Bibliografias temáticas / Poetics – history – 16th century

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Literatura científica selecionada sobre o tema "Poetics – history – 16th century"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Poetics – history – 16th century"

Phélippeau, Marie-Claire. "The Poetics of Water in 16th and 17th century Utopias: More, Bacon, Rabelais". Moreana 51 (Number 197-, n.º 3-4 (dezembro de 2014): 67–82. http://dx.doi.org/10.3366/more.2014.51.3-4.6.

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This paper intends to study the poetics of water in various 16th and 17th utopias or imaginary tales: Thomas More’s Utopia (1516), Francis Bacon’s New Atlantis (1627) and François Rabelais’s Gargantua (1534), Pantagruel (1532) and Quart Livre (1552). Based on Gaston Bachelard and Gilbert Durand’s research, the analysis intends to highlight the function of the aquatic element in the writing of fantastic tales inspired notably by Lucian (A True Story). Water being the infinitely malleable substance, endowed with plural metaphors and in turn positively and negatively valued, it plays multiple roles in poetic imagination, which this analysis attempts to determine.

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Galasheva, Tatiana. "POETICS OF THE LIFE OF ST. EPHRAIM OF TORZHOK". Проблемы исторической поэтики 21, n.º 2 (junho de 2023): 118–44. http://dx.doi.org/10.15393/j9.art.2023.12343.

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According to legend, the Venerable Ephraim of Torzhok was an 11th century ascetic, and the “ancient scripture” about him has been lost. The history of the saint was written anew: a Brief edition of his Life was created in the last quarter of the 16th century, an Extensive one — in the second quarter of the 17th century. The subject of research of this article is the poetics of the Life of St. Ephraim of Torzhok (mainly based on the material of the rhetorically adorned Extensive edition). The text’s highly complex structure is examined and attributed to the strong dependence of the Extensive edition on the Brief edition and to the special tasks that the compiler set for himself. The question of the place of the Life in the history of the hagiographic genre, and the ways in which traditional formulas and motifs, and biblical quotations work in the text is investigated along with the fragments of the composition marked by rhetorical means. The Life was probably created not so much with a focus on the hagiographic canon, but in the genre-appropriate language: the compiler of the Extensive edition approached the traditional elements of the hagiographic genre quite freely. One of the main events of the Life, both in the Brief and Extensive versions, was specifically the creation of the text about the saint. The fragmentary nature of the Life, which combines heterogeneous elements characteristic of folk and book lives, allows us to observe the process of formation of a new type of hagiographic text that took place in the 17th century.

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Lavocat, Françoise. "Dido Meets Aeneas: Anachronism, Alternative History, Counterfactual Thinking and the Idea of Fiction". Journal of Literary Theory 14, n.º 2 (25 de setembro de 2020): 194–214. http://dx.doi.org/10.1515/jlt-2020-2009.

