Teses / dissertações: "Poets, american – 19th century"

1

Riley, Peter. "Moonlighting in Manhattan : American poets at work 1855-1930". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.

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2

Laffey, Seth Edward. "The Letters of Edwin Arlington Robinson: A Digital Edition (1889-1895)". Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499369594701871.

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3

Ziegler, Christopher Taylor. "Jeffersonianism and 19th century American maritime defense policy". [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-1110103-111416/unrestricted/ZieglerC120103a.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.
Title from electronic submission form. ETSU ETD database URN: etd-1110103-111416. Includes bibliographical references. Also available via Internet at the UMI web site.

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4

Martin, Michael Sean. "Imaginative Thanatopsis: Death and the 19th-Century American Subject". Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41295.

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English
Ph.D.
In my dissertation, I intend to focus on the way that supernaturalism was produced and disseminated as a cultural category in 19th-century American fiction and non-fiction. In particular, my argument will be that 19th-century authors incorporated supernaturalism in their work to a large degree because of changing death practices at the time, ranging from the use of embalming to shifts in accepted mourning rituals to the ability to record the voices of the dead, and that these supernatural narratives are coded ways for these authors to rethink and grapple with the complexities of these shifting practices. Using Poe's "A Tale of Ragged Mountains" (1844) and Narrative of Arthur Gordon Pym (1838), Alcott's Little Women (1868), Hawthorne's House of the Seven Gables (1851), Melville's Moby-Dick (1851), Brockden Brown's Weiland (1798), Phelps' short fiction, Shaker religious writings, and other texts, I will argue that 19th-century narration, instead of being merely aligned with an emerging public sphere and the development of oratory, relied heavily on thanatoptic or deceased narrators, the successive movement of the 18th-century British graveyard poets. For writers who focused on mesmerism and mesmerized subjects, the supernatural became a vehicle for creating a type of "negative freedom," or coded, limitless space from which writers such as Margaret Fuller and Harriet Martineau could imagine their own death and do so without being scandalous. The 19th-century Shaker "visitations," whereby spirits of the dead were purported to speak through certain Shaker religionists, present a unique supernatural phenomenon, since this discrete culture also engaged with coded ways for rethinking death practices and rituals through their supernatural narratives. Meanwhile, such shifting cultural practices associated with death and its rituals also lead, I will argue, to the development of a new literary trope: the disembodied child narrator, as used first in Brockden Brown's novel and then in Melville's fiction, for example. Finally, I will finish my dissertation with a chapter that, while also considering how thanatoptic narrative is used in literary supernaturalism, will focus more on spaces, mazes, and, to use Benjamin's term in The Arcades Project (tran. 1999), arcades that marked 19th-century culture and architecture and how this change in space - and subsequent thanatoptic geography in 19th-century fiction - was at least partially correlated to shifting death practices. I see this project as contributing to 19th-century American scholarship on death practices and literature, including those by Ann Douglas, Karen Sanchez-Eppler and Russ Castronovo, but doing so by arguing that the literary mechanism of supernaturalism and the gothic acted as categories or vehicles for rethinking and reconsidering actual death practices, funeral rituals, and related haunted technology (recordings, daguerreotypes) at the time.
Temple University--Theses

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5

Bean, Heidi R. "Poetry 'n acts: the cultural politics of twentieth-century American poets' theater". Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/638.

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"Poetry 'n Acts: The Cultural Politics of Twentieth-Century American Poets' Theater," focuses on the disciplinary blind spot that obscures the productive overlap between poetry and dramatic theater and prevents us from seeing the cultural work that this combination can perform. Why did 2100 people turn out in 1968 to see a play in which most of the characters speak only in such apparently nonsensical phrases as "Red hus the beat trim doing going" and "Achtung swachtung"? And why would an Obie award-winning playwright move to New Jersey to write such a play in the first place? What led to the founding in 1978 of the San Francisco Poets Theatre by L=A=N=G=U=A=G=E writers, and why have those plays and performers been virtually ignored by critics despite the admitted centrality of performance to L=A=N=G=U=A=G=E writing's textual politics? Why would the renowned Yale Repertory Theatre produce in the 1990s the poetic, plotless plays of a theater newcomer twice in as many years--even when audiences walked out? What vision for the future of theater could possibly involve episodic drama with footnotes? In each example, part of the story is missing. This dissertation begins to fill in that gap. Attending to often overlooked aspects of theater language, this dissertation examines theatrical performances that use poetic devices to intervene in narratives of cultural oppression, often by questioning the very suitability of narrative as a primary means of social exchange. While Gertrude Stein must be seen as a forerunner to contemporary poets' theater, chapter one argues that the Living Theatre's late 1950s and early 1960s anti-authoritarian theater demonstrates key alliances between poetry and theater at mid-century. The remaining chapters closely examine particular instances of poets' theater by Amiri Baraka (known equally as poet and playwright), Carla Harryman (associated with West Coast poetry), and Suzan-Lori Parks (a critically acclaimed playwright). These productions put poetic theater on the backs of tractors in Harlem streets, in open gallery spaces, and in more conventional black box and proscenium architectures, and each case develops the importance of performance contexts and production histories in determining plays' cultural effects.

