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Artigos de revistas sobre o assunto "Photography – Social aspects – History"
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Männig, Maria. "The Tableau Vivant and Social Media Culture". Acta Universitatis Sapientiae, Film and Media Studies 19, n.º 1 (1 de março de 2021): 132–55. http://dx.doi.org/10.2478/ausfm-2021-0009.
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Abstract The article aims to analyse the tableau vivant in social media culture by emphasizing its intermedial relation to technical visual media, particularly digital photography and film. By focusing on the living picture’s specific mimetic qualities, the study traces back the tableau vivant’s history in a media archaeological perspective primarily regarding photography. It explores the current revival of the tableau vivant within social media. The article examines living pictures and the aspect of self-staging, relevant to contemporary digital culture. The tableau vivant develops between two polarities: a primarily analytical approach that allows a profound exploration of a particular artwork and the performative aspects of self-staging.
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Setiadi, Criscentia Jessica. "The Significance of Photography as Archives and Cultural Memory". Humaniora 8, n.º 2 (30 de abril de 2017): 175. http://dx.doi.org/10.21512/humaniora.v8i2.3894.
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This research was conducted by using textual, qualitative approach while looking closer at the significant of the information that was produced in the form of photography. The aim of this research was to take a stance of the importance of photography as archives and cultural memory in its ability in promoting truths. Photography was observed as three forms; they were singular, plural, and archival. Singular forms suggested the selective association between the photographers and the photographs were taken. Plural formed resonance ideas and overall aspects in what sets of photography could bring. Archival forms offered memories as references. The result of this research shows that photography, despite its ability or inability in promoting truths, is a great pool of resources of gaining information and tracing history. Further to this research, looking closer to current social media applications that put photography forward can be one option to explore within this topic.
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Kong, Camillia. "Ethical dangers of facial phenotyping through photography in psychiatric genomics studies". Journal of Medical Ethics 45, n.º 11 (30 de julho de 2019): 730–35. http://dx.doi.org/10.1136/medethics-2019-105478.
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Psychiatric genomics research protocols are increasingly incorporating tools of deep phenotyping to observe and examine phenotypic abnormalities among individuals with neurodevelopmental disorders. In particular, photography and the use of two-dimensional and three-dimensional facial analysis is thought to shed further light on the phenotypic expression of the genes underlying neurodevelopmental disorders, as well as provide potential diagnostic tools for clinicians. In this paper, I argue that the research use of photography to aid facial phenotyping raises deeply fraught issues from an ethical point of view. First, the process of objectification through photographic imagery and facial analysis could potentially worsen the stigmatisation of persons with neurodevelopmental disorders. Second, the use of photography for facial phenotyping has worrying parallels with the historical misuse of photography to advance positive and negative eugenics around race, ethnicity and intellectual disability. The paper recommends ethical caution in the use of photography and facial phenotyping in psychiatric genomics studies exploring neurodevelopmental disorders, outlining certain necessary safeguards, such as a critical awareness of the history of anthropometric photography use among scientists, as well as the exploration of photographic methodologies that could potentially empower individuals with disabilities.
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Abashev, Vladimir V. "VISUALIZING THE CITY IN ROOFTOPPING PHOTOGRAPHY". Ural Historical Journal 70, n.º 1 (2021): 80–88. http://dx.doi.org/10.30759/1728-9718-2021-1(70)-80-88.
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The article examines the representation of the city in rooftopping photography. Methodologically, the research is based on A. Lefebvre’s concept of social space, and also M. de Certeau’s concept of spatial practices as agents of its production. The principal notions in this analytical framework employed in the article are the urban imaginary and the gaze in constructivist understanding, which not only reflects, but also forms the object of vision. Rooftopping photography is considered in the context of the history of the view of the city from above, which has become an important factor in the urban imagination. The expansion of rooftopping photography into the public space and the presentation of cities is associated with the development of new communication and optical representation technologies in the 2010s. The analysis of the rooftoppers’ visualizing of the city carried out in semantic, aesthetic and rhetorical aspects revealed its substantive and aesthetic qualities. Rooftoppers photos capture the moment when a person faces the city as a whole. The city converges with natural and landscape objects. In the night panoramas that make up the bulk of roofer photography, the city is represented as a space of energy flows. In rhetorical terms, in contrast to the metonymy of a promenade, roofer photography is metaphorical. In general, it is concluded that the subject of rooftopper photography is not so much the identity of the city as its universal urban beginning embodied in the centers of the world’s megalopolises. Following D. Nye and his interpreters, the aesthetic mode of the city in roofer visuality is interpreted as urban version of the sublime.
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Kukiełko-Rogozińska, Kalina. "Following the Footprints of Edward S. Curtis: A Tale of the Vanishing Race". Przegląd Socjologii Jakościowej 16, n.º 2 (31 de maio de 2020): 36–45. http://dx.doi.org/10.18778/1733-8069.16.2.03.
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In 2007, Marie Clements, a Canadian playwright, was asked to prepare a play about the cultural history of Canada. She decided to write a play about Edward S. Curtis, the author of an epic series of photographic works titled The North American Indian, published between 1900 and 1930. Clements invited to the project Rita Leistner, a Canadian photographer, who was responsible for the graphic aspect of the play. Her task was to recreate the way taken by Curtis while immortalizing scenes from the life of the indigenous peoples. Both artists took a fascinating journey following the footsteps of Curtis documenting today’s presence of the First Nations in the United States and Canada. This article, based on the project of Clements and Leistner, discusses the ambiguity of the medium of photography, one which ‘recreates’the reality and at the same time allows the authors to‘create’ it. It presents three basic themes: the mission and work of Edward S. Curtis; the play titled The Edward Curtis Project: A Modern Picture Story by Marie Clements; and the photographs – prepared by Rita Leistner – which were used in play and then published in the book of the same title. The purpose of this text is to present the project of the Canadian authors in the context of visual sociology and anthropology, and to show the potential of photography as a means of building social discourse and creating a narrative of a specific community. It is founded on the assumption that the artistic project in question – based on (both passive and active) participation of the authors in the everyday life of the community presented in it – becomes a source of valuable research material, which can then be subjected to scientific interpretations.
