Literatura científica selecionada sobre o tema "Photographic scene"
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Artigos de revistas sobre o assunto "Photographic scene"
Bell, Amy. "Crime Scene Photography in England, 1895–1960". Journal of British Studies 57, n.º 1 (janeiro de 2018): 53–78. http://dx.doi.org/10.1017/jbr.2017.182.
Texto completo da fonteYang, Wenbin. "Recognition and Analysis of Scene-Emotion in Photographic Works Based on AI Technology". International Journal of Information Technologies and Systems Approach 16, n.º 2 (20 de julho de 2023): 1–15. http://dx.doi.org/10.4018/ijitsa.326055.
Texto completo da fonteWilson, Dawn M. "Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography". Journal of Aesthetics and Art Criticism 79, n.º 2 (19 de abril de 2021): 161–74. http://dx.doi.org/10.1093/jaac/kpab005.
Texto completo da fonteHamel, Cheryl J., e David L. Ryan-Jones. "Effect of Visual Detail on Scene Recognition: Some Unexpected Sex Differences". Perceptual and Motor Skills 84, n.º 2 (abril de 1997): 619–26. http://dx.doi.org/10.2466/pms.1997.84.2.619.
Texto completo da fonteBoshyan, Jasmine, Lisa Feldman Barrett, Nicole Betz, Reginald B. Adams e Kestutis Kveraga. "Line-Drawn Scenes Provide Sufficient Information for Discrimination of Threat and Mere Negativity". i-Perception 9, n.º 1 (janeiro de 2018): 204166951875580. http://dx.doi.org/10.1177/2041669518755806.
Texto completo da fonteArifi, Besim. "Documentation of the Crime Scene". European Journal of Interdisciplinary Studies 1, n.º 2 (30 de agosto de 2015): 32. http://dx.doi.org/10.26417/ejis.v1i2.p32-38.
Texto completo da fonteArifi, Besim. "Documentation of the Crime Scene". European Journal of Interdisciplinary Studies 2, n.º 1 (30 de agosto de 2015): 32. http://dx.doi.org/10.26417/ejis.v2i1.p32-38.
Texto completo da fonteBajraghosa, Terra, Budi Irawanto e Seno Gumira Ajidarma. "Family Photography as Object and Practice in Independent Comics in Indonesia". International Journal of Creative and Arts Studies 10, n.º 2 (5 de dezembro de 2023): 133–48. http://dx.doi.org/10.24821/ijcas.v10i2.11166.
Texto completo da fonteHess, Scott. "William Wordsworth and Photographic Subjectivity". Nineteenth-Century Literature 63, n.º 3 (1 de dezembro de 2008): 283–320. http://dx.doi.org/10.1525/ncl.2008.63.3.283.
Texto completo da fonteVollgraff, Matthew. "The Archive and the Labyrinth: On the Contemporary Bilderatlas". October 149 (julho de 2014): 143–58. http://dx.doi.org/10.1162/octo_a_00187.
Texto completo da fonteTeses / dissertações sobre o assunto "Photographic scene"
Schindler, Grant. "Unlocking the urban photographic record through 4D scene modeling". Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/34719.
Texto completo da fonteVernacotola, Mark J. "Characterization of digital film scanner systems for use with digital scene algorithms /". Online version of thesis, 1995. http://hdl.handle.net/1850/11967.
Texto completo da fonteDahmani, Taous Rose. "Faire scène : stratégies d'émergence et d'institutionnalisation des photographes noirs britanniques dans la longue décennie 80". Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H082.