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Davis, Michael A. "Jacksonian Volcano: Anti-Secretism and Secretism in 19th Century American Culture". University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378109351.

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7

Vara-Dannen, Theresa C. "Benevolence and bitterness : the African-American experience in 19th century Connecticut". Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa43161.

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This study examines the African-American experience in 19th century Connecticut through the writing of its eminent resident authors, ordinary people, and journalists. In every racial incident that occurred during this period, white citizens were torn between profoundly emotional racist ideologies and a more humanitarian, Christian benevolence rooted in Connecticut's Congregational history. Even allies of the African-American cause, such as Harriet Beecher Stowe and Mark Twain, set clear limits on their support, perhaps to maximize the appeal of their work to the broadest readership. Newspaper editors, too, seemed to ensure that views within their newspapers expressed community standards. As a consequence, even the most forward-looking papers tended to preserve the balance of white power by perpetrating images of African-Americans as a servile and subservient caste; condoning and advancing colonization efforts; and portraying white people as the victims of 'levelling principles'. State legislation regarding voting rights, property ownership and interracial marriage was more generous than that of most Northern states, and allowed some African-Americans to succeed. Yet they were working against a tremendous weight of white bigotry that was so entrenched in custom and habit that no 'black' laws were deemed necessary, and black civil rights were advocated because they could not possibly affect white social associations. Furthermore, mainstream Connecticut newspapers were unique in that they saw fit to publish only what reinforced the state's most optimistic self-image as a civilized, tolerant and Christian community. This required a seemingly universal journalistic amnesia about white violence against African-Americans and their allies, along with the projection of southern guilt in cases of blatant discrimination in the state, and the thorough condemnation of 'extremists' like John Brown. The daily bigotry suffered by African-Americans, along with the hope of better economic prospects, led many to flee Connecticut's rural areas and group together for mutual help, support and comfort, in major cities. Consequentially, even today, the state is deeply residentially and economically segregated, resulting in physical, economic, social and psychological costs to all Americans.

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8

Zheng, Juan. "African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century". W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.

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9

Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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10

Schrag, Mitzi. "Rei(g)ning mediums : spiritualism and social controls in 19th-century American literature /". Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/9321.

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11

Li, Xiaorong 1969. "Woman writing about women : Li Shuyi (1817-?) and her gendered project". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33300.

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This thesis examines the life and poetry collection of the woman poet Li Shuyi (1817--?) within the context of women's literary culture in late imperial China. In particular, the textuality of Li Shuyi's poetry collection Shuyinglou mingshu baiyong (One Hundred Poems from Shuying Tower on Famous Women) forms the centre of critical analysis, which aims to articulate her gendered intervention into representations of women's image in poetry. The thesis is organized into three interconnected sections: the reconstruction of Li Shuyi's life in order to provide a context to articulate her relationship to writing, a reading of Li Shuyi's self-preface to discuss her motivation to write, and critical analysis of poems according to the three thematic categories of "beauty, talent, and qing ." The thesis demonstrates how a woman author's self-perception leads to her becoming a conscious writing subject, and how this self-realization then motivates her to produce a gendered writing project.

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12

Bube, June Johnson. ""No true woman" : conflicted female subjectivities in women's popular 19th-century western adventure tales /". Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9508.

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13

Wilkinson, Myler 1953. "The dark mirror : American literary response to Russia, 1860-1917". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70290.

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This thesis is an intercultural and intertextual study of the ways in which an American literary identity has emerged out of an intense imaginative and political dialogue with Russian culture. Early portions of this study trace the historical connections which have drawn American writers into the orbit of Russian literature and culture during the period, 1860-1917. A theoretical chapter attempts to explain the intensity of this dialogue on several related levels: the figural relationship between two literatures which constantly transform each other; the psychic experience of an otherness between individuals and cultures which leads to provisional patterns of literary identity; and the transformation of a purely literary dialogue into the realm of social praxis. The second half of the thesis examines the careers of three major American writers--Henry James, Willa Carter, and Sherwood Anderson--as each reads the figures of Russian literature against a native American tradition, and in the process incorporates this "other" literature into that tradition. A concluding chapter initiates a discussion of the ways in which literary influence is also bound up with the dialogue of politics and power.

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14

Giguere, Joy M. ""The Dead Shall be Raised": The Egyptian Revival and 19th Century American Commemorative Culture". Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GiguereJM2009.pdf.

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15

Moran, Theresa Ellen. "Bayard Taylor and American Orientalism : 19th century representations of national character and the other /". Thesis, Connect to Dissertations & Theses @ Tufts University, 2005.

