Bibliografias temáticas / Performance art – france

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Literatura científica selecionada sobre o tema "Performance art – france"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Performance art – france"

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Valls-Russell, Janice. "Footsbarn." Cahiers Élisabéthains: A Journal of English Renaissance Studies 96, no. 1 (2018): 117–30. http://dx.doi.org/10.1177/0184767818767542.

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This article takes as its starting point the Footsbarn Travelling Theatre’s move from Britain to France in the early 1980s. It argues that this relocated Footsbarn in a political, geocultural and linguistic context that reinforced their idiosyncratic approach to Shakespeare and Molière. Focusing on performances in southern France and drawing on textual and visual archives as well as interviews and spectator-responses, the article offers insights into the ways exposure to non-Anglophone audiences enriched the company’s art forms through exchanges with different cultures, enabling it to elaborat
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Formis, Barbara. "Ordinary Sensibilia." ESPES. The Slovak Journal of Aesthetics 10, no. 2 (2021): 118–33. https://doi.org/10.5281/zenodo.5866484.

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In this paper, I propose some philosophical reflections arising from the encounter with a work of art, namely the&nbsp;<em>Squatting Aphrodite</em>, which is one of the Roman copies that is held in the same room as the&nbsp;<em>Venus de Milo&nbsp;</em>in the Louvre Museum in Paris, France. From the description of this artwork and the effect it has on the spectator, I draw three main consequences: the conceptual difference between ordinary sensibility and everyday aesthetics; the criticism of aesthetic conformity, and the political implications of adopting an ordinary perspective towards aesthe
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HAINES, JOHN. "Living troubadours and other recent uses for medieval music." Popular Music 23, no. 2 (2004): 133–53. http://dx.doi.org/10.1017/s0261143004000133.

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This essay aims to expand on existing narratives of medieval music performance by exploring recent interpretations of the troubadours. Recent advances in the field of ethnomusicology, popular music and medieval music reception suggest the need to view medieval music performance in ways other than the conventional narrative of early music performance. This article focuses on the troubadours, originally song-makers in the late medieval Midi, or South of France. Based on my interviews with recent ‘living troubadours’ in the United States and France, I present evidence for multifarious musical int
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Järvinen, Hanna. "Historical materiality of performance: On the costumes ofThe Rite of Spring(1913)." Studies in Costume & Performance 5, no. 2 (2020): 153–73. http://dx.doi.org/10.1386/scp_00023_1.

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By focusing on surviving costumes of the 1913 production ofThe Rite of Spring, this article asks how a close examination of costumes and their role in historical performance practice can change our understanding of a canonical work of art. It argues for methodological pluralism in examining material remains together with manuscript annotations, images and reviews of the production rarely considered in previous research and, consequentially, for a critical examination of all previous claims, including the so-called reconstruction (1987) ofThe Rite of Spring. Compared with designs and costumes o
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Radzetskaya, Olga Vladimirovna. "Viola in french music of the first half of the 20th century: performance and pedagogy." Culture. Art. Education, no. 1 (December 26, 2022): 72–79. http://dx.doi.org/10.37816/2949-1762-2022-1-1-72-79.

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The article presents the history of viola performance in the musical art of France in the late XIX –early XX centuries, associated with the formation of the national pedagogical school and the appearance of several famous works of chamber and ensemble repertoire. T. Laforge, P. Monte, A. Kazadezus, L. Bailly, P.-L. Neubert, M. Vieux, in many respects were the initiators of this process, which reflected technical and artistic merits of the instrument in the light of bright cultural transformations of the era, in the variety of ideas and meanings, their realization in the works of modern French
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Marks, Laura U. "Calligraphic Animation: Documenting the Invisible." Animation 6, no. 3 (2011): 307–23. http://dx.doi.org/10.1177/1746847711417930.