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AbstractThe anachronistic character of the loving relationship between Dido and Aeneas was widely and commonly discussed among commentators, critics, and writers in the early modern period. From the 16th century onwards, when the word »anachronism« appeared in vernacular languages, its definition was even inseparable from the example borrowed from the Aeneid. The purpose of this article is to interrelate early modern debates on anachronism, reflections on the status of fiction and the history of fiction.Starting with the hypothesis that anachronism is a form of counterfactual, the questions posed in this article are: did forms of counterfactuals exist before the 19th century, to what extent did they differ from contemporary alternative histories and, if so, why? The story of Dido and Aeneas in the Aeneid can be considered »counterfactual«, because this version of the narrative about the queen of Carthage was opposed to another, which was considered to be historical and which made Dido a privileged embodiment of female virtue and value.Several important shifts are highlighted in this article. With the exception of St. Augustine (who saw in Vergil’s anachronism confirmation of the inanity of fiction), before the 16th century indifference towards anachronism prevailed: the two versions of Dido’s story were often juxtaposed or combined. If Vergil’s version of Dido’s story was condemned, it was for moral reasons: the exemplary version, considered more historically accurate, was favored throughout the Middle Ages, notably by Petrarch and Boccaccio.From the 16th century onwards, however, increased acquaintance with Aristotle’s Poetics promoted greater demand for rationality and plausibility in fables. This coincided with the appearance of the word »chronology« and its development, which led to a new understanding of historical time. Anachronism then appeared to be a fault against verisimilitude, and as such was strongly condemned, for example by the commentator on Aristotle, Lodovico Castelvetro. At the same time, the argument of poetic license was also often invoked: it actually became the most common position on this issue. Vergil’s literary canonization, moreover, meant that the version of Dido’s life in the Aeneid was the only story that was known and cited, and from the 17th century onwards it totally supplanted the exemplary version. Strangely enough, permissiveness towards anachronism in treatises, prefaces, or comments on literary works was not accompanied by any development of counterfactual literature in early modern period. Indeed, in both narrative and theatrical genres fiction owed its development and legitimization to the triumph of the criterion of plausibility.This article, however, discusses several examples that illustrate how the affirmation of fiction in the early modern period was expressed through minor variations on anachronism: the counterfictional form of Ronsard’s epic, La Franciade, which represents an explicit deviation from the Iliad; the metaleptic meeting of Vergil and Dido in the Underworld in Fontenelle’s Le dialogue des morts; and the provocative proposal for a completely different version of Dido’s life, which was made in an early 17th century Venetian operatic work by an author who claimed to be anti-Aristotelian. This study thus intends to provide an aspect of the story of fiction. The change of perspective on anachronism marks a retreat from moral argument, with privilege given to aesthetic criteria and relative independence with regard to history – while still moderated by the criterion of verisimilitude, as underlined by the abbé d’Aubignac, as well as Corneille.

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Verdonk, Peter. "Painting, poetry, parallelism: ekphrasis, stylistics and cognitive poetics". Language and Literature: International Journal of Stylistics 14, n.º 3 (agosto de 2005): 231–44. http://dx.doi.org/10.1177/0963947005054479.

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Ekphrasis is a sub-genre of poetry addressing existent or imaginary works of art. Though now a term in poetics, its cultural roots go back to classical rhetoric, which shows that the two have always been in an osmotic relationship. In a wider context, ekphrasis is also the natural outcome of the traditionally strong bond in Western art between poetry and the visual arts, which Aristotle regarded as imitative arts because both make use of mimetic representation. This close link found its fullest expression in Horace’s famous simile Ut pictura poesis. Different periods of Western art history had different ekphrastic agendas, ranging from Homer’s description of the making of the shield of Achilles in the Iliad to Auden’s ‘Musée des Beaux Arts’ on some pictures by Pieter Brueghel the Elder. Auden may have set the fashion, but as it happened this 16th-century Flemish painter became the favourite muse of a great many other 20th-century poets, in both Europe and the USA. As an illustration of this genre, I present a reading of William Carlos Williams’ s ekphrastic poem ‘The Dance’, which was inspired by Brueghel’s picture ‘The Kermess’. In my analysis I combine the tools of stylistics with those of cognitive poetics, which has embraced the cognitive linguistic theory that any act of language use can potentially be related to some underpinning mental faculty, for example, experience, memory, perception, imagination, and emotion. Along these lines, I try to show how my analysis and reading of the poem’s rhetorical elements, or perceived effects, might be traced to certain underlying cognitive structures such as mentally stored real-world experience, memories and images, genre knowledge, the human delight in repetitive formal patterns, the embodied experience of movement, spatial perception, figure-ground alignments in visual and other sensory perceptions, etc.

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Titarenko, Svetlana D. "The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev". Studia Litterarum 8, n.º 2 (2023): 182–99. http://dx.doi.org/10.22455/2500-4247-2023-8-2-182-199.

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This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry. The basis of this analysis is formed by ideas of Ernst Robert Curtius regarding mannerism as a constant theme in European literature and classic art history studies (Max Dvořák, Erwin Panofsky) and modern philological studies dedicated to this style of the 16th century. The article examines the poems from early poetry collections by Valery Bryusov, such as “Juvenilia” (1892–1894), “Chefs d’oeuvre” (1894–1896), “Mе eum esse” (1896–1897), and “Pearls” (1910) by Nikolay Gumilev. It demonstrates that the neo-mannerism in Bryusov’s and Gumilev’s poetry was brought upon by influence of French culture and Art Nouveau style, which reveals in the creation of the contingent, aestheticized and exotic image of the world. The poets use techniques of theatricalization in order to develop plots. A complexity of poetic manner is characteristic, principles of surprise poetics are created in line with it. The picturesque scenes, motifs of narcissism and love games are varied. The topoi of mannerism or early baroque are used. It allows us to talk about the actualization of mannerist model of thinking that embody ideas of aesthetic rebel against tradition.

