Teses / dissertações sobre o tema "Posthume"
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Hardy, Sophie Jeannine. "La conscience sociale dans l'œuvre posthume de Thomas Wolfe". Paris 4, 1993. http://www.theses.fr/1993PA040015.
Texto completo da fonteThe purpose of this thesis is to retrace the evolution of the social awareness of Thomas Wolfe, starting from his childhood in the American south, until his death in 1938. And that, through his experience of the American depression, and his discovery of Nazi Germany
Zribi, Isabelle. "Le sort posthume de la personne humaine en droit privé". Paris 1, 2005. http://www.theses.fr/2005PA010321.
Texto completo da fonteTalebizadeh, Jamileh. "Une blessure posthume : the garden of eden, le manuscrit d'ernest hemingway". Paris 7, 1996. http://www.theses.fr/1996PA070027.
Texto completo da fonteThis study, which is based upon the manuscripts of ernest hemingway's novel, the garden of eden, seeks both to provide and account of the original text, which differs significantly from the volume that was published posthumously, and to of fer a psychoanalytic account of its preoccupation. The first part examines the work of the novel's editor, who cut hemingway's text drastically, and who, in doing so, removed or obscured a series of important issues : the references to proust, the biblical movement from paradise to its loss, the fascination with the work of hieronymus bosch and the re lated concern with the seven deadly sins. The second section argues that the manuscript's fascination with androgyny is part of an attempt to refuse to acknowledge sexual difference. The characters in the novel constantly see themselves as members of an "ideal" sex that combines masculine and feminine traits; in doing so, however, they fall into the narci ssistic position of having no sex at all. The text's recurrent interest in incest, twinship, and doubling is related to this attempt to escape sexuality. The third section, examines the issues of the symbolic wound both in this novel and in hemingway's earlier works. The va rious manuscripts of the garden of eden present the wound in terms of an emphasis on the cutting of hair and the clippin g of newspapers. The theme is developed most fully in the african story, where the wounding of the elephant serves as a metaphoric condensation of all of the cuts that have occurred in the novel. Through a complex series of associations, the elephant becomes the double of all the major characters, thus demonstratin g that they are all, finally, the same, and this sameness points to an avoidance of castration
Parris, Jean-Yves. "Une contreverse politique : l'interrogatoire posthume chez les Marrons ndjuka (Surinam, Guyane)". Paris, EHESS, 2002. http://www.theses.fr/2002EHES0127.
Texto completo da fonteTalebizadeh, Jamileh. "Une Blessure posthume : The Garden of Eden : le manuscrit d'Ernest Hemingway /". Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://catalogue.bnf.fr/ark:/12148/cb37702156x.
Texto completo da fonteSériès-Sire, Dominique. "De palimpseste en palimpseste - Itinéraire d'une œuvre posthume d'Eça de Queiroz : a Capital!" Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030057.
Texto completo da fonteThe work of Eça de Queiroz, a Portuguese novelist from the second half of the 19th century, has the particularity of including more posthumous works than publications during the author’s lifetime. The reason for this is certainly an extreme demand for perfection, as well as the author’s premature death in 1900 at the age of 55, leaving many unfinished manuscripts aside.This work proposes to revisit the period of the “fabrication” of the novel A Capital! published in 1925, in light of new documents discovered in the archives of the Eça de Queiroz Foundation, under the sign of the palimpsest. It is first necessary to reconsider the editing carried out by the author’s two sons, José Maria and Alberto, with a view to publication, and above all to measure its limits and contested points. This leads us to reconsider the corpus of the different manuscripts and to propose new perspectives. By delving deeper into this archeological work, this research also aims to address the different phases of evolution of the work, over the seven years that the author devoted to it, while keeping it, by the play of circumstances, almost constantly in the background. By shedding light on the various branches of this abandonned novel, this analysis helps to highlight its pivotal role, constituting both a breeding ground for characters and the emergence of a number of prevalent themes that may feed into subsequent works
Cazajus, Myriam. "L’anticipation dans la transmission des entreprises : aspects civils". Thesis, Toulouse 1, 2013. http://www.theses.fr/2013TOU10075/document.
