Bibliografias temáticas / Posthumanism

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Literatura científica selecionada sobre o tema "Posthumanism"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Posthumanism"

Umbrello, Steven. "Posthumanism". Con Texte 2, n.º 1 (17 de outubro de 2018): 28–32. http://dx.doi.org/10.28984/ct.v2i1.279.

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Defining posthumanism as a single, well-oriented philosophy is a difficult if not impossible endeavour. Part of the reason for this difficulty is accounted by posthumanism’s illusive origins and its perpetually changing hermeneutics. This short paper gives a brief account of the ecological trend in contemporary posthumanism and provides a short prescription for the future of posthumanist literature and potential research avenues.

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Parham, John. "Hungry Unlike the Wolf: Ecology, Posthumanism, Narratology in Fred Vargas’s Seeking Whom He May Devour". Ecozon@: European Journal of Literature, Culture and Environment 3, n.º 2 (6 de outubro de 2012): 145–60. http://dx.doi.org/10.37536/ecozona.2012.3.2.478.

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This paper examines posthumanism as a philosophical position equipped to inform ecocriticism and the potential of popular fiction to articulate ecological complexity. Posthumanism will be reappraised as a dialectical model that decentres the human in relation to ‘evolutionary, ecological, or technological coordinates’ (Wolfe 2010: xvi) while nevertheless retaining a sense of the integrity of, and boundaries between, human and nonhuman species or phenomena. It will be argued that a novelistic emphasis on human being, agency, and action, coupled with devices of genre, plot, and narrative – are consistent with the process of human self-examination engendered by posthumanism. The essay will, thereafter, illustrate and examine this approach through the French crime writer Fred Vargas’s1999 novel Seeking Whom He May Devour. Identifying two human protagonists – the Canadian conservationist Johnstone and his girlfriend Camille – an initial decentring of the human subject will be examined in relation to two equivalent, nonhuman protagonists, the French Alps and the wolf. Utilising newspaper interviews that highlight Vargas’s own posthumanist perspective (grounded in her profession as an archaeologist), I will examine a) how the novel explores appropriate relationships between human and nonhuman animals; b) how Vargas utilises both the generic features of the crime novel – e.g. the resolution of a ‘crime’ – and the subtle narrative manipulations of character focalisation to construct (via the preferred ‘point of view’ offered by Camille) a posthumanist position on human/animal relations which Vargas explicitly opposes to the inhumanism represented by Johnstone. Resumen Este artículo examina el posthumanismo como una posición filosófica dotada para contribuir con la ecocrítica y el potencial de la ficción popular para articular la complejidad ecológica. El posthumanismo será revaluado como un modelo dialéctico que descentra al ser humano en relación con “las coordinadas evolutivas, ecológicas o tecnológicas” (Wolfe, Posthumanism xvi), mientras que aún así retiene un sentido de la integridad de, y de las fronteras entre, las especies o fenómenos humanos y no-humanos. Se argumentará que un énfasis novelístico en el ser humano, la agencia y la acción, junto con los recursos del género, argumento y narración, son consistentes con el proceso del auto-examen engendrado por el posthumanismo. Después, este ensayo ilustratá y examinará este enfoque a través de la novela Seeking Whom He May Devour (1999), del escritor francés de novela policíaca Fred Vargas. Identificando a los dos protagonistas humanos, el conservacionista canadiense Johnstone y su novia Camille, el de-centramiento inicial del sujeto humano será examinado en relación a los dos protagonistas no-humanos equivalentes: los Alpes franceses y el lobo. Usando entrevistas en periódicos que destacan las perspectiva posthumanista de Vargas (basada en su profesión como arqueólogo), examinaré: a) cómo la novela explora las relaciones apropiadas entre animales humanos y no-humanos; b) cómo Vargas utiliza tanto las características genéricas de la novela policíaca (e.g. la resolución de un crimen) y las sutiles manipulaciones narrativas en la focalización de los personajes para construir (a través del favorecido “punto de vista” que ofrece Camille) una posición posthumanista en las relaciones humanas/animales que Vargas explícitamente opone al inhumanismo que Johnstone representa.

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Cohen, Erik. "Posthumanism and tourism". Tourism Review 74, n.º 3 (12 de junho de 2019): 416–27. http://dx.doi.org/10.1108/tr-06-2018-0089.