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Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century". Tempo, n.º 198 (outubro de 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.

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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism. Other poets, particularly Mario Sa-Carneiro (1890–1916), and plastic artists, notably Amadeo de Sousa Cardoso (1887–1918) and Jose de Almada Negreiros (1893–1970), similarly reflect the strength of these patriotic and mystical ideas in Portugal during the country's deepening social crisis in the early part of the century. But Pessoa, who famously split himself into several persons, each with their own name, style and poetic output, may also stand as a symbol of the different currents Portuguese composers have ridden in search of their national identity.

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Polilova, Vera S. "The Poetics of the Carnation: The Word and the Image in Russian Poetry From Trediakovsky to Brodsky (In the Context of European Tradition). Part One". Imagologiya i komparativistika, n.º 17 (2022): 7–36. http://dx.doi.org/10.17223/24099554/17/1.

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The research outlines the use of the word gvozdika (Eng. ‘carnation’, a species of Dianthus) in Russian poetry. The author takes the European tradition as a framework to describe and analyse diverse representations of the carnation in Russian, mainly poetic, texts of the 18th through 20th centuries, tracing the development and expansion of “carnation-driven” contexts and associations. Part One opens with a retrospective insight into the history of the carnation in European culture, debunking several popular misconceptions, related to the flower’s history and name, which had been uncritically repeated over many decades. The ubiquity of wild carnations has contributed to the belief that, like the rose and the lily, the carnation has a two-thousand-year cultural history. Thus, it might be assumed that the carnation’s beauty and spicy aroma should have set it apart from other flowers, so that it might gradually acquire various symbolic meanings. Indeed, researchers and writers have often noted the ancient symbolism of the carnation. Moreover, both popular and academic writings place the carnation in the limited and well-defined set of plants cultivated in Antiquity. The research into the historical significance of the carnation shows that its oft-postulated antiquity is nothing but wishful thinking: the cultural history of the carnation as well as its symbolic meanings cannot be traced back as a single process from Antiquity to the Present. Until the 14th century, the carnation was referred to by many different names; its literary and symbolic genealogy can only be traced back to the 15 th or 16th century, i.e. when it was introduced into horticulture and when stable designations for it appeared in the new European languages. Our analysis draws on comparative material from Spanish, Italian, French, German, and English poetry (poems by Luis de Gongora y Argote, Francisco de Quevedo, Joachim du Bellay, Remy Belleau, Pierre de Ronsard, and others) and employs numerous multilingual sources to shed light on the history of the carnation in European languages and literatures. In addition, we briefly trace the horticultural history of the carnation in Russia. The garden carnation, or the clove pink, has been known in Russia at least since the 17th century. It was among the plants bought in Holland by the Flower Office of Peter the Great. In the 18th century, the carnation was already widespread in Russian gardens: numerous detailed articles about the carnation, its varieties and cultivations are found in botanical directories and various indexes of the late 18th century. The Alphabetical Catalogue of Plants <...> in Moscow in the Garden of the Active State Councillor Prokofy Demidov, published in 1786, lists 52 varieties of the carnation. Yet, however popular the carnation was in everyday life, it rarely appeared in Russian literature of the 17th and 18th centuries.

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Górska, Magdalena Kinga. "Status teoretyczny emblematu w polskiej dekoracji". Terminus 23, n.º 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.