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Thesis (Ph.D.)--Tufts University, 2005.
Submitted to the Fletcher School of Law and Diplomacy. Includes bibliographical references (leaves 322-330). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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16

Miller, Nikki L. "The American Civil War and Other 19th Century Influences on the Development of Nursing". Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/194076.

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The Industrial Revolution created sweeping cultural and technological changes in 19th century American society. During this era, nursing evolved from an unskilled to a skilled form of work. Changes in manufacturing, communication, and transportation occurred differentially in America, which favored the growth of different regional economies. Sectionalism erupted into the first modern war in American history. The Civil War created the conditions in which nursing, medicine, and the hospital formed organizational structures, roles, and boundaries that would later form the template for the modern healthcare system. The purpose of this research was to study how the context and culture of mid-nineteenth century American life affected the evolution of nursing during the Civil War, and the later affect it would have on skilled nursing knowledge, roles, education, and practice. The overall goal of the work is to contribute to the body of research on parallel historic processes that had an influence over the formation of early skilled nursing practice and the evolution of the nursing role. The effect of parallel processes associated with the Industrial Revolution and the advent of modern warfare on the development of skilled nursing were the particular focus of this research. A social history methodology was utilized to examine texts and discourse from the Civil War period. It was found that advances in transportation, communication, and manufacturing were both integral to the advent of modern war and modern nursing, and that the advent of these was highly integrated. It was also found that the industrialization of the hospital in response to wartime was highly influential on the development of skilled nursing programs later in the century. The role that nurses would take in the postbellum hospital, however, reflected the mass media image of nursing generated during the war rather than actual wartime practice.

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17

Strecker, Geralyn. "Reading prostitution in American fiction, 1893-1917". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.

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Many American novels of the late nineteenth and early twentieth centuries discuss prostitution. Some works like Reginald Wright Kauffman's The House of Bondage, (1910) exaggerate the threat of "white slavery," but others like David Graham Phillips's Susan Lenox: Her Fall and Rise (1917) more honestly depict the harsh conditions which caused many women to prostitute themselves for survival. Contemporary critical interpretations of novels addressed in this dissertation began before major shifts in women's roles in the workplace, before trends towards family planning, before women could respectably live on their own, and especially before women won the right to vote. Yet, a century of progress later, this vestigal criticism still influences our study of these texts.Relying on primary source materials such as prostitute autobiographies and vice commission reports, I compare fictional representations of prostitution to historical data, focusing on the prostitute's voice and her position in society. I examine actual prostitutes' life stories to dispel the misconception that prostitution was always a lower-class business. My chapters are ordered in regards to the prominence of the prostitute characters' voices: in Stephen Crane's Maggie: A Girl of the Streets (1893) the heroine seldom speaks for herself; in two Socialist novels--Upton Sinclair's The Jungle (1906) and Estelle Baker's The Rose Door (1911)--prostitutes debate low wages, political corruption, and organized vice; and in Phillips's Susan Lenox, the title character is almost always allowed to speak for herself, and readers can see what she is thinking as well as doing. As my chapters progress, I demonstrate how the fictions become more like the prostitutes' own autobiographies, with self-reliant women telling their stories without shame or remorse. My conclusion, "Revamping `Fallen Women' Pedagogy for Teaching American Literature," suggests how social history and textual scholarship of specific "fallen women" novels should affect our teaching of these texts.
Department of English

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18

Smith, Sarah Elizabeth. "Colonial contacts and individual burials| Structure, agency, and identity in 19th century Wisconsin". Thesis, The University of Wisconsin - Milwaukee, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1571930.

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Individual burials are always representative of both individuals and collective actors. The physical remains, material culture, and represented practices in burials can be used in concert to study identities and social personas amongst individual and collective actors. These identities and social personas are the result of the interaction between agency and structure, where both individuals and groups act to change and reproduce social structures.

The three burials upon which this study is based are currently held in the collections of the Milwaukee Public Museum. They are all indigenous burials created in Wisconsin in the 19^th century. Biological sex, stature, age, and pathologies were identified from skeletal analysis and the material culture of each burial was analyzed using a Use/Origin model to attempt to understand how these individuals negotiated and constructed identities within a colonial system.

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19

Bellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT". Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.

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Art History
M.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses

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20

Boorn, Alida S. "Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections". Diss., Kansas State University, 2016. http://hdl.handle.net/2097/34472.