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Calligraphic animation shifts the locus of documentation from representation to performance, from index to moving trace. Animation is an ideal playing field for the transformative and performative qualities that Arabic writing, especially in the context of Islamic art, has explored for centuries. In Islamic traditions, writing sometimes appears as a document or a manifestation of the invisible. Philosophical and theological implications of text and writing in various Islamic traditions, including mystic sciences of letters, the concept of latency associated with Shi‘a thought, and the performa
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Al-Shamma’a, Abdullrahman A., Hammed O. Omotoso, Fahd A. Alturki, et al. "Parameter Estimation of Photovoltaic Cell/Modules Using Bonobo Optimizer." Energies 15, no. 1 (2021): 140. http://dx.doi.org/10.3390/en15010140.

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In this paper, a new application of Bonobo (BO) metaheuristic optimizer is presented for PV parameter extraction. Its processes depict a reproductive approach and the social conduct of Bonobos. The BO algorithm is employed to extract the parameters of both the single diode and double diode model. The good performance of the BO is experimentally investigated on three commercial PV modules (STM6-40 and STP6-120/36) and an R.T.C. France silicon solar cell under various operating circumstances. The algorithm is easy to implement with less computational time. BO is extensively compared to other sta
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Dzivaltivskyi, Maksym. "CHORAL GENRE AND STYLE IN THE CONTEXT OF THE MODERN ART STUDIES." 1 1, no. 1 (2020): 50–57. http://dx.doi.org/10.34142/27091805.2020.1.01.08.

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Object. The purpose of this article is to systematize art schools in relation to the definitions of choral genre and choral style. Methods. Traditional research methods: comparative analysis of scientific and musicological literature, analytical, historical, retrospective have been used. Results. Choral performance, as a part of the professional musical art, has evolved with the general principles of the development of the professional art in general. For many centuries certain norms have been developed in the choral performance practice. They corresponded to aesthetic ideas about the vocal so
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M, Paithane Pradip. "Effective Forecasting of Key Features in Hospital Emergency Department." Advances in Robotic Technology 2, no. 1 (2024): 1–3. http://dx.doi.org/10.23880/art-16000113.

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Efficiently forecasting the demands within a hospital’s Emergency Department (ED) is critical for optimal resource allocation and patient care management. This study focuses on leveraging deep learning techniques to predict various types of ED patient flows, facilitating informed decision-making by ED managers. The rising success of deep learning networks in modeling timeseries data makes them a compelling choice for patient flow forecasting. In this context, we investigate and compare seven deep learning models-Deep Belief Network (DBN), Restricted Boltzmann Machines (RBM), Long Short-Term Me
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Proust, Serge. "Portrait of the Theatre Director as an Artist." Cultural Sociology 13, no. 3 (2019): 338–53. http://dx.doi.org/10.1177/1749975519837400.

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In France, the theatrical field is split between a commercial pole and a public pole. Within the latter, theatre directors occupy a central position. They monopolize public subsidies, run theatre-related institutions and receive most of the symbolic rewards. As a result of their efforts, theatre direction has gained recognition as a work of art, but at the cost of conflicts with actors and playwrights. Furthermore, thanks to government intervention, they have neutralized the need to adjust to private demand. However, their success is still limited by several factors. Theatre directors are subj
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Teses / dissertações sobre o assunto "Performance art – france"

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Lemée, Jean-Philippe. "Actions, happenings, évènements, performances : l'art de l'action en France de 1960 à 1975." Rennes 2, 1986. http://www.theses.fr/1986REN20018.

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Cette thèse porte sur des gestes artistiques réalisés en direct, face au public ou avec la participation active de celui-ci, sur des "oeuvres" éphémères ou le vécu entre comme élément indispensable, comme outil artistique en somme. Jamais jusqu'à présent ces gestes n'ont été regroupés, jamais il n'y a eu volonté de les traiter comme un tout, jamais il n'y a eu d'étude globale de "l'art de l'action". Nous tentons cette étude dans certaines limites toutefois. La période choisie est privilégiée : d'un côté, le début des années soixante voit une véritable explosion de l'action ; de l'autre, autour
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Bégoc, Janig Poinsot Jean-Marc. "L'art corporel et sa réception en France chronique 1968-1979 /." Rennes : Université Rennes 2, 2009. http://theses.scdbases.uhb.fr:8000/theseBegoc.pdf.

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Monnier, Ariane. "La reconstitution des faits dans le procès d'assises : anthropologie d'une performance." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0631.

