Bibliografias temáticas / Poets, czech – 20th century – biography

Literatura científica selecionada sobre o tema "Poets, czech – 20th century – biography"

Autor: Grafiati
Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Poets, czech – 20th century – biography"

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Tveryanovich, Ksenia, e Robert Kolár. "The Metrics of Four Czech Poets in Russian Translations". Studia Metrica et Poetica 10, n.º 1 (11 de setembro de 2023): 88–107. http://dx.doi.org/10.12697/smp.2023.10.1.04.

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The paper considers the poetry of four Czech authors – František Gellner, Viktor Dyk, Karel Toman, and Fráňa Šrámek – in their Russian-language translations. Based on known published translations made by 17 Russian translators throughout the 20th century, it describes their metrical and stanzaic forms in comparison with the original Czech poems. The description and comparative analysis serve to consider a number of questions, including which of the Czech forms appear most attractive to Russian translators, which formal elements are typically preserved and which are significantly altered in the translations, and how Russian readers’ overall perception of the four Czech poets and their oeuvres is shaped through the choices made by translators, in terms of versification.
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Místecký, Michal. "Five Ways of Investigating Adnominals in Czech Sonnets of the 19th and 20th Centuries". Glottotheory 9, n.º 2 (25 de outubro de 2019): 173–200. http://dx.doi.org/10.1515/glot-2018-0013.

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Abstract The paper focuses on analysing the use of adnominals in the selected fifteen sonnet authors of the 19th- and 20th-century Czech literature. The poets have been selected so as to represent the main literary schools of the period, the main criterion of their ranking being their dates of birth. The investigation treats both general trends (changing numbers of adnominals in various eras, the measure of ornamentality in particular authors), and specific, Czech-based issues (premodification and postmodification, attributes and genitives). The goal of the paper is threefold: first, there is an endeavour to determine some principles of the development of the sonnet tradition in the Czech literature; second, some micro-analyses of the poets are provided, including contrastive views of various writing tactics employed by them; and third, one way of measuring ornamentality has been sketched, as the tool may be of help in unearthing stylistic preferences of different authors. All counts and figures are accompanied with interpretations which may be further enriched by literary scholars.
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Motornyi, Andrii. "UNKNOWN DOCUMENT ABOUT CZECH WRITER PETR KŘIČKA". Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, n.º 16(84) (22 de dezembro de 2022): 39–42. http://dx.doi.org/10.25264/2519-2558-2022-16(84)-39-42.

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The publication presents an unknown manuscript dedicated to the work of the Czech poet, translator and teacher Petr Ladislav Křička (1884-1949). Its author is the P. L. Křička’s wife Anna Křičková. The document, written at the request of the Ukrainian Czech language literature scientist, professor of Lviv University V.A. Motornyi, tells us about individual pages of the Czech writer’s life, the beginnings of his creative biography, memories of his study years at school and at the Sorbonne University of Paris, etc. A special place in this material is given to the role of P. L. Křička’s personal contacts with famous figures of Czech culture of the first half of the 20th century, their influence on his talent as a writer.
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Kovářová, Helena. "Travels by the Czech teacher and school director František Slaměník in the footsteps of Comenius in Poland and the Netherlands as evidence of commitment to the comeniology". Siedleckie Zeszyty Komeniologiczne, seria PEDAGOGIKA VI (22 de dezembro de 2019): 385–95. http://dx.doi.org/10.5604/01.3001.0013.6264.

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At the turn of the 20th century, the interest in John Amos Comenius’ legacy was on the rise. While various basic monographs and studies were published at the time, his biography still contained a lot of uncertainties and the list of his works was incomplete. In addition to histori-ans, some teachers who admired Comenius engaged in searching for new facts that would con-tribute to answering some issuable questions. One of them was František Slaměník, the founder of the oldest Comenius Museum. This paper focuses in detail on Slaměník’s reports from his private travels abroad to places linked to Comenius’ life. Slaměník’s texts are interesting evi-dence of comeniological discourse in the Czech lands at the last quater of 19th century with overlap to the beginning of 20th century.
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Kerimov, Ismail A. "Literary and cultural character of Cemil Seitabla Kermenchikli (1891–1942)". Crimean Historical Review 10, n.º 1 (3 de julho de 2023): 97–105. http://dx.doi.org/10.22378/kio.2023.1.97-105.