Texto completo da fonteBy merely considering businesses as patrimonial unities, civil law did not focus much on them originally. However, businesses forming part of inheritances, civil law had to progressively take them into consideration and adapt to their specificities, including in particular their need for continuity, thus letting them evolve from the concept of unities towards that of legal entities. Nowadays, civil law has fully apprehended businesses, notably in light of some significant contributions from the legislator such as the recent law dated June 23, 2006. In parallel business law has been multiplying the legal forms under which to operate businesses : in addition to possibilities offered by either of the sole proprietorship or company status, entrepreneurs may now also opt for the form of a sole proprietorship with limited liability (« SPLL »),thereby creating a distinct estate dedicated to the relevant business. Civil law means and techniques being generally proactivelly oriented, it appeared essential to confront them to the major challenges triggered by the transmission of a business so as to assess the opportunity of their very use as part of these operations, which must be facilitated as much as possible. Some of these techniques, known as anticipatory transmission, allow to achieve in advance the passing over of the ownership of a business. Their study has in turn fine tuned the concept of business undertakings under civil law, which slightly differs from that generally accepted under business law. Inter vivos distributions (donation-partage) appear to be particularly adapted to the above described objectives. Other existing techniques of anticipatory transmission may also be considered as useful means to manage the running of a business which is being transmitted. Their specificity is to distinguish the transmission of management from the transmission of the relevant business ownership. This is notably true for the dismemberment of ownership which, while not always perfect from a legal perspective, may be contractually adjusted so as to fit various different types of transmissions, whether gratuitous or for consideration. Moreover, post-mortem agency allows to compensate for both the involuntary stepping down of an entrepreneur and the temporary incapacity of his/her successor. Finally, whereas trusts may not currently be adapted, a legal reform would permit to use them both as an effective tool for ensuring anticipatory transmissions and for anticipating the transmission itself of a business
Gasnier, Maurice. "La destinée posthume de Renan de 1892 à 1923 : essai sur une réception idéologique". Brest, 1988. http://www.theses.fr/1988BRES1005.
Texto completo da fonteThe work of Renan resulted, between 1892 and 1923 in a number of interpretations, paying tribute to three ideologies : those of the republic, the church and the revolutionary right. The republic honoured renan for having weakened, in the name of science, the foundations of religion, against whose power the republicans had to struggle to strengthen their regime. The catholic church, after having violently condemned Renan, made of him the initiator of modernism. The jewish and protestant churches, despite some reservations, recognized his merits. Slandered by the clericals and the conservative press, renan became the propagator of a new sickness, dilettanteism, and, at the end of the century, the partisans of the renewal of a spiritual philosophy opposed his philosophy. His scientism, his desire to educate and his aristocratic individualism put Renan on the side of the elitist republicans. The bourgeoisie accused him of being an anarchist. The revolutionary right wanted to make him its intellectual leader but then rejected him as a germanophile, as a pro-semite and for what it alleged was his decadence. The republic found in Renan's philosophy a means of strengthening its own ideology whence the partial reading given to his work by the republicans-and others
Avezou, Laurent. "La légende de Richelieu : fortune posthume d'un rôle historique du XVIIe au XXe siècle". Paris 1, 2002. http://www.theses.fr/2002PA010655.
Texto completo da fonteGasnier, Maurice. "La Destinée posthume de Renan de 1892 à 1923 essai sur une réception idéologique /". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37613837v.
Texto completo da fonteTilly, Georges. "Un manifeste posthume de l'humanisme aragonais : le De hortis Hesperidum de Giovanni Pontano De hortis Hesperidum". Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR084.
Texto completo da fonteThe present thesis studies the last poem written by the humanist Giovanni Pontano (1429-1503) in the latefifteenth century/beginning of the sixteenth century : De hortis Hesperidum, a georgic on citrus gardens.Some descriptive chapters, followed by a more analytical and multidisciplinary study, cast light on thisoverlooked testament of Napolitan humanism. The poem is at first considered through its various readingsover time and in particular through its influence on the literature of European classical age. Then, theversification and the textual history of the poem are assessed and the principles of the current edition areestablished, thanks to a careful examination of its testimonies. Since De hortis Hesperidum is the first moderntext to imitate Vergil’s way of composing didactic poetry, the study deciphers the recreation of the georgicgenre at the begining of the modern period, by considering narrations patterns, digression’s role, the way ofpresenting the dedicatee or the poet himself. De hortis Hesperidum is also a scientific poem that demonstratesan early interest for citrus trees, by establishing their varieties and describing their culture, with an obviousattraction for ornemental gardens that foreteils their popularity in sixteenth century Naples and Italy,foreshadowing the beginnings of manierist gardens. Finally the poem pictures the aristocratical life of thePontanian academy. It gives the aspect of an ideal time, kept safe from the commotion of the Italian wars,thanks to the poet. In addition to this study, the thesis countains the first complete French translation of thetext and a new edition in which spelling has been corrected on the only known manuscript of the poem
Phili, Christine. "La théorie des fonctions analytiques de Lagrange : origine, formation, apogée, déclin et influence posthume d'une théorie mathématique". Paris, EHESS, 1988. http://www.theses.fr/1988EHES0340.
