Artigos de revistas sobre o tema "Postcolonial theater"
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Mackenzie, Clayton G., e Moira Arthurs. ""Together Again": Theater in Postcolonial Hong Kong". Comparative Drama 37, n.º 1 (2003): 75–87. http://dx.doi.org/10.1353/cdr.2003.0037.
Texto completo da fonteVallejo Sameshima, Miguel. "performático en el teatro reciente de la independencia peruana. Rituales que cuestionan los antiguos prejuicios". Tradición, segunda época, n.º 21 (27 de dezembro de 2021): 90–97. http://dx.doi.org/10.31381/tradicion.v0i21.4482.
Texto completo da fonteRifandi, Ilham, e Ikhsan Satria Irianto. ""Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED". Jurnal Sendratasik 12, n.º 2 (6 de junho de 2023): 157. http://dx.doi.org/10.24036/js.v12i2.122569.
Texto completo da fonteJayathilake, C. "Historicizing anglophone theater in postcolonial South Africa: select political and protest plays". International Journal of Multidisciplinary Studies 8, n.º 1 (30 de maio de 2021): 70. http://dx.doi.org/10.4038/ijms.v8i1.134.
Texto completo da fontede Waal, Ariane. "Living Suspiciously: Contingent Belonging in British South Asian Theater". Humanities 9, n.º 3 (18 de agosto de 2020): 85. http://dx.doi.org/10.3390/h9030085.
Texto completo da fonteJohnson, Alan, e Nandi Bhatia. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India". Rocky Mountain Review of Language and Literature 59, n.º 2 (2005): 108. http://dx.doi.org/10.2307/3655058.
Texto completo da fonteRoubaud, Luísa. "After Looking North and West: Portuguese Contemporary Dance and the European Crises". Congress on Research in Dance Conference Proceedings 2016 (2016): 323–32. http://dx.doi.org/10.1017/cor.2016.43.
Texto completo da fonteMinier, Márta. "Translating Welsh Drama Into Hungarian Through English: A Contextual Introduction to Sêra Moore Williams’ Crash in Hungarian Translation". Hungarian Cultural Studies 6 (12 de janeiro de 2014): 176–86. http://dx.doi.org/10.5195/ahea.2013.120.
Texto completo da fonteSchmidt, Kerstin. "Relations with/to the Text: Four Plays on the Move". Journal of Contemporary Drama in English 11, n.º 2 (1 de novembro de 2023): 332–42. http://dx.doi.org/10.1515/jcde-2023-0027.
Texto completo da fonteDharwadker, Aparna Bhargava. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)". Modern Drama 48, n.º 2 (2005): 440–44. http://dx.doi.org/10.1353/mdr.2005.0024.
Texto completo da fonteBose, Neilesh. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)". Theatre Journal 57, n.º 3 (2005): 542–43. http://dx.doi.org/10.1353/tj.2005.0088.
Texto completo da fonteThomson, Richard. "To Be is to Be Seen: Postcolonial Theory, Existentialism, and the Theater of Athol Fugard". Safundi 14, n.º 4 (outubro de 2013): 369–93. http://dx.doi.org/10.1080/17533171.2013.839262.
Texto completo da fonteRifandi, Ilham. "The Development Of Makyong Acting Training Method For Environment Of Traditional Theater Courses". Gondang: Jurnal Seni dan Budaya 6, n.º 2 (30 de dezembro de 2022): 328. http://dx.doi.org/10.24114/gondang.v6i2.38003.
Texto completo da fonteHarrison, Olivia C. "Decolonizing History". Comparative Studies of South Asia, Africa and the Middle East 42, n.º 2 (1 de agosto de 2022): 454–69. http://dx.doi.org/10.1215/1089201x-9987944.
Texto completo da fonteRennie, Bryan. "Religion and Art Behavior—A Theory and an Example: The Biblical Prophets as Postcolonial Street Theater". Journal for the Study of Religion, Nature and Culture 9, n.º 3 (1 de abril de 2015): 312–34. http://dx.doi.org/10.1558/jsrnc.v9i3.27054.
Texto completo da fonteNikolaieva, Oksana. "The mode of theatricality in the work of representatives of “Bu-Ba-Bu” group". Synopsis: Text Context Media 27, n.º 4 (25 de dezembro de 2021): 204–11. http://dx.doi.org/10.28925/2311-259x.2021.4.1.
Texto completo da fonteBen-Ari, Nitsa. "Representations of translators in popular culture". Translation and Interpreting Studies 5, n.º 2 (28 de outubro de 2010): 220–42. http://dx.doi.org/10.1075/tis.5.2.05ben.
