Bibliografias temáticas / Plato – Fiction

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Literatura científica selecionada sobre o tema "Plato – Fiction"

Autor: Grafiati
Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Plato – Fiction"

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Laird, Andrew. "Ringing the changes on Gyges: philosophy and the formation of fiction in Plato's Republic". Journal of Hellenic Studies 121 (novembro de 2001): 12–29. http://dx.doi.org/10.2307/631825.

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AbstractGlaucon's story about the ring of invisibility in Republic 359d-60b is examined in order to assess the wider role of fictional fabrication in Plato's philosophical argument. The first part of the article (I) looks at the close connections this tale has to the account of Gyges in Herodotus (1.8-12). It is argued that Plato exhibits a specific dependence on Herodotus, which suggests Glaucon's story might be an original invention: the assumption that there must be a lost ‘original’ to inspire Plato's story of the ring has never accommodated the possibility of Plato drawing, perhaps quite directly, from Herodotus. The next section (II) considers the function of that fable within the larger philosophical and aesthetic structure of the Republic. Appreciation of the entire dialogue as an exercise in fiction, as well as philosophy, helps to reveal the ways in which philosophical argument and fictional invention are closely bound up in the formation of Glaucon's fabulous anecdote. Finally (III), a reading of Cicero's treatment of the story in De Officiis confirms the degree to which philosophical reasoning and fiction can be quite generally interdependent. Although the arguments in Sections II and III are consistent with the opening contention that the ring story was invented by Plato, they do not presuppose it.
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Panagopoulos, Nic. "Utopian/Dystopian Visions: Plato, Huxley, Orwell". International Journal of Comparative Literature and Translation Studies 8, n.º 2 (30 de março de 2019): 22. http://dx.doi.org/10.7575/aiac.ijclts.v.8n.2p.22.

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This paper attempts to theorize two twentieth-century fictional dystopias, Brave New World (2013) and Nineteen Eighty-Four (1984), using Plato’s political dialogues. It explores not only how these three authors’ utopian/dystopian visions compare as types of narrative, but also how possible, desirable, and useful their imagined societies may be, and for whom. By examining where the Republic, Brave New World, and Nineteen Eighty-Four stand on such issues as social engineering, censorship, cultural and sexual politics, the paper allows them to inform and critique each other, hoping to reveal in the process what may or may not have changed in utopian thinking since Plato wrote his seminal work. It appears that the social import of speculative fiction is ambivalent, for not only may it lend itself to totalitarian appropriation and application—as seems to have been the case with The Republic—but it may also constitute a means of critiquing the existing status quo by conceptualizing different ways of thinking and being, thereby allowing for the possibility of change.
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Rapisarda, Massimo. "Atlantis: A Grain of Truth Behind the Fiction?" Heritage 2, n.º 1 (22 de janeiro de 2019): 254–78. http://dx.doi.org/10.3390/heritage2010018.

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The legend of Atlantis was almost certainly invented by Plato to promote the political ideal of his masterwork The Republic, while praising the heroism of his own ancestors. This paper suggests that, in assembling the story, Plato might have reworked the myth of the foundation of Egypt—attributed to divine invaders bringing agriculture and unknown technologies to the country—and popularized in Greece through the writings of Herodotus. The key issue explored is the curious coincidence between the period of the alleged foundation of Egypt (according to traditional Egyptian sources) and some remarkable events that characterized the end of the Ice Age. Indeed, besides the sudden increase in temperature and the consequent rise in sea level, the period was also marked by the birth of agriculture and the appearance of totally new technologies in diverse Near Eastern locations. The memory of these events would have been handed down through the myth of the foundation of Egypt, and through this, to Greek culture, enabling Plato to exaggerate the antiquity of his noble ancestors, while embellishing the characteristics of the invaders. Such occasional technological leaps may also have occurred elsewhere in the world, for instance on the deltas of the Indus or the Yangtze, driven by the same change in climate that affected the whole planet. Although today there is no archaeological evidence of such events besides in the Near East, the article suggests that the possible discovery of obsidian in a submerged site would be a strong indication of a local technological leap. To this end it examines, as a Mediterranean example, some flooded islands in the Strait of Sicily, which, lying on the route to Pantelleria, may retain traces of ancient obsidian exploitation.
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Williams, Emma. "MORALS TO MATHS: COETZEE, PLATO AND THE FICTION OF EDUCATION". British Journal of Educational Studies 67, n.º 3 (3 de julho de 2019): 371–87. http://dx.doi.org/10.1080/00071005.2019.1651249.

