Literatura científica selecionada sobre o tema "Performance dansée"
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Artigos de revistas sobre o assunto "Performance dansée"
Plancke, Carine. "Rythmomimisme et gestuelle dansée". Anthropologie et Sociétés 36, n.º 3 (19 de fevereiro de 2013): 137–52. http://dx.doi.org/10.7202/1014169ar.
Texto completo da fonteLevac, Manon. "Les résonances de l’intime par la rencontre corps-voix-texte chez l’interprète en danse". L’Annuaire théâtral, n.º 60 (15 de agosto de 2018): 105–16. http://dx.doi.org/10.7202/1050924ar.
Texto completo da fonteBriand, Michel, Johannes Odenthal, Karin Schlapbach, Tedi Tafel e Raffaella Viccei. "L’Ekphrasis de la performance dansée : de la description d’un objet au récit d’une interaction". Perspective, n.º 2 (30 de dezembro de 2020): 19–50. http://dx.doi.org/10.4000/perspective.19951.
Texto completo da fonteGuillebaud, Christine. "L'art de la multimodalité". Anthropologie et Sociétés 38, n.º 1 (10 de julho de 2014): 25–45. http://dx.doi.org/10.7202/1025807ar.
Texto completo da fontePichette, Marie-Hélène. "Apport de l’étude de la performance à la compréhension d’une pratique musicale". Terrains 9 (22 de setembro de 2011): 135–43. http://dx.doi.org/10.7202/1005898ar.
Texto completo da fonteSutton, Jane S., e Nkanyiso Mpofu. "Figuring Reconciliation: Dancing With the Enemy". Windsor Yearbook of Access to Justice 25, n.º 2 (1 de fevereiro de 2007): 291. http://dx.doi.org/10.22329/wyaj.v25i2.4616.
Texto completo da fonteDor, Garance. "Aurore Després (dir.), Gestes en éclats. Art, danse et performance". Interfaces, n.º 40 (21 de dezembro de 2018): 203–5. http://dx.doi.org/10.4000/interfaces.610.
Texto completo da fontePerrin, Claire, e Maëlle Guerry. "Danse et corps hors norme : une performance artistique de la vulnérabilité". Ligeia N° 121-124, n.º 1 (2013): 37. http://dx.doi.org/10.3917/lige.121.0037.
Texto completo da fonteRenard, Johanna. "The Grand Union’s Improvisation Laboratory". Emulations - Revue de sciences sociales, n.º 9 (10 de setembro de 2018): 43–55. http://dx.doi.org/10.14428/emulations.009.003.
Texto completo da fonteCramer, Franz Anton. "Experience as Artifact: Transformations of the Immaterial". Dance Research Journal 46, n.º 3 (dezembro de 2014): 24–31. http://dx.doi.org/10.1017/s0149767714000503.
Texto completo da fonteTeses / dissertações sobre o assunto "Performance dansée"
Khalfallah, Riahi Sonia. "Performance dansée augmentée et installation interactive performative : possibilités et limites de la co-création". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080069.
Texto completo da fonteInteractive digital artworks question the role of the spectator. They solicit him physically and sensually in order to make him active.In this thesis project, we highlight the creative potential embedded in each participant through their interactive gestures in the co-creation of the artwork.Thanks to the exploration of the different performative gestures through existing art movement and disciplines in the form of performances and installations, we identified and created the sought performative gesture in our artistic creations : creative and performative interactive gestures. Moreover, as part of this research-creation, the realization of augmented dance performances and performative interactive installations was consolidated through the observation and the study of the participants’ behavior in order to depict the possibilities and the limits of co-creation in the created artworks
Blanchier, Raphaël. "Les danses mongoles en héritage : performance et transmission du bii biêlgee et de la danse mongole scénique en Mongolie contemporaine". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP027/document.
