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Livros sobre o tema "Poem in Russian"

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Autor: Grafiati

Publicado: 26 de julho de 2024

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1

Akhmatova, Anna Andreevna. Poem without a Hero and Selected Poems. Oberlin, USA: Oberlin College Press, 1989.

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2

Erofeev, Venedikt. Moscow stations: A poem. London: Faber and Faber in association with Brian Brolly, 1997.

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3

Wanner, Adrian. Russian minimalism: From the prose poem to the anti-story. Evanston, IL: Northwestern University Press, 2003.

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4

Gogolʹ, Nikolaĭ Vasilʹevich. Dead souls: An epic poem. London: Garnett Press, 2008.

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5

Panofsky, Ruth. Laike and Nahum: A poem in two voices. Toronto: Inanna Publications and Education, 2007.

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6

John, Milton. Paradise lost: A poem in twelve books. Indianapolis, IN: Hackett Pub. Co., 2003.

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7

Rössel, Carol-Lynn. Russian journeys: Poems. Georgetown, Ky: Finishing Line Press, 2012.

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8

John, Milton. Paradise lost: A poem written in ten books. Pittsburgh, Pa: Duquesne University Press, 2007.

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9

Ewington, Amanda. A Voltaire for Russia: A. P. Sumarokov's journey from poet-critic to Russian philosophe. Evanston, Ill: Northwestern University Press, 2010.

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10

Orlit︠s︡kiĭ, I︠U︡ B. Stikh i proza: Print︠s︡ipy analiza literaturnogo proizvedenii︠a︡ : uchebnoe posobie. Samara: SPGU, 2003.

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11

Petrushevskai͡a, Li͡udmila. Paradoski: Strochki raznoĭ dliny. Moskva: Amfora, 2007.

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12

Dunkel, Elizabeth. Every woman loves a Russian poet. New York: D.I. Fine, 1989.

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13

Dunkel, Elizabeth. Every woman loves a Russian poet. New York: HarperPaperbacks, 1989.

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14

Smock, Frederick. Poems. Bronx, NY: Ars-Interpres, 2002.

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15

Reeder, Roberta. Anna Akhmatova: Poet & prophet. London: Allison & Busby, 1995.

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16

Dickinson, Emily. Stikhotvorenia: Poems. St. Petersburg: Symposium, 2000.

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17

Vladimirov, Leonid. Adam: Poema. Beĭt-Shemesh: Samizdat, 2000.

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18

Tartakovskiĭ, Aaron. Stikhotvorenii͡a. Poemy. Telʹ-Aviv: [s.n.], 2006.

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19

Gumilev, N. Stikhotvoreniya i poemy. Leningrad: Sov. pisatel', Leningradskoe otd-nie, 1988.

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20

T͡Svetaeva, Marina. Poemy, 1920-1927. Sankt-Peterburg: Abris, 1994.

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21

Gumilev, N. Stikhotvoreniya i poemy. Moskva: Sovremennik, 1989.

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22

Mosheev, Iosif. Izbrannoe: Stikhotvorenii͡a. Poemy. Proza. [Telʹ-Aviv?]: Zvezdnyĭ kovcheg, 2005.

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23

Reeder, Roberta. Anna Akhmatova: Poet and prophet. New York: St. Martin's Press, 1994.

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24

Zemtsov, Sergey. Collected poems, 1983-2010. Bloomington: iUniverse, Inc., 2011.

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25

Simonov, Konstantin Mikhaĭlovich. Stikhotvoreniya, Poemy. Moskva: Sov. Rossiya, 1985.

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26

Raĭkhelʹ, Vladimir. Sny vesny: Stikhi = poems. Golden, Co: Russian link, 1996.

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27

Kaminsky, Ilya, Valzhyna Mort e Katie Farris. Gossip and metaphysics: Russian modernist poems and prose. North Adams, Massachusetts: Tupelo Press, 2014.

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28

W, Smith Vassar, ed. Pushkin, plus--: Lyric poems of eight Russian poets. Palo Alto, Calif: Zapizdat Publications, 1991.

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29

Bianki, Vitaliĭ. Kto chem poet? Sankt-Peterburg: Akvarelʹ, 2013.

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30

1947-, Oram Peter, ed. The page and the fire: Poems by Russian poets on Russian poets = Stranit︠s︡a i ogonʹ. Todmorden, U.K: Arc Publications, 2007.

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31

Simonov, Konstantin Mikhaĭlovich. Stikhotvoreniya i poemy. Leningrad: Sov. pisatel',Leningradskoe otd-nie, 1990.

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32

Khaĭkin, Boris. Linii͡a sud'by: Stikhi, poema. Tel'-Aviv: [s.n.], 2001.