Texto completo da fonteMadeddu, Silvia. "De Venise à Milan : le retour de Federico Zandomeneghi (1841-1917) en Italie : des années de jeunesse à la redécouverte posthume". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040180.
Texto completo da fonteVenetian Federico Zandomeneghi (1841-1917) is always remembered as an artist who relocated to Paris in 1874 to become a follower of Degas, taking part in the Impressionist exhibitions starting in 1879. The primary objective of this thesis is to analyse this artist's ties to Italy, before and after his long-lasting experience in France. We delve into the period starting in 1841 and lasting until 1874 during which Zandomenegi trained at the academies of Venice and Milan, and during which he moved to Florence, at which point he first encountered the Macchiaioli. Moreover, this study has given us the opportunity to deepen our understanding of the Italian artistic context in which Zandomeneghi developed, to what extent his close relatonships with the numerous artists he encountered affected his later artistic choices (Diego Martelli, Marcellin Desboutin), and what position Zandomeneghi attained in Italy before leaving his country permanently. In the second part of the present study, a corpus of unpublished letters between two Milanese art personalities, the art critic Enrico Piceni and art dealer Angelo Sommaruga, was thoroughly examined. Their role was indeed crucial for Zandomeneghi’s artistic rediscovery. Although Zandomeneghi spent 43 years of his life in France, he was never fully recognized in the French historiography, whereas was acclaimed for the second time by the Italian critic after his death. This thesis aims to shed light on the reasons why Zandomeneghi has always been considered a Venetian impressionist, a label that has been employed even in very recent expositions
Morethe, Louis-César. "'Citadelle' d’Antoine de Saint Exupéry : poème ou oeuvre de philosophie ? : réception et étude du statut générique de l’oeuvre posthume de l’écrivain aviateur". Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC038.
Texto completo da fonteAs soon as it was published, Citadelle, considered by Saint Exupéry as the work of his life, received a mixed reception."Its mixture of lyricism to vague philosophical considerations" was denounced by the Critique and a few years later, the French and foreign universities split into more or less two major movements of interpretation of the work : one, major in France, which judged Citadelle as a Poem and Saint-Exupéry as a Poet, and the other which deemed it as a philosophical work above all, or even of Philosophy, and Saint Exupery as a proper Philosopher (with no academic experience). As a result, this thesis studies first Citadelle’s Critical Reception both in France and abroad. In order to try to understand these differences of opinion as to the positioning of the work within the genericity, the second part tries to enlighten Saint-Exupéry’s last Poetic Art, while showing the originality of this scriptural step which rests on two essentially related components : conceptual as well as figurative and symbolic, which the Critique seems to have constantly opposed to one another in its interpretation.The third part of this thesis attempts a new answer in the light of the preceding elements in order to determine to what extent Citadelle - which is certainly a Poem in the Saint-Exupéry sense of the term - can be considered as a work of Philosophy, in the light not only of the History of Philosophy but also what would make the discursive specificity (ies) of the text produced by "Philosophy". Finally, in order to understand the origin of some fundamental concepts of the author's thought, which illuminates both his scriptural approach and the originality of this misunderstood and insufficiently studied work, we deal with Saint-Exupéry as a reader of some major philosophers
Bourrié, Eve. "Le volet fiscal de la loi n°2006-728 du 23 juin 2006 et la réforme des successions et des libéralités". Thesis, Montpellier 1, 2012. http://www.theses.fr/2012MON10042/document.
Texto completo da fonteThe law of June 23rd, 2006, which entered into force on January 1st, 2007 has three main objectives, simplifying and securing inheritance agreement and protection of heirs. It consists of two components: successions and liberalities.This law is a necessary adaptation to the new demographic and sociological changes (increased life expectancy, increasing numbers of reconstituted families and step-children), increasing the freedom to share, which is, especially in the transmission of companies, a real issue in France.This law, the subject of several decades of thinking, provided many modern tools, but it does have some gaps, either because the legislator has not gone far enough with the reform and the tools are incomplete, or that they are already in competition with other existing tools. These deficiencies must be completed so that the law of June 23rd, 2006 remains for a long time, a law still modern and adapted to rapid changes in our society
Aniello, Hélène. "De l'usage du mandat dans le cadre de la famille". Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0105.