Texto completo da fonteDrawing on both social anthropology and performing arts, this thesis deals with the transmission of Mongolian dances in contemporary Mongolia. By studying danced performance from the perspective of transmission, the main purpose of this work is to understand the role dance plays in building up feelings of national belonging. In this regard, Mongolia provides a particularly fruitful field of study. On the one hand, biy biyelgee, the traditional dance of the Oirats (Western Mongols), included on the UNESCO List of Intangible Cultural Heritage, is closely linked to the nomadic pastoral lifestyle by virtue of the mimed gestures it incorporates. On the other hand, what may be called ‘scenic Mongolian dance’, the professionalized version of biy biyelgee, confers national and international legitimacy on these stereotyped representations. My fieldwork study of the institutions, networks and practices underlying the transmission and performance of Mongolian dances shows that their efficacy stems less from the representations they convey than from the relational conditions of their performance. The formal and informal dance training I was able to observe, and sometimes take part in, is oriented less towards the instilling techniques than towards the selection and gradual legitimization of those who exhibit an outstanding ‘talent’ (av’yaas) for performing in public. Indeed, the distinction between dancers and non-dancers lies at the heart of the process of transmission. The dancer, on the strength of his performative abilities, is able to elicit specific modes of participation from the audience, making him/her into a quasi-ritual specialist. As the legitimate emanation of the group which he/she publicly represents, the dancer, in the same performative act, both embodies Mongolian culture through dance and establishes it as a constitutive element of “mongolness”
Bidgood, Lee, e Joseph Sobol. "Performance at Historic Jonesborough Dance Society Contra Dance". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1061.
Texto completo da fonteCondevaux, Aurélie. "Performances polynésiennes : adaptations locales d'une "formule culturelle-touristique" globale en Nouvelle-Zélande et à Tonga". Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10111.
Texto completo da fonteSince its beginnings, the anthropology of tourism has undergone major changes : after having accused tourism of destroying cultural authenticity, anthropologists started to underline that tourism can be an empowering tool for minorities to assert their particular identities. Tourism, as other globalisation-related phenomena, is imbued with two opposite tendencies : cultural homogeneization one the one hand and reconstitution of indigenous cultures and traditions on the other. This thesis aims to understand and explain how Māori and Tongan tourist performances help social actors to make sense of, and cope with, those contradictory tendencies. In order to do that, it is necessary to understand what the particularities of tourist performances are and how, as sequences of specific events and actions, they can deliver different messages to different audiences by using a range of mediums such as body and verbal languages, corporeal and object-mediated actions
Bidgood, Lee, Trae McMaken e Roy Andrade. "Performance at Historic Jonesborough Dance Society Contra Dance". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/3260.
Texto completo da fonteLatuner-El, Mouhibb Marie-Thérèse. "Dessin - Pratiques rituelles - Danse : porosités et transports". Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3093.
Texto completo da fonteThis research explores a practice which mingles drawing with practices of contemporary dance, engaging a relationship of dynamic tension to the ground, to gravitational space. These practices are reinvested by the experience and apprenticeship, undergone in Southern India, of rituals drawings traced with powder on the ground: the kolam, which appear on the doorstep of Tamil houses at dawn, and the kalam, carried out during Kerala ritual ceremonies. They are ephemeral drawings, in which tracings and erasings alternate within a sacred movement which makes and unmakes. The dialogue between ritual and artistic practices is envisaged on the basis of this experience, opening up to a proximity with the anthropological approach. Above and beyond the religious, what parallels can be drawn between artistic practices and rituals, Indian rituals in particular? In this interval the practice reveals itself and engages the fertile collaboration with different dancers, who become mediums in the open space of the performance, which renders visible the drawing’s process of mutation. The drawing is analysed in its successive transpositions from the ground to the dancers’ bodies, to the space of the installation, playing instantaneously on the threshold of the visible, disappearing in the gesture of effacement which becomes the essential gesture in this access to the ritual. The drawing propulses the bodies’ actions. In these ritual practices, what can – or cannot – be conveyed, and thus destabilize the practice of drawing which, by this means, becomes both trajectory and process? Finally what do these rituals have to do with us, visual artists, despite their profound opaqueness?
Brauner, Nathan. "Dance Gala 2016: navigating stage management in dance". Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5425.