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Fondée sur un travail de terrain réalisé en France en 2011 et en 2012 autour de trois procès d'assises, concernant des faits criminels survenus entre 1998 et 2008 à Ajaccio, Béziers et Castelnau-Le-Lez, la thèse analyse la reconstitution des faits dans le procès sous l'angle d'une performance. La notion de performance est explorée dans un sens double : dans le sens d'un exploit - une manière particulière d'exploiter les faits - autant que dans le sens d'un spectacle au cours imprévisible. Les éléments exploités par le procès sont envisagés comme les restes d'un éclatement dont une part plus ou
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Boivineau, Pauline. "Danse contemporaine, genre et féminisme en France (1968-2015)." Thesis, Angers, 2015. http://www.theses.fr/2015ANGE0034/document.

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Cette thèse porte sur un objet complexe liant danse contemporaine, genre et féminisme dans l’espace français de 1968 à 2015. La danse partage les préoccupations des militantes féministes à l’égard des problématiques d’identité, de sexualité, d’émancipation,de déconstruction du genre et des binarismes, de recherche universaliste ou de féminitude. Nous analysons comment le féminisme informe les artistes qui, quelle que soit l’époque, peinent à se dire féministes ou à penser leur art comme l’expression de leur engagement. Considérer le potentiel subversif de la danse implique une analyse de son r
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Chevalier, Fleur. "Formater pour mieux régner : vidéastes et performers à l’épreuve de la télédistribution en France, 1975-1998." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080045.

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Dès les années 1960, dans le contexte de la télédistribution française, des artistes profitent d’accéder à des équipements sophistiqués pour explorer le potentiel plastique de l’image électronique et mener leurs propres recherches visuelles. À la croisée du cinéma expérimental ou militant, des mouvements d’avant-garde et de l’art cinétique, ces pratiques marginales ne répondent pas aux normes du réalisme photographique ou de la vraisemblance illusionniste qui régissent la production audiovisuelle mainstream. Comment trouver sa place dans une structure vouée toute entière à la distribution de p
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Barbut, Clélia. "Corps à l'oeuvre, à l'ouvrage et à l'épreuve : sociohistorique des arts de la performance, années 1970." Doctoral thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/25980.

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"Thèse en cotutelle Doctorat interuniversitaire en histoire de l’art Université Laval Québec, Canada, Philosophiae doctor (Ph.D.) et Université Sorbonne Nouvelle Paris 3, Paris, France, Docteure"<br>Tableau d’honneur de la Faculté des études supérieures et postdoctorales, 2015-2016<br>Entre les décennies 1960 et 1980 émergent les courants de l’« art de la performance », du « happening », du « body art », de l’« art corporel » ou encore de l’« art de l’action », qui désignent les démarches des nombreux plasticiens qui font directement intervenir le corps, souvent leur propre corps, dans leurs t
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Parlati, Luigia. "Faire le slam : une ethnographie des pratiques poétiques collectives entre Paris et Marseille." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH169.

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Cette recherche porte sur une pratique de création poétique, le slam, qui est née à la fin des années 1980 aux États-Unis et qui est aujourd’hui largement répandue dans plusieurs pays, notamment en France. Si le succès de public (en 2006) d’artistes comme Grand Corps Malade est la forme plus reconnaissable de cette pratique de par sa médiatisation, il existe une hétérogénéité de « formes slam » et de pratiques qui sont devenues l’objet de cette thèse. Un slam de poésie est un espace de parole ouvert à tous et il est organisé selon différents dispositifs, de la compétition au « micro ouvert » e
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Marcel, Mathilde. "Arts de la rue : inventaire et nuancier 2010-2015 (France)." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30065/document.