Texto completo da fonteDuring the long 1980s, non-white photographers and Black women photographers imagined forms of opposition to a milieu that consistently ignored them. Individually and collectively, Black photographers challenged continual denial with gestures of resistance. Together, and on their own they made their scene. Instigators of a multitude of acts, they became the agents of their being recognised as artist-photographers. The scene produced an empowerment which in turn shaped that scene. This thesis recounts the strategies they put in place to challenge the status quo. The creation of this scene occurred through two fundamental axes: firstly publications; and secondly exhibitions. In the first place, the study of printed matter reveals the mechanisms of exclusion and inclusion of these individuals, and indicates their essential role in encounters, exchanges, experimentation, debate, theoretical elaboration and the display of visual productions. To this end, we examine three photographers' magazines: Camerawork, Ten.8 and Polareyes; and comment on the absence of photographers' books. In the second place, our study of the need to show work on walls, through exhibitions, enables us to identify a "Do It-Yourself" attitude in which artists become curators and coordinators of spaces. The thesis concludes on the institutionalization of the scene through the history of the Association of Black Photographers as an organization. Our pivot is the emergence of a scene despite a society opposed to it, and tells the story of its slow inclusion in the world of British photography in the second half of the 20th century
Giles, Jacinta. "Ordinary Affects: Minor Photography, the Televisual and the Baroque Mise-en-scène". Thesis, Griffith University, 2021. http://hdl.handle.net/10072/409629.
Texto completo da fonteThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Hardy, Marie-Josée. "Fantasmes esthético-ludiques et photographies de mise en scène /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2005. http://theses.uqac.ca.
Texto completo da fonteSanaâ, Kahena. "Emplacement, déplacement, replacement : poïétiques visuelles des corps urbains". Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010575.
Texto completo da fonteThe objective of this dissertation is to explore the situations of the body in an urban environment as mediated via different angles, scales and positions. A personal artistic démarche of editing records, surveys, and scrutinizes the mobility of passers and bystanders; the result is an audio-visual record that tracks the tactics of evasion, the speedy rhythms of steps, the intersections of the trajectories and the polyphony that form the thread of daily life in the city. Taking as a point of departure my personal experience - a change of scene (déplacement) in the metropolis of Paris - I examine the disorientations between the rendering of the foreigner’s gaze and the construction of videographic and photographic images. From a methodological point of view, three concepts of variable geometry organize these concepts in states of dynamic imbrication: delocation (déplacement), location (emplacement) and relocation (replacement). The first movement, which corresponds to the lived experience of immersion into the city, treats the sense-based dimension of pedestrian practices. The second, which concerns perception, interrogates the gaze of the observer and of the investigator and of the poetic treatment of taped visual and sonic material. The third concept entails a change of the plastic regime where the artistic body is divided in two: oscillating between the filming and the filmed where ultimately the videographic scene becomes a performative scene. The theoretical framework is likewise divided in two. On the one hand, it is inspired by Merleau-Ponty’s phenomenology, by Simmel’s microsociology and by contemporary urban anthropology. On the other hand, it consists of an evidencing of resonances between my own démarche and those of artists active in the 1960s and 1970s like the Situationists, Valie Export, Vito Aconci or Esther Ferrer, as well as more contemporaries like Isabelle Grosse, Valérie Jouve, Mark Lewis and Maïder Fortuné, who scrutinize the scenographies of the body and of its images
Robertson, Duncan Paul. "Recovering geometric models from photographs of architectural scenes". Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616042.
Texto completo da fonteBesson, Daniel. "Les unes du quotidien Libération : photographie et mise en scène de l'information /". Paris : Université de Paris VIII, 1995. http://catalogue.bnf.fr/ark:/12148/cb370670724.
Texto completo da fonteChen, Qing. "Mises en scène du corps : Identité et altérité en photographie et vidéographie". Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080012.
Texto completo da fonteThe challenge of the pictorial representation of the body and the use of my own body as the medium of creation is a reaction to the failure of contemporary communication. Can this artistic device, even for a moment, thwart the power of alienation that resides in the obligation to conform to a particular idea of the body, of this “social body”, to allow for a certain construction of identity? The ways of showing the portrait, the self-portrait and the body and their treatment are modes of “community living.” The manipulation of these codes allowed me to consider my own identity in society while questioning the relation between “self” and “us.”The photos and videos introduce a notion of identity by way of a display. In some of the works, I use my body as a means of self-representation. I work on transforming myself, on the invention of a new body, of a new identity. In the first place, it is a narcissistic questioning, although the autobiographical fiction is not “self-centred”, but is in line with our principal subject, that of the interrogation of the self-image as mediation to envisage individual identity anew by means of a collective horizon
Albrechtsson, Linnea, e Kajsa Eriksson. "Vardagsfotografier : Inspiration för scenskapande av bilder". Thesis, Blekinge Tekniska Högskola, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14681.
