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Liu, Sixue. "Class of How People Learn: An Investigation into Theories of Learning How Praise in Class Affects Students Learning Motivation". Lecture Notes in Education Psychology and Public Media 6, n.º 1 (17 de maio de 2023): 160–64. http://dx.doi.org/10.54254/2753-7048/6/20220231.
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By analyzing the case comparison of three different praise methods, this paper compares the most suitable praise strategies for the classroom at the k-12 stage. The research proposal is to introduce the beneficial effects of praise in the classroom through behaviourism and cognitivism and then to compare which kind of praise students respond to using real-world cases in the classroom: general praise targeted praise, and negative statementmost productive in the classroom. The survey method is that three teachers teach a class of 15 to 20 people, and one day is randomly selected each week to count the number of times teachers use different praise methods on average to analyze the cases. The results showed that general praise was more practical at ages K-8, where students were more likely to be praised by their teachers for their behaviour. In addition, the combination of targeted praise and negative statements in grades 8-12 can help students achieve academically.
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Draskic-Vicanovic, Iva. "Psychagogic art theory". Theoria, Beograd 55, n.º 2 (2012): 107–17. http://dx.doi.org/10.2298/theo1202107d.
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The text represents a specific approach to Gorgias' Praise to Helen. Instead of considering it as a cradle of art theory of illusion (apate) or some kind of rhetoric acrobatic feat in which Gorgia praises the blameworthy, author considers Praise to Helen as first aesthetic text in European philosophy in which fine arts and poetry had been connected by means of one notion - notion of psychagogia, and looks upon it as a foundation of art theory that could be denoted as theory of psychagogia.
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Földi, Zsombor J., e Gábor Zólyomi. "A Praise Poem of Warad-Sîn, King of Larsa, to Nippur". Altorientalische Forschungen 47, n.º 1 (5 de agosto de 2020): 57–66. http://dx.doi.org/10.1515/aofo-2020-0004.
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AbstractThis paper publishes a praise poem of Warad-Sîn, king of Larsa. The manuscript, a one-column tablet, comes from a private collection and is unprovenanced. The text might be an excerpt from a longer composition. Its 20 lines long text praises first Nippur, the city of Enlil, then Warad-Sîn speaks in the first person about the commission given to him by Enlil, about his deeds to the city, and about their permanence. The author of this text appears to be familiar both with the literary corpus and the royal inscriptions of the early Old Babylonian period.
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Lalic, Natasa. "Praise and reward in school". Zbornik Instituta za pedagoska istrazivanja, n.º 34 (2002): 236–58. http://dx.doi.org/10.2298/zipi0204236l.
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Pedagogic literature points out that rewarding is desirable in the process of education and is a constituent part of teacher's work in school. However it is of importance to determine the type of behavior that deserves praise and reward as well as 'the situations' where praise and reward may have adverse effects. Praise and reward practiced in school are quite specific compared to those applied in a family, because rewards for a desirable behavior, as well as praises, are formally and officially prescribed. The meaning of rewarding is often restrictive and simplified thus being a kind of teacher's mechanical response to student's behavior. Consequently rewarding, especially when praise is in question, is deprived of encouraging features that, if they imply support and encouragement, contribute to child's developing self-confidence and positive self-image. That is why we have presented herein the types of rewards and their effects by using a -survey of studies carried out in our country and abroad, and all this to highlight some aspects of rewarding procedures, whereby we can check how important they are for the outcomes of education and student's personality development. A material reward is considered to have a more expressive control role, whilst verbal encouragement and praise mean information about achievement. Furthermore, considerations are given to some factors essential to a more efficient application of praise and reward in concrete educational situations as well as to their motivational advantages for teacher's educational practice. Lastly, possibilities of more successful application of praise and reward in school are suggested.
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Destyanto, Twin Yoshua R., Dony Lubianto, Jono e Minerva Gabriela Tuanakotta. "PEMULIHAN PONDOK DAUD: LANDASAN TEOLOGIS DAN PEMBARUAN PUJIAN PENYEMBAHAN PENTAKOSTA MASA KINI". Way Jurnal Teologi dan Kependidikan 8, n.º 1 (30 de abril de 2022): 1–22. http://dx.doi.org/10.54793/teologi-dan-kependidikan.v8i1.80.
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Pentecostal praise and worship always develop time by time. The pattern changes can be understood as a continuous process of church restoration from time to time towards the apostolic church. The restoration of Tabernacle of David (RTOD) is proposed to be a reference for Pentecostals to formulate the theological foundation in renewing the pattern of praise and worship in the present era. This paper aims to (i) explain the theological basis of the Pentecostal pattern of praise and worship in today's era, (ii) explain the theological meaning of RTOD prophecy and its relationship to praise and worship, and (iii) explain the application of RTOD in renewal of the Pentecostal praise and worship in the present era. This paper uses a qualitative method by applying a systematic literature study and phenomenological approaches to understand the theological basis of praise and worship pattern, the meaning of RTOD in general and related to praise and worship, components in RTOD, and its application in praise worship. The results of the study show that the RTOD can be used as a theological foundation and renewal of Pentecostal praise and worship in the present era.So, it can be concluded that the theological basis and definition RTOD can be used as a reference for applying it in the praise and worship of today's Pentecostals.
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رشوان, هاني. ""النار العاتية التي ذاقت من طعم وهج اللهيب:"". Al Abhath 68, n.º 1 (30 de dezembro de 2020): 106–81. http://dx.doi.org/10.1163/2589997x-06801006.
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This article offers the first Arabic translation of a praise hymn dedicated to Ramsess II (d. 1213 B.C.E.), with philological and poetic commentaries. The text was carved on the facade of Abū Simbel temple twice because of its exceptional literary nature, as this study demonstrates. I discuss why Euro- American scholars were unable to separate the literary dimensions of the praise hymns from its political framework, and also tackle the pictorial nature of ancient Egyptian writing, providing the Arabic reader with the necessary instruments for understanding the several visual features that were creatively deployed by the writer to enhance the reading process of this particular praise hymn. I then trace the early foundations of premodern Arabic khiṭāba and its close relation to constructing oral/aural arguments in comparison with balāgha that deals with the literary devices of the Qur’ānic text. This study breaks new ground in the discipline of comparative literature by establishing a collation between the two praise hymns of Ramsess II (d. 1213 B.C.E.) and Senwosret III (d. 1839 B.C.E.). This collation makes it possible to rediscover the way each eulogist built unique or similar images to describe the praised king. The article discusses several problematic questions of loanwords to pave the way for further research on ancient Egyptian words that were incorporated inside the classical Arabic dictionary, and the analysis ends with an ancient Egyptian-Arabic lexicon of the hymn under study. It is hoped that this may encourage the new generation of Egyptian Egyptologists to generate a comprehensive dictionary of the ancient Egyptian language based on direct engagement with ancient Egyptian literary texts.