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Purpose This study aims to raises the question of the potential impact of posthumanism, a stream in contemporary postmodernist philosophy, on current tourism practices and tourism studies. The author discusses its denial of some basic positions of enlightenment humanism: human exceptionalism, anthropocentrism and transcendentalism. The author then seeks to infer the implications of posthumanist thought for the basic concepts and categorical distinctions on which modern tourism and modernist tourist studies are based. Design/methodology/approach This paper raises the question of the potential impact of posthumanism, a stream in contemporary postmodernist philosophy, on current tourism practices and tourism studies. The author discusses its denial of some basic positions of Enlightenment humanism: human exceptionalism, anthropocentrism and transcendentalism. The author then seeks to infer the implications of posthumanist thought for the basic concepts and categorical distinctions on which modern tourism and modernist tourist studies are based. This paper raises the question of the potential impact of posthumanism, a stream in contemporary postmodernist philosophy, on current tourism practices and tourism studies. The author discusses its denial of some basic positions of Enlightenment humanism: human exceptionalism, anthropocentrism and transcendentalism. The author then seeks to infer the implications of posthumanist thought for the basic concepts and categorical distinctions on which modern tourism and modernist tourist studies are based. The author then discusses some inconsistencies in posthumanist philosophy, which stand in the way of its applicability to touristic practices, and end up with an appraisal of the significance of posthumanism for tourism studies. Findings The author pays specific attention to the implications of the effort of posthumanism to erase the human-animal divide for tourist-animal interaction, and of the possible impact of the adoption of posthumanist practices on the tourist industry and the ecological balance of wilderness areas. The author then discusses some inconsistencies in posthumanist philosophy, which stand in the way of its applicability to touristic practices, and end up with a brief appraisal of the significance of posthumanism for tourism studies. Originality/value This is the first attempt to confront tourism studies with the radical implications of posthumanist thought. It will hopefully open a new line of discourse in the field.

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Chagani, Fayaz. "Critical political ecology and the seductions of posthumanism". Journal of Political Ecology 21, n.º 1 (1 de dezembro de 2014): 424. http://dx.doi.org/10.2458/v21i1.21144.

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"Posthumanist" theories have become increasingly popular among scholars in political ecology and other fields in the human sciences. The hope is that they will improve our grasp of relations between humans and various nonhumans and, in the process, offer the means to recompose the "social" and the "natural" domains. In this paper, I assess the merits of posthumanisms for critical scholarship. Looking specifically at the work of Bruno Latour (including his latest book, An inquiry into modes of existence) and Donna Haraway, I argue that posthumanist thinking offers not only analytical but normative advantages over conventional and even Marxian approaches. But these newer frameworks contain their own ethico-political limitations and, to the extent that they are useful for addressing conditions of injustice, they continue to depend upon conceptual resources from their precursors. For this reason, a critical political ecology would best be served by preserving a tension between humanist and posthumanist methods.Keywords: posthumanism, critical theory, political ecology, human-nonhuman relations, Bruno Latour, Donna Haraway

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Daigle, Christine, e Russell Kilbourn. "Introducing Interconnections / Voici Interconnexions". interconnections: journal of posthumanism 1, n.º 1 (24 de junho de 2021): 4. http://dx.doi.org/10.26522/posthumanismjournal.v1i1.2758.

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In December 2015, a group of researchers at Brock University launched the Posthumanism Research Institute to provide an interdisciplinary networking hub for individuals interested in posthumanist theory. One of the goals of the founding group was to establish a peer-reviewed, international, open-access, online, bilingual, and interdisciplinary journal. We are proud to present you with the inaugural issue of Interconnections/Interconnexions. En décembre 2015, un groupe de chercheurs de Brock University a mis sur pied le Posthumanism Research Instituteafin d’offrir une plateforme interdisciplinaire de réseautage à tous ceux qui s’intéressent à la théorie posthumaniste. Un des objectifs du groupe fondateur était de lancer une revue internationale, libre d’accès, bilingue, interdisciplinaire, avec évaluation par les pairs. Nous sommes fiers de vous présenter le numéro inaugural de Interconnections/Interconnexions.

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Murawska, Oliwia. "Empirischer Posthumanismus". Zeitschrift für Empirische Kulturwissenschaft 2023, n.º 2 (dezembro de 2023): 223–46. http://dx.doi.org/10.31244/zekw/2023/02.05.