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The Theoretical Status of the Emblem in Polish Decorative Art This paper argues that the theoretical status of the emblem in decorative art has methodological significance in emblem studies and art history, comparable to its status in the so-called book’s editorial frame. This claim is justified in the historical and theoretical tradition of defining emblems in the sources. The departure point for the author’s considerations comes from the findings of applied emblematics, and its foundation is provided by the theoretical sources describing symbolic genres (scil. emblema, symbolum, hierogliphicum) published in Poland from the 16th to the 18th century, including books of poetics, rhetoric, dictionaries and compendia. The first part of the article presents an overview of research on decorative emblems in Poland, together with factors responsible for the scarcity of such studies, including the lack of symbolic typology of the decorations, and the division into literary and non-literary studies, motivated by the philological roots of emblem studies. It is noted that the emblemata in the so-called book’s editorial frame and those in decorations should be studied separately, as the latter are of ornamental nature, and require a distinct order of perception, explication, and the recipient’s role. Besides, it is pointed out that the anachronism of the 16th-century formulae of emblema raises problems for the genological classification of Polish decorations, and so does the inter-genre, compendiumtype pattern of symbolism dominant in the 18th century. The second part of the article discusses the definition of the emblema, focusing on its details relevant for the artistic practice and present-day genre classification, such as technique, composition, the content of the image, which is confronted with Polish historical materials. The analysis carried out in the paper supports the claim that providing a genelogical definition of a work of art sheds light on its artistic rendition and aesthetic value. It also enhances the perspective on emblem studies, the workshop of an emblem artist and the reception of the emblem. Additionally, it enables the verification of synthetic accounts and research practice, offering a profound reflection on the chronology and previous conceptions of the emblem. Finally, it helps to formulate postulates, which can be useful for the met

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Kolbuszewska, Zofia. "William Gibson’s Debt to the Culture of Curiosity: The Wunderkammer, or, Who Controls the World?" Polish Journal for American Studies, n.º 12 (Autumn 2018) (30 de abril de 2022): 291–306. http://dx.doi.org/10.7311/pjas.12/2/2018.03.

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The article discusses transformations in William Gibson’s employment of the theme and poetics of the Wunderkammer from his two early novels, Neuromancer (1984) and Count Zero (1987), to Zero History (2010), his last-but-one novel. The exploration of Gibson’s representations of various Wunderkammer collections and arrangements in these books reveals his ever more pronounced recourse, over time, to the culture of curiosity as a diagnostic instrument. By interrogating the changing function of the Wunderkammer in Gibsons’ oeuvre, along with all its early-modern and contemporary associations with curiosity, it is possible to tease out the complexity of the writer’s evolving view of the duality, and the fusion, of the digital and the material, as well as his keen understanding of how the late capitalist market functions. Through his diagnostic representations of various cabinets of curiosities, Gibson reverses tendencies governing the transformations of the Wunderkammer as a collection of curia from the 16th to the 18th century, as well as overturning the relationship between the collection as a representation of available knowledge and the desire to create synthetic life. Gibson’s novels, which represent postdigital reality by analogous means, can thus be designated as postdigital analog writings that, according to Michael Punt, give expression to contemporary consciousness formed “in the Wunderkammer.”

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Lutsenko, E. M. "The image of Romeo as interpreted by Ivan Roskovshenko. From the history of Russian Petrarchism". Voprosy literatury, n.º 5 (19 de dezembro de 2018): 242–70. http://dx.doi.org/10.31425/0042-8795-2018-5-242-270.

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This study of the translation strategies for Romeo and Juliet heavily relies on two aspects concerning the play’s genre complexity: the lyrical plot (drawing on the poetic fashions of the 1590s), and the comical carnival element, imbued with a Shakespearean London idiom. The process of the Russian adaptation of Shakespearian imagery was lengthy and fraught with difficulties, not only due to the play’s linguistic complexity, but because of differences in treatment of higher matters (here, poetry) and social and everyday realities. The paper discusses the first Russian translation of Romeo and Juliet, penned by Ivan Roskovshenko. The study focuses on discovering the ways in which the play’s Petrarchian stylistics transforms in the Russian interpretation. A detailed comparative analysis of the translation and its original suggests that I. Roskovshenko consistently replaced the rhetorical conventions of the 16th century with the patterns of contemporary Russian poetry, domesticating the Shakespearian text. The approach only paid off when the images of English Petrarchism, interspersing Romeo and Juliet, resonated with the Russian poetry of the early 1800s.

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Teses / dissertações sobre o assunto "Poetics – history – 16th century"

Brammall, Sheldon. "Translating the Prince of Poets : the politics of the English translations of the Aeneid, 1558-1632". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283905.

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Gilday, Patrick E. "Musical thought and the early German Reformation". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:0ac3d705-c00e-4fc9-b90c-4902f9b54f8f.