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رشوان, هاني. ""النار العاتية التي ذاقت من طعم وهج اللهيب:"". Al Abhath 68, n.º 1 (30 de dezembro de 2020): 106–81. http://dx.doi.org/10.1163/18115586-00680105.
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This article offers the first Arabic translation of a praise hymn dedicated to Ramsess II (d. 1213 B.C.E.), with philological and poetic commentaries. The text was carved on the facade of Abū Simbel temple twice because of its exceptional literary nature, as this study demonstrates. I discuss why Euro- American scholars were unable to separate the literary dimensions of the praise hymns from its political framework, and also tackle the pictorial nature of ancient Egyptian writing, providing the Arabic reader with the necessary instruments for understanding the several visual features that were creatively deployed by the writer to enhance the reading process of this particular praise hymn. I then trace the early foundations of premodern Arabic khiṭāba and its close relation to constructing oral/aural arguments in comparison with balāgha that deals with the literary devices of the Qur’ānic text. This study breaks new ground in the discipline of comparative literature by establishing a collation between the two praise hymns of Ramsess II (d. 1213 B.C.E.) and Senwosret III (d. 1839 B.C.E.). This collation makes it possible to rediscover the way each eulogist built unique or similar images to describe the praised king. The article discusses several problematic questions of loanwords to pave the way for further research on ancient Egyptian words that were incorporated inside the classical Arabic dictionary, and the analysis ends with an ancient Egyptian-Arabic lexicon of the hymn under study. It is hoped that this may encourage the new generation of Egyptian Egyptologists to generate a comprehensive dictionary of the ancient Egyptian language based on direct engagement with ancient Egyptian literary texts.
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Afsaruddin, Asma. "In Praise of the Caliphs: Re-Creating History from the Manāqib Literature". International Journal of Middle East Studies 31, n.º 3 (agosto de 1999): 329–50. http://dx.doi.org/10.1017/s002074380005546x.
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Roughly around the end of the 7th century, a distinct genre of Islamic literature began to develop under the rubric fadāʾil (“virtues” or “excellences”) that praised the merits, for example, of reciting the Qurʾan, of the Companions of the Prophet, of performing religious duties such as hajj and jihad, and of sacred cities such as Jerusalem. The fadāʾil literature initially was a part of the burgeoning hadith corpus, and the fadāʾ-Qurʾ an traditions appear to be the oldest strand. A variant term for this type of tradition, especially with regard to the Companions of the Prophet, is manāqib (and less frequently, khasāʾ is). A survey of this kind of “praise” literature indicates that the terms manāqib and fadaāʾil could be used fairly interchangeably.
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Naglieri, Valentina. "In praise of a kind of materialism". MRS Bulletin 39, n.º 11 (novembro de 2014): 1032. http://dx.doi.org/10.1557/mrs.2014.272.
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Simatupang, Jhonnedy Kolang Nauli. "Eksistensi Pujian Himne “Mengikut Yesus Keputusanku” dan Perkembangan Musik Kontemporer pada Liturgi Ibadah Masa Kini". Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik 3, n.º 1 (30 de abril de 2023): 25–32. http://dx.doi.org/10.30872/mebang.v3i1.57.
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The purpose of this research is to see and provide an understanding of the existence of a hymn in the liturgy of Christian worship today, both hymns and contemporary hymns, and the meaning of the hymn "Mengikut Yesus Keputusanku." A qualitative research method is used through a literature review in writing this scientific work. The results of this research are as follows. First, as church music grows in the liturgy of worship, it can be noted that whether or not the hymns of hymns are a little less, added several church denominations are coming to comfortable with the use of contemporary praise in the liturgy of worship, second, the "Mengikut Yesus Keputusanku." Praise is one of the great testimonies of those who sing this praise, regardless of this praise, it is a form of faith that one believes in God to this day, even this praise continues to grow with various translations and insights. Third, the presence of contemporary music and the praise of hymns should be combined into God.
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Metcalfe, Jean Le Drew. "Subjecting the King: Ben Jonson’s Praise of James I". ESC: English Studies in Canada 17, n.º 2 (1991): 135–49. http://dx.doi.org/10.1353/esc.1991.0026.
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Yampolskaya, Anna V. "Theology as an Icon: Phenomenological Interpretation of the Greak Fathers by Jean-Luc Marion". Voprosy Filosofii, n.º 3 (2021): 89–100. http://dx.doi.org/10.21146/0042-8744-2021-3-89-100.
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The paper analysesinterpretations of the Church Fathers by Jean-Luc Marion, a leading figure of the French Phenomenology. For Marion, the theological discourse should function as an icon: the task of theology is to make God manifest as invisible and inaccessible. According to Marion, Areopagite’s theology is not, properly speaking, “apophatic” or “negative”, because the aim of the theological discourse is not to produce either positive or negative statements concerning God; indeed, such a discourse would remain a captive of onto-theology and would function as an idol. Areopagite does not only name God, he praises divine names in prayer. This allows Marion to interpret Areopagite's theology as a performative speech act where praise acts by transforming the speaker. This performativity, which is proper to the theological discourse, is inseparable from a particular kind of phenomenalisation of God, although the mode of this phenomenalisation differs from that of the apophantic discourse. Divine names do not describe God, but praise Him as the Requisite, making the speaker the one who requires. In later works, Marion interprets divine names as “saturated phenomena”. The theologian cannot be described as an agent of phenomenalisation of the Revelation, even though he remains a receiver and a medium of this phenomenalisation, thus acquiring the status of its witness, the status of a “gifted one” (l’adonné): receiving his very self from what is made manifest in this phenomenalisation. The divine name appeals to the speaker, who makes this calling manifest in his naming reply. The Revelation is revealed to the theologian, and hereby the Revelation reveals the theologian himself.