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Serebruany, Victor L. "Aspirin Dose and Ticagrelor Benefit in PLATO: Fact or Fiction?" Cardiology 117, n.º 4 (2010): 280–83. http://dx.doi.org/10.1159/000324064.

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Jennifer A. Rea. "From Plato to Philip K. Dick: Teaching Classics Through Science Fiction". Classical Journal 105, n.º 3 (2010): 265. http://dx.doi.org/10.5184/classicalj.105.3.265.

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Rea, Jennifer A. "From Plato to Philip K. Dick: Teaching Classics Through Science Fiction". Classical Journal 105, n.º 3 (2010): 265–75. http://dx.doi.org/10.1353/tcj.2010.0040.

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Gunderson, Erik. "The Morosophistic Discourse of Ancient Prose Fiction". Journal of Latin Cosmopolitanism and European Literatures, n.º 1 (12 de junho de 2019): 56–80. http://dx.doi.org/10.21825/jolcel.v0i1.8250.

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This essay explores a set of connections between philosophy and prose fiction. It combines a somewhat Foucauldian outlook on the question of genealogical filiation with a Bakhtinian interest in polyphony and heteroglossia. This is an overview of the various possibilities for the emplotment of the story of knowledge. The structural details of these plots inform the quality of the knowledge that eventuates from them. In coarse terms, I am asking what it means to insist upon the novelistic qualities of Plato while simultaneously thinking about the Platonic qualities of novels. This highly selective survey starts with classical Athens, touches upon Plutarch and Lucian, and then lingers with narrative prose fiction more specifically by examining the texts of Chariton, Achilles Tatius, Heliodorus, Apuleius, and Petronius.
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Abdelbaky, Ashraf. "A Perfect World or an Oppressive World: A Critical Study of Utopia and Dystopia as Subgenres of Science Fiction". SMART MOVES JOURNAL IJELLH 4, n.º 3 (28 de março de 2016): 17. http://dx.doi.org/10.24113/ijellh.v4i3.1201.

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In this article, I investigates the concept of utopia and dystopia in literature since the time of Plato and Thomas More and how it became a significant subgenre of science fiction. I present the kinds of utopia and its fundamental purposes as well as the different explanations for the term utopia and dystopia by numerous critics. I stress the function of science fiction as a literary tool to depict the grim picture and the weaknesses of current societies, dystopias, and to provide a warning for the future of these societies by presenting alternative peaceful societies; utopias. Therefore, I seek to investigate how utopian writings play a central role in uncovering the shortcomings of societies and presenting a formative criticism towards them. I also discuss how utopia and dystopia give women the chance to present their feminist demands using science fiction.
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Emlyn-Jones, C. "Dramatic structure and cultural context in Plato's Laches". Classical Quarterly 49, n.º 1 (maio de 1999): 123–38. http://dx.doi.org/10.1093/cq/49.1.123.