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Nordgaard, Ingrid. "Documenting/Performing the Vulnerable Body: Pain and Agency in Works by Boris Mikhailov and Petr Pavlensky". Contemporaneity: Historical Presence in Visual Culture 5 (30 de novembro de 2016): 85–107. http://dx.doi.org/10.5195/contemp.2016.184.
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This article explores the concepts of pain and agency in the photography series Case History (1997–1998) by the Ukrainian photographer Boris Mikhailov, and in four performance-actions (2012–2014) by the Russian performance-activist Petr Pavlensky. Although they represent different generations and respond to different historical contexts, Mikhailov and Pavlensky share a focus on the wounded body. Taking both the documentary and performative aspects of these artworks into account, Nordgaard argues that the wounded body stands forth as a body of agency which also reflects the social, political, and historical settings in which it exists. The relational consideration of the two artists therefore offers important insights for understanding post-Soviet Ukraine and present-day Russia, and reflects on the correlation between the private and the public body. By placing Mikhailov and Pavlensky in dialogue with a broader discussion on spectatorship and the role and significance of “shock imagery” and spectacle in contemporary media, the article further suggests why artworks depicting the body in pain have both an ethical and political function.
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Henderson, Linda Dalrymple. "Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century". Science in Context 17, n.º 4 (dezembro de 2004): 423–66. http://dx.doi.org/10.1017/s0269889704000225.
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This issue of Science in Context presents a sampling of current work by art historians examining modern artists' engagement with science as well as the relationship of photography to both science and art. The essays' topics span the mid-to-later nineteenth century to the 1960s and, thus, in a series of case studies provide an introduction to aspects of artistic modernism. Indeed, it is impossible to understand fully many of the radical innovations of modern art without some knowledge of an artist's cultural context, and developments in science have often played a critical role in defining that milieu. Collected together, these essays also represent methodological models of historical work on art and science that serve as useful examples in this developing field.
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Dingle, Lesley. "Legal Oral Histories in the Cambridge ESA: Some Examples of Researching Personal, Institutional and Social Developments". Legal Information Management 19, n.º 3 (setembro de 2019): 192–207. http://dx.doi.org/10.1017/s1472669619000458.
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AbstractThe Eminent Scholars Archive (ESA) was established to record aspects of the history of the Faculty of Law at Cambridge University. It is based on 28 interviews with scholars and, currently, has 66 hours of audio recordings and transcripts, but also includes over 800 photographs and numerous associated items including biographies, bibliographies, obituaries and eulogies. Entries for faculty members cover the period from WWII to the present, while 13 entries focus on the incumbent Goodhart Visiting Professor of Legal Science. The archive is a rich source of information for researching aspects of legal communities, and in this contribution I focus on three aspects: personal histories of scholars, faculty history, and more socially-broad topics. In the first category I seek to show how the ESA identifies crossroads in the personal legal journeys of professors Higgins, Baker, Smith and Crawford, while I use their common remembrances to record an institutional landmark. For the latter, I selected the 1995 Faculty move from the Old Schools to the Foster building on the Sidgwick site. Finally, I show how ESA illustrates components of legal life writing in a broader societal context. Here I compare the experiences of curators of family histories at the British Library, and ‘group biographies’ of court officials as researched at LSE, with aspects of documenting careers of senior legal academics at Cambridge.
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Catravas, P., K. Bubriski, M. D. Frey, M. E. Hagerman, B. Cohen, J. J. McGee e S. S. Bowser. "NanoGrande: Electron Microscopy Education and Outreach Through a Collaboration of Scientists and Artists". Microscopy Today 21, n.º 2 (março de 2013): 42–46. http://dx.doi.org/10.1017/s1551929513000023.
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NanoGrande is the culmination of an art-science effort that brought undergraduate students and faculty from science, engineering, and the visual arts together with professional microscopists of the Capital District Microscopy and Microanalysis Society for electron microscopy education and outreach. Students from two independent undergraduate courses, an advanced photography course and a microscopy laboratory course, collaborated on the project. The participants represented a wide range of majors, including chemistry, biology, electrical engineering, computer engineering, mechanical engineering, bioengineering, psychology, neuroscience, sociology/social sciences, history, and the visual arts. Emphasis was placed on both the scientific and the artistic aspects of the imaging process. The creation of electron microscopy images that were at the same time scientifically meaningful and visually compelling depended critically on communication of insights and ideas between paired students. The collaboration generated an art-science exhibition, NanoGrande, that has been presented to over four-thousand K through 12 students.
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Hoffmann, Christoph, e Barbara Wittmann. "Introduction: Knowledge in the Making: Drawing and Writing as Research Techniques". Science in Context 26, n.º 2 (30 de abril de 2013): 203–13. http://dx.doi.org/10.1017/s0269889713000033.