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Levy, Neil. "In Praise of Outsourcing". Contemporary Pragmatism 15, n.º 3 (31 de agosto de 2018): 344–65. http://dx.doi.org/10.1163/18758185-01503005.
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What explains the context sensitivity of some (apparent) beliefs? Why, for example, do religious beliefs appear to control behaviour in some contexts but not others? Cases like this are heterogeneous, and we may require a matching heterogeneity of explanations, ranging over their contents, the attitudes of agents and features of the environment. In this paper, I put forward a hypothesis of the last kind. I argue that some beliefs (religious and non-religious) are coupled to cues, which either trigger an internal representation or even partially constitute the beliefs. I show that such coupling will give rise to the context-sensitivity, without entailing that religious believers take a different attitude to belief content.
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Christian, Lawrence. "PANGGILAN UNTUK MEMUJI TUHAN BERDASARKAN MAZMUR 103 DAN IMPLIKASINYA BAGI ORANG PERCAYA MASA KINI". Way Jurnal Teologi dan Kependidikan 6, n.º 2 (31 de outubro de 2020): 98–115. http://dx.doi.org/10.54793/teologi-dan-kependidikan.v6i2.33.
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Many people when they have problems only focus on the problem and cannot feel God's goodness. No matter how hard the problem, you can still feel God's goodness. May this kindness be a reason to praise God when experiencing problems. The research objective is to find reasons for praising God according to Psalm 103. This research uses descriptive-inductive methods. The result of this research is the nature of Allah who is gracious and compassionate, long patient and also a lot of kindness. Researchers conclude that whatever happens in the life of a believer he must still praise God.
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DOWDING, KEITH, e MARTIN VAN HEES. "In Praise of Manipulation". British Journal of Political Science 38, n.º 1 (7 de dezembro de 2007): 1–15. http://dx.doi.org/10.1017/s000712340800001x.
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Many theorists believe that the manipulation of voting procedures is a serious problem. Accordingly, much of social choice theory examines the conditions under which strategy-proofness can be ensured, and what kind of procedures do a better job of preventing manipulation. This article argues that democrats should not be worried about manipulation. Two arguments against manipulation are examined: first, the ‘sincerity argument’, according to which manipulation should be rejected because it displays a form of insincere behaviour. This article distinguishes between sincere and non-sincere manipulation and shows that a familiar class of social choice functions is immune to insincere manipulation. Secondly, the ‘transparency’ argument against manipulation is discussed and it is argued that (sincere or insincere) manipulation may indeed lead to non-transparency of the decision-making process, but that, from a democratic perspective, such non-transparency is often a virtue rather than a vice.
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Nightingale, Andrea Wilson. "The Folly of Praise: Plato's Critique of Encomiastic Discourse in the Lysis and Symposium". Classical Quarterly 43, n.º 1 (maio de 1993): 112–30. http://dx.doi.org/10.1017/s0009838800044219.
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Plato targets the encomiastic genre in three separate dialogues: the Lysis, the Menexenus and the Symposium. Many studies have been devoted to Plato's handling of the funeral oration in the Menexenus. Plato's critique of the encomium in the Lysis and Symposium, however, has not been accorded the same kind of treatment. Yet both of these dialogues go beyond the Menexenus in exploring the opposition between encomiastic and philosophic discourse. In the Lysis, I will argue, Plato sets up encomiastic rhetoric as a foil for Socrates' dialectical method; philosophic discourse is both defined and legitimated by way of its opposition to eulogy. In the Symposium, Plato offers a much more complex critique. First, he illustrates and comments on the vices that inhere in the encomiastic genre. Second, he juxtaposes Socrates' ironic ‘praises’ of his interlocutors with traditional encomiastic discourse, thus inviting the reader to explore the relation between Socratic irony and the rhetoric of eulogy (and censure). And, third, the Symposium exhibits two untraditional ‘encomia’ – Socrates' eulogy for Eros and Alcibiades' for Socrates – that illustrate and interrogate the false ontology underlying the rhetoric of praise.
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Foot, Sarah. "Plenty, Portents and Plague: Ecclesiastical Readings of the Natural World in Early Medieval Europe". Studies in Church History 46 (2010): 15–41. http://dx.doi.org/10.1017/s0424208400000474.
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Noli paterFather do not allow thunder and lightning,Lest we be shattered by its fear and its fire.We fear you, the terrible one, believing there is none like you.All songs praise you throughout the host of angels.Let the summits of heaven, too, praise you with roaming lightning,O most loving Jesus, O righteous King of Kings.(Thomas Owen Clancy and Gilbert Márkus,Iona: The Earliest Poetry of a Celtic Monastery, 85)Early medieval attitudes to the natural world were distinctly ambivalent. At one level the natural world represented the marvel of God’s creative power; filled with beauty, it supplied everything necessary for human existence, meriting praise, as in the hymn sung by the herdsman from Whitby, Cædmon:
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Zhang, Yixin, e Shengda Guo. "A Study of the Symbolic Meaning and Period Value of Pearl in The Scarlet Letter". Studies in Social Science Research 3, n.º 1 (29 de janeiro de 2022): p31. http://dx.doi.org/10.22158/sssr.v3n1p31.
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Pearl is a distinctive artistic figure created by Nathaniel Hawthorne in his novel The Scarlet Letter. She is highly symbolic in her identity, name, appearance and character. Her existence not only drives the development of the main characters’ thoughts and behavioral changes, but also carries the author’s praise of truth, goodness and beauty, his communication of ideals and hopes, and the profound understanding of the awakening of women’s consciousness. This kind of praise, communication and understanding has wide contemporary value in today’s society.
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Benson-Allott, Caetlin. "On Platforms: In Praise of Escapism". Film Quarterly 74, n.º 1 (2020): 75–79. http://dx.doi.org/10.1525/fq.2020.74.1.75.