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The characters in Plato's Socratic Dialogues and the sociocultural beliefs and assumptions they present have a historical dramatic setting which ranges over the last quarter of the fifth century b.c.—the period of activity of the historical Socrates. That this context is to an extent fictional is undeniable; yet this leaves open the question what the dramatic interplay of (mostly) dead politicians, sophists, and other Socratic associates—not forgetting Socrates himself—signifies for the overall meaning and purpose of individual Dialogues. Are we to assume, with a recent study, that Plato is entirely concerned with his contemporary world and is, as it were, borrowing his characters from the fifth century, or does the fiction reveal something of his real involvement in the values and debates of the recent past? The aim of this paper is to argue that a detailed study of the characterization and dramatic structure of one particular Dialogue, Laches, strongly suggests that Plato is using a perceived tension between past and present to generate not only a philosophical argument but also a commentary on the cultural and political world of late fifth-century Athens and in particular Socrates’ position within it.
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Teses / dissertações sobre o assunto "Plato – Fiction"

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Ferguson, Naomi Joy. "Literary Alchemy - Turning Fact into Fiction, Songs My Mother Taught Me, Songs My Mother Taught Me - Revised Edition, In Defence of Love". Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5062.

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My MFA portfolio consists of two scripts for performance and a research essay exploring the methods and process of writing these. Songs My Mother Taught Me is a one-woman cabaret piece; set in 1972, it explores hippie culture in New Zealand and a young women‟s search for independence. This portfolio contains two versions of this script. Both versions of this piece have been performed. In Defence of Love is a play for three actors, each of whom plays one aspect of an abused woman trying to find her way out of a destructive relationship.
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Parv, Valerie. "Healing writes : restoring the authorial self through creative practice : and Birthright, a speculative fiction novel". Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16646/1/Valerie_Parv_-_Birthright.pdf.

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Writing the speculative fiction novel, Birthright, and this accompanying exegesis, led me to challenge the validity of the disclaimer usually found in the front matter of most novels that the story is purely imaginary, bears no relationship to reality, with the characters not being inspired by anyone known or unknown to the author. For the first time in my career, I began to consider how writers including myself might frequently revisit themes and ideas which resonate with our lived experiences. I call this restorying, an unconscious process whereby aspects of one's life history are rewritten through one's creative work to achieve a more satisfactory result. Through personal contact, studying authors' accounts of their creative practices, and surveying current literature on narrative therapy, a case is made that, far from being generated purely from imagination, writers' creative choices are driven by an unconscious need to restory ourselves.
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Parv, Valerie. "Healing writes : restoring the authorial self through creative practice : and Birthright, a speculative fiction novel". Queensland University of Technology, 2007. http://eprints.qut.edu.au/16646/.

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Writing the speculative fiction novel, Birthright, and this accompanying exegesis, led me to challenge the validity of the disclaimer usually found in the front matter of most novels that the story is purely imaginary, bears no relationship to reality, with the characters not being inspired by anyone known or unknown to the author. For the first time in my career, I began to consider how writers including myself might frequently revisit themes and ideas which resonate with our lived experiences. I call this restorying, an unconscious process whereby aspects of one's life history are rewritten through one's creative work to achieve a more satisfactory result. Through personal contact, studying authors' accounts of their creative practices, and surveying current literature on narrative therapy, a case is made that, far from being generated purely from imagination, writers' creative choices are driven by an unconscious need to restory ourselves.
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Dykstra, Abigail Rose. "Salacia's Daughters". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1458584748.

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Gély, Véronique. "L'invention d'un mythe, Psyché : allégorie et fiction, du siècle de Platon au temps de La Fontaine /". Paris : H. Champion, 2006. http://catalogue.bnf.fr/ark:/12148/cb40152079f.

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Haevens, Gwendolyn. "Mad Pursuits : Therapeutic Narration in Postwar American Fiction". Doctoral thesis, Uppsala universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-263167.