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ArgumentDrawing and writing number among the most widespread scientific practices of representation. Neither photography, graphic recording apparatuses, typewriters, nor digital word- and image-processing ever completely replaced drawing and writing by hand. The interaction of hand, paper, and pen indeed involves much more than simply recording or visualizing what was previously thought, observed, or imagined. Both writing and drawing have the power to translate concepts and observations into two-dimensional, manageable, reproducible objects. They help to develop research questions and they open up an interaction between the gathering of phenomena and the formation of theses. Related to the manifold studies of representational activities in the sciences and the humanities, this topical issue tries to refine our understanding of the capacities of drawing and writing as research techniques; i.e. as productive epistemic practices. In particular the contributions address three aspects: the material conditions and configurations of the “scene of drawing and writing,” the involved procedures of production, and the languages of inscription.
Teses / dissertações sobre o assunto "Photography – Social aspects – History"
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Supartono, Alexander. "Re-imag(in)ing history : photography and the sugar industry in colonial Java". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11909.
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This thesis seeks to examine the ways that the success of the Dutch Empire at the turn of the twentieth century was represented and celebrated in the photographic albums of Dutch sugar industrialists in Java. It aims to show how the photographic practices that developed in the colony in parallel with its industrialisation informed the ways that the colony was imagined in the metropolis and the colony. Whether social portraiture, topographic studies or depictions of industrial machinery and infrastructure, the photographs of the sugar industry were part and parcel of a topical vernacular tradition that generated distinct visual themes in the development of popular photographic genres, and which reflected the cultural hybridity and social stratification of the local sugar world. This analysis is pursued through close reading of the photographic albums of the Pietermaat-Soesman family from the Kalibagor sugar factory in Java. These albums exemplify how the family albums of sugar industrialists retained the familiarity and cult value of the family album whilst illustrating the values and attitudes of the colonial industry and society. What is more, the Pietermaat-Soesman albums underline the significance of the albums' materiality; their story is not only one of images, but also a story of objects. I specifically pay attention to the role of photographers and commercial photo studios in the formulation of the pictorial commonplace of the sugar industry. It is the collaboration between sugar industrialists and colony-based photographers that reveals the social necessity, ideological constraints, pictorial conventions and cultural idioms of colonial industry and society in the Dutch East Indies. Largely understudied in both the Dutch and Indonesian histories of photography, this material, I argue, may problematise the ideological premises of ‘colonial' photography.
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Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.
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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization of image practices. It analyzes strategies used by them to make this possible, namely an appeal to the becoming lifestyles of the bourgeois and middle-classes.
The analysis links the popularization of image-making and consuming practices to other popular amusements (i.e. cycling, cinema-going) to work against an artifact-centred analysis. Issues of gender and generation are critically evaluated as concepts used to instill image-making as a popular, family practice. Shifts in modern temporal and spatial experience, as well as mobility are also explored in relation to popular image-making.
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Laurence-Allen, Antonia. "Class, consumption and currency : commercial photography in mid-Victorian Scotland". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3469.
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This thesis examines a thirty year span in the history of Scottish photography, focusing on the rise of the commercial studio from 1851 to assess how images were produced and consumed by the middle class in the mid-Victorian period. Using extensive archival material and a range of theoretical approaches, the research explores how photography was displayed, circulated, exploited and discussed in Scotland during its nascent years as a commodity. In doing so, it is unlike previous studies on Scottish photography that have not attended to the history of the medium as it is seen through exhibitions or the national journals, but instead have concentrated on explicating how an individual photographer or singular set of images are evidence of excellence in the field. While this thesis pays close attention to individual projects and studios, it does so to illuminate how photography functioned as a material object that equally shaped and was shaped by ideological constructs peculiar to mid-Victorian life in Scotland. It does not highlight particular photographers or works in order to elevate their standing in the history of photography but, rather, to show how they can be used as examples of a class phenomenon and provide an analytical frame for elucidating the cultural impact of commercial photography. Therefore, while the first two chapters provide a panoramic view of how photography was introduced to the Scottish middle class and how commercial photographers initially visualized Scotland, the second section is comprised of three ‘case studies' that show how the subject of the city, the landscape and the portrait were turned into objects of cultural consumption. This allows for a re-appraisal of photographs produced in Scotland during this era to suggest the impact of photography's products and processes was as vital as its visual content.
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Souza, Fernando Artur de. "A construção cultural da fotografia como discurso na arte contemporânea". Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/680.
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Este trabalho apresenta uma discussão acerca de relações estabelecidas entre a fotografia e a arte contemporânea, a partir de um viés em que a produção artística dialoga com a produção fotográfica de âmbito familiar. A fotografia é assumida como um processo mediador culturalmente construído, levando em conta aspectos de sua conformação tecnológica, bem como de seus usos sociais, ambas dimensões consideradas preponderantes para a produção de significado para estas imagens. Para estabelecer estas relações através de uma perspectiva interdisciplinar, o texto busca integrar pontos de vista de áreas do conhecimento que contribuíram para um entendimento mais complexo da fotografia em seu diálogo com a sociedade, com a tecnologia, com a história e com as artes visuais. Finalmente, elencamos algumas obras dos artistas contemporâneos Nan Goldin, Rosângela Rennó e Sascha Pohflepp que evidenciam estas relações entre as artes visuais e os instantâneos do cotidiano familiar, seja através da imagem fotográfica, da materialidade da fotografia ou dos novos circuitos de circulação e novas práticas oriundas das tecnologias digitais.This work presents a discussion of relations between photography and contemporary art, where the artistic production dialogue with the photography in the family field. the photograph is assumed as a mediating process culturally constructed, taking into account its technological aspects, as well as their social uses, both dimensions considered preponderant for the production of meaning to these images. to establish these relationships through an interdisciplinary perspective, the text seeks to integrate views of areas of knowledge that contributed towards a more complex comprehension of photography in his dialogue with society, with the technology, with the history and the visual arts. finally, we list some works of contemporary artists nan goldin, rosangela rennó and sascha pohflepp that demonstrate these relationships between the visual arts and snapshots of daily family life, either through the photographic image, the materiality of the photograph or the new circuits and new practices coming of digital technologies.