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With the onset of the COVID-19 pandemic, FQ columnist Caetlin Benson-Allott rejects streaming recommendations aimed at edification and instead embarks on her personal quest to find and understand the distinctive and therapeutic pleasures of cinematic escapism. Noting that escapism has been neglected by film theorists and critics—dismissed as an undignified, unsophisticated form of spectatorship—she suggests that this oversight explains her difficulty in identifying films that grant that particular kind of pleasure. An overview of her past and present cinematic guilty pleasures, from the B-grade horror movie Leprechaun (Mark Jones, 1993) to romantic comedies like Sleepless in Seattle (Nora Ephron, 1993), helps answer the question she poses: If I don't know how to articulate the value of escapism, how can I find it when I need it?
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Nur, Hilmi Asyam, Matthew Alexander Thomas e Rifa Wildanin Naila. "Perbandingan Representasi Raja Alfred dalam “The Life of King Alfred” oleh Asser dan Prabu Hayam Wuruk dalam “Negarakertagama” oleh Mpu Prapanca". Jurnal Sosial Humaniora Sigli 6, n.º 2 (25 de dezembro de 2023): 542–54. http://dx.doi.org/10.47647/jsh.v6i2.1779.
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The research contrasts two historical texts which tell about two different influential kings of Old England and Indonesia, two great nations, namely The Life of King Alfred, written by Asser, and Nagarakretagama, written by Mpu Prapanca. Both texts are biased since the writers are admirers of the Kings. Therefore, the research is aimed to unveil the similarities and differences of the two texts in depicting the Kings. In Asser's 'Life', Asser attempted to lift King ALfred's name by showing the King's achievements throughout his reign. However, many researchers found oddities within the text and suspected that there are embedded political purposes. Similarly, Nagarakretagama is a form of praise towards Hayam Wuruk which tells about the glory of Majapahit and The King. Mpu Prapanca used historical background to praise the King and the kingdom's magnificence. Both texts have basic similarities in lifting the names and covering the lackness of the Kings. However, since both texts have propaganda properties to some extent, both could not be considered as accurate sources of history.Keywords: Hayam Wuruk, Alfred The Great, Majapahit, Wessex, Asser, Mpu Prapanca,Comparative, History
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Kukka, Silja. ""Fandom's Pornographic Subset"". lambda nordica 26, n.º 1 (5 de julho de 2021): 53–79. http://dx.doi.org/10.34041/ln.v26.721.
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This article draws on content analysis method research (n = 78) that looks at a specific subset of fan fiction: anonymous kink meme communities where mostly women request and write erotic or pornographic fan texts. Reporting on an online survey, this article discusses what kind of role kink meme communities play in the lives of the respondents, how kink meme stories are situated in the larger framework of pornography, and how the respondents view the stories that incorporate unsettling or taboo subjects, such as sexual abuse of children, rape, or incest. This article views kink meme communities as a special subset of fan fic- tion, and in the article kink meme writing is compared to other forms of female- centric erotica or pornography. The article outlines how kink meme communities, like many other female-centric online communities, can function as places where women and gender minorities can write erotic material that better resonates
with them and discuss and explore their sexualities and sexual preferences. Kink meme communities are also shown to utilise queer female writing practices in how they discuss and broaden the cultural view on female sexuality and women’s enjoyment of pornographic material. In addition to this, kink memes are also shown to function as literary communities where some fans can practise their writing.
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Reid, Nicholas. "King Like a Horned Viper: Two New Manuscripts of Praise Poems to Šulgi". Zeitschrift für Assyriologie und vorderasiatische Archäologie 114, n.º 1 (5 de junho de 2024): 12–22. http://dx.doi.org/10.1515/za-2024-0003.
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Abstract Two tablets from the the Michael C. Carlos Museum at Emory University contain excerpts of literary texts celebrating Šulgi: an excerpt of the praise poem Šulgi A, with two previously unknown lines, and a manuscript from a new hymn to Šulgi, paralleling Ni 13227.
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Silliman, Lisa M., e Ron French. "Use of Selected Reinforcers to Improve the Ball Kicking of Youths with Profound Mental Retardation". Adapted Physical Activity Quarterly 10, n.º 1 (janeiro de 1993): 52–69. http://dx.doi.org/10.1123/apaq.10.1.52.
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The purpose of this study was to compare the effectiveness of preferred verbal praise and music reinforcement on improving the soccer kick performances of youths with profound mental retardation (PMR). Subjects (N = 15) were randomly assigned to three groups. Based on visual inspection and the split-middle technique, all three groups (i.e., control, verbal praise, and music reinforcer) improved performances in their kicking accuracy. Comparison of graphed mean data of the three groups, by visual inspection and the split-middle technique, showed that the verbal praise and music reinforcement groups had higher scores than the control group. Visual inspection of 2-week follow-up data revealed that both experimental groups maintained higher scores than the control group. In addition, all of the subjects had the ability to generalize this kicking skill into a physical recreation environment.
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A, Anto Praveena. "The Uniqueness of Meenakshi in Madurai Meenakshiyammai Pillai Tamil". International Research Journal of Tamil 4, S-15 (9 de dezembro de 2022): 34–42. http://dx.doi.org/10.34256/irjt224s156.
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Many works of literature have emerged between the Sangam period to the age of Nayakas. Especially, many short stories emerged during the period of Nayakas. The objectives of those short stories were associated with glorifying and highlighting the deeds of God, King, Philanthropists, Gurus, Patrons and saints. With a classification of over ninety-six kinds of short stories, the golden era of short stories continued from the 12th century A.D until the 19th century. Among the Pillai Tamil literary works, particularly in between Pen Pal Pillai Tamil books, Meenatchiammai Pillai Tamil writing is considered a masterpiece. This work in the form of short stories glorifies and sings praises considering Madurai Meenatchiammai as a child. The sole purpose of this book is to glorify the magnificence of Madurai Meenatchiammai. Likewise, this book gives special depiction of Madurai Meenatchiammai with Meenatchiammai Pillai Tamil praise songs, the significance of Madurai Meenatchiammai’s different stages of life, distinguished commentaries, depicting the deities protecting Meenatchiammai and provides the best description of the glory of Madurai Meenatchiammai. In this note, on the title “The uniqueness of Meenatchiammai in Madurai Meenatchiammai Pillai Tamil” this essay provides the commentaries of Madurai Meenatchiammai with an explanation regarding the organization of Meenatchiammai Pillai Tamil including Meenatchiammai’s significance, the special features of Gods, the journey of Meenatchiammai reaching Lord Shiva and regarding the significance of Pillai Tamil short stories.