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Mad Pursuits: Therapeutic Narration in Postwar American Fiction examines three mid-century American novels—J.D. Salinger’s The Catcher in the Rye (1951), Ralph Ellison’s Invisible Man (1952), and Sylvia Plath’s The Bell Jar (1963)—in relation to the rise and popularization of psychoanalytic theory in America. The study historicizes these landmark novels as representing and interrogating postwar America’s confidence in the therapeutic capacity of narrative to redress psychological problems. Drawing on key concepts from narrative theory and the multidisciplinary field of narrative and identity studies, I argue that these texts develop a multi-layered, formal problematization of therapeutic narration: the narrativization of the self through modes of interpretation based on character action and development. The study, thus, investigates how the texts both critique the purported effectiveness of being healed through narrative means, as well as how they problematize their society’s investment in this method. I propose that the novels ultimately explore submerged possibilities for realizing what I call fugitive selves by creating self-representations that negotiate and exceed the confines of the paradigmatic models of plot and character of the period. In Chapter One, I argue that the ego and pop psychological movements during the postwar era encouraged the American public to define and realize psychological health, success and happiness through narrativized means. I show in Chapter Two how careful differentiation between narrative levels of interpretation in The Bell Jar reveals the novel’s complication of the self created in narrative, with and against the socio-cultural scripts and therapeutic assumptions of the period. Chapter Three concentrates on The Catcher in the Rye’s various methods of de-composing the narrative identity of the subject created through developmental and therapeutic narration. In the final chapter, I read Invisible Man as a satire of postwar psychoanalytic theory and method specifically concerning racialized narrative identities, and as a reflection on a method of enduring psychological illness. The Conclusion brings together several argumentative strands running throughout the dissertation regarding what the novels contrastively reveal about the perils, and even the possibilities, inherent in the narrativizing of the self in early postwar America.
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Jazdauskas, Gintautas. "Beprotybė Sylvijos Plath ir Virginijos Woolf romanuose: psichoanalitinis aspektas". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130801_160711-34247.

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Bakalauro darbo objektas – beprotybė Syvlijos Plath ir Virginijos Woolf romanuose. Darbo tikslas – išnagrinėti romanus psichoanalitiniu aspektu ir charakterizuoti personažų beprotybę. Tikslui pasiekti buvo iškelti šie uždaviniai: 1) ištirti beprotybės sąvoką literatūroje; 2) išnagrinėti beprotybės sąvoką psichoanalitinėje teorijoje; 3) išnagrinėti romanus psichoanalitiniu aspektu ir charakterizuoti juose vaizduojamą beprotybę. Bakalauro darbo metodologiją sudaro: 1) beprotybės literatūroje bei psichoanalizėje teorinės medžiagos tyrimas; 2) psichoanalitinė kritika kaip pagrindinis analizės metodas ir psichoanalitinis beprotybės romanuose konceptualizavimas; 3) tarpdiscipliniškumas kaip psichoanalitinio diskurso bei teorijos naudojimo literatūroje pagrindas, kuriuo remiantis pritaikomas Julijos Thompson Klein „kryžminio-apvaisinimo“ metodas. Šiame darbe beprotybė yra nagrinėjama literatūriniu (teorijos) ir psichoanalitiniu aspektu pasitelkiant Jaqueso Lakano teorijas bei sąvokas. Psichoanalitinei analizei buvo pasirinkti Silvijos Plath „Stiklo gaubtas“ (1963) ir Virginijos Woolf „Ponia Dalolvei“ (1925) romanai.
Madness in novels by Sylvia Plath and Virginia Woolf is the object of the Bachelor Thesis. Sources of the research are S. Plath’s novel The Bell Jar and V. Woolf’s novel Mrs Dalloway. The aim of the present research is to carry out psychoanalytical research of the novels in order to characterize madness. In order to achieve the aim the following objectives have been set: 1) to investigate the concept of madness in fiction; 2) to explore the psychoanalytic approach theory of psychoanalysis and madness; 3) to perform a psychoanalytic research of the novels in relation to madness. The methodology applied in the present Thesis included: 1) theoretical analysis in order to research views on madness both form literary and psychoanalytical aspects; 2) psychoanalytical criticism as the main method of analysis and psychoanalytic conceptualization of madness; 3) interdiciplinarity that enabled incorporation of psychoanalytic theories into the analysis employing the Cross-Fertilization method presented by Julie Thompson Klein. In the Bachelor Thesis madness is investigated both from the literary (theory) standpoint and from the aspect of psychoanalysis by incorporating concepts and theories coined by Jaques Lacan. For practical analysis, S. Plath’s “The Bell Jar” (1963) and V. Woolf’s “Mrs Dalloway” (1925) were chosen. In the course of the research the scientific literature in relation to madness in fiction, psychoanalysis and madness in psychoanalysis of J. Lacan, were studied and... [to full text]
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Russo, Mary-Ann. "L'écriture et ses déplacements : fictions de l'imminence dans l'oeuvre d'Anne Brontë, Virginia Woolf et Sylvia Plath". Paris 3, 1996. http://www.theses.fr/1996PA030111.