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Although posthumanism has arrived in cultural anthropology, there is still uncertainty regarding the methodological implementation and practicability of its postdualist, post-anthropocentric, post-humanist demands. This paper addresses these uncertainties asking what ethnographers can do to participate in or even advance the posthumanist project, which empirical methods are suitable for this purpose, or how they have to be transformed in the light of the posthumanist paradigm. The thesis pursued here is that due to their ethnographic orientation cultural anthropologist have always possessed a posthuman sensibility, which equips them well for the posthuman turn. Indeed, cultural anthropology and posthumanism can benefit from and complement each other to an empirical posthumanism. To explore the field of empirical posthumanism, anthropological positions that can be identified as empirical posthumanist are first discussed. In a further step, concrete methods are presented that have proven suitable in empirical posthumanist geo-centered studies conducted by the author in Kashubia. Then, it is clarified, how an empirical-posthumanistic approach affects the researcher’s attitude in the research process as well as the quality of the knowledge produced, and what implications it has for the research ethics.

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Kriman, A. I. "Postmodern Philosophy as a Condition for the Emergence of Posthumanism Theory". Siberian Journal of Philosophy 19, n.º 3 (12 de janeiro de 2022): 161–74. http://dx.doi.org/10.25205/2541-7517-2021-19-3-161-174.

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The article presents a brief retrospective of the conceptions of philosophical postmodernism in their connection with posthumanism. Posthumanism is a philosophical movement that has been actively developed in the last decade, with its roots in the 60s and 70s of continental philosophy. The discourse of posthumanism implies work and development of conceptions and notions used by M. Foucault, J. Derrida, J. Deleuze and F. Guattari, R. Barthes and others. Connecting with such philosophical trends as disability studies, animal studies, postcolonial philosophy, actor-network theory, intersectional feminism, posthumanism expands, complements and reincarnates many provisions of postmodern philosophy. This article outlines the main concepts used in posthumanist discourse.

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Gajić, Aleksandar, e Ljubiša Despotović. "Posthumanism: History, goals and imminent perils". Srpska politička misao 85, n.º 3 (2024): 7–24. http://dx.doi.org/10.5937/spm85-50230.

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The Paper studies the origin, development, main representatives, and basic characteristics of the posthumanist movement, its normative positions and goals (including its relation towards technology and nature), as well as the similarities and differences between modern posthumanism and transhumanism. In order to compare the posthumanist movement with humanistic modernism and notice their basic similarities and differences, which are crucial for understanding the relationship of man and technology towards natural conditions, the second part of the Paper points out the basic characteristics of modern humanistic anthropocentrism and its attitude towards technique. The final part of the Paper concerns the critique of posthumanism from the perspective of Christian personalism, which opens up possibilities for us to have a different view of the problems of postmodern living that posthumanism wants to overcome.

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Soeiro, Ricardo Gil. "Vibrant Matter: Posthumanism as an Ethics of Radical Alterity". Revista 2i: Estudos de Identidade e Intermedialidade 2, n.º 2 (3 de dezembro de 2020): 191–204. http://dx.doi.org/10.21814/2i.2650.

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The present article wishes to present critical posthumanism as an ethics of radical alterity. It is divided into three explanatory moments: firstly, it provides a set of perfunctory remarks on the interdisciplinary field of posthumanism; it will then proceed to a general overview of Rosi Braidotti’s The Posthuman (2013); finally, a brief case-study analysis of W. Szymborska’s poetry will be conducted, thus hoping to show how posthumanist theory can illuminate literary texts and, indeed, how these can, in turn, prompt a reassessment of posthumanist theory.

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Banerji, Debashish. "Traditions of Yoga in Existential Posthuman Praxis". Journal of Posthumanism 1, n.º 2 (26 de dezembro de 2021): 213–17. http://dx.doi.org/10.33182/jp.v1i2.1777.

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This is a discussion of Francesca Ferrando’s book Philosophical Posthumanism, focusing in particular on three chapters, “Antihumanism and the Ubermensch,” “Technologies of the Self as Posthumanist (Re)Sources” and “Posthumanist Perspectivism.” It traces the origins and implications of the concepts at the center of these chapters from a posthumanist perspective. It then evaluates these implications from the viewpoint of a non-Western praxis, specifically the spiritual praxis of Indian yoga. For this, it elaborates briefly on some genealogies of yoga and discusses what an intersection of posthumanism and yoga may look like. It holds that such a consideration would enhance the concepts of the chapters in question in Ferrando’s text.

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Mais fontes

Teses / dissertações sobre o assunto "Posthumanism"

Llorens, Serrano Jaume. "La transcendencia del homo sapiens: el icono del posthumano en la ciencia ficción". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/400376.