Texto completo da fonteKoliada, Andrii. "Contemporary Music Theater asan Instrument of Human Rights Protection: PENITA.opera and Vitally Important Social Project". ARTISTIC CULTURE. TOPICAL ISSUES, n.º 19(1) (13 de junho de 2023): 115–20. http://dx.doi.org/10.31500/1992-5514.19(1).2023.283138.
Texto completo da fonteKwon, Nayoung Aimee. "Conflicting Nostalgia: PerformingThe Tale of Ch'unhyang(春香傳) in the Japanese Empire". Journal of Asian Studies 73, n.º 1 (3 de janeiro de 2014): 113–41. http://dx.doi.org/10.1017/s002191181300168x.
Texto completo da fontePero, Allan. "At Home in Exile". Canadian Theatre Review 140 (setembro de 2009): 85–87. http://dx.doi.org/10.3138/ctr.140.015.
Texto completo da fonteOrr, Stanley. "“I Wonder Which of You is Real”". Studies in American Humor 7, n.º 2 (1 de outubro de 2021): 329–46. http://dx.doi.org/10.5325/studamerhumor.7.2.329.
Texto completo da fonteMeungheyn Sung. "Research of Hyun-Choel’s career as a man of the theater and ‘Chosun Actor School’(1924) - from a perspective of postcolonial criticism -". Korean Journal of Arts Studies ll, n.º 13 (junho de 2016): 243–75. http://dx.doi.org/10.20976/kjas.2016..13.011.
Texto completo da fonteLal, Ananda. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India. By Nandi Bhatia. Ann Arbor, MI: University of Michigan Press, 2004; pp. vi + 206 pp. $49.50 cloth." Theatre Survey 46, n.º 2 (25 de outubro de 2005): 311–13. http://dx.doi.org/10.1017/s0040557405210207.
Texto completo da fonteAlthans, Birgit, Elise v. Bernstorff, Carla J. Maier, Jule Korte e Janna R. Wieland. "Fazit & Ausblick". Paragrana 28, n.º 2 (25 de outubro de 2019): 171–214. http://dx.doi.org/10.1515/para-2019-0036.
Texto completo da fonteAfzal‐Khan, Fawzia. "Postcolonial theatre anthropology". Reviews in Anthropology 26, n.º 4 (dezembro de 1997): 265–77. http://dx.doi.org/10.1080/00988157.1997.9978184.
Texto completo da fonteRonkin, Maggie. "Acts of Authority Acts of Resistance: Theater and Politics in Colonial and Postcolonial India. By Nandi Bhatia. Ann Arbor: University of Michigan Press, 2004. 206 pp. $49.50 (cloth)." Journal of Asian Studies 65, n.º 3 (agosto de 2006): 638–40. http://dx.doi.org/10.1017/s0021911806001380.
Texto completo da fonteBondareva, Olena. "«Close the Sky» of Neda Nezdana: War, Memory, Women’s Traumatic Experience, Conscious Decoloniality". LITERARY PROCESS: methodology, names, trends, n.º 21 (2023): 14–25. http://dx.doi.org/10.28925/2412-2475.2023.21.2.
Texto completo da fonteGibbs, James. "Theatre and Postcolonial Desires (review)". Research in African Literatures 36, n.º 2 (2005): 146–47. http://dx.doi.org/10.1353/ral.2005.0116.
Texto completo da fonteLothspeich, Pamela. "Chasing the Parsi Theatre in Bareilly". TDR/The Drama Review 59, n.º 2 (junho de 2015): 9–45. http://dx.doi.org/10.1162/dram_a_00447.
Texto completo da fontePianca, Marina. "Postcolonial Discourse in Latin American Theatre". Theatre Journal 41, n.º 4 (dezembro de 1989): 515. http://dx.doi.org/10.2307/3208012.
Texto completo da fonteSahakian, Emily. "FRAMEWORKS FOR INTERPRETING FRENCH CARIBBEAN WOMEN'S THEATRE: INA CÉSAIRE'S ISLAND MEMORIES AT THE THÉÂTRE DU CAMPAGNOL". Theatre Survey 50, n.º 1 (22 de abril de 2009): 67–90. http://dx.doi.org/10.1017/s0040557409000076.
Texto completo da fonteSalter, Denis. "On Native Ground: Canadian Theatre Historiography and the Postmodernism / Postcolonialism Axis". Theatre Research in Canada 13, n.º 1 (janeiro de 1992): 134–43. http://dx.doi.org/10.3138/tric.13.1.134.
Texto completo da fonteChin-A Lee. "Representation of Korean Theatre on Postcolonial Condition". Journal of Korean Modern Literature ll, n.º 34 (fevereiro de 2008): 47–76. http://dx.doi.org/10.35419/kmlit.2008..34.002.