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German musicology has customarily situated a paradigm shift in musical aesthetics some time during the first half of the sixteenth century. This dissertation examines the suggestion that German Reformation theology inspired a modern musical aesthetic. In Part One, the existing narrative of relationship between theological and musical thought is tested and rejected. Chapter 1 analyses twentieth-century music historians' positive expectation of commensurability between Luther's theological ideas and the sixteenth-century concepts of the musical work and musical rhetoric, concluding that their positive expectation was dependent on a Germanocentric modernity narrative. Chapter 2 assesses Listenius' Musica (1537), the textbook in which the concepts of the musical work and musica poetica were expounded for the first time. I argue that, since Listenius' textbook was intended as a pedagogical tool, it is inappropriate to read his exposition of musica poetica and opus as if logical sentences on musical aesthetics. Part Two investigates the treatment of musica in the theology of early German Reformation disputants. Chapter 3 finds that Luther's early musical thought was borrowed from the late mediæval mystics, and resisted the influence of the Renaissance Platonists. Chapter 4 shows that, far from embracing humanist ideas of musical rhetoric, Luther's Reformed musical aesthetic became increasingly anti-rational and sceptical of music's relation to verbal meaning. Chapter 5 examines the discussions of music by the German Romanist polemicists. It finds that their music-aesthetic assertions were opportunistic attempts to situate the Lutherans outside the bounds of orthodoxy. The dissertation concludes that the discussions of music in early German Reformation texts ran counter to the general sixteenth-century trajectory towards a humanistic or modern aesthetic of music. It further argues that the aesthetic proposals of sixteenth-century German theologians should be taken seriously in the formation of our present-day picture of sixteenth-century musical thought.

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Anthony, Danielle Tina. "Intimate Invasion: Andeans and Europeans in 16th Century Peru". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515105243237725.

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Roberts, Dunstan Clement David. "Readers' annotations in sixteenth-century religious books". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610579.

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Davis, Lydia. "British travellers and the rediscovery of Sicily, 16th-19th century". Thesis, Southampton Solent University, 2006. http://ssudl.solent.ac.uk/579/.

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This project deals with the early period of what could be termed the 'Grand Tour' in Sicily, a subject which has previously been covered only in a small number of academic works. In particular, it looks at the history of British travel and travellers to Sicily, placing particular emphasis on the way in which classical considerations prompted, guided and inspired visitors to the island. Whilst covering a wide time span which ranges from the 8th until the 20th centuriy AD, the main body of the work focuses on the period between 1550 and 1770 and provides a study of the major British travellers to Sicily during this period - most particularly the journeys of Thomas Hoby in the 16th century, George Sandys and Isaac Basire in the 17th and John Breval in the early 18th century. It also looks at the cultural construction of Sicily itself during this period, and the major Latin and Italian historical sources which influenced, and in some cases were influenced by, travellers and writers from Britain. Much of this work involves the in-depth analysis of several of the major geographical and antiquarian texts from the 16th, 17th and early 18th centuries both in English and Italiaan. The results suggest that rather than the more traditional view of Sicily as a late addition to the Grand Tour, relatively undiscovered until the 1770s, the island had in fact generated a significant amount of interest from numerous erudite British travellers and antiquarians, who made a small but nevertheless important contribution to the body of work written upon the island and its culture and antiquities

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Martínez, Martínez Franklin de Jesús. "Cowlonialism : Colonialism, cattle and landscapes in 16th century New Spain". Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-418884.

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Cattle are not endemic to the American continent. Nevertheless, they are present and thrive in many landscapes, all the way from Canada to Argentina. The narratives about the process of colonisation of the American continent include human actors, but there is very little literature in comparison that deals on the influence of cattle in landscapes in the continent. In this thesis, I will contribute to the discussion about more-than-human processes of landscape modification, by analysing archival sources from the New Spain. This region included a big part of the West of the United States, Mexico and Central America. The period I analyse, between 1550 and 1602, represents the first decades of encounter between the Spanish settlers and indigenous communities, in the region of New Spain, where the Spanish established administrative institutions to manage their empire. The documents that I analysed showcase the transformations that cattle caused in the landscape, from how indigenous people lived, to what plants and crops could be cultivated. Inspired by Multi-species studies, ethography, and the concepts of “animal” and “landscape”, I use Actor-Network Theory to create a thoroughly described network of relations. In my analysis, I find that cattle influenced the activities that were performed in the landscape, as well as the ways that other actors interacted with each other. These actions, complemented by religious, economic and cultural ideas that circulated during the XVI century, would form what I call Cowlonialism, a regime of ideas and practices where cattle invade the land and displace their inhabitants, exercising power over other actors.