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Le parcours de la tradition romanesque feminine est aussi celui de la femme dans le discours. Au lieu de se refugier dans le "no man's land" d'une ecriture qui se voudrait en dehors de l'ordre symbolique, l'ecriture de trois ecrivains - anne bronte, virginia woolf et sylvia plath - subit les difficultes inherents au langage et ses deploiements, et met en scene des voix de femme et des voies d'ecrivain. Dans les fictions choisies pour cette etude - agnes grey et the tenant of wildfell hall d'anne bronte, the voyage out, to the lighthouse et the years de v. Woolf, et the bell jar ainsi que quelques nouvelles de sylvia plath, les figures de femmes sont analysees dans l'instance narrative ou les actes enonciatifs permettent la creation de nouveaux paradigmes feminins. L'imminence du dire feminin ne se trouve qu'aux bords de l'indicible d'autant plus que, dans le roman, la femme se pare des atours d'un discours ou sa place a toujours ete problematique. L'analyse des romans des trois auteurs fait ressortir que la fiction est "expectiative" chez anne bronte, "performative" chez virginia woolf, et "palliative" chez sylvia plath. A travers une parole qui existe souvent par defaut, une liberte d'expression et une perception feminine du reel s'amorcent et se developpent chez les trois auteurs, ou un devenir est inscrit dans la recherche d'un "plus d'enonciation" possible. Le discours est alors un moyen d'exercer le pouvoir, une facon d'affirmer la voix feminine
The question of woman's place within discourse is considered through the study of texts by three authors whose works demonstrate the possibility of a female voice emerging from within the difficult arena of patriarchal discourse. In the works chosen - agnes grey and the tenant of widfell hall by anne bronte. The voyage out, to the lighthouse, and the years by virginia woolf and certain short stories along with the bell jar by sylvia plath - narrative structure and thematic developments are analyzed in order to show that writing uses displacement and differal in order to elaborate new feminine paradigms. The possibility for women to become subjective entities lies at the edge of discourse, where meaning is unstable but always imminent. Through the analysis of the authors' exploitation of numerous narrative strategies, fiction is seen as "expectative" in the novels of anne bronte, "performative" in v. Woolf's and "palliative" in s. Plath's, and writing is constantly seen as a means to exerce power and to assert a feminine voice
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Scullion, Valerie. "Fictions of the family : the use of Gothic in the work of Plath, Carter, Lessing and Hill". Thesis, Anglia Ruskin University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342920.

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Perry, Amber R. "Critiquing Academic Culture with Satire through Lady Lazarus, A Fictional Biography". ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1700.

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In the tradition of academic satire, Lady Lazarus is the fictional biography of the daughter of American rock musicians. In her late teens she rises to fame as confessional poet, who, despite only publishing one collection of poems during her brief life, becomes an overnight sensation. Author Andrew Altschul is satirizing academia’s need to be a part of popular culture and in doing so, privileges the ability to use controversy and conventional beauty to sell books as opposed to creating quality art. By focusing on how the author uses Hans Robert Jauss’ horizons of expectations, unreliable narrators, anecdotes in biography and the economics of fame as a deciding factor in academia, the author has created a dense and punitive opinion of academia’s inclusion of popular culture into its world.
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Livros sobre o assunto "Plato – Fiction"

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Needham, Jake. Killing Plato. Singapore: Marshall Cavendish Editions, 2012.