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Le, Febvre Emilie. "Tracing visual knowledge : the presence and value of images for Bedouin history and society in the Negev". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d588d57f-2137-47b2-9ff2-3ac46799f6ad.
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Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presence of images as photographs and digital copies for local historicity in order to achieve a greater understanding of representational politics in southern Israel. It emphasizes pictures' ability to transmute, circulate, and acquire value in various social settings in contrast to popular academic treatments, which primarily focus on photographs' iconography and visual history in the Middle East. To do so, the thesis details the biographies of a series of 'significant images' (c. 1906-2010) circulating in this society. It describes their photographic and digital graphic contents as floating referents with the capacity to be coded and recoded by people but also their presence as historical evidence that acquire value in different contexts. The thesis builds on the concept of visual economy as opposed to visual culture in order to landscape images' meanings, material and digital transformations, and their influence for the making of Bedouin history over the last century amid Orientalist, national, and local imaginings. It argues that Bedouin in the Negev possess diverse representational repertoires and utilise a variety of techniques to pursue historical capital. In particular, local representations of the past are selective and instrumental but increasingly reliant on archival mediums such as photographs. Although it may be obvious, anthropologists of the Middle East have yet to adequately account for these occurrences among peripheral peoples and not merely urbanites in the region. Research found that Bedouin spokespersons treat photographs and digital images as evidentiary documentation during self-presentations of historical knowledge in the Negev. As they travel between visual economies, however, images become malleable proof for local history projects alternating between the tribal past, Islamic heritage, and ethnohistory. In conclusion, the thesis develops two theoretical themes in anthropology and visual culture studies of the Middle East: the material and visual efficacy of images for local historicity, and complicating self-representations among Bedouin in the Negev.
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Zambello, Marco Henrique 1975. "O declínio ferroviário paulista : despojo do trabalho social e abandono racional". [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281272.
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Orientador: Silvana Barbosa RubinoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-26T20:59:09Z (GMT). No. of bitstreams: 1 Zambello_MarcoHenrique_D.pdf: 4127486 bytes, checksum: ce33dd23d7e745aba23ab1f9a661a411 (MD5) Previous issue date: 2015
Resumo: A pesquisa estudou o declínio ferroviário paulista, cujo progresso se baseou na relação econômica da monocultura cafeeira. As ferrovias paulistas do interior dependeram da ferrovia inglesa SPR, que se desenvolveu tecnologicamente pela pressão dos cafeicultores paulistas. Estes, por sua vez, visavam o escoamento do café. A partir da década de 1950, houve o favorecimento ao transporte rodoviário, quando trilhos foram substituídos por asfaltos. As imagens produzidas no passado serviam para apresentar os investimentos aos acionistas das ferrovias, cuja natureza é seu desgaste progressivo. Porém, pelo seu caráter efêmero, as estradas de ferro logo foram classificadas como elemento de memória, mas pouco esforço voltou-se para a preservação do passado ferroviário. As obras do passado declinam simbolicamente, pois a memória não encontra resposta social, tendo em vista a característica naturalizada da ferrovia como um transporte do passado. Hoje, o abandono domina os cenários ferroviários das cidades do interior, que não recebeu os mesmos investimentos que as ferrovias concentradas na capital. O abandono resulta de um planejamento racional, de grupos que percebem o lucro na apropriação dos terrenos das antigas estradas de ferro. Como estratégia, a ferrovia sai da condição de transporte útil e necessário e passa a ser visto pela opinião pública (imprensa e governantes), como violento e que precisa ser removido das cidades. Os projetos voltados à memória ferroviária, raramente consideram o valor do trabalho presente nas obras, que resultaram da atividade caracterizada pelo amor do ferroviário em relação ao seu trabalho e à "família ferroviária". Esta dimensão aparece em alguns projetos de preservação na Itália, cujo principal investidor é a lucrativa ferrovia estatal
Abstract: The research studied the railroad downfall in São Paulo State, which progress was based on the economic relation with the coffee plantation. The São Paulo State country railroads depended on the British railroad SPR that was technically developed under the coffee farmers¿ pressure. Those farmers aimed the coffee flow. Since 1950s, the road transport has been favored and the rails were substituted by paved highways. Images produced in the past where used to present investments to the railroad shareholders, whose nature is its progressive wastage. However, due to its ephemeral character, the railroad were soon classified as memorial element, and little effort was directed towards the railroad past preservation. The past works decline symbolically, as the memories do not find social responses, considering the neutralized characterization of the railroad as transport of the past. Nowadays, abandonment dominates the railroad scape in the country cities, which have not received the same investments as the railroads located on the capital of the state. This abandonment results from a rational planning of groups that realized the large profit in the appropriation of old railroad lots. As a strategy, the railway leaves the condition of utile and necessary transport and starts to be seen by the public opinion (media and government) as something violent that needs to be removed from the cities. The projects that look in to the railroad memory rarely consider the value of the work within the structures that resulted from an activity characterized by the love of the railroad worker towards its work and the "railroad family". This dimension appears in some preservation projects in Italy, where the main investor is the profitable state railroad
Doutorado
Politica, Memoria e Cidade
Doutor em História
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Coltelloni, Anne. "Le documentaire comme forme symbolique". Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00812350.