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Monette, Barbara. "The Anabaptist Contributions to the Idea of Religious Liberty". PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.

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The relationship between ideas and history is important in order to understand the past and the present. The idea of religious liberty and the realization of that ideal in sixteenth-century Europe by the Anabaptists in Switzerland and South Germany in the 1520s was considered to be revolutionary in a society characterized by the union of church and state. The main impetus of the idea of religious liberty for the Anabaptists was the application of the New Testament standard of the Christian church, which was an independent congregation of believers marked only by adult baptism. The purpose of the present study is to demonstrate the contributions of the Swiss Anabaptists to the idea of religious liberty by looking at the ministries and activities of three major leaders of the early Swiss movement: Conrad Grebel, Michael Sattler, and Balthasar Hubmaier. This thesis takes up the modern form of religious liberty as analyzed by twentieth-century authorities, as a framework for better understanding the contributions of the Anabaptists. My research then explores the establishment of the first Anabaptist church in history, the Zollikon church outside of Zurich, and examines its organization membership, motives, and strategies for evangelizing Switzerland. In all areas influenced by the Anabaptists, there was considerable acceptance of their doctrine of a separated church. Their teaching on liberty of conscience also influenced people in towns such as Zollikon and Waldshut. Possible historical links between the Anabaptist doctrines and establishment of later Baptist denominations are shown.

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Bishop, Jennifer Jane. "Precious metals, coinage, and 'commonwealth' in mid-Tudor England". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708796.

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Holbrook, Susan L. "A poetics of translation in twentieth-century writing". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24540.pdf.

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True, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.

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Livros sobre o assunto "Poetics – history – 16th century"

Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.

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Baker, Deborah Lesko. The subject of desire: Petrarchan poetics and the female voice in Louise Labé. West Lafayette, Ind: Purdue University Press, 1996.

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1947-, White Peter, e Meserole Harrison T, eds. Puritan poets and poetics: Seventeenth-century American poetry in theory and practice. University Park: Pennsylvania State University Press, 1985.

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Halpern, Richard. The poetics of primitive accumulation: English Renaissance culture and the genealogy of capital. Ithaca, N.Y: Cornell University Press, 1991.

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D, Harvey Elizabeth, e Maus Katharine Eisaman 1955-, eds. Soliciting interpretation: Literary theory and seventeenth-century English poetry. Chicago: University of Chicago Press, 1990.

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Griffiths, Jane. John Skelton and poetic authority: Defining the liberty to speak. New York: Oxford University Press, 2006.

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1961-, Bergin Mark, ed. A 16th century galleon. New York: P. Bedrick Books, 1995.

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Humble, Richard. A 16th century galleon. New York: P. Bedrick Books, 1995.

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Duck, Stephen. The thresher's labour. London: Merlin Press, 1989.

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Duck, Stephen. The thresher's labour. Los Angeles: William Andrews Clark Memorial Library, University of California, Los Angeles, 1985.

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Capítulos de livros sobre o assunto "Poetics – history – 16th century"

Čale, Morana. "Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?)". In Biblioteca di Studi di Filologia Moderna, 61–79. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.

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Epstein, Stephan R. "Middle Ages — 16th Century: Introduction". In Comparative Rural History of the North Sea Area, 76–81. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.corn-eb.3.299.

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Monzón, Cristina. "Tarascan Orthography in the 16th Century". In Studies in the History of the Language Sciences, 65. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/sihols.109.04mon.

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de Lourdes A. Ferraz, Maria. "Portuguese Poetics in the Eighteenth Century". In A Revisionary History of Portuguese Literature, 79–92. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003248897-5.

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Dibbets, Geert R. W. "Dutch philology in the 16th and 17th Century". In The History of Linguistics in the Low Countries, 39. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.03dib.

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Kibbee, Douglas A. "French Grammarians and Grammars of French in the 16th Century". In History and Historiography of Linguistics, 301. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.51.1.32kib.