Texto completo da fonteThe power of attorney profited from a renewed favour these last years, in particular within the family relations. Since 2001, indeed, of the major reforms followed one another in many fields of the right of the people and the family. This movement of reform encourages the recourse to the power of attorney to be used as legal framework for specific interventions in order to manage the interests of the family. Place thus made for the power of attorney falls under a legislative trend which tries to adapt the family right to the evolution of the society. However, with observing the power of attorney in the family setting, one notes that a phenomenon of interaction occurs. On a side, the various applications of the power of attorney have as a common point to make it possible to anticipate or solve the difficulties of management of the estate of the family, or even of the person of it members, that can occur during the life or after death. The power of attorney shapes family solidarities which are expressed on these occasions. But, going beyond, it thwarts by its presence the usual scheduling of the family reports. On another side, the context in which it taxes place - the family - affects the power of attorney. Because it is born then in completely particular circumstances, it is not strictly governed by the rules which control it commonly. This is why, although they remain governed by the common right, in the family setting, the powers of attorney present notable characteristics as for their conclusion, their execution, and their outcome. As a consequence, the presence of the family link modulates the ordinary rights and obligations resulting from the power of attorney
Varet, Vincent. "La protection des oeuvres posthumes". Paris 2, 1996. http://www.theses.fr/1996PA020039.
Texto completo da fonteIn the french legislation relating to "copyright", a specific scheme of protection applies to works of creation which ar e first published after the death of their author. It is also the case in numerous other national legislations. The european directive harmonizing the term of protection for author's rights and related rights comprises particular provisions relating to this type of works as well. Nevertheless, the degree of the protection's specificity is variable, and deserves a detailed study. Thus, in french law , the legal nature of the confered right was sometimes described as one of a related right. But this proposal should be cleared. For that purpose, it would be efficient to confront it with all the characteristics of the specific protection. Hence, the object of this thesis is, first, to determine the requirements for protection in order to be able to analyse, secondly, its legal nature and its terms. This process is not only limited to french law. The specific scheme of protection settled at the european level should be integrated in each national law of member states. So, it seems relevant to analyse at the same time the existing french regulation, the different national laws, and the provisions respectively of the european directive and of the dra ft regulation relating to its implementation through french law. Such a perspective permits to assess the importance of the possible changes, to discuss their value, and to suggest othe r options and solutions to conflicts of laws that would rise from such changes. This perspective enables further considerations upon the making-out of the european regulation, the specificity of which should be carefully examined
Collins, Travis John. "Posthuman memories". Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457041010/viewonline.
Texto completo da fonteMcClellan, Serena Eva. "Life and the Posthuman". Thesis, Curtin University, 2021. http://hdl.handle.net/20.500.11937/84913.
Texto completo da fonteToffoletti, Kim 1975. "Transformations : feminism and the posthuman". Monash University, Centre for Women's Studies and Gender Research, 2002. http://arrow.monash.edu.au/hdl/1959.1/7887.
Texto completo da fonteGee, Maxine F. "Posthuman noir : creating positive posthumans". Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/19684/.
Texto completo da fonteGarcia, Rebecca Ann. "COMING OUT OF THE COFFIN AS THE POSTHUMAN: POSTHUMAN RHETORIC AND HARRIS’ SOOKIE STACKHOUSE SERIES". CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/400.
Texto completo da fonteGalati, Gabriela. "Duchamp meets Turing : art, modernism, posthuman". Thesis, University of Plymouth, 2016. http://hdl.handle.net/10026.1/6609.
Texto completo da fonteMason, Julia L. "Net/Work: Composing the Posthuman Self". [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002513.
Texto completo da fonteShakeshaft, Richard. "Finding the 'human' in the 'posthuman' : the representation of the technologically enhanced posthuman in Young Adult fiction". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/288074.
Texto completo da fonteWilde, Poppy. "I, Posthuman : embodying entangled subjectivities in gaming". Thesis, Coventry University, 2017. http://curve.coventry.ac.uk/open/items/d9a5b3c4-48a5-4c5f-b656-3f8aaa9de8d4/1.