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33

Akhmatova, Anna Andreevna. Evening: Poems 1912 in parallel text. [Liverpool: Lincoln Davis], 1990.

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34

Echmaeva, Nina. Pominalʹnai͡a svecha: Stikhotvorenii͡a i poemy. [Telʹ-Aviv?]: Izdatelʹ M. Bliumin, 1998.

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35

Reingol'd, Valerian. Babiĭ I͡Ar: Poemy i stikhotvorenii͡a. Tel'-Aviv: E.RA, 2012.

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36

Akhmatova, Anna Andreevna. Selected Poems. London: Penguin Books, 1988.

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37

Pushkin, Aleksandr Sergeevich. A poem. Poem (IN RUSSIAN LANGUAGE) / Stihotvoreniya. Poemy. AST - Folio, 2004.

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38

, , e Aleksandr Sergeevich Pushkin. Poetry. General. The poem. Fables (IN RUSSIAN LANGUAGE) (Poezija. Proza. Poemy. Skazki / . . . ). AST, 2006.

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39

Moscow stations: A poem. London: Faber and Faber in association with Brian Brolly, 1998.

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40

Russian minimalism: From the prose poem to the anti-story. Evanston, Ill: Northwestern University Press, 2003.

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41

Panofsky, Ruth. Laike and Nahum: A Poem in Two Voices. Inanna Publications & Education, 2007.

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42

Wanner, Adrian. Russian Minimalism: From the Prose Poem to the Anti-Story. Northwestern University Press, 2017.

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43

T͡Svetaeva, Marina. Poem of the End: Selected Narrative and Lyrical Poetry : With Facing Russian Text. Ardis Publishers, 2004.

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44

Turgenev, Ivan Sergeevich, e . Stories; Novels; A poem in prose (In Russian language) / (Rasskazy. Povesti. Stihotvorenija v proze / ; ; ). AST, 2006.

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45

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman e Stephanie Sandler. Narratives of nation-building. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0029.

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This chapter focuses on two related subjects: the sharpening of historical awareness and the formation of Russian national consciousness. Mature historical narratives inspired historical fiction and drama. Tolstoy’s War and Peace offered a powerful nationalistic view of the Napoleonic Wars. Russians of all political persuasions attempted to articulate a view of Russia as a multinational empire and to define specifically Russian historical path. These attempts caused sharp generational conflicts reflected in literature, particularly the novel. Pushkin, neglected by the mid-nineteenth-century radicals, by the end of the century emerged as the poet of national significance, the incarnation of Russian national spirit.

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46

Werth, Paul W. 1837. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198826354.001.0001.

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Historians often think of Russia before the 1860s in terms of conservative stasis, when the ‘gendarme of Europe’ secured order beyond the country’s borders and entrenched the autocratic system at home. This book offers a profoundly different vision of Russia under Nicholas I. Drawing on an extensive array of sources, it reveals that many of modern Russia’s most distinctive and outstanding features can be traced back to an inconspicuous but exceptional year. Russia became what it did, in no small measure, because of 1837. The catalogue of the year’s noteworthy occurrences extends from the realms of culture, religion, and ideas to those of empire, politics, and industry. Exploring these diverse issues and connecting seemingly divergent historical actors, Paul W. Werth reveals that the 1830s in Russia were a period of striking dynamism and consequence, and that 1837 was pivotal for the country’s entry into the modern age. From the romantic death of Russia’s greatest poet, Alexander Pushkin, in January to a colossal fire at the Winter Palace in December, Russia experienced much that was astonishing in 1837: the railway and provincial press appeared, Russian opera made its debut, Orthodoxy pushed westward, the first Romanov visited Siberia—and much else besides. The cumulative effect was profound. The country’s integration accelerated, and a Russian nation began to emerge, embodied in new institutions and practices, within the larger empire. The result was a quiet revolution, after which Russia would never be the same.

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47

Konstantinovich, Tolstoy Aleksey, e Kozma Prutkov. Chereposlov. The thoughts and aphorisms. A poem and ballads. Come. Epigram (IN RUSSIAN LANGUAGE). Myster Chereposlov: Mysli i aforizmy. Seriya: Russkij stil'. Kristall, 2003.

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48

Woodward, James. Blok: Selected Poems (Russian Texts) (Russian Texts). Bristol Classical Press/Duckworth, 1995.

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49

Shrayer, Maxim D. Russian Poet / Soviet Jew. Rowman & Littlefield Publishers, Inc., 2000.

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50

Pettus, Mark. Russian, Book 4: Russian Through Poems and Paintings. Lulu Press, Inc., 2019.

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