Literatura científica selecionada sobre o tema "Poésie après 1945"
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Artigos de revistas sobre o assunto "Poésie après 1945"
Lartillot, Françoise. "Les choix de Friederike Mayröcker et Ernst Jandl : tierce voix de la poétologie, quand le syndrome fait rage en Autriche ?" Austriaca 45, n.º 1 (1997): 93–118. http://dx.doi.org/10.3406/austr.1997.3194.
Texto completo da fonteHinderer, Walter. "“Wer Gedanken hat, denkt auch zwischen den Widersprüchen” : zu Erich Frieds Sprachexerzitien". Austriaca 52, n.º 1 (2001): 123–39. http://dx.doi.org/10.3406/austr.2001.4346.
Texto completo da fontePardo, Céline. "Les enjeux communicationnels et esthétiques de la référence au « journal » dans les Chroniques du bel canto (1946) de Louis Aragon". Études littéraires 40, n.º 3 (15 de fevereiro de 2010): 127–39. http://dx.doi.org/10.7202/039249ar.
Texto completo da fonteStratford, Madeleine, e Louis Jolicoeur. "La littérature québécoise traduite au Mexique : trois anthologies à la Foire internationale du livre de Guadalajara". Meta 59, n.º 1 (5 de setembro de 2014): 97–123. http://dx.doi.org/10.7202/1026472ar.
Texto completo da fonteDudoignon, Stéphane A. "Fragments de gnose musulmane soviétique". Journal of Sufi Studies 10, n.º 1-2 (14 de dezembro de 2021): 197–214. http://dx.doi.org/10.1163/22105956-12341331.
Texto completo da fonteSheridan, Guillermo. "Jorge Cuesta : poesia a la mano". América 40, n.º 1 (2010): 135–48. http://dx.doi.org/10.3406/ameri.2010.1908.
Texto completo da fonteZenkin, Sergei. "La critique de Potebnja dans les travaux de Boris Engel’gardt". Cahiers du Centre de Linguistique et des Sciences du Langage, n.º 46 (9 de maio de 2016): 203–14. http://dx.doi.org/10.26034/la.cdclsl.2016.501.
Texto completo da fonteMichel, Robert H. "Fiction, Faction, Autobiography: Norman Levine at McGill University, 1946–1949". Fontanus 12 (1 de janeiro de 2010). http://dx.doi.org/10.26443/fo.v12i.191.
Texto completo da fonteGandsman Ari, Vanthune Karine. "Génocide". Anthropen, 2019. http://dx.doi.org/10.17184/eac.anthropen.098.
Texto completo da fonteTeses / dissertações sobre o assunto "Poésie après 1945"
Gherghescu, Mihaela-Smaranda. "Les mythopoétiques du texte total : une étude critique sur les langages inventés par les artistes dans l'espace français après 1945". Paris, EHESS, 2012. http://www.theses.fr/2012EHES0167.
Texto completo da fonteBorderline creations, the forms of linguistic art productions are a specific case that illustrates the long and convoluted generic mediation between texts, images and sounds ; but they are also an experimental form of artistic literature. Highly problematic hybrid structures, artists' invented languages exemplify forms of fictional creation symptomatic of the linguistic and semiotic turn of the 1950s and 1960s. They mark at the same time the passion for information theory and technical devices that will influence both text and image, as well as their rhetorics. Linguistic imagination agglutinates itself in "mythopoietic" productions, complex and polyphonous. Through a presupposed total communication rêverie and linked to a universalizing conception, they are the tools of a forward-oriented creative thinking. By classificatory mania, they are the descendent inflexions of utopian projects for a perfect language that have inflamed great imaginative spirits. Through their language legislator, they are the vehicles of messianic inventivness. They are seldom ideological constructs with think the identity liberation through word. Genetically, they claim their origins in poetry, music and image only to recompose in hybrid objects. Through theatrical enactment, they return to the fundamental orality and performativity of inspired language
Arneodo, Karine. "La poésie après la guerre : généalogie de l'école Arechi dans la poésie japonaise de l'après-guerre". Thesis, Paris, INALCO, 2013. http://www.theses.fr/2013INAL0032/document.
Texto completo da fonteThis dissertation focuses on the dynamics that preside the emergence of Japanese Post-War poetry in which Arechi group school exercised a major role. Propelled by the event of the defeat, the Arechi poetry is closely related to the "experience of the war," over the historical period of the conflict that lasted fifteen years (1931 - 1945). An archaeological approach has been adopted in order to account the genesis of Arechi poetry. Firstly, the group’s poetic lines are outlined by presenting the issues of Japanese Modernism and its excessive formalism against which the Arechi poets reacted in order to bring poetry back to life and to instil flesh and blood into the poetic language. Secondly, the developments that affected not only Modernism, but also most part of Modern poetry in the late Thirties are explored, period in which poets were more or less voluntarily compelled to convert to the ideology of the nationalist war. The analysis of the modalities of these conversions has permitted to shed new light to the reasons that led the Arechi poets to confront the concern of the responsibility of the war at the aftermath of the defeat. Therefore, this study attempts not only to identify and depict Arechi poetry’s characteristics in the history of Modern Japanese poetry but also, to situate this form of poetry within the turmoil which inhabit all forms of Contemporary poetry after World War II, the experience of disaster and de-figuration of the poetic language
Arsich, Milena. "L'examen du langage : les questionnements métalinguistiques dans la poésie française, russe et nord-américaine (1970-2000)". Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC010.