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L'étude sur le documentaire a suscité ces dernières années de nombreuses approches : historique, rhétorique, pragmatique, stylistique. Celles-ci posent la question de la réalité dans le film ou dans la photographie, problématique récurrente du documentaire. C'est à nouveau cette interrogation qui sera abordée dans cette recherche. La perspective envisagée a l'ambition de synthétiser toutes ces approches en remontant à l'origine de la photographie, au dix-neuvième siècle, et en faisant valoir sa spécificité d'image. Un parcours photographique est proposé montrant en quoi l'image photographique a pu bouleverser notre rapport à la réalité. Cette ambition synthétique a trouvé son fondement dans un concept original initié par le philosophe allemand Ernst Cassirer : la forme symbolique. Il s'agit d'une logique culturelle qui propose de se placer au cœur de nos réalités et d'analyser les principes qui les gouvernent. Le point d'ancrage d'une telle philosophie repose sur la culture comprise comme une réalité relative. Dans cette perspective, l'image photographique en tant que documentaire est considéré comme un lieu donnant à penser une réalité ? Comment ? Cette recherche nous amène à envisagé trois moments pour l'élaboration de cette forme symbolique particulière : 1) l'invention d'une image-monde que l'image photographique a suscité ; 2) la survivance des réalités contenues et transformées dans cette image-monde ; 3) la création d'un lieu de mémoire par la constitution d'un patrimoine photographique.
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Leiva, Quijada Gonzalo. "Modernité et histoire de la photographie au Chili (1879-1920)". Paris, EHESS, 1997. http://www.theses.fr/1997EHESA033.
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Cette etude propose une reflexion sur l'image photographique et son role a l'interieur d'une societe traditionelle. Au meme temps, cette recherche s'insere dans une reflexion sur les indices tres visibles de la quete de modernite au chili. Nous observons a travers les documents photographiques comment la vision culturelle se modifie en fonction des diverses reponses apportees a la question cruciale de la capacite du pays face a la modernite. Pour son prestige dans le marche national reduit, la photographie sera consideree comme un patrimoine de l'elite urbaine a santiago et a valparaiso. La photographie se transforme en une expression de reference culturelle qui modele les aspects de l'image personnelle a travers le portrait. Nous pouvons constater par le biais de l'image documentaire uneperception social et de moeurs. Par ailleurs, la carte postale nous montre la transformation du paysage et de la geographie. La photographie chilienne dans les annees (1879-1920) alimente une source inepuisable pour comprendre les systeme socioculturel dans un contexte de developpement et de construction d'un imaginaire identitaire de la nation.
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Agbo, George Emeka. "Photography, facebook and virtualisation of resistance in Nigeria". University of the Western Cape, 2016. http://hdl.handle.net/11394/5465.
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Philosophiae Doctor - PhDNigerian post-independence history (1960 to the present date) is steeped in socio-political upheavals. The majority of the citizens are frustrated with the injustice, inequality and fraudulent politics that pervade the country. The central argument of this thesis is that these conditions are critiqued through the photographic practices produced on Facebook. Through the circulation of photographs and the conversations around them on the social media platform, Nigerians demand social change. The sociality that underpins the visuality of social networking is explained by Ariella Azoulay's notion of "civil discourse," which theoretically organises the thrust of this thesis. The formulation suggests that the photograph is an outcome of the interaction among many individuals. It is a site of exchange, a process which I have argued to be reinforced by digital and internet technology. For five years, I have followed the visual social production on Facebook in the context of virtual participant observation, downloading photographs and the comments that go with them. A number of the photographs and the accompanying comments are analysed with semiotic tools to understand the key concerns of Nigerians. To explain how the agitation is presented, and the efforts invested in the production, I have reflected on the related questions of technological mediations and appropriations. A network of digital infrastructure conditions the creation and editing of the photographs and their dissemination and meaning-making processes on Facebook. Again, the Nigerian example demonstrates how state failure fuels activism, insurgency and counter-insurgency, all of which are actuated by digital photographic production. In this situation, the photographic image is burdened with the task to produce violence and to counter it. What ultimately emerges are complex relations among people, photography and technology. I conclude that the virtual movement presents possibilities for socio-political transformation in Nigeria. From the perspective of photography, this thesis contributes to the debates in social media activism and how it is shaping politics in Africa. It demonstrates the possibility of reading the tensions in an African postcolony through the connected digital, visual and social practices of the ordinary people. We are prompted to acknowledge the influence of digital infrastructure in the political use of the image.
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Barberini, Marta. "The Impact of Humanitarian Photography on the Generation of Sympathy and on Donation Behavior". PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/18.
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This paper presents findings of an exploratory study to evaluate the impact of humanitarian photography on the generation of sympathy and donation behavior. Considering the large amount of money spent each year by charity organizations on marketing strategies, it seems crucial to shed light on the persuasive impact of images in this context. The overarching purpose of this study was to discern what impact, if any, a number of features in a photograph have on sympathetic reactions. Specifically the author examined facial expressions (sad vs. happy), eye contact vs. no eye contact and total number of subjects portrayed. Findings supported the hypothesis that sad expressions in photos would have greater sympathetic responses than happy expressions. The author hypothesized that direct eye contact would be more persuasive than indirect eye contact, but the data supported the inverse result: indirect eye contact elicited more sympathy than direct gaze. The third hypothesis, that single subject images would be more persuasive than multiple subjects, was not supported. The author concluded that results draw attention to sympathy-generating attributes of charity appeals that have been overlooked.
Livros sobre o assunto "Photography – Social aspects – History"
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Say 'cheese'!: The snapshot as art and social history. London: Collins, 1986.