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Doctor of Philosophy
Department of History
Bonnie Lynn-Sherow
American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and literature. In this work, exhibit catalogs have been utilized as archives. Many historians recognize that American Indians are vital participants and contributors to United States history. This work includes discussions about North American Indigenous people and others who were creators of material culture and art, the people who collected this material culture and their motives, and the various types of collections that blossomed from material culture and oral history proffering. Creators included Plains Indian women who tanned bison hides and their involvement in crafting the most beautiful art works through their skill in quillwork and beadwork. Plains Indian men were also creators. They recorded the family’s and tribe’s histories in pictograph paintings. Plains Indian storytellers created material that was saved and collected through oral tradition. Euroamerican artists created biographical images of the Plains Indian people that they interacted with. Collections of objects, legends, and art resulted from those who collected the creations made by the creators. Thus today there exists fine examples of ethno-heirlooms that pay tribute to the transnational acculturation and survival of the American Indian people of the Great Western Northern American Plains. What is most important is the knowledge, and an appreciation for the idea that a transnational cross-pollination of cultures enriched and became rooted in United States history.

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21

Connolly, Patrick. "The American overseas community in nineteenth-century Macao". Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2590571.

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22

Nosal, Janice A. ""Improvement the order of the age"| Historic advertising, consumer choice, and identity in 19th century Roxbury, Massachusetts". Thesis, University of Massachusetts Boston, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10160223.

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During the mid-to-late 19th century, Roxbury, Massachusetts experienced a dramatic change from a rural farming area to a vibrant, working-class, and predominantly-immigrant urban community. This new demographic bloomed during America’s industrial age, a time in which hundreds of new mass-produced goods flooded consumer markets. This thesis explores the relationship between working-class consumption patterns and historic advertising in 19th-century Roxbury, Massachusetts. It assesses the significance of advertising within households and the community by comparing advertisements from the Roxbury Gazette and South End Advertiser with archaeological material from the Tremont Street and Elmwood Court Housing sites, excavated in the late 1970s, to determine the degree of correlation between the two sources. Separately, the archaeological and advertising materials highlight different facets of daily life for the residents of this neighborhood. When combined, however, these two distinct data sets provide a more holistic snapshot of household life and consumer choice. Specifically, I examine the relationship between advertisers and consumers and how tangible goods served as a medium of communication for values, social expectations, and individual and group identities.

Ultimately, this study found that there is little direct overlap between the material record from the Southwest Corridor excavations and the historic Roxbury Gazette advertisements. The most prevalent types of advertisements from an 1861-1898 Roxbury Gazette sample largely did not overlap with the highest artifact type concentrations from the Southwest Corridor excavations. This disconnect may be the result of internal factors, including lack of purchases or extended use lives for certain objects. External factors for disconnect include archaeological deposition patterns, as well as the ways in which the archaeological and advertising data is categorized for analysis. Most importantly, this study emphasizes that the lives of Tremont Street and Elmwood Court’s residents cannot be neatly summed up by the materials they discarded. Only through the consideration of material culture, documentary resources, and other historic information can we begin to understand the experiences these individuals endured.

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23

England, Peter S. (Peter Shands). "American Literary Pragmatism : Lighting Out for the Territory". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278511/.

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24

Abbott, Sherry L. "My Mother Could Send up the Most Powerful Prayer: The Role of African American Slave Women in Evangelical Christianity". Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/AbbottSL2003.pdf.

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25

Hiser, Garrett. "Illustrating the Color Line: Charles W. Chesnutt and Clyde O DeLand". Cleveland State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=csu1481030226046336.

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Gabrielsen, Natalia Marie, e Natalia Marie Gabrielsen. "'Ideal Vehicles': Medallic Circuitry in Nineteenth-Century Portraits of Native Americans". Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626399.

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I examine the mobility and circulation of peace medals featured in nineteenth-century portraiture of Native Americans through the lens of object-oriented ontology. This research strives to establish a different perspective for considering nineteenth-century portraiture of Native Americans by situating the works through the framework of materiality and circulation. By applying this approach to a series of portraits of Native Americans with peace medals, my research seeks to define issues of movement and power within the transient, fluctuating space of the nineteenth-century American frontier. To accomplish this, I trace the production and distribution of peace medals within paintings widely viewed at the time, as well as the movement of groups and individuals involved with transporting and receiving the medals. Tracking these objects and their mechanisms of movement within the visual culture of the nineteenth century, indicating not only the thing itself but also its processes of production and movement, reveals a dimension of specificity to pictorial narratives, even as the exhibited artworks promoted generalized ideals regarding Indian policy through their circulation. I follow the peace medals’ logistics of production and transit to underscore issues of value and currency on the American frontier, highlighting the ways in which peace medals and the artwork depicting them participated in narratives of Native displacement.

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27

Clark, R. Andrew. "American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies". Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20011/clark%5Fr%5Fandrew/index.htm.

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Landroche, Tina Michele. "Chinese women as cultural participants and symbols in nineteenth century America". PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4291.

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Chinese female immigrants were active cultural contributors and participants in nineteenth century America, yet Americans often simplified their roles into crude stereotypes and media symbols. The early western accounts concerning females in China created the fundamental images that were the basis of the later stereotypes of women immigrants. The fact that a majority of the period's Chinese female immigrants became prostitutes fueled anti-Chinese feelings. This thesis investigates the general existence of Chinese prostitutes in nineteenth century America and how they were portrayed in the media. American attitudes toward white women and their images of Chinese women created the stereotype of all Chinese female immigrants as immoral. Thus, they became unconscious pawns of nineteenth century American nativist forces wanting to limit and prevent Chinese immigration based on prejudicial and racist attitudes.