Texto completo da fonteThere is an increasing amount of pictures taken everyday and thus an increase of passive pictures in our personal archives. In order to reactivate the passive pictures this bachelor thesis asks the research question what can inspire the everyday photographer to use their picture archive to create new image scenes? The aim of this analysis is to find an inspiration source to encourage the everyday photographers to use their passive images to create new image scenes. The further aim is also to inform and encourage a discussion about the everyday photography and the growing amount of pictures. As a foundation for our design process we have explored a variety of research within the field of everyday photography, personal archives and pictures as memories. We have during our design process also used a combination of methods to create and evolve ideas, for instance brainstorming, mindmapping and the “why-method”. The methods workshop and crowdsourcing were also used as a way to invite other people into the process. As a whole our process has revolved around the concept of messiness as we encountered a dilemma that turned our previous attitude towards the thesis upside down. Our design and conclusion, BuildBild, emerged through our method creating scenes of transparent images which is based on the idea of pictures printed on plastic. BuildBild is a playful tool which is meant to inspire everyday photographers to reactivate their passive pictures through creative scenes.
Livros sobre o assunto "Photographic scene"
Lacan at the scene. Cambridge, MA: MIT Press, 2009.
Encontre o texto completo da fonteHuang shan: Yunfeng she ying ji = The scene of Mt. Huangshan : Zhu Yunfeng photographic works. Hefei Shi: Anhui mei shu chu ban she, 1996.
Encontre o texto completo da fonteDancing with the Dead: A photographic memoir ; my good old days with the Grateful Dead & the San Francisco music scene, 1964-1974. Rohnert Park, CA: Tioli Press & Bytes, 2013.
Encontre o texto completo da fonteCamille Silvy: River scene, France. Malibu, Calif: J. Paul Getty Museum, 1992.
Encontre o texto completo da fonteSeen behind the scene: Forty years of photographing on set. London: Phaidon Press, 2008.
Encontre o texto completo da fonteStewart, Gail B. The crime scene photographer. Detroit: Lucent Books, 2008.
Encontre o texto completo da fonteDans l'atelier du photographe: La photographie mise en scène, 1839-2006. Paris: Paris-Musées, 2012.
Encontre o texto completo da fonteSeider, Norman. Opening scenes: Photographs. Asheville, N.C: Safe Harbor Books, 2006.
Encontre o texto completo da fonteZiegler, Crista. Schauplatz: Fotografien = Public scene : photographs. Basel: Christoph Merian Verlag, 1999.
Encontre o texto completo da fonteScenes in a library: Reading the photograph in the book, 1843-1875. Cambridge, Mass: MIT Press, 1998.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Photographic scene"
Bohn, Ralf. "Schreiben mit Licht". In Bewegungsszenarien der Moderne, 93–109. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-6.
Texto completo da fonteMaloney, Michael S. "Death Scene Photography". In Death Scene Investigation, 303–14. Second edition. | Boca Raton : CRC Press, [2018]: CRC Press, 2017. http://dx.doi.org/10.1201/9781315107271-40.
Texto completo da fonteDuncan, Christopher D. "Bloodstain Photography". In Advanced Crime Scene Photography, 253–96. 3a ed. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-8.
Texto completo da fonteDuncan, Christopher D. "Photography Equipment". In Advanced Crime Scene Photography, 21–45. 3a ed. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-2.
Texto completo da fonteDuncan, Christopher D. "Flash Photography". In Advanced Crime Scene Photography, 177–219. 3a ed. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-6.