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(autograph), Monk Lorraine, ed. Photographs that changed the world: The camera as witness, the photograph as evidence. Toronto: Macfarlane Walter & Ross, 1989.
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The power of photography: How photographs changed our lives. New York: Abbeville Press, 1991.
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Camera Indica: The social life of Indian photographs. Chicago: University of Chicago Press, 1997.
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Pinney, Christopher. Camera Indica: The social life of Indian photographs. Chicago: University of Chicago Press, 1997.
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Camera Indica: The social life of Indian photographs. London: Reaktion Books, 1997.
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Starl, Timm. Knipser: Die Bildgeschichte der privaten Fotografie in Deutschland und Österreich von 1880 bis 1980. München: Koehler & Amelang, 1995.
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Anne, Maxwell. Picture imperfect: Photography and eugenics 1870-1940. Brighton [England]: Sussex Academic Press, 2008.
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Czech, Kenneth P. Snapshot: America discovers the camera. Minneapolis: Lerner Publications, 1996.
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Jäger, Jens. Gesellschaft und Photographie: Formen und Funktionen der Photographie in Deutschland und England 1839-1860. Opladen: Leske + Budrich, 1996.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Photography – Social aspects – History"
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Vervliet, Hendrik D. L. "Legal, Economic, Social Aspects". In Annual Bibliography of the History of the Printed Book and Libraries, 266–82. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4450-3_10.
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Cappelle, Stefan, Lacaze Guylaine, M. Gänzle e M. Gobbetti. "History and Social Aspects of Sourdough". In Handbook on Sourdough Biotechnology, 1–10. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4614-5425-0_1.
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Vervliet, Hendrik D. L. "Legal, Economic, Social Aspects". In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 257–68. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2430-7_10.
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Vervliet, Hendrik D. L. "Legal, Economic, Social Aspects". In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 259–73. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-3689-8_11.
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Vervliet, Hendrik D. L. "Legal Economic, Social Aspects". In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 265–78. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2784-1_11.
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Vervliet, Hendrik D. L. "Legal, Economic, Social Aspects". In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 253–74. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2039-2_10.
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Vervliet, Hendrik D. L. "Legal Economic, Social Aspects". In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 244–58. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5135-8_11.
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Rosengarten, Marsha. "An Unfinished History: A Story of Ongoing Events and Mutating HIV Problems". In Social Aspects of HIV, 289–302. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69819-5_21.
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Diprose, Graham, Christina Hemsley e James Hemsley. "Canals, Cities, Museums, Libraries & Photography: a Reconnaissance Study of Regent’s Canal, London". In Proceedings e report, 173–80. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.41.
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City waterways are a valuable part of our cultural heritage. Over the years the usage has changed from business to pleasure. Regent’s Canal, cutting across north central London since 1820, has a rich social and industrial history. Much of this history has been and is being captured via photographs. Many of these are being lost due to limited museum resources and disparate collections. This paper reports on phase one of a fifteen-month exploratory research project. The research aims to explore ways of aiding image capture, selection, storage and retrieval. We hope to link with researchers elsewhere, especially in Italy.
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K’Meyer, Tracy E. "Photography and Oral History:". In The Social Documentary Photography of Milton Rogovin, 81–88. The University Press of Kentucky, 2019. http://dx.doi.org/10.2307/j.ctvh1dxjk.10.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Photography – Social aspects – History"
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Vasiljeva, Elina. "HOLOCAUST IN LATVIAN LITERATURE: THE ANTHROPOLOGICAL AND SOCIAL ASPECTS". In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.011.
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Raheja, Roshni. "Social Evaluations of Accented Englishes: An Indian Perspective". In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.1-1.
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Research in the field of Language Attitudes and Social Perceptions has evidenced the associations between a speaker’s accent and a listener’s perceptions of various aspects of their identity – intelligence, socio-economic background, race, region of origin, friendliness, etc. This process of ‘profiling’ results in discrimination and issues faced in various social institutions where verbal communication is of great importance, such as education environments, or even during employee recruitment. This study uses a mixed-methods approach, employing a sequential explanatory design to investigate the social evaluation process of native and non-native accents on status and solidarity parameters by students from a multicultural university located in Pune, India. The findings are consistent with research in the field of language attitudes, demonstrating preference for Indian and Western accents as compared to other Asian accents. Semi-structured interviews revealed factors such as education, colonial history, globalization and media consumption to be key in influencing these evaluations. The themes are explored in the context of the World Englishes framework, and the socio-economic history of the English language in India.
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Al-Khalaifah, Hanan, Mohammad Al-Otaibi e Abdulaziz Al-Ateeqi. "SARS-COV-2 CORONAVIRUS: NOMENCLATURE, CLASSIFICATION, STRUCTURE, HISTORY, SYMPTOMS EPIDEMIOLOGY, PATHOGENESIS, ETIOLOGY, DIAGNOSES, TREATMENT, AND PREVENTION". In GEOLINKS Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/geolinks2021/b1/v3/22.
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With the onset of the coronavirus pandemic in December 2019 in China, and the alarming rate at which it has spread across the world has unleashed not only fear, but has taken a toll on social, economic, health, and governing capabilities of the various countries infected with the virus. The pandemic is affecting all aspects of life, including industries such as the animal production industry all over the world. This includes plant, livestock and poultry production. Food security is accordingly impacted, as these industries are vital elements that are contributing to securing food to populations worldwide. In this review, light is shed on the origin of coronaviruses with special emphasis on COVID-19. It also includes introduction of symptoms, epidemiology and pathogenesis, etiology, and prevention. As the disease progresses, scientists are working around the clock in the hope of an effective vaccine, and they managed to introduce some to the worldwide populations. The world faces challenges on a day-to-day basis until most people are vaccinated.