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Perelló, M., e E. Rabasa. "Stone and brick flat vaults from the 16th century in Spain". In History of Construction Cultures, 356–63. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-150.

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Kibbee, Douglas A. "Language Variation and Linguistic Description in 16th-Century France". In North American Contributions to the History of Linguistics, 49. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.06kib.

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Mironowicz, Antoni. "Balkan Manuscripts in the Collections of the Supraśl Monastery in 16th Century". In History and Cultural Memory, 503–21. Belgrade: Institute for Political Studies, 2024. http://dx.doi.org/10.18485/ips_hcmemory.2024.ch27.

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Traetta, L. "Giuseppe Ceredi. A Hydraulic Engineer in 16th-Century Italy". In Explorations in the History and Heritage of Machines and Mechanisms, 17–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03538-9_2.

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Trabalhos de conferências sobre o assunto "Poetics – history – 16th century"

Bierganns, Morten. "The Creative Process in 18th Century Poetics: A Prologue to Psychological Conceptualisations of the 20th Century". In 14th European Conference on Creativity in Innovation. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.154.1.

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Since Rhodes’ 4P model, the creative process has been of great interest to the psychology of creativity. Although most psychologists were not aware of it, their conceptions of the creative process on a structural level reiterated those of 18th century poetics. To demonstrate this, the paper methodologically draws on the analytical tools of historical semantics. It proposes to broaden our approach to the creative process by studying poetic views of the past and encourages practitioners to consult these aesthetic texts as inspiration for the development of creativity techniques. Above all, the paper sees itself as a contribution to understanding the history of a concept that is inscribed in our contemporary culture.

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"A Short History of Income Property Valuation Models - The 17th to 21st Century". In 16th Annual European Real Estate Society Conference: ERES Conference 2009. ERES, 2009. http://dx.doi.org/10.15396/eres2009_385.

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Balunov, Igor. "HISTORY OF THE TOBOLSK TRINITY CHURCH: FROM THE FIRST WOODEN TO THE SECOND CATHEDRAL (LATE 16th - LATE 18th CENTURY)". In Тобольск в веках: история, архитектура и культура. Киров: Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-13-2_043.

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Md Zabit, Mohd Nazir, Tirzah Zubeidah Zachariah, Nur Izzati Mohd Shafri, Norwaliza Abdul Wahab e Nurul Asyikin Hassan. "THE TRANSFER OF 21ST CENTURY STUDENTS’ KNOWLEDGE AND SKILLS USING THE CARTOON-BASED PBL FRAMEWORK FOR THE TEACHING OF THE HISTORY SUBJECT IN MALAYSIA". In 16th annual International Conference of Education, Research and Innovation. IATED, 2023. http://dx.doi.org/10.21125/iceri.2023.0670.

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Stasyuk, I., e A. Gorodilov. "Archaeological investigations of the foundations of the Church of St. Paraskeva-Pyatnitsa (Mikhaylovsky) of the 16th century near Kingisepp (Leningrad Oblast) in 2019". In Bulletin of the Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology). Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology), 2020. http://dx.doi.org/10.31600/978-5-907298-13-2-2020-120-127.

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Masuyama, Yutaka, Kensaku Nomoto e Akira Sakurai. "Numerical Simulation of Maneuvering of "Naniwa-maru," A Full-scale Reconstruction of Sailing Trader of Japanese Heritage". In SNAME 16th Chesapeake Sailing Yacht Symposium. SNAME, 2003. http://dx.doi.org/10.5957/csys-2003-015.

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Numerical simulation of maneuvering of “Naniwa-maru" was performed to clarify the maneuver characteristics in particular with wearing operation. "Naniwa-maru" belongs to a type called Higaki-kaisen, and the Higaki-kaisen is a type of the more generic class of vessels named "Bezai-ship". Bezai-ship are typical Japanese sailing traders in the 18th to the mid- 19th century which have different appearance and construction from those of Western tall ships. The present paper shows the numerical simulation of her wearing operation, and the results compared with the measured data. The equations of motion dealt with coupled ship motions of surge, sway, roll and yaw with co-ordinate system using horizontal body axes. The numerical simulation indicates ship response according to the measured time history of rudder angle, and shows the ship trajectory and the sailing state parameters such as heading angle, leeway angle, heel angle and velocity. The calculated results indicated the ship performance very well.