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El principal objetivo de esta tesis es estudiar la representación del posthumano en la ciencia ficción. Teniendo en cuenta la influencia de distintas corrientes en la historia del género, se expondrá que el posthumano se consolida como un icono de la ciencia ficción a partir de los años ochenta y noventa. Separándose del cyborg, el posthumano representa de forma más específica cómo la tecnociencia puede transformar nuestra especie. A rasgos generales será definido como el icono que, partiendo del concepto del mejoramiento humano, imagina la evolución o creación de una nueva versión del ser humano, normalmente a través de medios tecnológicos pero a veces también a causa de fenómenos naturales, y que plantea un conflicto con nuestro concepto de la identidad humana. Asimismo, se pretende estudiar la relación y el encaje entre la ciencia ficción y el campo interdisciplinario del posthumanismo, que en la actualidad constituye un ámbito clave para interrogar el impacto de la tecnología en nuestra sociedad, cultura, identidad e incluso nuestro futuro como especie. Para ello se abordarán distintos aspectos de la representación del posthumano compartidos por el posthumanismo y la ciencia ficción. El objeto de estudio principal será la literatura de ciencia ficción escrita en inglés, del periodo 1995 a 2015, sin ignorar el desarrollo de la idea del posthumano en la historia del género. Cinco casos de estudio específicos ilustrarán los aspectos tratados: las novelas Old Man’s War (2005) de John Scalzi, Altered Carbon (2002) de Richard Morgan, The Windup Girl (2009) de Paolo Bacigalupi, Fairyland (1995) de Paul McAuley, y Darwin’s Children (2003) de Greg Bear.
The main aim of this dissertation is to study the depiction of the posthuman in the science fiction genre. Taking into consideration the significance of the genre’s history, this thesis will contend that the posthuman flourishes after the eighties and nineties. Evolving from the cyborg, the posthuman portrays the ways in which technoscience may alter and improve humanity. Broadly, it will be defined as an enhanced human —normally through technological means but also as the result of natural phenomena— that becomes the next stage in human evolution. In addition, this thesis will look into the interrelation between science fiction and the field of posthumanism, the key area in the debate of how technology is changing our society, culture and identity, and how it can even shape our future as a species. The subject of study, then, will be the science fiction literature written in English from the period 1995-2015, taking also into account the development of posthuman fiction during the genre’s history. Five specific case studies will illustrate the topics discussed: the novels Old Man’s War (2005) by John Scalzi, Richard Morgan’s Altered Carbon (2002), Paolo Bacigalupi’s The Windup Girl (2009), Paul McAuley’s Fairyland (1995), and Greg Bear’s Darwin’s Children (2003).

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Maureira, Velásquez Marco. "La reconceptualización de lo vivo: de las epidemias al posthumanismo". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399851.

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La vida es un tópico de gran relevancia en nuestra contemporaneidad. El creciente interés por temáticas relacionadas con la bioseguridad, la biotecnología, el bioterrorismo o la bioética, por parte de disciplinas tan diversas como la economía, la medicina, la ingeniería o la filosofía dan cuenta de este importante fenómeno. Pero, ¿de qué hablamos cuando hablamos de “bio”? Para responder a esta pregunta, la presente investigación indagará en dos campos de estudio: a) los trabajos sobre epidemiología y bioseguridad en las ciencias sociales; y b) los debates sobre el posthumanismo que actualmente se despliegan en el campo de la filosofía. En esta línea, el primer paso del recorrido será la realización de una breve genealogía histórica de los vínculos establecidos entre ciencia y política en el campo de la epidemiología. A partir de esto, se analizarán las nuevas modalidades mediante las cuales la epidemiología contemporánea aborda la prevención, control y gestión de riesgos bióticos. Específicamente, se destacará la emergencia de una nueva inteligencia epidemiológica que deja de bascular prioritariamente sobre el método científico tradicional y el cálculo estadístico. Es decir: se estudiará la influencia que ostentan actualmente las “técnicas de construcción de escenarios” en los procesos de reconceptualización de lo vivo. Posteriormente, y habiendo cumplido con dar una breve panorámica de la vida desde la condiciones históricas de emergencia que provee la epidemiología, se problematizará la conceptualización de la misma que se maneja en el posthumanismo. En este sentido, se concluirá la investigación ofreciendo una alternativa que, en apariencia, puede resultar anacrónica: la elaboración de una metafísica para la vida.
Life as bios has become a relevant topic in the way we project politics, science and the social. The framing of scientific work in terms of biosecurity, bioeconomy, bioengineering, and bioterrorism, by diverse disciplines from medicine, and economy to ecological studies tell us about the new importance of Bios (life). However, what does “bio” actually mean here? To answer this question, this work analyses two important fields: a) epidemiology and biosecurity from a social sciences perspective; and b) contemporary discussions about posthumanism in philosophy. The first step of this work has been the elaboration of a historical genealogy of the links between medicine and politics in the field of epidemiology. New modalities by the help of which contemporary epidemiology addresses the prevention, control and management of biotic risks has been analysed. A special focus has been on the influence of "scenario-planning" in the reconceptualization power and the world of bios in the context of epidemics. A reflection on posthumanist philosophy has allowed to analyse the (new) importance of life as bios with a more theoretical approach. The thesis will be concluded by offering a kind of a synthesis between both lines that can be found in what I would call a metaphysics of life.