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Rumens, Carol. Plato Park. London: Chatto & Windus, 1987.

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Needham, Jake. Killing Plato: A novel. Hong Kong: Prime Crime Press, 2003.

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4

Nina, Bawden. The real Plato Jones. New York: Clarion Books, 1993.

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Nina, Bawden. The real Plato Jones. London: Hamish Hamilton, 1994.

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6

The real Plato Jones. Harmondsworth: Puffin, 1995.

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The real Plato Jones. New York: Puffin Books, 1996.

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8

Ackroyd, Peter. The Plato papers: A prophesy. New York: Nan A. Talese, 2000.

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The Plato papers: A novel. London: Chatto & Windus, 1999.

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Olympus confidential: A Plato Jones novel. Atlanta: Dragonfairy Press, 2014.

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Capítulos de livros sobre o assunto "Plato – Fiction"

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Coelsch-Foisner, Sabine. "A Portrait of the Artist as a Sophist — Plato and Iris Murdoch’s Art of Fiction". In Metamorphosis, 321–60. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2643-0_24.

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Harter, Nathan. "Leadership and Acceptability: Plato and the Odium of Truth". In Fictional Leaders, 223–33. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137272751_16.

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Lester, David. "Sylvia Plath: Suicidal Tendencies in Life, Poems, and Fiction". In The Contemporary Writer and Their Suicide, 215–27. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-28982-8_20.

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Annas, Julia. "3. Drama, fiction, and the elusive author". In Plato, 25–42. Oxford University Press, 2003. http://dx.doi.org/10.1093/actrade/9780192802163.003.0003.

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Gill, Christopher. "Plato on Falsehood—not Fiction". In Lies and Fiction in the Ancient World, 38–87. Liverpool University Press, 1993. http://dx.doi.org/10.5949/liverpool/9780859893817.003.0002.

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"Chapter 10. Plato and the Sacralization of Fiction". In The Incredulous Reader, 192–216. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501743993-011.

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Capra, Andrea, e Barbara Graziosi. "The Neoplatonists". In Classics, Love, Revolution, 114–35. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198865445.003.0007.

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Abstract After establishing a mode of reading Settembrini’s works of Platonic fiction by paying attention to planted allusions and clues in chapter 6, Capra and Graziosi apply the same approach to The Neoplatonists and discover a passage that was, up to now, taken to be a misquotation or invention but which, they show, is a precise allusion to a specific sentence in Plato. This key insight shows the connections between a fiction set in ancient Greece, an intellectual disagreement with ascetic Platonism, and a firm commitment to embodied happiness. It is also a precise recollection of the most dramatic episode in Settembrini’s own life. Beyond the influence of Plato, this chapter demonstrates the importance of Cuoco’s Plato in Italy for Settembrini: that work suggested a specific mode of engagement with classical literature and a path towards the political and intellectual emancipation of the Italian south—via the legacies of Greece.
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"Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics". In Plato and the Moving Image, 230–47. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004398290_013.

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"Introduction". In Proust's In Search of Lost Time, editado por Katherine Elkins, 1—C0.P62. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190921576.003.0001.

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Abstract Unlike most fiction writers, Proust was trained in philosophy. In fact, he even considered writing a philosophical treatise instead of the novel we know so well. This hesitation about what form his writing should take still haunts his final choice of a novel, which is both philosophical yet not philosophy. Take your pick of philosophers, from Plato to Nietzsche, and you can easily find an essay or even a book arguing that this particular philosopher most applies to Proust. But as one plunges into the narrative that he finally wrote, one is struck by the fact that In Search of Lost Time feels nothing like what we often call a philosophical novel, or even, a novel of ideas. Instead, philosophical reflection lies in the shadows of his fictional world, a sort of parallel life that can be found in the underweave.
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Cameron, Alan. "Bogus Citations". In Greek Mythography in the Roman World, 124–63. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195171211.003.0006.