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Voir, écouter, sentir et constituer un corpus sensible qui rend compte de la diversité et de la multiplicité des formes et des propositions regroupés sous l'appellation des Arts de la rue.Cette étude s'appuie sur de nombreux entretiens avec des artistes et des professionnels du secteur. C'est un voyage au cœur des Arts de la rue qui assied le lecteur à la table où l'on pense et écrit les projets, l'emmène assister aux répétitions, aux repérages ainsi qu'aux premières représentations publiques et lui laisse ainsi voir la réalité de la création.Cette réflexion sur les Arts de la rue prend pour p
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Férey, Norman. "La déconstruction du corps et des sexualités dans les performances artistiques en France de 1970 à 2000 : vers une prise en compte de la notion de genre." Paris 8, 2014. http://octaviana.fr/document/182002225#?c=0&m=0&s=0&cv=0.

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Au cours des années 1990, la notion de genre attachée au contexte culturel des corps s’est difficilement fait une place au sein de la sphère intellectuelle. Cette notion s’est-elle déployée plus facilement dans le champ de la performance ? Dès les années 1970, le corps tient une place contestataire importante dans la création notamment en matière de déconstruction des sexes : c’est le développement de l’art corporel. Plusieurs artistes recherchent dans cette perspective les fondamentaux du corps qui puissent résoudre les problèmes culturels liés à la différence sexuelle. Plus tard, dans les an
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Bégoc, Janig. "L’art corporel et sa réception en France : chronique 1968-1979." Rennes 2, 2008. http://www.bu.univ-rennes2.fr/system/files/theses/theseBegoc.pdf.

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Réduit à une étiquette et converti en objet théorique, l’art corporel a perdu son histoire. Cette étude se propose de restituer les faits qui ont conduit Gina Pane et Michel Journiac à utiliser leur corps comme un médium artistique, et d’examiner les processus de socialisation grâce auxquels leurs travaux ont accédé à la confrontation critique. Menée à l’appui des sources et abordée sous l’angle de la médiation, cette chronique éclaire les modalités de la reconnaissance de l’art corporel en France, des premiers rejets à l’entrée au musée. L’analyse des discours à l’aune des débats esthétiques
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Livros sobre o assunto "Performance art – france"

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Reilly, Diane. The Cistercian Reform and the Art of the Book in Twelfth-Century France. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985940.

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This book is a study of the programmatic oral performance of the written word and its impact on art and text. Communal singing and reading of the Latin texts that formed the core of Christian ritual and belief consumed many hours of the Benedictine monk's day. These texts-read and sung out loud, memorized, and copied into manuscripts-were often illustrated by the very same monks who participated in the choir liturgy. The meaning of these illustrations sometimes only becomes clear when they are read in the context of the texts these monks heard read. The earliest manuscripts of Cîteaux, copied
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Trinchieri, Camiz Franca, and McIver Katherine A. 1949-, eds. Art and music in the early modern period: Essays in honor of Franca Trinchieri Camiz. Ashgate, 2003.

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Boagno, Marina. Franco Corelli: I suoi personaggi. Azzali, 2002.

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Boagno, Marina. Franco Corelli: Un uomo, una voce. Azzali, 1990.

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Nony, Anaïs. Performative Images. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722827.

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Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about
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William, Brooks, and Yarrow Philip John, eds. The dramatic criticism of Elizabeth Charlotte, Duchesse D'Orleans: With an annotated chronology of performances of the popular and court theatres in France 1671-1722, reconstructed from her letters. E. Mellen Press, 1996.

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Carnal art: Orlan's refacing. University of Minnesota Press, 2005.

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Carnal Art: Orlan's Refacing. University of Minnesota Press, 2005.

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Moran, Claire. Art of Theatre: Word, Image and Performance in France and Belgium, C. 1830-1910. Lang AG International Academic Publishers, Peter, 2013.

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Moran, Claire. Art of Theatre: Word, Image and Performance in France and Belgium, C. 1830-1910. Lang AG International Academic Publishers, Peter, 2013.

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Capítulos de livros sobre o assunto "Performance art – france"

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Stead, Evanghelia. "5. Paris Performance Alive and Dead." In Grotesque and Performance in the Art of Aubrey Beardsley. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0413.05.