Texto completo da fonteXinyi, Lin. "Recycled Posthuman Furniture-What has furniture become". Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85799.
Texto completo da fonteLemay, Vicky Blue. "Shakespeare's posthumus God postmodern theory, theater, and theology /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3278449.
Texto completo da fonteSource: Dissertation Abstracts International, Volume: 68-10, Section: A, page: 4308. Adviser: Linda Charnes. Title from dissertation home page (viewed May 19, 2008).
Schwalm, Tanja. "Animal writing : magical realism and the posthuman other". Thesis, University of Canterbury. English, 2009. http://hdl.handle.net/10092/4470.
Texto completo da fonteHausmann, Mark. "Concrete Reality: The Posthuman Landscapes of J.G. Ballard". Chapman University Digital Commons, 2016. http://digitalcommons.chapman.edu/english_theses/3.
Texto completo da fonteFriedland, Barton. "Posthuman leadership and the roles of computational objects". Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/77000/.
Texto completo da fonteRichards, Daniel Patrick. "Dead Man's Switch: Disaster Rhetorics in a Posthuman Age". Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4933.
Texto completo da fonteSayal-Bennett, Amba. "Posthuman pedagogy : affective learning encounters in studio art practice". Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/24089/.
Texto completo da fonteSvedmark, Eva. "Becoming Together and Apart : technoemotions and other posthuman entanglements". Doctoral thesis, Umeå universitet, Institutionen för informatik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-120195.
Texto completo da fonteSociala medier har för många människor blivit en naturlig del av vardagen där den digitala gemenskapen är lika viktig som den analoga. På platser så som Facebook, Twitter, bloggar och Instagram kommunicerar vi genom att dela med oss av tankar, händelse och åsikter i vår vardag. Vi varvar bilder från vår semester med politiska artiklar, delar vidare kloka citat eller resultatet från ett test av något slag, skryter på våra barn, filmar våra husdjur, delar med oss av sjukdomstillstånd och barnafödande och allt annat som en vardag kan vara fylld av. Just själva delandet är ett viktigt fundament i sociala mediers blivande och dess design är ofta optimerad för att kunna dela samma inlägg till flera olika sociala plattformar med ett enkelt klick. Denna avhandling handlar om hur vi genom sociala medier blir tillsammans på nätet, hur vi formar varandra men även hur vi formas av de tekniska scripts och den design som sociala medier är uppbyggt av. I avhandlingen får läsaren ta del av ett stort normbrytande empiriskt material. Med avstamp i detta normbrytande undersöker sedan författaren hur feministisk teknovetenskap och posthumanistisk teori kan användas som konkret metod för analys. Genom att applicera både närhet och diffraktion till det normbrytande empiriska materialet finner författaren det hon valt att kalla Teknoemotioner – konceptuella agenter som har sitt ursprung i sammanflätningar av digitala, sociala, mänskliga och icke-mänskliga material och kompositioner. Fyra teknoemotioner är särskilt framträdande, dessa är: förtroende, sanning, tid och förkroppsligande men författaren nämner också friktion och frusna berättelser som viktiga för att förstå fenomenet normbrytande delningar i sociala medier. Förtroende, sanning, tid och förkroppsligande är teknoemotioner som befinner sig i mellanrummet mellan skilda delningspraktiker i sociala medier. Dessas teknoemotioner skapar förutsättningar och påverkar upplevelser, ger indikationer om möjliga skillnader och likheter som är av betydelse för hur vi blir tillsammans med digitala material genom sociala medier. Författaren ger exempel på att det visserligen ofta är först i sin frånvaro som teknoemotioner blir uppenbara och får agens. Därmed konstaterar författaren att teknoemotioner också ofta är sin motsats. Analysen visar vidare att användare ofta uppfattar teknoemotionerna som valbara, exempelvis sanning. I sociala medier är sanning ofta en komplex agent, som ifrågasätts eller behandlat som något var och en får/kan avgöra på egen hand. Förtroende likaså. Med teknoemotionen, förkroppsligande, framgår också en tvetydighet, där kroppen (den fysiska) saknas i det virtuella rummet även om digitala kroppar är högst närvarande. Kan det vara så att känslan av anonymitet växer sig starkare om jag kan välja att vara i eller utanför min kropp? Slutligen, tid. Tid är inte detsamma på internet som vi är vana. Där är tid ett högt arbiträrt begrepp och vi befinner oss i vår historia, samtid och till viss del även får framtid simultant. Avhandlingen avslutas med en metareflektion över hur det är möjligt att skapa kunskap om komplexa posthumanistiska fenomen där mänsklig handlingsförmåga vävs samman med digitala material och dess skilda rationaliteter. Genom att efterfråga alternativa ideal för kunskapsutveckling och design där etik, politik och makt är viktiga inslag hoppas författaren på en kritisk och alternativ förståelse av den verklighetsproduktion som sociala medier (och andra posthumana fenomen) bidrar till.