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Abstract The problem of verifying references brings us back to the baffling question of bogus sources. I am not here concerned with imaginary works like the unfinished poem of Solon in which Plato claimed to have found the story of Atlantis, or the inscribed dedication on the island of Panchaia where Euhemerus claimed to have learned the truth about King Zeus and his family, or even the bronze tablets supposedly dug up by his father in the family house that Acusilaus cited as authority for his own Genealogies, the first prose work of Greek mythography. And only marginally with the Trojan journal of Dictys of Crete, allegedly discovered (written in the original Phoenician script) in a tomb split open by lightning. The devices of the long-lost manuscript and hidden tablets were to have a rich future in the history of fiction and forgery. Though sometimes taken seriously by the gullible,5 most such inventions can hardly have been intended (or expected) to deceive.
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Trabalhos de conferências sobre o assunto "Plato – Fiction"

1

Menezes, Pradeep L., Kishore, Satish V. Kailas e Michael R. Lovell. "Influence of Alloying Element Addition on Friction and Transfer Layer Formation in Al-Mg System: Role of Surface Texture". In ASME/STLE 2009 International Joint Tribology Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/ijtc2009-15196.

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In the present investigation, sliding experiments were conducted using pins made of pure Al, Al-4Mg alloy, Al-8Mg alloy, Mg-8Al alloy and pure Mg against steel plates of various surface textures using a pin-on-plate apparatus under both dry and lubricated conditions. The primary focus of the study was to investigate the influence of alloying elements on the coefficient of friction and transfer later formation in Al-Mg systems. The morphologies of the worn surfaces of the pins and the formation of transfer layer on the counter surfaces were observed using a scanning electron microscope. It was observed for a given surface texture that the alloying element addition decreased the average coefficient of fiction to lower values under both dry and lubricated conditions. For a given material pair, the coefficient of friction and formation of transfer layer depend on the surface texture of the hard surfaces.
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2

Guardia, Carlos Enrique. "Imaginarios urbanos instituidos, práctica urbanística y capturas de rentas del suelo: una mirada crítica sobre el desarrollo urbano y los conjuntos habitacionales del peri-urbano marplatense 1970-1990". In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6172.

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Con frecuencia, los imaginarios urbanos aluden a determinadas visiones colectivas compartidas y de carácter costumbrista que aportan a la construcción social de la ciudad. En la ciudad de Mar del Plata en el periodo 1970-1990, los Conjuntos Habitacionales (CH) constituyeron la forma predominante de producción de vivienda masiva. Esta modalidad habitacional, fue sustentada desde una concepción rígida y totalizante del desarrollo urbano, afín a los preceptos básicos de la planificación tradicional. El trabajo analiza el proceso de gestión-producción de Conjuntos Habitacionales del área noroeste de la ciudad de Mar del Plata, en donde agentes ligados a intereses inmobiliarios articularon una producción ficticia de planes particularizados, normativas y operatorias que generaron expectativas de urbanización; repercutiendo en los precios del suelo con la generación de rentas territoriales bajo la forma de grandes proyectos de vivienda y políticas de urbanización. Often, urban imaginary allude to certain shared customs and character that contribute to the social construction of collective visions city . In the city of Mar del Plata in the period 1970-1990 , the housing complexes ( CH ) were the predominant form of mass housing production . This housing form , was supported from a rigid and totalizing conception of urban development, akin to the basic precepts of traditional planning. The paper analyzes the process of production management - Housing Block Northwest area of the city of Mar del Plata , where agents linked to real estate interests articulated a particularized fictional production plans , policy and operative to generate expectations of urbanization ; impacting land prices with territorial generating income in the form of large projects of housing and urbanization policies.
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