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Chapter 5, Paris Performance Alive and Dead, explores Beardsley's reception in periodicals and the press in France with new first-hand evidence. It highlights the reproduction and diffusion of Beardsley's images beyond textual comments favoured by previous studies, and shows their flexibility and sway. Recalling Beardsley’s multiple connections to France, it follows his performance though the Montmartre journal Le Courrier français, his deliberate choice of images that had shocked the English public, his adaptability, and influence on French artists. It highlights the paradox in the relations
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Ruoff, Cynthia. "Enchantment in Baroque Festive Court Performances in France: Les Plaisirs de L’Isle Enchantée." In The Aesthetics of Enchantment in the Fine Arts. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3234-5_19.

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Buscatto, Marie, Soline Helbert, and Ionela Roharik. "2. French Opera." In Gender-Based Violence in Arts and Culture. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0436.02.

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In the years following the 2017 #MeToo movement, the French classical music world has experienced a huge social media increase of testimonies and discussions related to gender-based violence. In August 2020, a storm broke over the professional world of opera: French soprano Chloé Briot announced in La Lettre du Musicien that she had lodged a complaint against a fellow singer, whom she accused of sexually assaulting her on stage during a performance of The Flood, declaring that she wanted to ‘put an end to the law of silence’. The information was immediately relayed and discussed in various med
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Bjørn, Pernille, Maria Menendez-Blanco, and Valeria Borsotti. "GRACE: Designing Sociomaterial Assemblages Unpacking Gender Equity in Computing." In Diversity in Computer Science. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13314-5_6.

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AbstractThis chapter introduces GRACE, a FemTech sociomaterial assemblage that performs concerns related to equity in computing. GRACE is an interactive installation combining IoT, origami paper, and the history of computing performed at three events in Denmark, the USA, and France. Each event was designed to unpack equity in computing through different types of sociomaterial performances, while allowing us to collect data about the lived experiences of equity in computing. GRACE is both reconfigurable and relational. It is reconfigurable because GRACE is malleable and can take different forms
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Corbellini, Sabrina. "Reading and writing for success: literacy, knowledge and social mobility." In Datini Studies in Economic History. Firenze University Press, 2025. https://doi.org/10.36253/979-12-215-0667-9.27.

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This contribution examines the nexus between literacy and social mobility during the late medieval period. Proceeding from an analysis of autobiographical Italian primary sources, it concentrates on patterns of presentation and self-representation, particularly as they concern education, literacy and participation in literate activities as instruments for the creation of new social identities. The various source materials (e.g. diaries, libri di famiglia, treatises discussing the performance of literate practices, manuscript colophons and probate inventories), are then contextualised within a
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Hardon, Anita. "Chemical Sexualities." In Critical Studies in Risk and Uncertainty. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57081-1_4.

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Abstract In this chapter, we present ethnographies from the Philippines, Indonesia, Ethiopia, and France that together show how young people use chemicals to shape their bodies, enhance their sexual pleasure, and foster their sexual hygiene. Through these intimate stories, we show how young people use chemicals to try out different sexual identities, connect with partners, enhance sexual experiences, and prevent unwanted pregnancies, as well as enhance their sexual performance. In this way, chemicals are used both as a way to relate to others and also to explore themselves. In Chemical Sexuali
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Fang, Xianming. "Chapter 4. Multimodality in refusals in English as a lingua franca." In Multimodal Im/politeness. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.333.04fan.

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This study investigates how multimodal cues are used for rapport management in refusals in the context of English as a lingua franca (ELF). Ten Chinese and ten Indonesian speakers were put in pairs and conducted role-plays in relation to requests and refusals. After the role-plays, they had immediate interviews to reflect on their own and their partners’ performance. The results suggest that body positions (standing/sitting), smiling voices and smiling facial expressions, and the long gaze aversion are used by ELF refusers to maintain rapport: controlling power relationships, mitigating the fo
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Çag̃layan, Mehmet Ufuk. "AI and Quality of Service Driven Attack Detection, Mitigation and Energy Optimization: A Review of Some EU Project Results." In Communications in Computer and Information Science. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09357-9_1.