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Strizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
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Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.
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Kovaleva, M. V., e O. V. Mikhailov. "Search for Ways to overcome the Crisis by Representatives of Russian Religious Thought". In General question of world science. Наука России, 2021. http://dx.doi.org/10.18411/gq-31-03-2021-61.
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The crisis at the turn of the 19th and 20th centuries affected different countries and different aspects of social life, which was inevitable both due to geographical proximity and cultural, economic, political and other intersections. Addressing the topic of the sociocultural crisis was characteristic of both Russian and Western European philosophers of the early 20th century. The author in the article refers to the understanding of its features and ways to overcome it in the context of the ideas of Russian religious philosophers. An integral feature of Russian philosophical thought in the context of assessing the ongoing social changes and the search for ways out of a crisis situation is an understanding of the special purpose of Russia and an awareness of its role in human history. The works of Russian philosophers are full of anxiety about the future of mankind, about the fate of Russia, a premonition of possible death, therefore it is no coincidence that the appeal to the theme of the Apocalypse, the impending catastrophe, the end of history is perceived as a real threat to the existence of mankind. With all the diversity of approaches to assessing the sociocultural crisis, Russian thinkers are united by common philosophical roots, religion, national and cultural traditions. In the context of understanding the crisis processes of the early twentieth century, Russian religious thinkers raise the question of the role and significance of a person in the transformation of life, thereby actualizing the moral and anthropological problems.
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Ifenthaler, Dirk, e Jane Yin-Kim Yau. "Understanding Learning Analytics Indicators for Predicting Study Success". In ASCILITE 2020: ASCILITE’s First Virtual Conference. University of New England, Armidale, 2020. http://dx.doi.org/10.14742/ascilite2020.0101.
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Common factors, which are related to study success include students’ sociodemographic factors, cognitive capacity, or prior academic performance, and individual attributes as well as course related factors such as active learning and attention or environmental factors related to supportive academic and social embeddedness. The aim of this research is to gain a deeper understanding of not only if learning analytics can support study success, but which aspects of a learner’s learning journey can benefit from the utilisation of learning analytics. We, therefore, examined different learning analytics indicators to show which aspect of the learning journey they were successfully supporting. Key indicators may include GPA, learning history, and clickstream data. Depending on the type of higher education institution, and the mode of education (face-to-face and/or distance), the chosen indicators may be different due to them having different importance in predicting the learning out-comes and study success.
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Sunnatova, R. I., M. O. Mdivani e E. V. Lidskaya. "Personal resource as a factor of deviant behaviour prevention among students of digital generation". In INTERNATIONAL SCIENTIFIC AND PRACTICAL ONLINE CONFERENCE. Знание-М, 2020. http://dx.doi.org/10.38006/907345-50-8.2020.264.276.
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The history of students’ deviant behavior problem and studying different aspects of this phenomenon is defined by ambiguous understanding of the phenomenon occurrence nature. Widespread digitalization of educational environment and social life introduces new factors determining the behavior of modern adolescents. A promising approach to solving a number of research and practical problems in preventing deviant behavior among adolescents may consider the possibility of identifying a personal resource as a factor of preventing violations in adolescent behavior. The study involved 402 students from Moscow school. It revealed negative connotations in self-confidence and obsession with computer games, browsing social networks (Spearman’s correlation coefficient — .583), as well as with volitional control of emotional reactions — .598. A significant correlation was also found between teenagers’ dissatisfaction with significant adults’ attitude and obsession with computer games, browsing social networks: problems with teachers — Spearman’s correlation coefficient .458 and, accordingly, dissatisfaction with family relationship .431. All correlations are significant at the level of 0.01. Generally, the analysis results allow us to state that the questionnaire being developed can be useful both to identify the adolescent’s personal resource that enforce normative behavior and to identify deviant behavior risk predictors for students in grades 7–11. It can also be used as a tool for targeted planning in psychological and pedagogical support aimed at leveling various behavior violations and intrapersonal destructive states of adolescents.
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Arslan, Çetin. "Some Assessments and Evaluations on Current Developments in the Immigration Law". In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.00884.
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Immigration has presented itself in every chapter of the history with regards to its social, economic, political and legal aspects. However, with special regards to the global and regional instability which has come into focus and become chronic, it has gained vital importance for almost all developed and developing countries. Mentioned issue has transformed into a specific and extraordinary situation for Turkey which is situated at the intersection of the continents, Asia and Europe. Because Turkey has not only become a transit country for irregular migration but also it has turned into – if we may say so- the focus point of this vicious circle. The legislator who is aware of this situation, has brought upon essential amendments and innovations and also has concluded international, regional and bilateral agreements. We, within the scope and size of our study, shall examine certain issues which we deem important within the context of Foreigners and International Protection Law No. 6458 dated 04.04.2013 within the light of Constitution, European Convention on Human Rights and the jurisprudence of European Court of Human Rights and shall discuss some existing and potential problems in addition to suggestions for solution.
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Mancini, Francesco Maria, e Tanja Glusac. "Void of Power". In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6172.