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Aryal, Kamana. "The Universality of Art and Literature in P.B. Shelley’s “Ozymandias”". SNPRC Journal 4, n.º 1 (31 de dezembro de 2023): 100–109. http://dx.doi.org/10.3126/snprcj.v4i1.61555.
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Ozymandias is about collapsed statue, constructed by Memnon, of Egyptian king Ramesses II in an empty desert. The people know about malicious King’s viciousness through poetry otherwise, all his city, empire and memorial on his praise have vanished over time. This research paper explores the theme of the universality of art over absolute monarchy, death and time. The hubris and dictatorship of the Egyptian ruler Ramesses II was transitory which faded in the past while the narration of the poem where an unnamed narrator at the beginning connects every normal individual around the world; the poetry establishes itself as the classic one passing down to many generations revitalizing the adept of the sculptor as well. Tyranny is not something to be praised over the years whereas art transfers its beauty to generations. Overall, the poet succeeds to prove the universality of art over absolute monarchy, death, and time. This article is researched through the lens of romanticism and mimetic theory. The romanticism not only centralizes the feelings and emotions of the innocent people who are subjugated to tyrants like Ramesses II but also normalizes the idea that such haughtiness, power and tyranny is common worldwide. Next, mimetic theory reflects the supremacy of imitation in art. This article shows how art is timeless in front of the so-called monarchy because the sculptor and poet of Ozymandias are alive forever but not the monarch.
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Joseph, Michael, e Lissa Paul. "Editors' Introduction: Praise for Handmade Literacies in a World of the Standardized Kind". Lion and the Unicorn 29, n.º 1 (2005): v—vii. http://dx.doi.org/10.1353/uni.2005.0011.
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Kiedroń, Stefan. "“Getrouwste hofstijl der Sarmaeten…”. Joost van den Vondel en Jan Andrzej Morsztyn over poëzie en politiek". Neerlandica Wratislaviensia 30 (30 de março de 2021): 61–76. http://dx.doi.org/10.19195/0860-0716.30.5.
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This article presents two 17th-century poets, Joost van den Vondel and Jan Andrzej Morsztyn, against the backgrounds of the Dutch and the Polish Golden Age. They were ‘connected’ in their times: both through poetry and politics. Vondel’s Parnaes aen de Belt (1657) included a poem for Tobiasz, the brother of the Polish poet, in which he was praised as the “Getrouwste hofstijl der Sarmaeten” (Most fidel court pillar of the Sarmatians); and also Jan Andrzej received praise here. In his other poems, Vondel had written about the greatness of the Polish-Lithuanian Commonwealth, among other things about the city of Danzig (Polish: Gdańsk), which he, in his ode “Bestand tusschen Polen en Zweden. Aen Dantzik”; (Truce between Poland and Sweden. For Danzig”; 1635), called the “Parrel aen de Kroon van Polen” (Pearl at the Crown of Poland).On the other hand, the Morsztyn brothers were interested in the developments of the Republic of the United Provinces. Like many other foreigners, they undertook a Peregrinatio Academica to Leiden where they could see the prosperity of the Republic at first hand, together with other Poles (including the poet-preacher Samuel Przypkowski, the poet-preacher Andrzej Węgierski or the later secretary of the Polish King Andrzej Rej). This Polish circle in the Republic is also shown here.However, there is a double meaning to be discovered in the connection ‘Morsztyn-Vondel’: there was more politics in it than poetry. Morsztyn’s perspective was mainly directed to France (even against the Polish king) — and Vondel’s perspective not to Poland as a political power, but to the Dutch ‘Moedernegotie’ (Mother of all trades) in the Baltic Sea, between the Danish Sound and Danzig. This double meaning is also shown here.
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Sunstein, Cass. "In Praise of Law Books and Law Reviews (And Jargon-Filled Academic Writing)". Michigan Law Review, n.º 114.6 (2016): 833. http://dx.doi.org/10.36644/mlr.114.6.praise.
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Many people, including many lawyers and judges, disparage law reviews and the books that sometimes result from them on the ground that they often deal with abstruse topics, of little interest to the bar, and are sometimes full of jargon, including excessively academic and impenetrable writing. Some of the objections are warranted, but at their best, law books and law reviews show a high level of rigor, discipline, and care; they have a kind of internal morality. What might seem to be jargon is often a product of specialization, similar to what is observed in other fields (such as economics, psychology, and philosophy). Much academic writing in law is not intended for the bar, at least not in the short-term, but that is not a problem. Such writing is meant to add to the stock of knowledge. If it succeeds, it can have significant long-term effects, potentially affecting what everyone takes to be “common sense.”
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Jeffcoat Schedtler, Justin. "Praising Christ the King". Novum Testamentum 60, n.º 2 (13 de março de 2018): 162–82. http://dx.doi.org/10.1163/15685365-12341591.
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Abstract Royal connotations are recognized throughout the book of Revelation, including chapter 5 where the Lamb is depicted upon the heavenly throne (5:6) receiving acts of obeisance and hymnic acclamations from the heavenly retinue (5:8-14). However, the extent to which the hymns themselves manifest royal ideology and discourse has been neglected. In what follows, the author explores various elements of the hymns in light of widespread patterns of kingship discourse in the ancient Mediterranean world, including especially the fact that the Lamb is praised alongside God and in terms otherwise used for God. The author then demonstrates that the hymnic claim that the Lamb has assumed the power to rule on account of his bloody death on the cross (5:9) constitutes an inversion of a popular motif that kings assumed power through violent military conquest.
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Obremski, Krzysztof. "“Incompatible Conformity”, Praise and Reprimand: To the King as an Old Polish Royal Panegyric". Masuro-Warmian Bulletin 297, n.º 3 (4 de outubro de 2017): 505–16. http://dx.doi.org/10.51974/kmw-134946.