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Karlsson, Marie, e Jonas Vigstrand. "Posthumanism i förhållande till digitala spel". Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-2429.

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Detta kandidatarbete undersöker hur digitala spel kan skapas med någon annans synsätt. Vi ville se vad som hände om vi försökte göra spel på ett posthumanistiskt sätt och om detta hade förändrat något. Det har uppkommit speciella möjligheter och konsekvenser under processen, det har även dykt upp frågor. En av dessa frågor är hur skapandet av varelser inom digitala spel kan utföras. Likväl har det under projektet skett diskussioner och tester runt hur ett verktyg för detta ändamål skulle kunna fungera. Vårt arbete resulterade i en spelprototyp som fokuserar på tillblivelse. Med denna som utgångspunkt diskuterade vi sedan möjligheter och konsekvenser med våra speltestare. Undersökningen visar att det vi designat inte bara är en varelseskapare, utan det kan också bli något mer tillsammans med spelarna. This Bachelor Thesis examines how digital games can be created with someone else's point of view. We wanted to see what would happen if we tried to make games in a post humanistic manner and whether this would change anything. The process has raised special opportunities and consequences, new questions have also emerged. One of these questions is how the creation of the creatures within digital games can be performed. During the project there have been discussions and tests around how a tool with this purpose could work. Our work resulted in a game prototype that focuses on creation. With this as a starting point, we then discussed its possibilities and implications together with our game testers. The analysis shows that what we have designed is not only a creature creator, but it can also be something more along with the players.

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Johansson, Jonathan, e Jonathan Larsson. "Det Tvehövdade Monstret : Mytologi mot Posthumanism". Thesis, Blekinge Tekniska Högskola, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-18187.

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Detta kandidatarbete handlar om hur ämnen som parodi, posthumanism och mytologi kan kombineras för att skapa en spelprototyp där dessa tre agerar som pelare, vare sig dessa manifesteras inom narrativet, estetiken eller mekaniken. Med hjälp av parodi som designperspektiv kan man granska ämnen som mytologi och posthumanism, för att skapa något som länkar samman dem. Denna text går igenom alla projektets utvecklingsfaser, hur själva arbetsprocessen har utvecklats och olika iterationer vi skapade för att ge en klar bild vilka tankebanor det var som ledde till vilka kreativa val och hur slutprototypen kom till. Synopsis: 300 år efter mänsklighetens förfall, världen är bebodd av monster, men en dag släpps de rastlösa själarna av mänskligheten lös, tar över monstren och gör dem mer mänskliga.
This bachelor thesis will cover how the subjects of parody, posthumanism and mythology can be combined to create a game prototype where these three serve as pillars, whether they take the form of design perspective, esthetics or mechanics. By using parody as a design perspective, one can examine subjects such as mythology and posthumanism in order to create something that connects them. This thesis will go through all the stages of development, how the working procedure has evolved and different iterations we created in order to give a clear image of which lines of thought it was that led to which creative choices and how it led to the creation of the final prototype. Synopsis: 300 years after the fall of mankind, the world is inhabited by monsters, but one day the restless souls of humanity are unleashed, possess the monsters and make them more human.

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Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.

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Vernacular Posthumanism: Visual Culture and Material Imagination uses a theory of image vernaculars in order to explore the ways in which contemporary visual culture both reflects on and constructs 21st century cultural attitudes toward the human and the nonhuman. This project argues that visual culture manifests a vernacular posthumanism that expresses a fundamental contradiction: the desire to transcend the human while at the same time reasserting the importance of the flesh and the materiality of lived experience. This contradiction is based in a biodeterminist desire, one that fantasizes about reducing all actants, both human and nonhuman, to functions of code. Within this framework, actants become fundamentally exchangeable, able to be combined, manipulated, and understood as variations of digital code. Visual culture – and its expression of vernacular posthumanism – thus functions as a reflection on contemporary conceptualizations of the human, a rehearsal of the posthuman, and a staging ground for encounters between the human and the nonhuman. Each chapter of this project begins in the field of film studies and then moves out toward a broader analysis of visual culture and nonhumanist theory. This project relies on the theories and methodologies of phenomenology, materialism, posthumanism, object-oriented ontology, actor-network theory, film and media studies, and visual culture studies. Visual objects analyzed include: the films of Stanley Kubrick, David Cronenberg, and Krzysztof Kieślowski; Fast, Cheap & Out of Control (1997); the film 300 (2006); the TV series Planet Earth (2006); DNA portraits, the art of Damien Hirst; Body Worlds; human migration maps; and remote surgical machinery.