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The history of built environment reflects the rise and fall of political systems, their conflicts, social contradictions and ultimately, the state of being of particular civic societies over time. Former symbols of power, such as ancient monuments, palaces and churches still express their symbolic, economic, cultural and political value which constituted in different ages the motivation for their being. Today these are replaced by new symbols of contemporary economic forces which through skyscrapers express global tendency and power shifts. While such edifices are recognizable embodiments of power and political systems of their time, less visible, yet equally potent, are the shifts and voids in power relations. To fully comprehend the role of architecture in expressing and supporting power structures, it is important to question the concept of architecture as a mere act of presence (construction) and consider instead the void and its complementary aspects: absence, erasure and ideological need for demolition, as expressions of power. This paper considers power within the parameters of void, which extend beyond the notion of “tabula rasa” that has characterized many urban transformations. By considering the emblematic case of Via dell’ Impero, analyzing various ‘iconic’ works of architecture for their role in expressing power of institutions and individuals, and identifying dispersion as an underhanded way of exercising power, this paper proposes a more complex reading of urban transformations. It offers moments of reflection and a shift in research focus in terms of how the void is used today to express and support present power relations.
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LU, Tingying, Jiali LI e Ning PENG. "Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example". In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6034.
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Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example Lu Tingying¹, Li Jiali2, Peng Ning2 ¹Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China 2Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China E-mail: 1102684155@qq.com, lijiali020020@163.com, pengning18@sina.com Keywords: Heterotopias, space characteristics, urban village, Guandongdian, diversification Conference topics and scale: Urban form and social use of space For the first time in the history of China, more of its mainland population are living in cities than in rural villages. The land acquisition and real estate development have caused rapid disappearance and decline of a large number of traditional villages, resulting in "urban villages" in China. They seem chaotic, but contain rich and colorful social life. The living environment is really harsh, but people always maintain close relationship with each other. They are different from neither the modern urban nor traditional villages, but they have their own unique vitality. Such heterogeneous space is always a symbol of historical change and cultural collision which, according to the French philosopher Michel Foucault, can be called Heterotopias. In order to study this heterotopic phenomenon, the triangular area of Guandongdian district in Beijing has been chosen as the object of this case study. With the in-depth investigation of interviews, observation, statistics and sketches, this paper is trying to interpret the characteristics of the heterotopic state of the urban village from three aspects of social form, urban morphology and architectural feature. Eventually, in order to keep the complexity and diversification of urban village, several strategies are put forward for reference to future transforming practice. References Foucault, M. (1967) Of Other Spaces: Utopias and Heterotopias, Trans. Miskoviec, J.(1984), Architecture /Mouvement /Continuité (http://foucault.info/documents/heteroTopia/foucault.heteroTopia.en.html) Selina Abraham. (2013) ‘The heterotopic space of Chirag Delhi’, unpublished research paper, Guru Gobind Singh Indraprastha University, Delhi. WANG Su. (2013) ‘Heterotopias versus Cultural Imagination: An Interpretation of the Metropolitan Space of Tianjin from the Perspective of Michel Foucault’ s Of Other Spaces (Heterotopias)’ Journal of Nanyang Normal University 12, 50-53.
Relatórios de organizações sobre o assunto "Photography – Social aspects – History"
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Sultana, Munawar. Culture of silence: A brief on reproductive health of adolescents and youth in Pakistan. Population Council, 2005. http://dx.doi.org/10.31899/pgy19.1006.
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Previous research on the reproductive health of adolescents and youth in Pakistan has not addressed the diversity of adolescent experiences based on social status, residence, and gender. To understand the transition from adolescence to adulthood more fully, it is important to assess social, economic, and cultural aspects of that transition. This brief presents the experience of married and unmarried young people (males and females) from different social strata and residence regarding their own attitudes and expectations about reproductive health. More young people aged 15–24 live in Pakistan now than at any other time in its history—an estimated 36 million in 2004. Recognizing the dearth of information on this large group of young people, the Population Council undertook a nationally representative survey from October 2001 to March 2002. The analysis presented here comes from Adolescents and Youth in Pakistan 2001–02: A Nationally Representative Survey. The survey sought information from youth aged 15–24, responsible adults in the household, and other community members in 254 communities. A total of 6,585 households were visited and 8,074 young people were interviewed.
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Thompson, Stephen, Brigitte Rohwerder e Clement Arockiasamy. Freedom of Religious Belief and People with Disabilities: A Case Study of People with Disabilities from Religious Minorities in Chennai, India. Institute of Development Studies (IDS), junho de 2021. http://dx.doi.org/10.19088/creid.2021.003.
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India has a unique and complex religious history, with faith and spirituality playing an important role in everyday life. Hinduism is the majority religion, and there are many minority religions. India also has a complicated class system and entrenched gender structures. Disability is another important identity. Many of these factors determine people’s experiences of social inclusion or exclusion. This paper explores how these intersecting identities influence the experience of inequality and marginalisation, with a particular focus on people with disabilities from minority religious backgrounds. A participatory qualitative methodology was employed in Chennai, to gather case studies that describe in-depth experiences of participants. Our findings show that many factors that make up a person’s identity intersect in India and impact how someone is included or excluded by society, with religious minority affiliation, caste, disability status, and gender all having the potential to add layers of marginalisation. These various identity factors, and how individuals and society react to them, impact on how people experience their social existence. Identity factors that form the basis for discrimination can be either visible or invisible, and discrimination may be explicit or implicit. Despite various legal and human rights frameworks at the national and international level that aim to prevent marginalisation, discrimination based on these factors is still prevalent in India. While some tokenistic interventions and schemes are in place to overcome marginalisation, such initiatives often only focus on one factor of identity, rather than considering intersecting factors. People with disabilities continue to experience exclusion in all aspects of their lives. Discrimination can exist both between, as well as within, religious communities, and is particularly prevalent in formal environments. Caste-based exclusion continues to be a major problem in India. The current socioeconomic environment and political climate can be seen to perpetuate marginalisation based on these factors. However, when people are included in society, regardless of belonging to a religious minority, having a disability, or being a certain caste, the impact on their life can be very positive.