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Cemil Kermenchili is one of the brightestCrimean Tatar poets of the 20th century, who played significant role in the development of the national poetic word in Crimea. In the article, on the basis of new materials recently found in the central and in the repositories of regional libraries in Russia, new facets of his work are revealed and many refinements are made to the development of the author`s scientific biography. Attention is paid to the rich journalistic component of his work. The appendix to the article contains unknown poetic works of the author relating to the period of the First World War.
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Markova, E. A. "THE TRADITION OF ENGLISH-LANGUAGE ELEGY AND J. BRODSKY’s POETRY". Bulletin of Udmurt University. Series History and Philology 29, n.º 6 (25 de dezembro de 2019): 1030–36. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1030-1036.

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In the present article J. Brodsky’s poetry is analyzed in the context of a particular elegiac tradition associated with some key figures of English-language poetry of the mid-to-late 20th century. These are W.B. Yeats, T.S. Eliot, W.H. Auden and S. Heaney. The aim of the article is to examine the continuity of the 20th century English poetry by the example of a sequence of dedication poems (elegies), in which each subsequent poem alludes to the previous one(s). The comparative method allows us not only to show the features of modern English-language poetry (for instance, the link between elegiac mood and reflection on the purpose of poetry), but also to analyze the influence of poets’ interpersonal contacts on their works. Special emphasis is put on J. Brodsky’s poetry as it may seem extraneous to the English-language tradition in question. The analysis of Brodsky’s personal and creative biography, his particular dedication poems and essays allows us to find the links between the Russian poet and the literary tradition of Great Britain, Ireland and the USA.
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Al-Rubaiee, Assist Instructor: Ahmed Abdulrazzaq. "The Creativity Literary of Gongora". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, n.º 1 (5 de novembro de 2018): 1–12. http://dx.doi.org/10.36473/ujhss.v222i1.383.

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Luis de Góngora y Argote, (1561-1627), Spanish poet, is one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century.. In his literary works has expressed very well his feelings and emotions perfectly, especially the thought of his time and the themes of criticism and disappointment of the Baroque. His poetic work breaks molds and inaugurates a new language whose virtuality, still unsurpassed, continues to mark the course of contemporary poetry. This investigation is divided in two chapters, the first presnte the biography and style of Gongora besides its works that comprise the satire. The second chapter is concerned Cultism and gonorismo, besides the Architecture of the sonnets of Góngora
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Soini, Helena. "The motif of the way in the work of the poets of Finland in the 20th century". Scandinavian Philology 21, n.º 2 (2023): 374–94. http://dx.doi.org/10.21638/11701/spbu21.2023.211.

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The path motif is one of the major dominants in the works of prominent 20thcentury poetsof Finland, both Finnish and Swedishnative speakers. Understanding life as a road is what Eino Leino shares in common with Uuno Kailas, Paavo Haavikko, Risto Ahti, Heli Laaksonen, Edith Södergran, and Ralf Nordgren. Their position coincides with the creative concepts of Alexander Blok and the ideas of pilgrimage in European literature and in Kalevalian poetry. 20th-century Finnish poetry falls into all- European line. But in Finnish poetry, the path motif has existed since the epic songs: Lemminkäinen’s escape, folklore heroes’ journey in search of a bride, and Kalevalians’ quest to recover the Sampo. Furthermore, travelers’ purposes ranged from noble and holy to everyday and mundane. In the early 20th century, Finnish neo-Romanticists, referring to the history of national culture, travelled frequently to Finnish and Russian Karelia. Since the 1920s, poets have been referring to the road image as the “holy road of calling” (Uuno Kailas) a singer has no right to turn away from. In post-World War II poetry, moving in a circle or “back and forth” (Risto Ahti) is, in any case, moving forward. The important thing is not to get stranded, not to run into a wall. The path dominant becomes deeply intertwined with the image of a home, as the path motif does with the image of time, life cycle, and biography. A real, geographical, biographical, and spiritual path become one, and on that path high is combined with low or even vile. In modern Finnish poetry, the path theme found a new life with different, sometimes not matching nuances, while still remaining relevant and arguably primary.
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PASTERNAK, Ekaterina. "“CHTO ZH! STAKAN DERZHA VINA // VYP’IEM ZA...”: ABOUT DERZHAVIN IN RUSSIAN POETRY". Lomonosov Journal of Philology, n.º 6, 2023 (17 de dezembro de 2023): 161–70. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-06-14.