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AbstractThis article summarizes briefly the contributions presented in this EuroCyberSecurity Workshop 2021 which is organized as part of the series of International Symposia on Computer and Information Sciences (ISCIS), with the support of the European Commission funded IoTAC Project, that was held on November and in NIce, France, and sponsored by the Institute of Teoretical and Applied Informatics of the Polish Academy of Sciences. It also summarizes some of the research contributions of several EU Projects including NEMESYS, GHOST, KONFIDO, SDK4ED and IoTAC, primarily with a cybersecurity a
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Wilkie, Simeon, David Farrell, Nicola Lauder, and Ana Paula Arato Goncalves. "Performance Evaluation of Patch Repairs on Historic Concrete Structures (PEPS): Preliminary Results from Two English Case Studies." In RILEM Bookseries. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-39450-8_73.

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AbstractThe development of reinforced concrete through the 20th century has resulted in a wealth of historically and culturally significant concrete structures around the world. However, the durability and deterioration mechanisms of this new material were not well understood and, as a result, many historic reinforced concrete structures require ongoing maintenance and repair. Patch repairs are common during repair campaigns. However, balancing traditional conservation principles, such as minimal intervention and retreatability, with the best practices of contemporary concrete repair and the n
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Lançon, Clément Depature, Matthieu Renault, Danilo Crispiani, et al. "Hydrogen and Battery Trains, Which Technologies for Future Light Trains?" In Lecture Notes in Mobility. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-89444-2_32.

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Abstract Even if rail transport is a low carbon emission mode of transport, 20% of rail operations are done by diesel traction in France. SNCF, the French historical railway operator, is investing in the decarbonization of the fleet with the development of hydrogen and battery trains, which present different performances than current diesel or electric rolling stocks. By using a dedicated simulation tool, this paper addresses the diversity of line profiles and operating constraints of a light train with battery and hydrogen traction to map area of relevance and to define the energy and power r
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Trabalhos de conferências sobre o assunto "Performance art – france"

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Allion, Audrey, Charles David, Benoit Emo, and Nicolas Larché. "Laboratory Experiments vs Field Experience – Localized Corrosion Performance of Lean Duplex Stainless Steel UNS S32202 in Municipal Wastewater Treatment Plants." In CONFERENCE 2023. AMPP, 2023. https://doi.org/10.5006/c2023-19159.

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Abstract Thanks to their good corrosion resistance and ease to shape and weld, austenitic stainless steels (e.g. UNS S31603) are used as standard materials for the construction of urban wastewater treatment plants (WWTP). The main factors influencing the corrosiveness of the fluids in WWTP are halide concentration (more specifically chlorides), H2S content, low pH, temperature and their combined effects. The present paper deals with the localized corrosion performance of lean duplex UNS S32202 in solutions or in atmosphere simulating pre-treatment unit environment. It is compared to the austen
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Kain, R. M., and B. S. Phull. "Reflections on 70 Years of Marine Corrosion Research and Testing Inspired by Francis L. LaQue." In CORROSION 2017. NACE International, 2017. https://doi.org/10.5006/c2017-09571.

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Abstract Those presently involved in the marine corrosion field rely on documented historical data and collective experience to address present day needs pertaining to testing, research, and corrosion-control in marine environments. While certainly not the first to recognize or investigate materials performance in marine environments, Francis L. LaQue is arguably the most respected engineer/scientist for inspiring vast amounts of research and testing in this field, and sharing the results overtly with all interested parties Commencing in 1935 with the support of the International Nickel Compan
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Perrin, Anne-Laure, Amal Chabli, Guillaume Razongles, and Olivier Doucet. "Uncertainty calculation of indoor and outdoor performance measurements for PV modules." In 19th International Congress of Metrology (CIM2019), edited by Sandrine Gazal. EDP Sciences, 2019. http://dx.doi.org/10.1051/metrology/201908002.

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Since uncertainties are often overlooked, this analysis highlights why considering uncertainties on PV power or efficiency values is crucial in order to compare published values for different PV technologies. Following the International Energy Agency Report on “Uncertainties in PV System Yield predictions and Assessments” and European FP7 Sophia project, the state of the art of outdoor and indoor uncertainty calculations on PV modules performances is reviewed. Calculation tools are compared and discussed in order to identify the most relevant one. Indoor measurements are based on instantaneous
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Ozanam, Odile, and Gerald Ouzounian. "I-Graphite Waste Management in France." In ASME 2009 12th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2009. http://dx.doi.org/10.1115/icem2009-16301.