Texto completo da fonteStavretis, Lyn, e lstavret@bigpond net au. "The Dance of Compliance: Performance Management in Australian Universities". RMIT University. Management, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080521.123556.
Texto completo da fonteSietsma-Smith, Maggi. "Listen to me dance : an analysis of human voice in the construction of meaning in dance performance". Thesis, Queensland University of Technology, 1994. https://eprints.qut.edu.au/35856/1/35856_Sietsma-Smith_1994.pdf.
Texto completo da fonteGrund, Meagan E. "Columbus cares a benefit dance performance/". Connect to resource, 2008. http://hdl.handle.net/1811/32150.
Texto completo da fonteLivros sobre o assunto "Performance dansée"
Renard, Johanna. Un ennui radical: Yvonne Rainer, danse et cinéma. Cherbourg-en-Cotentin: De l'incidence éditeur, 2022.
Encontre o texto completo da fontePencenat, Corine. Au milieu du chemin--: Danse, scène, performance. Strasbourg]: Université de Strasbourg, 2010.
Encontre o texto completo da fonteBarbéris, Isabelle. L'archive dans les arts vivants: Performance, danse, théâtre. Rennes: Presses universitaires de Rennes, 2015.
Encontre o texto completo da fonteSteinman, Louise. The knowing body: Elements of contemporary performance & dance. Boston: Shambhala, 1986.
Encontre o texto completo da fonteSteinman, Louise. The knowing body: The artist as storyteller in contemporary performance. Berkeley, Calif: North Atlantic Books, 1995.
Encontre o texto completo da fonteVogel, Deborah. Tune up your turnout: A dancer's guide. Oberlin, Ohio: White Owl Pub., 2005.
Encontre o texto completo da fonteMoss, Alexandra. Lara's perfect performance. London: Scholastic, 2005.
Encontre o texto completo da fonteZenicola, Denise Mancebo. Máscaras decoloniais: Dança e performance = Decolonial masks : dance and performance. Rio de Janeiro: Mauad X, 2020.
Encontre o texto completo da fonteChristoffersen, Henrik. Den danske kommunekonstruktion: Kommunedannelsen med og efter strukturreformen : professionalisering, organisering og performance. Odense: Forskningsprogrammet om Strukturreformen og Syddansk Universitetsforlag, 2012.
Encontre o texto completo da fonteSoar, Kathryn, e Christina Aamodt. Archaeological approaches to dance performance. Oxford, England: Archaeopress, 2014.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Performance dansée"
Klich, Rosemary, e Edward Scheer. "Dance + Virtual = Multimedia Performance". In Multimedia Performance, 105–26. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35759-4_7.
Texto completo da fonteChallis, Jasmine. "Dance nutrition". In Nutrition for Dance and Performance, 2–10. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003219002-1.
Texto completo da fonteHopgood, Jeromy. "Performance Spaces". In Dance Production, 41–54. 2a ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003291794-6.
Texto completo da fonteRokotnitz, Naomi. "“A Spiritual Dance:” Moisés Kaufman’s 33 Variations". In Trusting Performance, 97–128. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230370753_5.
Texto completo da fonteCoker-Cranney, Ashley. "Dance". In Building Consulting Skills for Sport and Performance Psychology, 55–59. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003089629-14.
Texto completo da fonteCrease, Robert P. "On Not Being Able to Dance: The Interring". In Performance Phenomenology, 205–15. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-98059-1_10.
Texto completo da fonteChallis, Jasmine. "Energy for dance". In Nutrition for Dance and Performance, 22–54. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003219002-3.
Texto completo da fonteWilson, Heidi. "Community Dance in Performance". In An Introduction to Community Dance Practice, 63–75. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-05623-8_7.
Texto completo da fonteAmans, Diane, e Heidi Wilson. "Community Dance in Performance". In An Introduction to Community Dance Practice, 63–75. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60340-1_7.
Texto completo da fonteKaye, Nick. "Modern Dance and the Modernist Work". In Postmodernism and Performance, 71–89. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23334-2_5.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Performance dansée"
"Application of Dance Skills in Dance Performance". In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.126.