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Mahar, Karen E., e University of Lethbridge Faculty of Arts and Science. "Comstockery and censorship in early American modernism / Karen E. Mahar". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/2601.

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Anthony Comstock was a moral crusader who abhorred all things lewd and obscene, and who was successful in introducing the Comstock Law to help his fight against it. His lifelong battle against vice at the end of the nineteenth-century had an impact on literature and the literary world as it transitioned from Victorian prudery to modernist realism. Comstock’s influence negatively affected publishers, distributers, and writers, in particular, canonical Americans Walt Whitman and Theodore Dreiser. His methods were unconventional, and in the name of morality, Comstock often behaved immorally to achieve his goals of protecting youth from being corrupted by obscenity. The question of the value of censorship was present then, as it still endures today, and centered on the potential harm of viewing or reading obscene materials. Although Comstock presented an impressive record of confiscations and arrests, his crusade did not have a lasting effect beyond the fin de siècle.
vi, 99 leaves ; 29 cm

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30

Gerhold, Emily. "American Beauties: The Cult of the Bosom in Early Republican Art and Society". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/353.

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This interdisciplinary project offers new research to introduce the American cult of the bosom, which emerged in the years following the Revolutionary War and helped shape the discourse around women’s roles in the early republic. The cult of the bosom sought to shift the way in which the female body, and especially the bosom, was regarded and represented by identifying it as the locus of a number of positive qualities associated with women, including virtue, modesty, beauty, and grace. This shift constituted, in the minds of citizens, a significant way in which American culture honored and celebrated women. Additionally, the cult of the bosom tied the bosom’s privileged status to a broader patriotic rhetoric that celebrated the special differences of America’s women and American culture as a whole, and insisted that, while most citizens of the world saw its potential to gratify lust, Americans were sufficiently enlightened to consider and celebrate the bosom’s ‘true’ function as a signifier of sacred womanhood. Through a variety of cultural materials, this project traces the points at which beauty, virtue, femininity, and the female body intersected in the early republic and the implications of these intersections for the political and social status of women. The study consists of five thematic chapters, which address textual foundations for the discourse on the bosom and female modesty in early republican America and examine female portraits of the period in order to identify the visual codes that represented patriotic ideology and signified the bosom.

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31

King, Laurel Allison. "God's in his lab and all's right with the world : depictions of science in 19th century American literature /". Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9512.

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32

Stoltz, Taylor. "Aristocrats, Republicans, and Cannibals: American Reactions to French Women in Violence". Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/52780.

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This thesis discusses the reactions of American newspapers and elite individuals to French women in violence as perpetrators and victims during the French Revolution. Canvassing the years between 1789 and 1799, it includes papers, especially politically aligned ones, from across the states of America and attempts to assess the prescriptive nature of various reports. In includes case studies of common/working-class women, aristocratic revolutionaries (Charlotte Corday and Madame Roland), and Queen Marie Antoinette. Using newspapers with and without political affiliations, to either the Federalist or Democratic-Republican Party, it argues that the dividing ideological lines between these factions were not as steadfast and rigid as previously believed during this period. Though papers and individuals did adhere to party lines, their opinions toward women in violence were affected by other factors, such as their ideologies about violence. Building on historiographies of colonial and revolutionary American attitudes toward women in violence, gender ideology in the early Republic, and political parties in the 1790s, it seeks to illuminate American views toward women in violence during the years of the early Republic.
Master of Arts

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33

Dabek, Diana I. "Misinterpreted experiences : the tension between imagination and divine revelation in early 19th century Anglo American Gothic fiction". FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/2649.

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The purpose of this study was to analyze the ways in which 19th century Gothic fiction novelists Charles Brockden Brow and James Hogg explore the themes of religious enthusiasm and divine revelation. A close look at these texts reveals a common interest in the tension between the imagination and reality. By analyzing the philosophical and theological roots of these issues it becomes clear that Wieland and Confessions of a Justified Sinner mirror the anxieties of 19th century Anglo American culture. Questions regarding voice and authority, the importance of testimony, and religious seduction are common to both novels. I maintain that these authors comment on the obscure nature of human rationale by presenting readers with narrators that exhibit traits of delusion and spiritual awakening.

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Baumgardner, Thomas A. "Shape Matters". ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1903.

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An analysis of the production of the University of New Orleans thesis film, Shape Matters, a period film, written and directed by Thomas Baumgardner. The film is concerned with the practice of Phrenology and follows a nervous preacher who becomes entangled in the bizarre "science" and a local murder. This paper describes the director's experiences and details the challenges encountered, and lessons learned, from attempting to bring the project to fruition.