Texto completo da fonteFresno-Calleja, Paloma. "Playing (with) Stereotypes in Postcolonial Pacific Theatre". Journal of Commonwealth Literature 45, n.º 2 (junho de 2010): 171–88. http://dx.doi.org/10.1177/0021989410366890.
Texto completo da fonteJohnston, Andrew James. "Chaucer‘s Postcolonial Renaissance". Bulletin of the John Rylands Library 91, n.º 2 (setembro de 2015): 5–20. http://dx.doi.org/10.7227/bjrl.91.2.1.
Texto completo da fonteSibanda, Nkululeko. "Language Use in Postcolonial Zimbabwean Alternative Theatre Performance". Communicatio 46, n.º 1 (2 de janeiro de 2020): 40–60. http://dx.doi.org/10.1080/02500167.2019.1700294.
Texto completo da fonteDharwadker, Aparna. "The Really Poor Theatre: Postcolonial Economies of Performance". Journal of Dramatic Theory and Criticism 31, n.º 2 (2017): 99–124. http://dx.doi.org/10.1353/dtc.2017.0005.
Texto completo da fonteNilu, Kamaluddin. "A Transformative Journey: Making A Tempest in Postcolonial India". New Theatre Quarterly 34, n.º 2 (19 de abril de 2018): 115–29. http://dx.doi.org/10.1017/s0266464x18000039.
Texto completo da fonteSOLOMON, RAKESH H. "From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present". Theatre Research International 29, n.º 2 (julho de 2004): 111–27. http://dx.doi.org/10.1017/s0307883304000276.
Texto completo da fonteOwens, Imani D. "Toward a “Truly Indigenous Theatre”: Sylvia Wynter Adapts Federico García Lorca". Cambridge Journal of Postcolonial Literary Inquiry 4, n.º 1 (janeiro de 2017): 49–67. http://dx.doi.org/10.1017/pli.2016.34.
Texto completo da fonteLo, Jacqueline, e Helen Gilbert. "Toward a Topography of Cross-Cultural Theatre Praxis". TDR/The Drama Review 46, n.º 3 (setembro de 2002): 31–53. http://dx.doi.org/10.1162/105420402320351468.
Texto completo da fonteRichards, Shuan. "Throwing Theory at Ireland? The Field Day Theatre Company and Postcolonial Theatre Criticism". Modern Drama 47, n.º 4 (dezembro de 2004): 607–23. http://dx.doi.org/10.3138/md.47.4.607.
Texto completo da fonteDelimata, Maria. "Authenticity and commercialization. Cambodian theatre in a postcolonial perspective". Journal of Education Culture and Society 1, n.º 2 (17 de janeiro de 2020): 15–26. http://dx.doi.org/10.15503/jecs20102.15.26.
Texto completo da fonteVermeulen, Vasti, e Myer Taub. "Constructing Patience: postcolonial theatre as a possibility for redemption". South African Theatre Journal 32, n.º 3 (2 de setembro de 2019): 191–98. http://dx.doi.org/10.1080/10137548.2018.1553627.
Texto completo da fonteAgbetuyi, Olayinka. "Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis". Yoruba Studies Review 3, n.º 2 (21 de dezembro de 2021): 1–13. http://dx.doi.org/10.32473/ysr.v3i2.129990.
Texto completo da fontePrykowska-Michalak, Karolina, e Izabela Grabarczyk. "“English with a Polish Accent and a Slight Touch of Irish”: Multilingualism in Polish Migrant Theatre". Text Matters: A Journal of Literature, Theory and Culture, n.º 13 (27 de novembro de 2023): 298–316. http://dx.doi.org/10.18778/2083-2931.13.16.
Texto completo da fonteNicholson, Rashna Darius. "Decolonization and Theatre History". New Theatre Quarterly 39, n.º 4 (novembro de 2023): 355–76. http://dx.doi.org/10.1017/s0266464x2300026x.
Texto completo da fonteAMINE, KHALID. "Theatre in the Arab World: A Difficult Birth". Theatre Research International 31, n.º 2 (7 de junho de 2006): 145–62. http://dx.doi.org/10.1017/s0307883306002094.
Texto completo da fonteDuchesne, Scott. ""A Golf Club for the Golden Age": English Canadian Theatre Historiography and the Strange Case of Roy Mitchell". Theatre Research in Canada 18, n.º 2 (janeiro de 1997): 131–47. http://dx.doi.org/10.3138/tric.18.2.131.
Texto completo da fonteGibbs, James. "BOOK REVIEW:Awam Amkpa. THEATRE AND POSTCOLONIAL DESIRES. London: Routledge, 2004." Research in African Literatures 36, n.º 2 (junho de 2005): 146–47. http://dx.doi.org/10.2979/ral.2005.36.2.146.
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