Texto completo da fonteBaetens, Jan. "Le personnage de l’écrivain dans le roman-photo". In Écrivains en performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6412.
Texto completo da fonteBlesch, Agnès. "Cartographie de la conférence dans la littérature française contemporaine". In Écrivains en performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6384.
Texto completo da fonte"The Relationship between Dance Music Structure and Dance Performance". In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29132.
Texto completo da fontePillet, Élisabeth. "Un poète « dans ses œuvres » au cabaret montmartrois : Jehan Rictus". In Écrivains en performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6378.
Texto completo da fonteJames, Jodi, Todd Ingalls, Gang Qian, Loren Olsen, Daniel Whiteley, Siew Wong e Thanassis Rikakis. "Movement-based interactive dance performance". In the 14th annual ACM international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1180639.1180733.
Texto completo da fonteVarela, Pamela. "transcendence – trance ‘n dance (performance)". In Proceedings of Polititcs of the machines - Rogue Research 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/pom2021.14.
Texto completo da fonteEssid, Slim, Dimitrios Alexiadis, Robin Tournemenne, Marc Gowing, Philip Kelly, David Monaghan, Petros Daras, Angelique Dremeau e Noel E. O'Connor. "An advanced virtual dance performance evaluator". In ICASSP 2012 - 2012 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2012. http://dx.doi.org/10.1109/icassp.2012.6288366.
Texto completo da fontePeng, Youhong Friendred, e Atau Tanaka. "Body and Embodiment in Dance Performance". In MOCO '19: 6th International Conference on Movement and Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3347122.3359596.
Texto completo da fonteLong, Yixin, e Ren-Ke He. "Game or Performance: The Future of Dance Under the Intervention of Digital Interactive Technology". In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001990.
Texto completo da fonteRelatórios de organizações sobre o assunto "Performance dansée"
Carette, G. G., e V. M. Malhotra. Caractérisation des cendres volantes Canadiennes et leur performance relative dans le béton. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1986. http://dx.doi.org/10.4095/307074.
Texto completo da fonteBelzil, Christian, Jorgen Hansen e Julie Pernaudet. Les déterminants cognitifs et non-cognitifs du choix de filière et leur impact sur la phase initiale du cycle professionnel. CIRANO, maio de 2024. http://dx.doi.org/10.54932/zmct9599.
Texto completo da fonteJansson, Tor, Damian von Stauffenberg, Naomi Kenyon, Julie Abrams e Frank Abate. Indicateurs de performance pour les institutions de microfinance: Guide technique: 2e edition. Inter-American Development Bank, março de 2003. http://dx.doi.org/10.18235/0010336.
Texto completo da fonteCorkum, Eleanor, Tiffanie Perrault e Erin C. Strumpf. Améliorer les parcours de diagnostic du cancer du sein au Québec. CIRANO, outubro de 2023. http://dx.doi.org/10.54932/tlak9928.
Texto completo da fonteRogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, novembro de 2023. http://dx.doi.org/10.23889/sureport.65084.
Texto completo da fonteBoiral, Olivier, David Talbot, Laurence Guillaumie e Marie-Christine Brotherton. La prise en compte des risques ESG dans les entreprises agroalimentaires québécoises. CIRANO, maio de 2024. http://dx.doi.org/10.54932/zzfi4274.
Texto completo da fonteCuvelier, Lucie. Agir face aux risques, regard de l’ergonomie. Fondation pour une culture de sécurité industrielle, maio de 2016. http://dx.doi.org/10.57071/332rge.
Texto completo da fonteDaniellou, François. Les facteurs humains et organisationnels dans le projet de conception d'un système à risques. Fondation pour une culture de sécurité industrielle, agosto de 2013. http://dx.doi.org/10.57071/398epw.
Texto completo da fonteKolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, abril de 2024. http://dx.doi.org/10.32370/ia_2024_03_11.
Texto completo da fonteKolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, abril de 2024. http://dx.doi.org/10.32370/ia_2024_01_11.
Texto completo da fonte