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The article deals with mentions of the name of Gavriil Derzhavin in Russian poetry in 1790-2023. In the poems, the singer of Felitsa appears not only as an outstanding original poet, but also as a lover of truth, a statesman, a representative of the Catherine the Great era, and finally, a friend and acquaintance of his peers and the idol of the young Pushkin and Delwig. In later texts, the image of the real Derzhavin, as we know him from sources, including autobiographical Notes, becomes more and more blurred. Some hypostases of Derzhavin attract poets more often (poet and statesman), others are much less common (a friend of some of his contemporaries), some are not mentioned at all (literary theorist or the author of the mentioned Notes). Such a choice also influences the formation of the image of the poet among the general readers (for example, in the 20th century, one of the favorite plots is the description of the meeting between Derzhavin and Pushkin at the Lyceum, which is clearly related to the importance of this episode in Pushkin’s biography, but not in that of “old Derzhavin”), and among other poets. Avant-garde poets represent Derzhavin in their texts in their own way. Very few poets pay attention to the formal features of Derzhavin’s poems. Sometimes voluminous quotes from his work are included in poems by later authors (for example, by K. Ryleev and K. Simonov). A new poem by German Lukomnikov, lines from which are included in the title of this work, is considered separately: Derzhavin’s name is not mentioned in the text, the poet’s unspoken surname is encrypted in a compound rhyme.
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Abramova, Veronika I. "F.M. Dostoevky’s image in the Russian lyrics of the 19th – 20th centuries". Vestnik of Kostroma State University 28, n.º 2 (12 de maio de 2022): 147–54. http://dx.doi.org/10.34216/1998-0817-2022-28-2-147-154.

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The subject of research in this article includes Fyodor Dostoevsky’s image created in works of Russian 19th – 20th century poets (Konstantin Sluchevsky, Dmitry Merezhkovsky, Valery Bryusov, Sasha Chorny, Max Voloshin, Georgy Ivanov, Vladimir Mayakovsky, Nikolai Aseyev, Pavel Antokolsky, Boris Slutsky, Мikhail A. Svetlov, Yevgeny Rein, Yevgeny Yevtushenko, etc.). The genius image has not been examined by scientists in the aforesaid contexts so far. This determines the novelty of this research. Analysis of lyric texts, in which Fyodor Dostoevsky is mentioned, has allowed to identify the aspects of perception of the writer’s personality and works significant for the Russian culture, and to analyse the surname of Dostoevsky as a linguocultureme. The author set an aim to analyse the writer’s image components, to reveal their causes, to separate the stereotypic from the individual. Intertextual analysis, biographic, comparative, hermeneutical, imagological methods and continuous sampling are used in the work. As a result of the research the author comes to the following conclusions; Fyodor Dostoevsky’s image in the Russian lyrics of the 19th – 20th centuries includes the following elements: allusions to his works, references to the writer’s biography, inclusion of Fyodor Dostoevsky into a number of other Russian writers and his perception in the worldwide context, general description of his creative work and stylistic features. Specific traits of Fyodor Dostoevsky’s image in the Russian lyrics include usage of the hodonym Nevsky and epithet резкий (sharp, strongly-worded) as rhymes to the writer’s surname. It is also noteworthy that Fyodor Dostoevsky’s surname is used as a qualitative adjective in some contexts and describes properties of other images.
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Teses / dissertações sobre o assunto "Poets, czech – 20th century – biography"

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Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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Hacksley, Helen Elizabeth. "An edition of a selection of poems by John Randal Bradburne". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1008069.