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Ertle, Lynne 1963. "Antique Ladies : Women and Newspapers on the Oregon Frontier, 1846-1859". Thesis, University of Oregon, 1995. http://hdl.handle.net/1794/12275.

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viii, 234 p. A print copy of this thesis is available through the UO Libraries under the call number: KNIGHT PN4897.O74 E78 1995
Studies have shown that women's ideas, especially those that challenge the status quo, have historically received little attention from the press. This thesis discusses how women were described in three of Oregon's frontier newspapers from 1846 to 1859, and also explores their contributions to the newspapers as writers, poets, editors, and businesswomen. Information from established American media clipped for the frontier papers described popular, mainstream ideas of womanhood, as well as provided news on the emerging women's rights struggle. Information generated locally on women encompassed a variety of themes, including marriage, education, and temperance. This study shows that even though content about women and women's roles as contributors were constrained by contemporary ideas of propriety and women's place in society, women were valued as readers and contributors to the three Oregon newspapers.
Committee in charge: Dr. Lauren Kessler, Chair; Dr. Timothy Gleason, Dr. Leslie Steeves

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36

Staton, Maria S. "Christianity in American Indian plays, 1760s-1850s". Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1364944.

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The main purpose of this study is to prove that the view on the American Indians, as it is presented in the plays, is determined by two dissimilar sets of values: those related to Christianity and those associated with democracy. The Christian ideals of mercy and benevolence are counterbalanced by the democratic values of freedom and patriotism in such a way that secular ideals in many cases supersede the religious ones. To achieve the purpose of the dissertation, I sifted the plays for a list of notions related to Christianity and, using textual evidence, demonstrated that these notions were not confined to particular pieces but systematically appeared in a significant number of plays. This method allowed me to make a claim that the motif of Christianity was one of the leading ones, yet it was systematically set against another major recurrent subject—the values of democracy. I also established the types of clerical characters in the plays and discovered their common characteristic—the ultimate bankruptcy of their ideals. This finding supported the main conclusion of this study: in the plays under discussion, Christianity was presented as no longer the only valid system of beliefs and was strongly contested by the outlook of democracy.I discovered that the motif of Christianity in the American Indian plays reveals itself in three ways: in the superiority of Christian civilization over Indian lifestyle, in the characterization of Indians within the framework of Christian morality, and in the importance of Christian clergy in the plays. None of these three topics, however, gets an unequivocal interpretation. First, the notion of Christian corruption is distinctly manifest. Second, the Indian heroes and heroines demonstrate important civic virtues: desire for freedom and willingness to sacrifice themselves for their land. Third, since the representation of the clerics varies from saintliness to villainy, the only thing they have in common is the impracticability and incredulity of the ideas they preach. More fundamental truths, it is suggested, should be sought outside of Christianity, and the newly found values should be not so much of a "Christian" as of "democratic" quality.
Department of English

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Hubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.

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The late nineteenth century was a time of great change for women's roles in music. Whereas in 1870, women played primarily harp or piano, by 1900 there were all-woman orchestras. During the late nineteenth century, women began to perform on instruments that were not standard for them, such as cornet, trombone, and saxophone. The achievements of early female saxophonists scarcely have been mentioned in accounts of saxophone history. This study gathers scattered and previously unpublished information about the careers and repertoire of American female saxophonists from 1870-1930 into one reference source.The introduction presents a brief background on women's place in music around 1900 and explains the study's organization. Chapter two presents material on saxophone history and provides an introduction to the Chautauqua, lyceum, and vaudeville circuits. Chapter three contains biographical entries for forty-four women saxophonists from 1870-1930. Then follows in Chapter four a discussion of the saxophonists' repertoire. Parlor, religious, and minstrel songs are examined, as are waltz, fox-trot, and ragtime pieces. Discussion of music of a more "classical" nature concludes this section. Two appendixes are included--the first, a complete alphabetical list of the names of early female saxophonists and the ensembles with which they played; the second, an alphabetical list of representative pieces played by the women.The results of this study indicate that a significant number of women became successful professional saxophonists between 1870-1930. Many were famous on a local level, and some toured extensively while performing on Chautauqua, lyceum, and vaudeville circuits. Some ended their performing careers after becoming wives and mothers, but some continued to perform with all-woman swing bands during the 1930s and 40s.The musical repertoire played by women saxophonists from 1870-1930 reflects the dichotomy of cultivated and vernacular music. Some acts chose to use popular music as a drawing card by performing ragtime, fox-trot, waltz, and other dance styles. Other acts presented music from the more cultivated classical tradition, such as opera transcriptions or original French works for saxophone (by composers such as Claude Debussy). Most women, however, performed a mixture of light classics, along with crowd-pleasing popular songs.
School of Music

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McCaslin, Sarah Elizabeth. "'Great gathering of the clans' : Scottish clubs and Scottish identity in Scotland and America, c.1750-1832". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/26041.