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The qualification – poem ‘To the king’ is a panegyric - it is conditioned not so much by the text of Kra�sicki’s pen, but by views of the last king of the Commonwealth and on the positions of researchers of the past. For the so-called panegyric lever can be used as one of the tools of poetic analysis. ‘To the king’, at least indirectly, they are indicative through their initial words: “the higher, the more visible”. What then is the relationship between Krasicki’s poem and the tradition depicted by the Old Polish royal panegyric with its nine mechanisms of the so�called “ panegyric leverage? Only one of them is fully and simultaneously innovatively taken – this is the “factual” force of the interpretation of facts. The poem ‘The king’ can be read as such a selected set of prerequisites, of which arguments can be selected for the compliant or reprehensible attitudes of supporters and opponents of Stanislas Augustus. It may even be difficult to say what the determinant
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Задорнов, А. "Struggle for the Roman Inheritance: St. Emperor Justinian and King Theodoric". Праксис, n.º 1(6) (15 de junho de 2021): 76–83. http://dx.doi.org/10.31802/praxis.2021.6.1.005.
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В статье прослеживается разница в отношении классического римского наследия между византийским василевсом св. Юстинианом Великим и королём остготов Теодорихом. Эта разница проявляется как в официальной риторике, так и в правовом творчестве этих правителей. Именно нежелание Теодориха активно вводить римские правовые элементы в законодательство своего государства стало одной из причин неудачи интеграции италиков (коренного латинского населения) в структуры остготского королевства. Будучи зеркальным отражением «византийского синтеза» (с его элементами – римским правом, греческим языком, православным христианством), государство Теодориха не могло выдержать конкуренции с подлинным наследником Древнего Рима. The article shows the difference in relation to the classical Roman heritage between the Byzantine Vasileus of St. Justinian the Great and the King of the Ostrogoths Theodoric. This difference is manifested both in official rhetoric and in the legal work of these rulers. It was Theodoric’s unwillingness to actively introduce Roman legal elements into the legislation of his state that became one of the reasons for the failure to integrate the Italians (indigenous Latin population) into the structures of the Ostrogothic kingdom. Being a mirror reflection of the “Byzantine synthesis” (Roman law, Greek language, Orthodoxy), the state of Theodoric could not withstand competition with the true heir to ancient Rome.
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Cotton, Roger D. "The Spirit in Numbers 11". Pneuma 43, n.º 3-4 (13 de dezembro de 2021): 340–43. http://dx.doi.org/10.1163/15700747-bja10053.
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Abstract Numbers 11 is a foundational passage for OT pneumatology and supports pentecostal theology and practice. There, God, through Moses, expressed his plan that all believers should be empowered for prophetic ministry by the Holy Spirit. That experience of the seventy elders involved a kind of prophesying that was probably praise and prayer in tongues, as in Acts 2.
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Blumberg, F. L. "The Praise of Folly and the Limits of Satiric Licence". Erasmus Studies 39, n.º 2 (6 de setembro de 2019): 217–41. http://dx.doi.org/10.1163/18749275-03902001.
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Abstract In this essay, I reconsider the proposition that Erasmus’ The Praise of Folly is a satire—an attribution of genre that has long been treated as a truism. I argue that greater attention to several key sources can adjust our understanding of both the text and its kind. The article examines the early reception of Folly’s speech; a pivotal passage in the text itself; crucial translation choices; and Erasmus’ reflections on both his creation and the nature of satire. I investigate the idea of the Praise as a satire not to quibble about generic designations but to bring into relief Erasmus’ contribution to questions of creative licence during the Renaissance; in particular, the permissible scope of social critique, or how to approach the darker side of epideixis.
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Leslie, Marina. "Incest, Incorporation, and King Lear in Jane Smiley’s A Thousand Acres". College English 60, n.º 1 (1 de janeiro de 1998): 31–50. http://dx.doi.org/10.58680/ce19983669.
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Suggests that Jane Smiley’s “A Thousand Acres” is a faithful and a “profoundly subversive” revision of Shakespeare’s “King Lear.” Argues that the terms in which the novel have been most frequently praised, no less than the case made for banning it, raise important questions about the relationship between the novel’s secret and the source of Smiley’s Shakespearean “production.”
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Simić, Anka. "RECEPCIJA DELA GRIGORIJA CAMBLAKA U XX VEKU: RAZVITAK SRPSKE BIOGRAFIJE". Lipar XXIV, n.º 80 (2023): 9–23. http://dx.doi.org/10.46793/lipar80.009s.
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Grigorije Camblak was received in the 20th century criticism as some- one who was in eternal exile, an inter-Slavic personality and an adventurer. From downfallen Bulgaria, he came to despot Stefan’s advanced Serbia, becoming the ab- bot of the Dečani monastery. Pavle Popović, Đorđe Trifunović, Dimitrije Bogdanović and Milan Kašanin measure his literary opus mostly on the basis of Camblak’s work which they themselves determine as the main one - The Life of Stefan Dečanski. Among Grigorije Camblak’s other writings are: Service to Saint King Stephen and Description of the Transfer of the Relics of Saint Petka from Vidin to Serbia, which, together with the Life of Stefan Dečanski, Grigorije compiled in Serbia, Praise to Patriarch Jeftimi, Praise to Metropolitan Cyprian of Kiev, Torture of Saint John the New and Service to Saint John the New.
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Bee, Michele. "THE PLEASURE OF EXCHANGE: ADAM SMITH’S THIRD KIND OF SELF-LOVE". Journal of the History of Economic Thought 43, n.º 1 (março de 2021): 118–40. http://dx.doi.org/10.1017/s1053837220000048.
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This article argues that the self-love that motivates exchange in The Wealth of Nations (WN) can be seen as the desire for deserved approval discussed by Adam Smith in The Theory of Moral Sentiments (TMS). This often overlooked desire appears in TMS as the most representative kind of self-love. Exchange motivated by this desire emerges as the way to find confirmation through others’ appraisal of one’s own self-assessment, and thus to find an agreed-upon measure for respective deserved praise. The target in this economic relationship is that equivalence that signals mutual recognition of deserved esteem. Equivalence here is the aim and not the result of exchange, unlike a tug-of-war, where both parties try to give as little and gain as much as possible regardless of the recognition each deserves.
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Czerkawski, Piotr. "Peryferie mają głos. O książce Jarosława Pietrzaka "Smutki tropików. Współczesne kino Ameryki Łacińskiej jako kino polityczne", Warszawa 2016, ss. 312". Studia Filmoznawcze 39 (17 de julho de 2018): 185–90. http://dx.doi.org/10.19195/0860-116x.39.13.