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This thesis examines the life and work of John Randal Bradburne (1921-1979), poet, mystic, musician, cenobite, sometime soldier, pilgrim and wanderer. His religious experiences, particularly, gave rise to a vast corpus of verse, virtually all of it as yet unpublished. This study provides a brief overview of his life, and a critical and textual introduction to a sample selection of poems entitled Bradburne 's Assays. The biography has been compiled from published and unpublished sources, as well as from personal interviews and correspondence with Bradburne's friends, relatives and associates in South Africa, Zimbabwe and the United Kingdom. Chief among these are two unpublished biographies by Judith, Countess of List owe I. Bradburne's extant corpus consists of over five thousand titled pieces of verse, ranging from brieflyrics to verses hundreds of pages long. The forty-seven poems comprising Bradburne 's Assays, published here for the first time, were selected and arranged by Bradburne himself in a single sequence. A unique collection in his corpus, they are unified by their common sonnet form and their contemplative approach to secular and religious experiences. An accurate reading text of this set of poems, transcribed from Bradburne's typescripts, currently held at Holyhead in Wales, is provided. These typescripts have been electronically scanned and are presented in the Appendix. Editorial intrusion, which has been kept to a minimum, is recorded in the critical apparatus beneath the text of the poems. Since all the poems in this ed ition are presented here for the first time, each is accompanied by detailed commentary on their form and content. Where necessary, interpretations of obscure passages have been suggested. A general index to the Introduction and Commentary is supplied, along with indexes of first lines and titles of the poems. It is hoped that this thesis will stimulate further study of the life and work of a unique and intriguing figure.
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Stashevska, Kateryna. "Josif Brodskij a Čechy". Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-335092.

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The thesis follows the emergence of Joseph Brodsky`s work in the Czech Republic, it comments on the very first publications. The author enumerates and describes all of the Czech translations: poetic and prosaic (essays, dramas and dialogues) . Present work proposes very detailed analysis of translated poetry (translations were made by different authors from 1960`s till nowadays), characterizes stylistic approaches, methods of translation and provides comparison. The author gives information about Saint-Petersburg`s meetings of Joseph Brodsky and Václav Daněk - Czech poet and his further translator. On the basis of interviews, dialogues and memoires of the contemporaries the work illustrates poet`s attitude to famous people of Czech culture; it also mentions poetic translations of Joseph Brodsky made from Czech language. The work demonstrates Brodsky`s opinion on the creation of good translation. Also the author presents a number of Czech articles devoted to Josepf Brodsky and his work.
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Flanderka, Jakub. "Básnické prostory (v) paměti (u vybraných českých básníků druhé poloviny 20. století)". Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-357992.

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Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) Abstract The dissertation Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) offers interpretations of six Czech poetic works of the second half of the 20th century, with focus on the perspective of cultural memory. Chosen poetic works represent synecdoches of poetic description of (general) historical events and experience that are connected with the time during the World War II (the Nazi regime) and with communist regime after 1948 and to some extent are connected with spatial dimension - be it poetic reflection of space which is modelled on a phenomenon from real, "topical" world, be it (completely) imaginary description of space. Methodology of this dissertation is based on the concept of cultural memory by Aleida Assmann, particularly as presented in her book Cultural Memory and Western Civilization. Functions, Media, Archives. Individual chapters of the dissertation deal with interpretations of following poetic works: "Návrat" by Vladimír Holan is a poetic story that develops the topos of coming back - coming back home, to a space that the lyrical narrator enters after twenty years in order to look for his mother's grave in local graveyard; he fails. A verse book Dům Strach by Jan...
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Livros sobre o assunto "Poets, czech – 20th century – biography"

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Janouch, František. Šel básník chudě do světa: Nobelova cena pro Jaroslava Seiferta. Praha: Český spisovatel, 1995.

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Ranganath, S. 20th century Sanskrit poets and their contribution. Editado por Suryanarayana Korada, Satapathy Harekrishna 1956- e Rāṣṭrīyasaṃskr̥tavidyāpīṭhaṃ Tirupati. Tirupati: Rashtriya Sanskrit Vidyapeetha, 2010.

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Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. New York: John Wiley & Sons, Ltd., 2000.