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The eighteenth century witnessed the proliferation of voluntary associations throughout the British-Atlantic world. These voluntary associations consisted of groups of men with common interests, backgrounds, or beliefs that were willing to pool their resources in order to achieve a common goal. Enlightenment Scotland was home to large numbers of clubs ranging from small social clubs to large national institutions. The records of these societies suggest that most, if not all, of the men who formed them believed that defining and performing Scottish identity was important to preserving the social and cultural traditions of Scottishness in the absence of state institutions. These patriotic associations followed Scots across the Atlantic and provided the model for similar clubs in the American colonies. This thesis examines the construction and performance of Scottish identity by Scottish clubs in Scotland and America from c.1750-1832. It, in contrast to the existing historiography of Scottish identity, asserts that associations were vehicles through which Scottish identity was constructed, expressed, and performed on both sides of the Atlantic. It demonstrates that clubs provided Scots with the tools to manufacture identities that were malleable enough to adapt within a wide variety of political and cultural environments. This was particularly important in a period that witnessed major political disruption in the shape of the American and French Revolutions. By directly comparing Scottish societies in both Scotland and America, the thesis also reassesses and revises common attitudes about the relationship between Scottish identities at home and in the wider diaspora. Often seen as distinct entities, this thesis emphasises the similarities in the construction of Scottish identity, even in divergent national contexts. Drawing on a variety of sources ranging from rulebooks, minute books, and published transactions to memoirs, newspaper articles, letters, and even material goods, this thesis reveals that the Scottish identity constructed and performed by associations in America was no less ‘Scottish’ than that formulated in Scotland, indeed it paralleled and built upon the practices and attitudes developed in the home country. It rested on the same foundation, yet followed a different political trajectory as a result of the differing environment in which it was expressed and the different communities of Scots that expressed it. Indeed, the comparison between Scottish clubs in Scotland and America demonstrates that modern Scottish identity is the creation of a diasporic, transnational Scottish experience.

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Jenkins, Jennifer Lei. "Failed mothers and fallen houses: Gothic domesticity in nineteenth-century American fiction". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186122.

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This study examines the relation between gender and genre in four novels that chart the development of American domestic life from the Colonial to the Gilded Age. In these novels, the presence in the house of women--mothers, daughters, sisters, servants, slaves--often threatens the fathers' dynastic ambitions and subverts the formal intentions of the narrative. These women represent familiar but strange forces of the uncanny which lurk beneath the apparently placid surface of domestic narrative. In "house" novels by Hawthorne, Stowe, Alcott, and James, interactions of the uncanny feminine with dynastic concerns threaten not only the novel's social message of destiny and dynasty, but the traditional form of the novel itself. In The House of the Seven Gables, Hawthorne constructs a narrative in which patrician fathers and domestic daughters struggle for control of the House and its story. Slavery disrupts domestic life in Uncle Tom's Cabin, inverting and thereby perverting traditional notions of home and family and producing monstrous mothers and failed households. Alcott details the abuses and dangers of reified gender roles in family life, while depicting a young woman's attempt to reconstruct domesticity as a female community in Work. Finally, James displaces domestic concerns entirely from The Other House, portraying instead the violent nature of feminine desire unrestrained by tradition, community, or family. Story and telling work at cross-purposes in these novels, creating a tension between Romantic structures and realistic narrative strategies. These authors depart from the tropes of their times, using gothic devices to reveal monstrous mothers, uncanny children, and failed or fallen houses within the apparently conservative domestic novel. Such gothic devices transcend literary historians' distinctions of romance and sentimental fiction as respectively male and female stories and reveal the fundamentally subversive nature of domestic fiction. For these writers, the uncanny presence of the feminine produces a counternarrative of gender, class, and race, redefines the cultural boundaries of home and family, and exposes the fictive nature of social constructions of gender and domesticity.

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40

Breidenbach, Michael David. "Conciliarism and American religious liberty, 1632-1835". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648152.

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Bollinger, Heather K. "The North comes South northern Methodists in Florida during Reconstruction". Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4849.

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This thesis examines three groups of northern Methodists who made their way to north Florida during Reconstruction: northern white male Methodists, northern white female Methodists, and northern black male and female Methodists. It analyzes the ways in which these men and women confronted the differences they encountered in Florida's southern society as compared to their experiences living in a northern society. School catalogs, school reports, letters, and newspapers highlight the ways in which these northerners explained the culture and behaviors of southern freedmen and poor whites in Jacksonville, Gainesville, and Monticello. This study examines how these particular northern men and women present in Florida during Reconstruction applied elements of "the North" to their interactions with the freedmen and poor whites. Ultimately, it sheds light on northern Methodist middle class values in southern society.
ID: 030422734; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 79-83).
M.A.
Masters
History
Arts and Humanities

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42

Newhouse, James. "Framing Revolution: Simón Bolívar’s Rhetoric and Reason". Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104151.