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Curry, Elizabeth. "Refiguring the Animal: Race, Posthumanism, and Modernism". Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24546.

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This dissertation explores the entanglements of racialized histories and experiences in America with conceptions of animals and animality and examines how African American and Native American writers render these intersections in early-twentieth-century American literature. While animals, with their physical and behavioral features and subordinate status within Western cultural frameworks, were fundamental figures in the US racial imaginary, which relied on dehumanization as a weapon of control, animals (and conceptions about them) also curiously offered a way around and outside of the categorically demeaning declarations of “the human.” Through literary explorations of the nonhuman, the writers in this project reveal forms of interspecies affinity and understanding that affirm biotic connection and also make fantastically strange creatures with whom humans share domestic and proximal space. The figure of “the human” as separate, above, and radically distinct from other life becomes not only strange as well through these readings, but becomes visible as a prominent obstacle to social egalitarian and ecologically cooperative ways of living. I build on research in animal studies and critical race studies approaches to posthumanism to observe how race inflects literary animal representations while also tracking how animality interacts with various notions of personhood. While animalization often coincides with racialized and dehumanized personhood status, writers like Anita Scott Coleman and Zitkala-Ša rupture those associations and engage the animal (comparisons to it and becomings with it) as a fundamentally humanizing figure. On the flip side, Zora Neale Hurston’s Their Eyes Were Watching God demonstrates how a racialized animalization trope operates in the novel to defend the killing of a black man. These writers all collapse the binary between human and animal while demonstrating how that binary operates in concert with racial binaries in an American context that extols the human. Reading animals through a lens that acknowledges how race and animality intersect ultimately opens routes for rethinking what it means to be human and defining how we view the nonhuman.

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McBlane, Angus. "Corporeal ontology : Merleau-Ponty, flesh, and posthumanism". Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.

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As posthumanism has developed in the last twenty-five years there has been hesitation in elucidating a robust posthumanist engagement with the body. My thesis redresses this gap in the literature in three intertwined ways. First, it is a critical assessment of posthumanism broadly, focusing on how the body is read in its discourse and how there is a continuation of a humanist telos in terms which revolve around the body. Second, it is a philosophical interrogation, adaptation, and transformation of aspects of the work of Maurice Merleau-Ponty, focusing its reading on Phenomenology of Perception and The Visible and the Invisible, with additional material drawn from his works on language, aesthetics, and ontology. Third, it is a critical analysis of four films drawn from that seemingly most posthumanist of genres, science fiction: Cronenberg's eXistenZ, Spielberg's A.I.: Artificial Intelligence, Rusnak's The Thirteenth Floor, and Oshii's Ghost in the Shell. Science fiction is the meeting place of popular and critical posthumanist imaginaries as the vast majority of texts on posthumanism (in whatever form) ground their analyses in a science fiction of some kind. By reading posthumanism through the work of Merleau-Ponty I outline a posthumanist ontology of corporeality which both demonstrates the limitations of how posthumanism has done its analyses of the body and elucidates an opening and levelling not adequately considered in posthumanist analyses of the body. Following Merleau-Ponty I argue that there is a ‘belongingness of the body to being and the corporeal relevance of every being’, yet, the body is not the singular purview of the human. There are alternative embodiments and bodies which have been previously overlooked and that all bodies (be they embodied organically, technologically, virtually or otherwise) are corporeal.

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Motala, Siddique. "Critical posthumanism in geomatics education: A storytelling intervention". University of the Western Cape, 2018. http://hdl.handle.net/11394/6219.

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Philosophiae Doctor - PhD (Post-School Studies)
This study is located in engineering education at a South African university of technology, and is theorised using relational ontologies such as critical posthumanism, feminist new materialism and non-representational theory. It explores the potential of a digital storytelling intervention in an undergraduate geomatics diploma programme. Geomatics qualifications in South Africa are critiqued for their embedded humanism and subtle anthropocentrism despite attempts at post-apartheid curricular reform. Additionally, these qualifications are focused on technical content, and heavily influenced by Western knowledges.

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Doing, Karel Sidney. "Ambient poetics and critical posthumanism in expanded cinema". Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12393/.