Ghashmari, Ahmad. "HUMANIZING THE POSTHUMAN IN POWERS, WALLACE, GIBSON AND DELILLO". Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent147855115808631.
Texto completo da fonteSimmons, Daniel J. "Performing posthuman : constructing, inhabiting, and evaluating techno/corporeal networks /". Available to subscribers only, 2008. http://proquest.umi.com/pqdweb?did=1594480401&sid=15&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Texto completo da fonteChristmas, Amy Jane. "Augmented intimacies : posthuman love stories in contemporary science fiction". Thesis, University of Leeds, 2013. http://etheses.whiterose.ac.uk/6546/.
Texto completo da fonteSwift, Adam Glen. "Mapping posthuman discourse and the evolution of living information". Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16439/1/Adam_Swift_Thesis.pdf.
Texto completo da fonteSwift, Adam Glen. "Mapping posthuman discourse and the evolution of living information". Queensland University of Technology, 2006. http://eprints.qut.edu.au/16439/.
Texto completo da fonteDreidemy, Lucile. ""Denn ein Engel kann nicht sterben" : Engelbert Dollfus 1934-2012 : eine Biographie des Posthumen". Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC026/document.
Texto completo da fonteIn an experimental biographical form, this thesis traces the “posthumous life” of the Austrian Chancellor who ruled as a dictator from 1933, and was killed by the Nazis on 25 July 1934. Although the majority of the population is ignorant of Dollfuss, he remains, paradoxically, the most controversial figure in contemporary Austrian history, and his legacy continues to provoke political scandal and controversy. The theoretical part of the dissertation deals mainly with the mechanisms of construction of political myths and their social functions; in addition, it considers the possibility of the posthumous survival of a historical figure as part of his or her biography. Using the tools of both historical and critical discourse analysis, this project investigates the evolution of the versatile Dollfuss myth, considers its various forms of expression through different media, and assesses its actors and their political and ideological interests
Am 25. Juli 1934 wurde der seit März 1933 diktatorisch regierende österreichische Bundeskanzler Engelbert Dollfuß im Laufe eines Putschversuchs der illegalen österreichischen Nationalsozialisten getötet. Nach seinem Tod „überlebte“ Dollfuß in Form eines facettenreichen Mythos, der bis heute geschichtspolitische Wellen schlägt und in politischen, religiösen und akademischen Kreisen weiterhin kontrovers diskutiert wird. Diesem bewegten Nachleben widmet sich diese Dissertation in Form einer experimentellen „Biographie des Posthumen“. Der theoretische Teil der Arbeit widmet sich zunächst den Mechanismen der Entstehung politischer Mythen sowie ihren identitätsstiftenden Funktionen. Darüber hinaus wird der Stellenwert von Personenmythen in der Biographieforschung hinterfragt und die Relevanz der Einbeziehung des „Posthumen“ in die biographische Perspektive hervorgehoben. Gestützt auf diesen theoretischen Unterbau und mithilfe der Instrumente der historischen und kritischen Diskursanalyse analysiert die Dissertation die Entstehung des Dollfuß-Mythos und dessen Entwicklung im Laufe der letzten 78 Jahre, untersucht seine verschiedenen medialen Ausdrucksformen und fragt nach den geschichtspolitischen Akteuren des Mythos sowie ihren politischen Interessen. Diese Untersuchung bettet sich in eine breitere Reflexion über die Opportunität oder Inopportunität des Dollfuß-Mythos im Hinblick auf den langwierigen Prozess der österreichischen Nationsbildung und Identitätsstiftung ein
Smith, Mark Bryan Bridger. "The posthuman : hostis humani generis? : science fiction allegories/social narratives". Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/4117/.
Texto completo da fonteCrano, Ricky D'Andrea. "Posthuman Capital: Neoliberalism, Telematics, and the Project of Self-Control". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405531247.