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PERIPHERIES HAVE VOICE. THE REVIEW OF THE BOOK SMUTKI TROPIKÓW. KINO AMERYKI ŁACIŃSKIEJ JAKO KINO POLITYCZNE BY JAROSŁAW PIETRZAK, WARSZAWA 2016, 312 PP.This text is a review of the book by Jaroslaw Pietrzak Smutki tropików. Kino Ameryki Łacińskiej jako kino polityczne Tristes Tropiques. The Cinema of Latin America as a Political Cinema. The review draws attention to the specifics of the author’s viewpoint, which connects his interest in politics, culture, cinematography, while drawing from a strong influence of leftist sensibilities. In the line of arguments presented in the text, the essayistic freedom Pietrzak uses to connect seemingly distant issues, makes reading his book a satisfactory, erudite adventure. However, it seems to be problematic in the moments in which the author gives in to his emotions and uses persuasive tactics closer to the publicists manifestos rather than any analytic deliberations. The book review concludes that Smutki tropików, despite several critical flaws, finally earns a respectable position, in particular with the essays This first September 11, 1973, Santiago de Chile and The Communist Go to Heaven deserving a praise.
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Reijonen, Helen. "Do all SMEs practise same kind of marketing?" Journal of Small Business and Enterprise Development 17, n.º 2 (18 de maio de 2010): 279–93. http://dx.doi.org/10.1108/14626001011041274.
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Somniso, M. M. "Intertextuality shapes the poetry of Xhosa poets". Literator 29, n.º 3 (25 de julho de 2008): 139–56. http://dx.doi.org/10.4102/lit.v29i3.129.
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Praises among the amaXhosa today are not only performed at traditional gatherings. These praises are also performed in many places such as schools, churches and funerals. The question is whether the praises performed in other places rather than traditional gatherings still possess the characteristics of traditional praises. In many praises Xhosa poets draw terminology from Biblical texts. This strategy can be seen as an attempt to break the boundaries between Christianity and Xhosa poetry. Having said that, the aim of this article is to uncover the interplay between Xhosa traditional poems and Christianity. To do that, this article discusses the interplay between Christianity, elegy, health and social issues. It also discusses new trends of intertextuality in Xhosa poetry. The intertextual theory insists that a text cannot exist as a hermetic or self-sufficient whole and does not function as a closed system. Still and Worton (1991:1) believe that the writer is a reader of the text before she/he is a creator of texts and therefore the work of art is inevitably alive with references, quotations and influences of every kind.
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Wyatt, Robert O., e David P. Badger. "To Toast, Pan or Waffle: How Film Reviews Affect Reader Interest and Credibility Perception". Newspaper Research Journal 8, n.º 4 (junho de 1987): 19–30. http://dx.doi.org/10.1177/073953298700800402.
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Do audiences question negative reviews? Are they more interested in praise than in pans? Do they find one kind of review more credible than another? This experiment assessed subjects' interest in positive, mixed or negative reviews and their perceptions of review credibility. A “non-review” containing no evaluative adjectives served as a control. Positive reviews and non-reviews were found significantly more interesting than mixed and negative reviews but not significantly more credible.
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Świdziński, Wojciech. "Komicy i komiksy. Drugie życie gwiazd kina międzywojennego". Kwartalnik Filmowy, n.º 125 (8 de abril de 2024): 158–79. http://dx.doi.org/10.36744/kf.1877.
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W komiksach publikowanych w polskiej prasie dwudziestolecia międzywojennego wyraźny nurt stanowiły humorystyczne historyjki o filmowych komikach. W artykule są omawiane „filmy rysunkowe” (jak wówczas nazywano prasowe komiksy) poświęcone Charliemu Chaplinowi, Patowi i Patachonowi, oraz komiksowe wcielenia gwiazd kina i kabaretu – Kazimierza „Lopka” Krukowskiego i Adolfa „Dodka” Dymszy. Większość tych utworów podkreśla sowizdrzalskie rysy ekranowych komików, co zwłaszcza w przypadku Chaplina stanowiło powrót do jego filmowych początków. W niektórych z komiksów można dopatrzyć się też reminiscencji konkretnych filmów, jak również – zwłaszcza w przypadku Dodka – próby adaptacji specyficznego języka postaci. Trudno określić, na ile owo drugie życie gwiazd ekranu na łamach prasy komponowało się z odbiorem ich filmów. Z pewnością jednak potęgowało popularność, minimalizując bariery między idolami kina a publicznością, która w wyobraźni przenosiła ich przygody w swojskie realia.
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Prinsloo, W. S. "Psalm 47: Partikularisme en universalisme. Jahwe is ons ons koning én koning oor die hele aarde". Verbum et Ecclesia 17, n.º 2 (21 de abril de 1996): 388–404. http://dx.doi.org/10.4102/ve.v17i2.526.
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Psalm 47: Particularism and universalism. Jahwe is our king and king of all the earth In this article, Psalm 47 is considered from a text immanent perspective and particular attention is given to the morphological, syntactical, stylistic and semantic facets of the psalm. Although problems of interpretation experienced in respect of Psalm 47 are the same as those for the so-called enthronement psalms, this article concentrates mainly on those research problems that are peculiar to this psalm. Psalm 47 is a hymn comprising of two parallel strophes (w. 2-6 and 7-10). The reason for the exhortations to praise is the fact that in his deeds of salvation towards Israel, Yahweh has also proved himself to be the mighty, universal king. Psalm 47 probably dates from the exilic or post-exilic period.
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IBRAHIM, ROSNANI, MUAMMAR GHADDAFI HANAFIAH e SHAIFU BAHRI MD RADZI. "SYAIR DIRAJA MELAYU PERAK-JOHOR ERA KONTEMPORARI: SATU PERBANDINGAN KEPENGARANGAN (Royal Syair in the Contemporary Era of Perak-Johor: Comparison of Authorship)". MALIM: JURNAL PENGAJIAN UMUM ASIA TENGGARA (SEA JOURNAL OF GENERAL STUDIES) 22, n.º 1 (20 de novembro de 2021): 290–307. http://dx.doi.org/10.17576/malim-2021-2201-22.