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Posthumanism is a contested term, seen by some as leading towards a merging of human bodies and technology and by others, more critically, as a renewal of the ethical debate regarding human exceptionalism. Through a study of this critical approach and its potential relation to expanded cinema, a set of propositions is formulated. New knowledge emerges through the application of these propositions towards the expression of critical posthumanism. By looking at formal, conceptual and methodological underpinnings, existing tendencies in expanded cinema are analysed and reviewed. Firstly, aided by Timothy Morton's 'ambient poetics', environmental orientations in artist film and expanded cinema are investigated. Secondly, conceptual ideas 'beyond the human' in this field are discussed. Finally, the environmental footprint of moving image production is considered. Central to this investigation is the desire to change prevailing narratives regarding nature and environment. Instead of regarding environment as a subject outside the cultural domain, environmental immanence and shared consciousness are regarded as central cultural values within a productive posthuman debate. This theoretical approach is set in motion through a practice-based project in which organic processes are applied to generate images on discarded and outdated 35mm film. By using plants, mud and salt in conjunction with alternative photochemistry, images are 'grown' on motion picture film. Moreover, digital images are gathered using a camera extension that allows a point of view beyond the human. Background and foreground are reversed in order to reveal the prominence of natural elements in an urban setting. These images are used in a performative or spatial context that places the viewer within the work. By bringing together theory and practice a conclusion emerges, opening up further possibilities to develop and apply the newly found knowledge, not only in expanded cinema but also to other fields.

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Lin, Lidan. "The Rhetoric of Posthumanism in Four Twentieth-Century International Novels". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.

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The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis for the emergence of European colonialism. For example, Fielding's good-willed aspiration to forge cross-cultural friendship in A Passage to India; Murphy's dogged search for recognition of his Irish identity in Murphy; Susan's unfailing compassion to restore Friday's lost speech in Foe; and Changshun Teng, the Chinese orange-grower's warm-hearted generosity toward his customers in Long River--all these textual occasions dramatize the incomplete character's anxiety over the Other's rejection that will impair the fullness of his or her being, rendering it solitary and empty. I relate this anxiety to the theory of "posthumanism" advanced by such thinkers as Marx, Bakhtin, Sartre, and Lacan; in their texts the humanist view of the individual as an autonomous constitution has undergone a transformation marked by the emphasis on locating selfhood not in the insular and static Self but in the mutable middle space connecting the Self and the Other.

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Livros sobre o assunto "Posthumanism"

Badmington, Neil, ed. Posthumanism. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3.

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1971-, Badmington Neil, ed. Posthumanism. Houndmills, Basingstoke, Hampshire: Palgrave, 2000.

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Stalpaert, Christel, Kristof van Baarle e Laura Karreman, eds. Performance and Posthumanism. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74745-9.

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Wolfe, Cary. What is posthumanism? Minneapolis: University of Minnesota Press, 2010.

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Hornbuckle, Calley A., Jadwiga S. Smith e William S. Smith, eds. Posthumanism and Phenomenology. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10414-5.

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Wolfe, Cary. What is posthumanism? Minneapolis: University of Minnesota Press, 2010.

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Kuby, Candace R., Karen Spector e Jaye Johnson Thiel, eds. Posthumanism and Literacy Education. New York : Routledge, 2018. | Series: Expanding literacies in education series: Routledge, 2018. http://dx.doi.org/10.4324/9781315106083.

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Kurthen, Martin. White and Black Posthumanism. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-79345-9.

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Taylor, Carol A., e Annouchka Bayley, eds. Posthumanism and Higher Education. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14672-6.

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editor, Pasulka Diana Walsh, ed. Posthumanism: An Introductory Handbook. Farmington Hills: Cengage Gale, 2018.

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Capítulos de livros sobre o assunto "Posthumanism"

Caracciolo, Marco. "Narrative and Posthumanism/Posthumanist Narratives". In Palgrave Handbook of Critical Posthumanism, 1097–118. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04958-3_54.

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Caracciolo, Marco. "Narrative and Posthumanism/Posthumanist Narratives". In Palgrave Handbook of Critical Posthumanism, 1–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-42681-1_54-1.

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Rodger, Johnny. "Posthumanism". In Key Essays, 49–54. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003186922-6.

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Malone, Karen, e Candace R. Kuby. "Posthumanism". In A Glossary for Doing Postqualitative, New Materialist and Critical Posthumanist Research Across Disciplines, 98–99. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003041153-49.

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Lindquist, Sherry C. M. "Posthumanism". In The Book of Hours and the Body, 88–167. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003049906-3.