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In France about 23,000 tons of irradiated graphite waste were generated mainly from 9 nuclear gas-cooled reactors (UNGG type). All these reactors are now shut down. In France, a final disposal route has been decided for i-graphite waste management by the French Parliament in 2006. The planning act of June 28, 2006 has provisioned that a research and investigation programme shall be established with a view to developing disposal options for graphite waste. The low specific activity of these wastes means shallow disposal facilities located in a geological layer with a low permeability. The main
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Karjalainen-Roikonen, Paivi, Elisabeth Keim, Philippe Gilles, and Sébastien Blasset. "EC FP7 Structural Performance of MULTI-METAL Component: Project Overview." In ASME 2013 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/pvp2013-97574.

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The purpose of this paper is to introduce a new EUROATOM project focusing on the structural integrity assessment of dissimilar metal weld. The project started in February 2012 and will last 3 years. The project is coordinated by VTT with 10 partner organizations from Europe: Technical Research Centre of Finland, Finland (VTT) - Coordinator AREVA NP, France and Germany (ANP) Commissariat à l’Énergie Atomique et aux energies alternatives, France (CEA) Joint Research Centre of the European Commission, Belgium (JRC) EdF-Energy, United Kingdom (BE) Bay Zoltán Foundation for Applied Research, Hungar
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Périn, J., A. Dabas, P. H. Flamant, et al. "Retrieval of Meso-Scale Wind Field: Simulation and Performance for Wind." In Coherent Laser Radar. Optica Publishing Group, 1995. http://dx.doi.org/10.1364/clr.1995.tua4.

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Meso-scale meteorology received an increased interest in the past decade and prompts new studies supported by both experimental and modeling works. In the frame of this effort the scientific communities in France and Germany proposed to developed the WIND project (1) to fly an airborne Doppler lidar. Then, considering the deployment of a wind Doppler lidar in space around 2005, the objectives for WIND are twofold : to make a significant contribution to mesoscale meteorology, and act as a precursor for space borne projects as currently foreseen in Europe. The WIND project is developed in cooper
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Keinänen, Heikki, Elisabeth Keim, Paivi Karjalainen-Roikonen, Sébastien Blasset, Philippe Gilles, and Tomas Nicak. "Results of EC FP7 Structural Performance of MULTI-METAL Component Project: Dissimilar Metal Welds Fracture Resistance Investigation." In ASME 2015 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/pvp2015-45145.

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The purpose of this paper is to disseminate the results of an EURATOM project MULTI-METAL focusing on the structural integrity assessment of dissimilar metal welds. The project started in February 2012 and ended in February 2015. The project is coordinated by VTT with 10 partner organizations from Europe : Technical Research Centre of Finland, Finland (VTT) – Coordinator, AREVA NP, France and Germany (ANP), Commissariat à l’Énergie Atomique et aux energies alternatives, France (CEA), Joint Research Centre of the European Commission, Belgium (JRC), EdF-Energy, United Kingdom (BE), Bay Zoltán Fo
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"A Novel Memristor Design based on Hydrogen Movement on Silicon Surfaces." In Nanotech France 2024 International Conference. SETCOR Conferences and Events, 2024. https://doi.org/10.26799/cp-nanotech-france-2024/1.

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As edge computing advances, memristors are needed for enhanced performance and scalability with minimal energy, but precise resistance switching is a challenge. Silicon (Si) surfaces in a proton-conducting polymer can control memristor behaviour by depositing hydrogen (H) atoms, which increase conductivity via mid-gap traps, forming a memristor unit cell. This study investigates the critical function of H atoms by deliberately altering their positioning and concentration in silicon-based memristor devices. Using the Large-scale Atomic/Molecular Massively Parallel Simulator (LAMMPS), we investi
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Brock, James, Christopher Carlin, Hai Dong, et al. "Operational Performance of the CLAS12 Longitudinally Polarized Target for Run Group C." In International workshop on CLAS12 physics and future perspectives at JLab, 21-24 March 2023, Paris, France. US DOE, 2023. http://dx.doi.org/10.2172/1970744.