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Thesis advisor: Sylvia Sellers-García
Between 1812-1829, the Spanish American colonies waged a war of independence against the Spanish crown. In Northern South America, this movement was spearheaded by the Enlightenment-educated Simón Bolívar, who understood that expelling the Spaniards necessitated winning widespread support from Spanish America's many distinct interest groups. Bolívar capitalized on his leadership and love for public speaking to wage a war of words against the Spanish that framed the actual revolution in such a way as to give it meaning. This campaign featured a number of varied rhetorical devices; each device intended in a unique way to appeal to its unique audience. By appealing to South America's many interest groups, Bolívar united South Americans under the common banner of independence and provided justification for the acts of violence that revolution necessitated
Thesis (BA) — Boston College, 2015
Submitted to: Boston College. College of Arts and Sciences
Discipline: Departmental Honors
Discipline: History

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43

Hanson, Jeffrey Allan. "SAVING APPEARANCES". Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1172593287.

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44

Kisawadkorn, Kriengsak. "American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.

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This dissertation explores a history of the grotesque and its meaning in art and literature along with those of its related term, the arabesque, since their co-existence, specifically in literature, is later treated by a well-known nineteenth-century American writer in Tales of the Grotesque and Arabesque- Theories or views of the grotesque (used in literature), both in Europe and America, belong to twelve theorists of different eras, ranging from the sixteenth century to the present period, especially Modernism (approximately from 1910 to 1945)--Rabelais, Hegel, Scott, Wright, Hugo, Symonds, Ruskin, Santayana, Kayser, Bakhtin, (William Van) O'Connor, and Spiegel. My study examines the grotesque in American literature, as treated by both nineteenth-century writers--Irving, Poe, Hawthorne, and, significantly, by modernist writers--Anderson, West, and Steinbeck in Northern (or non-Southern) literature; Faulkner, McCullers, and (Flannery) O'Connor in Southern literature. I survey several novels and short stories of these American writers for their grotesqueries in characterization and episodes. The grotesque, as treated by these earlier American writers is often despised, feared, or mistrusted by other characters, but is the opposite in modernist fiction.

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45

Lang, Christopher T. "The importance of consciousness and the mind/body problem exploring social systems of containment in 19th century American literature /". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2006.
Source: Masters Abstracts International, Volume: 45-06, page: 2833. Typescript. Abstract precedes thesis as 1 leaf (iii). Includes bibliographical references (leaves 461-474).

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Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /". Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.

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Schneider, William Steven. "Music and Race in the American West". PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/3674.

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This thesis explores the complexities of race relations in the nineteenth century American West. The groups considered here are African Americans, Anglo Americans, Chinese, Mexican Americans, and Native Americans. In recent decades historians of the West have begun to tell the narratives of racial minorities. This study adopts the aims of these scholars through a new lens--music. Ultimately, this thesis argues that historians can use music, both individual songs and broader conceptions about music, to understand the complex and contradictory race relations of the nineteenth century west. Proceeding thematically, the first chapter explores the ways Anglo Americans used music to exert their dominance and defend their superiority over minorities. The second chapter examines the ways racial minorities used music to counter Anglo American dominance and exercise their own agency. The final chapter considers the ways in which music fostered peaceful and cooperative relationships between races. Following each chapter is a short interlude which discusses the musical innovations that occurred when the groups encountered the musical heritage of one another. This study demonstrates that music is an underutilized resource for historical analysis. It helps make comprehensible the complicated relations between races. By demonstrating the relevance of music to the history of race relations, this thesis also suggests that music as a historical subject is ripe for further analysis.

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48

Brill, Kristen Cree. "Rewriting southern womanhood in the American Civil War". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608254.

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Wahlstrom, Christine M. "Vereinsleben in Indianapolis : the social culture of the liberal German-American population as reflected in the design of community buildings, 1851-1918". Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1136710.

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Beginning in the middle of the nineteenth century, a thriving German immigrant community could be found in the city of Indianapolis. The more liberal members of the German community established organizations which catered to their athletic, intellectual, and social needs. This community life was called Vereinsleben, from the German words for club/association (Verein) and life (Leben). Fitting homes were needed for the clubs. Thus, several structures central to the Vereinsleben of the liberal German community were constructed. The buildings were built to be recognized as the homes of these clubs and to provide all the necessary facilities. This thesis examines the history of the community as well as the individual clubs and uses the buildings as documents in that process.
Department of Architecture

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50

Cross, Rhonda Kay. "Walter MacEwen: A forgotten episode in American art". Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9854/.

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Despite having produced an impressive body of work and having been well-received in his lifetime, the career of nineteenth-century American expatriate artist Walter MacEwen has received virtually no scholarly attention. Assimilating primary-source materials, this thesis provides the first serious examination of MacEwen's life and career, thereby providing insight into a forgotten episode in American art.

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Teses / dissertações sobre o tema "Poets, american – 19th century"

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