kristen, e Stotts Taneka editor, eds. Afar. Image Comics, Inc., 2017.

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20

Your Name. vol. 3. São Paulo, Brazil: Editora JBC, 2018.

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21

Shinkai, Makoto. Your name., Vol. 3. Yen Press, 2018.

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