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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.

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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with expe
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Relatórios de organizações sobre o assunto "Performance art – france"

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Hachem-Vermette, Caroline, Kuljeet Singh Grewal, Gilles Desthieux, Javeriya Hasan, and Somil Yadav. Strategies for the Design of New and Existing High Energy Performance Solar Neighborhoods. Edited by Caroline Hachem-Vermette, Kuljeet Singh Grewal, and Maria Wall. IEA SHC Task 63, 2024. http://dx.doi.org/10.18777/ieashc-task63-2024-0003.

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This report provides a comprehensive overview of solar neighborhoods, including their definition, applications, standards, and regulations. It also outlines the methodology and tools used to develop archetype designs and analyses solar strategies at both building and neighborhood levels. The report presents selected archetypes from Canada, France, Italy, Norway, Sweden, and Switzerland and provides a decision-making tool for solar strategies. The target audience for this report includes architects, urban planners, policymakers, and anyone interested in sustainable and energy-oriented developme
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Welch, David, and Gregory Deierlein. Technical Background Report for Structural Analysis and Performance Assessment (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/yyqh3072.

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This report outlines the development of earthquake damage functions and comparative loss metrics for single-family wood-frame buildings with and without seismic retrofit of vulnerable cripple wall and stem wall conditions. The underlying goal of the study is to quantify the benefits of the seismic retrofit in terms of reduced earthquake damage and repair or reconstruction costs. The earthquake damage and economic losses are evaluated based on the FEMA P-58 methodology, which incorporates detailed building information and analyses to characterize the seismic hazard, structural response, earthqu
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Reis, Evan. Seismic Performance of Single-Family Wood-Frame Houses: Comparing Analytical and Industry Catastrophe Models (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/qmbu3779.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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Zareian, Farzin, and Joel Lanning. Development of Testing Protocol for Cripple Wall Components (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/olpv6741.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER) and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA project is to provide scientifically-based information (e.g., testing, analysis, and resulting loss models) that
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Cobeen, Kelly, Vahid Mahdavifar, Tara Hutchinson, et al. Large-Component Seismic Testing for Existing and Retrofitted Single-Family Wood-Frame Dwellings (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/hxyx5257.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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Reis, Evan. Development of Index Buildings, (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/fudb2072.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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Reis, Evan, Yousef Bozorgnia, Henry Burton, et al. Project Technical Summary (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/feis4651.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER) and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER-CEA Project.” The overall objective of the PEER–CEA project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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Schiller, Brandon, Tara Hutchinson, and Kelly Cobeen. Cripple Wall Small-Component Test Program: Wet Specimens I (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/dqhf2112.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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Roy, Camille, Dominique Derome, and Caroline Frenette. Modelling hygrothermal performance of wood assemblies exposed to fungi growth. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau541621854.

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This research project aims to document the spread of the biodegradation in wood frame buildings and, more specifically, to investigate the aggravating impact of the presence of the rotting fungus Serpula lacrymans in wood-based materials on the hygrothermal performance of wood-framed wall and floor assemblies. The proposed methodology is to calibrate a hygrothermal model of wood contaminated by varying stages of S. lacrymans. The S. lacrymans has a particular ability compared to other fungi in that it can move its water source to seek nutrients. Hyphen cords have been seen on brick and concret
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Schiller, Brandon, Tara Hutchinson, and Kelly Cobeen. Cripple Wall Small-Component - Test Program: Comparisons (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, 2020. http://dx.doi.org/10.55461/lohh5109.

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This report is one of a series of reports documenting the methods and findings of a multi-year, multi-disciplinary project coordinated by the Pacific Earthquake Engineering Research Center (PEER) and funded by the California Earthquake Authority (CEA). The overall project is titled “Quantifying the Performance of Retrofit of Cripple Walls and Sill Anchorage in Single-Family Wood-Frame Buildings,” henceforth referred to as the “PEER–CEA Project.” The overall objective of the PEER–CEA Project is to provide scientifically based information (e.g., testing, analysis, and resulting loss models) that
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