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The 16th century to the end of the 19th century, storytelling and praise of the sultan became the idea of authorship. This storytelling and praise are conveyed by making poetry his platform. The last poem to record the history of this Royal group was the Syair Riwayat Yang Amat Mulia Tengku Ampuan Besar Pahang (1953). However, such influence is less used when modern literature develops. Western powers bring a new diversity of forms and genres in creation. After 56 years, two works have emerged, Syair Sultan Azlan Shah Berjiwa Rakyat (2009), Mohd Ibrahim bin Said and Syair DYMM Sultan Ibrahim Ibni Almarhum Sultan Iskandar (2018) by Maskiah binti Masrom in this contemporary era. Kings and sultans became objects of storytelling in both works. The question is, what are the scopes or criteria that are the ideas of their authorship? The scope or criterion that became the idea of authorship used by both authors in presenting storytelling about their rulers. Both texts of the Royal poetry were sampled. Comparative methods are applied to examine their influence in presenting the idea of Royal history recordings in the contemporary era. Intrinsically research methods on study samples were also used. The findings found that the king's biography became the scope or criterion that became the idea of authorship for both authors in praise and upholding his king. Keywords: Literary criticism; Peering; Authorship; Royal syair; Contemporary syair
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Whalen, Charles J. "In Praise of Nepotism: A History of Family Enterprise from King David to George W. Bush". Journal of Economic Issues 40, n.º 1 (março de 2006): 219–21. http://dx.doi.org/10.1080/00213624.2006.11506892.
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Mucciarelli, Elena. "How to Carve a King: Janna’s Inscription in the Temple of Amṛteśvara". Journal of South Asian Intellectual History 3, n.º 1 (23 de julho de 2021): 60–88. http://dx.doi.org/10.1163/25425552-12340022.
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Abstract The article provides a reading of a twelfth-century inscription composed by a courtly poet in Karnataka. At its most rudimentary level, the inscription praises the king and glorifies his commander. However, a closer reading demonstrates the poet playing with the conventions of his time. One of the techniques used to enhance the power of the ruler was to represent the commanders as replicas of their king. The author turns this mechanism into the inscription’s poetic motif. He uses the very dynamic of reduplication to subtly show the limits in the construction of power.
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Glinatsis, Robin. "Horace et le voyage". Vita Latina 200, n.º 1 (2020): 121–42. http://dx.doi.org/10.3406/vita.2020.2033.
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Representations of journey within Horace’s works are far from being consistent. If the Satires often look at it critically, in accordance with the genre itself, the Epodes and the Odes provide a much more contrasted picture ; here, journey is sometimes a confession of failure, sometimes a reason for hope, sometimes a way to praise the prince. Eventually, the Epistles, as works of a mature man, show a kind of detachment based upon the idea that inner exploration is highly worthier than endless physical trips.
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Webb, Helena. "Naturally Occurring Interactions and Guidance Codifications in Healthcare Communication Analysis: the Case of Praising Obese Patients". International Review of Social Research 3, n.º 2 (1 de junho de 2013): 29–50. http://dx.doi.org/10.1515/irsr-2013-0009.
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Abstract: Studies of face-to-face communication illuminate the ways in which the conduct and outcome of healthcare encounters is contingent on the interactions that occur within them. Work in this field benefits from the increasing availability and acceptance of recording technologies for data collection, enabling the production of richly detailed investigations of real-time healthcare communication. At the same time the growing interest within healthcare professions in inter-personal communication has lead to codification of interactional practices in guidance and training documents. This article argues that the intersection of these two developments presents a significant opportunity for fruitful research: analyses of naturally occurring communication in consultations can take the interactional practices prescribed in guidance and training documents as a topic or starting point for investigation. The subsequent results enhance empirical and conceptual knowledge whilst also offering a commentary on the guidance prescriptions. To demonstrate this, the article reports on a conversation analytic investigation of compliments in specialist obesity consultations prompted by guidance recommending the praise of these patients ‘every opportunity’. The findings reveal that the actions of praise-giving and response are interactionally complex in this kind of setting and closely associated with certain institutional and normative dynamics, thereby the guidance is less straightforwardly positive than it at first appears. By advancing analytic understanding and offering practical implications this kind of approach makes a substantial contribution to the interpersonal level of healthcare communication analysis.
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Breeze, Andrew Charles. "King Arthur 'Dux Bellorum': Welsh Penteulu 'Chief of the Royal Host'". Traduction et Langues 18, n.º 1 (31 de agosto de 2019): 38–55. http://dx.doi.org/10.52919/translang.v18i1.502.
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Although the North British hero Arthur (d. 537) is described in medieval romance as a king, he is not so termed in the earliest documents relating to him. The ninth-century 'Historia Brittonum' states merely that he fought 'cum regibus Brittonum' ('alongside kings of the Britons'), but was himself merely 'dux bellorum'. What this means has been long disputed. It has been taken to represent a senior rank in the Roman army, with Arthur as a commander of cavalry forces fighting up and down Britain. Closer analysis shows this as a fantasy. Comparison with medieval Welsh texts indicates that 'dux bellorum' instead corresponds to the Welsh 'penteulu' ('captain of the bodyguard, chief of the royal host'). As commander of the king's bodyguard, the 'penteulu' was the most important of the 24 officers of the court. He had a position of supreme trust, invariably being the ruler's own son or nephew or another man of rank. Setting out his income and status (which included the right to praise by the official poet of the bodyguard), medieval Welsh legal and other sources are thus the most reliable sources of information on what the Arthur of history was and was not.
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Magdy, Heba. "Representation of the King in the Henu Praise on the Egyptian Temples During the Graeco-Roman Period". Journal of Association of Arab Universities for Tourism and Hospitality 21, n.º 2 (1 de dezembro de 2021): 98–112. http://dx.doi.org/10.21608/jaauth.2021.88762.1217.
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Gallagher, Robert. "King Alfred and the Sibyl: sources of praise in the Latin acrostic verses of Bern, Burgerbibliothek, 671". Early Medieval Europe 27, n.º 2 (23 de abril de 2019): 279–98. http://dx.doi.org/10.1111/emed.12331.
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