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Thomsen, Mads Rosendahl, e Jacob Wamberg. "Posthumanism". In Handbook of the Anthropocene, 689–94. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25910-4_112.

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Badmington, Neil. "Introduction: Approaching Posthumanism". In Posthumanism, 1–10. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_1.

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Haraway, Donna J. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century". In Posthumanism, 69–84. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_10.

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Badmington, Neil. "Posthumanist (Com)Promises: Diffracting Donna Haraway’s Cyborg Through Marge Piercy’s Body of Glass". In Posthumanism, 85–97. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_11.

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Bukatman, Scott. "Postcards from the Posthuman Solar System". In Posthumanism, 98–111. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_12.

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Trabalhos de conferências sobre o assunto "Posthumanism"

Franco Silva, Denis. "Posthumanism and equality". In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg134_02.

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Nazo, Anna. "Posthumanism: The human body transition". In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.48.

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"The ‘encounter’ between posthumanism, technology and education". In Education and New Developments 2024. inScience Press, 2024. http://dx.doi.org/10.36315/2024v2end012.

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Konst, Taru. "POSTHUMANISM – AN EMERGING PARADIGM SHIFT IN HIGHER EDUCATION?" In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.0192.

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Mills, Grayson Aleksandr. "Art in the Digital Age: Posthumanism, A.I. and the body". In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.59.

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Rolighed, Margrete Lodahl, Ester Marie Aagaard, Marcus Due Jensen, Raune Frankjaer e Lone Koefoed Hansen. "Plant Radio: Tuning in to plants by combining posthumanism and design". In DIS '22: Designing Interactive Systems Conference. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3532106.3533517.

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Dreher, Kira, e Jeffrey S. Squires. "Posthumanism and Technical Communication: Using an Assemblage Assignment in an Interdisciplinary Seminar". In 2023 IEEE International Professional Communication Conference (ProComm). IEEE, 2023. http://dx.doi.org/10.1109/procomm57838.2023.00052.

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Boyarkina, I. "POSTHUMANISM: ALTERNATIVE REALITIES AND AI IN SCIENCE FICTION BY G. EGAN AND R. MORGAN: POSSIBLE IMPACTS OF DIGITAL TECHNOLOGIES ON SOCIETY AND HUMAN NATURE". In SAKHAROV READINGS 2022: ENVIRONMENTAL PROBLEMS OF THE XXI CENTURY. International Sakharov Environmental Institute of Belarusian State University, 2022. http://dx.doi.org/10.46646/sakh-2022-1-168-172.

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The paper focuses on the science fiction novels Permutation City and Quarantine by Greg Egan and analyses his ideas on how life-altering technologies and life-simulating sciences are transforming human life, our consciousness, and our understanding of concepts, such as human/non-human, ecology, and the world around us. The paper studies the way Egan explores the themes of posthumanism, simulated realities, and digital immortality, through the prism of various ethical, social, philosophical, ecological and other problems that these concepts inevitably generate. The rich scientific background of these hard sf novels is analysed. The author also analyses Altered Carbon by Morgan, and compares it to the works of Greg Egan.

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Kriman, Anastasia. "COMPARATIVE ANALYSIS OF TRANSHUMANISM AND POSTHUMANISM IN THE CONTEXT OF THE IDEA OF POSTHUMAN". In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s06.011.

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Mullen, John. "The Character of Creatureliness: Reading Wendell Berry, Speculative Realism, and Posthumanism for Environmental Education". In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1434484.

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Relatórios de organizações sobre o assunto "Posthumanism"

Manzi, Maya. More-Than-Human Conviviality-Inequality in Latin America. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, dezembro de 2020. http://dx.doi.org/10.46877/manzi.2020.29.

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In the context of our current planetary crises, in a world that continues to be shaped by capitalist, colonialist, androcentric and anthropocentric visions, we are faced with the urgency of reconsidering, at the deepest levels, the way we relate with other human and nonhuman beings. This working paper aims to contribute towards that end by looking at human-nonhuman relations through the concept of conviviality, understood as the everyday living together with difference, and how it intersects with inequality. In the first part of this paper, more-than-human conviviality-inequality is investigated by critically analyzing onto-epistemological and methodological approaches that question, subvert or reproduce hegemonic thinking and worldviews on humannonhuman relations like historical materialism, new materialisms, transhumanism, posthumanisms, and indigenous relational ontologies. In the second part, I look at particular relational dimensions like incompleteness, translation, and affect, which can help us create new understandings of more-than-human conviviality-inequality in Latin America and beyond.

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