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Winter music: A life of Jessica Powers : poet, nun, woman of the 20th century. Kansas City, MO: Sheed & Ward, 1992.

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Berberova, Nina Nikolaevna. Aleksandr Blok i ego vremi͡a︡: Biografii͡a︡. Moskva: Izd-vo Nezavisimai͡a︡ gazeta, 1999.

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Niyāzī, Sayyid Naz̲īr. Dānā-yi rāz: Savāniḥ Ḥakīmulummat Ḥaz̤rat ʻAllāmah Muḥammad Iqbāl. Lāhaur: Iqbāl Akādmī Pākistān, 1988.

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Lari, Ahmar. Ḥasrat Hānī [i.e. Muhānī]: Ḥayāt aur kārnāme. Lāhaur: Mag̲h̲ribī Pākistān Urdū Ikaiḍamī, 1999.

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Lari, Ahmar. Ḥasrat Hānī [i.e. Muhānī]: Ḥayāt aur kārnāme. Lāhaur: Mag̲h̲ribī Pākistān Urdū Ikaiḍamī, 1999.

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Simic, Charles. Wonderful words, silent truth: Essays on poetry and a memoir. Ann Arbor: University of Michigan Press, 1990.

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Gunn, Thom. The occasions of poetry: Essays in criticism and autobiography. San Francisco: North Point Press, 1985.

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Capítulos de livros sobre o assunto "Poets, czech – 20th century – biography"

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Bílek, Jan. "Ferdinand Peroutka and his perception of Russian literature". In Inter-Slavic cultural ties. Results and perspectives of research, 110–32. Institute of Slavic Studies RAS, 2021. http://dx.doi.org/10.31168/0452-7.08.

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The Study presents the most important person of the journalism of the 20th century, in the context of development of the Czech journalism. It brings Peroutka´s (1895-1978) brief biography and emphasizes his activities in the journal Přítomnost. The author points to Peroutka´s connection with the friendly group around Karel Čapek, to his imprisonment in a concentration camp and his life in exile in the United States of America, connected with his cooperation with Radio Free Europe. He describes Peroutka´s journalistic and fiction work (short stories, dramas, and a novel). He deals with Peroutka´s attitude to the fiction literature, especially to the Russian fiction, which had been the subject of Peroutka´s interest for more than 60 years. Based on the analysis of the book-published work, the author documents Peroutka´s orientation in the given questions and his opinions on both the whole of Russian fiction literature and its important representatives: Tolstoy, Chekhov, Dostojevsky, Pasternak, Solzhenitsyn.
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Trabalhos de conferências sobre o assunto "Poets, czech – 20th century – biography"

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DUMITRIU, Leonard. "Šárka, a Legendary Female Character, in Two Lesser Known Czech Operas. Overtures and Compositional Techniques". In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0005.

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The lyrical works of Czech composers from the end of the 19th century and the beginning of the 20th century are very little known, and not just to Romanian musicians. Even when it comes to composers who have gained notoriety, such as Bedřich Smetana, Antonín Dvořák or Leoš Janáček, without consulting a dictionary, we cannot name more than one of their titles: Smetana’s Prodaná nevěsta, Dvořák’s Rusalka and Janáček’s Jenůfa, even though each of them wrote countless other works dedicated to the opera. When we think of composers like Zdeněk Fibich and Otakar Ostrčil, obscurity is almost total. Beyond the fact that this study attempts to make a contribution to the knowledge in this field, other objectives include analyzing the compositional language that two composers embraced in homonymous operas and observing the manner in which they related to the mythology of their people. One of the major characters of the Czech national mythology is called Šárka, a title that both Leoš Janáček and Zdeněk Fibich have attributed to one of their operas. In studying the action of the two stage works, this research also turns to the Czech writers of that period and the manner in which they reflected the fundamental Czech myths in their literary works. Details related to the time of appearance of the operas and, in the case of Zdeněk Fibich, brief but welcome information on his biography and creation are also presented. The original contribution of this study consists in analyzing the overtures of the two homonymous operas in terms of compositional techniques, elements of construction and musical expression and, last but not least, observing the similarities and differences of vision between the two creators.
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