Texto completo da fonteChambers, Lynn. "Posthuman Literacy Practices in a Reggio-inspired South African school". Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33608.
Texto completo da fonteLausa, Dawn E. "Descartes' daughters thinking-machines and the emergence of posthuman complexity /". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2009. http://wwwlib.umi.com/cr/syr/main.
Texto completo da fonteSchoultz, Ian D. "A Poor Excuse for a Watering Can". Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1470075889.
Texto completo da fonteJohansson, Mattias. "The Human Cloning Era : On the doorstep to our posthuman future". Thesis, Linköping University, Centre for Applied Ethics, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-1858.
Texto completo da fonteHuman reproductive cloning came to the public´s attention when Dolly the sheep was cloned in Scotland in 1997. This news quickly spread around the world causing both excitements at the possibilities of what cloning techniques could offer, as well as apprehension about the ethical, social and legal implications should human reproductive cloning become possible. Many international organisations and governments were concerned about the impact of human reproductive cloning on human health, dignity and human rights. To this day, many institutions have drafted resolutions, protocols and position statements outlining their concerns. This paper outlines some of the major ethical issues surrounding human reproductive cloning and the position towards this novel technique taken by three important international organisations - Council of Europe, World Health Organization, and United Nations Education, Scientific and Cultural Organization - expressed in different regulatory frameworks. Proponents of human cloning occasionally point out that cloned humans are already among us in the form of twins - people with identical sets of DNA - so what is the problem? Besides avoiding the fact that natural twins are always siblings, whereas a clone could be the twin of a parent or grandparent, this observation ignores a crucial moral difference: natural twins arrive as rare creations, not as specifically designed products. Instead of being an uncontrolled, self-regulated evolutionary process, creation of man through reproductive cloning are shifting from being natural to a state of instrumentality where parental interests constitutes what is important. This shift will inevitably lead to the child being a means for some other end (parental interests). However, this is not the same as being subdued into genetic determinism, but the point brought forward is the child´s lack of freedom caused by the interests of the parents. In this sense the clone´s genome constitutes a heavy backpack because of our pre-knowledge of its physical building blocks - or in other words its potentiality. Even though the argument of genetic determinism is a weak one, our subconscious"forces"us to create hopes upon the child because of its potentiality. No longer is the evolution the creator with the dices of randomness. A new gambler is in town and this time the dices are equilateral.
Griffin, Meghan. "Somatechnologies of Body Size Modification: Posthuman Embodiment and Discourses of Health". Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5228.
Texto completo da fontePh.D.
Doctorate
Arts and Humanities
Texts and Technology
Pearson, Megan St Clair. "A Whedon Manifesto| Superhumans, Inhumans, and Humans in the Posthuman Century". Thesis, Southern Illinois University at Edwardsville, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1560922.
Texto completo da fonteExamining Whedon's cyborgs using Donna Haraway's essay "A Cyborg Manifesto: Science, Technology, and Socialist Feminism in the 1980s" and the literary theory of posthumanism, I examine which posthuman cyborg characters exhibit characteristics of villainy as well as those that display the antipodal characteristics of heroism. Haraway is well known as one of the earliest theorists to examine cyborgs in literature as transformative figures, and she is referenced in almost every cybernetic studies text available. Haraway's construction of the cyborg identity, which she deems essential for the progress of feminism, opens up a new type of human existence. For Haraway, the cyborg's conglomeration of bits of organic matter with that of machine creates an authentic replication of natural human existence, removed from possible human error within the body itself. Haraway's definition of the cyborg allows for some clear-cut outlines of what constitutes the body of the cyborg. The cyborg is a fused being, a combination of both organic and nonorganic material, which exists in both reality and fiction (Haraway 7). Whedon's corpus is replete with cyborg characters, from the `Frankensteinesque' Adam in Buffy the Vampire Slayer, to that of the manipulated human forms of River Tam and the Reavers in Firefly and Serenity, and lastly to the technologically-adept Dolls and Topher Brink in Dollhouse.
Murgia, Claudio. "[Beyond] posthuman violence : epic rewritings of ethics in the contemporary novel". Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/93366/.
Texto completo da fonteMcAulay, Alex Cooper Pamela. "Surfing the interzones posthuman geographies in twentieth century literature and film /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,2228.
Texto completo da fonteTitle from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English and Comparative Literature; Department/School: English and Comparative Literature.