Texto completo da fonteDuncan, Christopher D. "Photographing Fire Scenes". In Advanced Crime Scene Photography, 393–406. 3a ed. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-11.
Texto completo da fonteDuncan, Christopher D. "Crime Scene Photography". In Advanced Crime Scene Photography, 47–98. 3a ed. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.4324/9781003292449-3.
Texto completo da fonteGardner, Ross M., e Donna R. Krouskup. "Crime Scene Photography". In Practical Crime Scene Processing and Investigation, 107–46. Third Edition. | Boca Raton, FL : CRC Press, [2019] | Revised: CRC Press, 2018. http://dx.doi.org/10.4324/9781315170596-6.
Texto completo da fonteZakia, Richard D., e David A. Page. "Framing the Scene". In Photographic Composition, 89–114. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-240-81507-7.00005-5.
Texto completo da fonte"Framing the Scene". In Photographic Composition, 109–34. Routledge, 2012. http://dx.doi.org/10.4324/9780240815084-13.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Photographic scene"
Štampfl, Veronika, e Jure Ahtik. "The influence of the surrounding space on the lighting conditions in a photographic scene". In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p95.
Texto completo da fonteYi, Qiong, Gaobo Yang, Ming Xia e Dengyong Zhang. "Photographic composite detection using scene perspective constraints". In 2017 13th International Conference on Natural Computation, Fuzzy Systems and Knowledge Discovery (ICNC-FSKD). IEEE, 2017. http://dx.doi.org/10.1109/fskd.2017.8393388.
Texto completo da fonteAyres, T. J. "Psychophysical Validation of Photographic Representations". In ASME 1996 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/imece1996-0703.
Texto completo da fonteVenable, Dennis L., e Nicholas George. "Orientation sorting by diffraction pattern sampling". In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/oam.1987.ma2.
Texto completo da fonteŠtampfl, V., e J. Ahtik. "INFLUENCE OF PHOTOGRAPHIC LIGHT-SHAPING ATTACHMENTS ON COLOUR PROPERTIES OF THE ORIGINAL LIGHT SOURCE". In CIE 2023 Conference. International Commission on Illumination, CIE, 2023. http://dx.doi.org/10.25039/x50.2023.po069.
Texto completo da fonteFerranti, Tomás, Asla Medeiros e Sá e Paulo Cezar Pinto Carvalho. "Single Image 3D Building Reconstruction Using Rectangles Parallel to an Axis". In Workshop de Visão Computacional. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/wvc.2021.18906.
Texto completo da fonteHashemian, Alireza, e Toby Terpstra. "Accuracy of Rectifying Oblique Images to Planar and Non-Planar Surfaces". In WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2024. http://dx.doi.org/10.4271/2024-01-2481.
Texto completo da fonteToglia, Angelo, Gregory D. Stephens, David J. Michalski e Joy L. Rodriguez. "Applications of PhotoModeler in Accident Reconstruction". In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-79250.
Texto completo da fonteSun, Xiaotian. "The smell of the scene - Mapping the digital smell of scenes around Beijing". In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001777.
Texto completo da fonteКрасильникова, Дарья Сергеевна. "PHOTOGRAPHIC COLLECTION FROM N. ZHUKOVSKAYA’S (1874-1940) PERSONAL ARCHIVE IN THE COLLECTION OF THE LITERARY MUSEUM OF THE PUSHKIN HOUSE". In Фундаментальные и прикладные исследования. Актуальные проблемы и достижения: сборник статей XXIII всероссийской (национальной) научной конференции (Санкт-Петербург, Декабрь 2023). Crossref, 2024. http://dx.doi.org/10.37539/231206.2023.53.10.002.
Texto completo da fonteRelatórios de organizações sobre o assunto "Photographic scene"
McKinnon, Mark B., e Daniel Madrzykowski. Four Firefighters Burned in Residential House Fire - Georgia. UL's Fire Safety Research Institute, junho de 2022. http://dx.doi.org/10.54206/102376/gekk4148.
Texto completo da fonte