Texto completo da fonteThis dissertation examines the questionings of language in French, Russian, and North American poetry of the late 20th century (1970-2000). Engaging in a critical dialogue with the notion of “poetic language”, the thesis considers the relationship between poetry and its medium in terms of questionings or problematized conceptions of language, which circulate in the history of this genre as topoi and emerge in dialogues with other arts (such as painting) and fields of knowledge (philosophy, linguistics, semiotics). The international conference “Language — Consciousness — Society”, hosted in Leningrad in 1989, shapes the corpus as it brought together participants who were especially attentive to their medium: the US Language poets (Michael Davidson, Lyn Hejinian, Ron Silliman, Barrett Watten), the Russian unofficial writers Dmitri Prigov and Arkady Dragomoshchenko, and the French poet Emmanuel Hocquard. The thesis explores the reception of Wittgensteinian and post-Saussurean language theories by these authors and their collaborators. It identifies the legacies and deviations that characterize their questioning of the medium in relation to those affirmed by their (trans-)national literary predecessors. The comparative analysis is extended by a typological study correlating the metalinguistic writings of these poets with the formal and generic features of their works. Finally, the thesis reveals the conditions that favor poetic and metapoetic writing on the theme of language, scrutinizing the editorial foundations and literary sociability that enable authors to undertake reflective explorations of their medium
Mourey, Laurent. "Tel qu'en lui-même enfin l'éternité le change : présence et réception de Mallarmé dans la poésie française après 1945 : autour de Bonnefoy, Deguy, Maulpoix et Meschonnic". Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC007/document.
Texto completo da fonteWhile many studies have considered the decisive importance of Mallarme's work in literary, poetic and artistic modernity, those who have attached themselves to the readings that poets have given of it are rarer. But it appears that, for many poets after 1945, writing is not done without Mallarme being present, as an object of reflection on poetry and language and, more broadly, as an interlocutor with which the act of writing makes its own way and invents itself. The study focuses mainly on four works that pose, with acuity and sometimes even gravity and deepness, the question of poetry: Yves Bonnefoy, Michel Deguy, Jean-Michel Maulpoix, Henri Meschonnic. It is about making dialogue the points of view and going through the poetic discourses on and with Mallarme’s work. And our goal is to show that the work of the author of "Tomb of Edgar Poe" speaks as well for itself as for our present. For that, we will be attentive to the idea that a work is itself because it is lived through the experience of its readers
Pavan, Emma. "Après le paysage ? : Le paysage dans la poésie de la seconde moitié du XXe siècle". Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL010.
Texto completo da fonteThis work aims to study the forms and functions of landscape in Italian poetry of the second half of the twentieth century and the early 2000s. The aim of the research is also to propose a methodological hypothesis for the study of a transdisciplinary object in the Italian literary horizon. With these intentions, the project seeks to place the landscape, understood as a particular unit actively constructed by a subject-observer, at the centre of an investigation designed to show how the gaze contributes to the construction of the poetic text. Given the historical, subjective and artificial nature of landscape, the study aims to identify its particular characteristics within a culturally circumscribed horizon from a formal, temporal and spatial point of view, by examining a corpus of significant works belonging to the Italian poetic production of the second half of the twentieth century. In particular, the corpus includes texts by Giorgio Orelli and Andrea Zanzotto - poets born in the 1920s - and those by Antonella Anedda and Fabio Pusterla, born in the 1950s
Mareuge, Agathe. "L'œuvre poétique tardive de Jean Hans Arp (1886-1966)". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040229.
Texto completo da fonteA close study of Jean Hans Arp’s late poetry exposes the inadequacy of the traditional opposition between non-sense and sense, which is frequently used to analyse the transition from his Dada production to the poetic works of the 1950s and the 1960s. By introducing a formal and structural coherence, the poet manages to preserve plurivocity and contradiction on a semantic level. Considering the specificities of Arp’s late poetic forms, the study shows that invention and variety are as vivid then as they were during Dada Zurich, based on both innovation and actualisation of former techniques. This tension is inherent to his anthological and editorial activity as well, which is considered here as a key element of his late poetics. In his sixties and up until his eighties, the poet develops strategies aimed at constituting a reflexive work which integrates the earlier production while always avoiding the trap of (self-) monumentalisation. After 1943-1945, the relationship between Arp's poetry and reality outside the language undergoes a profound referential change. His increasing criticism of western rationalism and need for subjective expression, without returning to neo-romanticism, form the basis for a poetic discourse on the world and the possibilities of language, a “pocket cosmogony” that is both humble and demiurgic”. The latter hinges on an unwavering faith in the creative power of the poetic word and its ability to generate other worlds. This radical modernity, consciously asserted, locates Arp’s late work as an original experiment in the context of the avant-gardes post-1945, highlighting his specific itinerary within a transitional generation
Livros sobre o assunto "Poésie après 1945"
Poésie française de Belgique: Une lecture de poètes nés aprés 1945. Marseille: Sud, 1996.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Poésie après 1945"
Mukařovský, Jan. "Poésie française de Karel Čapek". In Jan Mukarovsky. Ecrits 1928-1946, 131–35. Editions des archives contemporaines, 2018. http://dx.doi.org/10.17184/eac.1421.
Texto completo da fonteChepiga, Valentina. "La réception de l’œuvre de Marina Tsvetaeva par la communauté des slavisants occidentaux". In Marina Tsvetaeva et l'Europe, 273–78. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3377.
Texto completo da fonte