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Moy, James S. "SOVEREIGN GEOGRAPHIES, ERRANT PARTS & EVERYTHING IN ITS PLACE". In 2024 SoRes Dubai –International Conference on Interdisciplinary Research in Social Sciences, 19-20 February. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.128149.

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We exist in a significant geo-political nexus in the history of global development. African nations of the Sahel and indigenous peoples around the world have begun to kinetically resist neo-colonial initiatives to reimpose past suppressions. This paper surveys developments from 15th and 16th Century Papal Bulls through, government legislation and policy developments including the American Indian removal act of 1830, Berlin Conference of 1884-85, the Morgenthau Plan, late 20th Century Neo-Colonial exploitation and continuing early 21st century attempts at re-inscription of emergent rentier oppressions and trajectories. Within this context, this piece concludes with a pointed discussion of social media and its place in subverting the governmental attempts to control the narrative of the global order in light of recent geo-political developments and the global history of suppression.

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Arslonov, Ilhom. "REFLECTION OF THE PSYCHOLOGICAL STATES OF THE AUTHOR IN THE COMPOSITION AND STYLE OF “BABURNAMA”". In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/htjh6284.

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“Baburnama”is one of the most researched and studied works by western and eastern scientists. The history of Movarunnahr, Khorasan, Afghanistan and India from the end of the 15th century to the beginning of the 16th century, as well as truthful information about the historical figures who lived in that period, has been receiving great attention of world scientists. This article talks about the reflection of the psychological state of the author in the composition and style of the work.

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Turilov, Anatolij. "The History of the “Second and a Half” South Slavonic Infl uence: The Cultural Ties of the Eastern and Southern Slavs in the Late 15th - Mid 16th Centuries and Their Regional Features". In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.25.

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The report focuses on the cultural ties (mainly literary) between Eastern and southern Slavs in the late 15th – mid-16th century. The variants of these relations for the Moscow state and the Grand Duchy of Lithuania and Poland are compared.

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Nəciyev, Elnur, e Günay Nəciyeva. "The History of Mausoleum of Sheikh Juneyd". In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201823.

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The Safavid Empire, which is one of the most glorious pages in the history of the statehood of our nation, played an important role in the statehood history, international relations, and military-political life not only of Azerbaijan but also of the South Caucasus as a whole, as well as the entire Near and Middle East. The Safavid state became a powerful military and political factor in the entire Near and Middle East within a short period of time. The Safavid state of Azerbaijan, created by Shah Ismail, helped the evolution of the worldview of the Azerbaijani Turks by reassessing themselves and their role in the formation of the ethnopolitical space. Azerbaijan, the core of the Safavid state, which was founded in the 16th century, was the home of the founders of this state both during their lifetime and after their deaths. Today, the Sheikh Safi complex and the Shah Ismail mausoleum located in the south of Azerbaijan are considered symbols of Ardabil, while the tombs of Sheikh Junayd (1447– 1461) and Sheikh Heydar (1460–1488) located in the historical Shirvan area of Northern Azerbaijan have the same importance. Unfortunately, the indifferent attitude towards these monuments has caused the latter to be blown up and destroyed, and the tomb of Sheikh Junayd has suffered from neglect. The subject of our article is the history of one of these tombs, the Sheikh Junayd monument, including the personality and activities of the sheikh. Today, the tomb of Sheikh Junayd is located in Hazra village in Gusar. In the article, both the history of this tomb and the life path of the person it belongs to are reviewed based on Turkish, English, and Russian historiography. Until Sheikh Juneyd, none of the sheikhs of Ardabil tried to establish political power. It was during his sheikhship that the Ardabil hearth adopted the guise of the sultanate, i.e., the robe of the sultanate, and embarked on the path of establishing political power. In the course of the conducted research, it became clear that it was no coincidence that Sheikh Junayd and his son, Sheikh Heydar, chose Shirvan as the primary target to achieve this goal. Their goal was to create a single state that included the lands of Azerbaijan, including Shirvan. Although they could not achieve these wishes in their health, they were actually able to help their successors, Shah Ismayil and Shah I Tahmasib, establish a unified Azerbaijan state in the future by being buried in the land of Shirvan. Keywords: Safavid, Ardabil, Sheikh Juneyd, Khazra, Trustee.

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