Livros sobre o tema "Perception Psychological aspects"
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Veja os 50 melhores livros para estudos sobre o assunto "Perception Psychological aspects".
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Music perception. New York: Springer, 2010.
Encontre o texto completo da fonteMoral perception and particularity. Cambridge [England]: Cambridge University Press, 1994.
Encontre o texto completo da fonte1953-, Davids K., e Williams J. G. P, eds. Visual perception and Action in Sport. New York: E&FN Spon, 1999.
Encontre o texto completo da fonte1953-, Davids K., e Williams J. G. P, eds. Visual perception and action in sport. London: E & FN Spon, 1999.
Encontre o texto completo da fonteDumaurier, Elisabeth. La perception dans le domaine sonore. Issy-les-Moulineaux, France: EAP, 1990.
Encontre o texto completo da fonteLondon, Justin. Hearing in time: Psychological aspects of musical meter. 2a ed. New York: Oxford University Press, 2012.
Encontre o texto completo da fonteColor perception in art. West Chester, Pa: Schiffer Pub., 1986.
Encontre o texto completo da fonteCenter for the Study of Language and Information (U.S.), ed. Color and color perception: A study in anthropocentric realism. Stanford, CA: Center for the Study of Language and Information, 1987.
Encontre o texto completo da fonteEbong, Maurice Okon. Environmental perception and human behaviour. Lagos, Nigeria: Published by Macmillan Nigeria Publishers for Nigerian Conservation Foundation, 1995.
Encontre o texto completo da fonteIrène, Deliège, e Sloboda John A, eds. Perception and cognition of music. Hove, East Sussex: Psychology Press, 1997.
Encontre o texto completo da fonteBang, Molly. Picture this: Perception & composition. Boston: Little, Brown, 1991.
Encontre o texto completo da fonteDavid, Butler. The musician's guide to perception and cognition. New York: Schirmer Books, 1992.
Encontre o texto completo da fonteSlife, Brent D. Time and psychological explanation. Albany, NY: State University of New York Press, 1993.
Encontre o texto completo da fontePatterns in interior environments: Perception, psychology, and practice. New York: J. Wiley & Sons, 1999.
Encontre o texto completo da fontePerception and action in medieval Europe. Rochester, NY: Boydell Press, 2005.
Encontre o texto completo da fonteMusical imaginations: Multidisciplinary perspectives on creativity, performance, and perception. Oxford: Oxford University Press, 2012.
Encontre o texto completo da fonteAlan, Allport, ed. Language perception and production: Relationships between listening, speaking, reading and writing. London: Academic Press, 1987.
Encontre o texto completo da fonteBeauchamp, James W. Analysis, synthesis, and perception of musical sounds: The sound of music. New York: Springer, 2010.
Encontre o texto completo da fonteThe perception of dotted forms. Hillsdale, N.J: L. Erlbaum Associates, 1987.
Encontre o texto completo da fonteInternational, Conference on Event Perception and Action (3rd 1985 Uppsala Sweden). Action and perception in rhythm and music: Papers given at a symposium in the Third International Conference on Event Perception and Action. Stockholm, Sweden: Kungl, Musikaliska akademien, 1987.
Encontre o texto completo da fonteOldenburger Symposion zur Psychologischen Akustik (8th 2000). Contributions to psychological acoustics: Results of the eighth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 2000.
Encontre o texto completo da fonte1986), Oldenburger Symposion zur Psychologischen Akustik (4th. Contributions to psychological acoustics: Results of the fourth Oldenburg Symposium on Psychological Acoustics. Oldenburg: BIS, Bibliotheks- und Informationssystem der Universität Oldenburg, 1986.
Encontre o texto completo da fonteKoslow, Robert Edward. Peripheral reaction time and depth perception as related to ball color. Eugene: Microform Publications,College of Human Development and Performance, University of Oregon, 1985.
Encontre o texto completo da fonteKahrmann, Klaus-Ove. Umkehrungen: Über den Zusammenhang von Wahrnehmen und Wirtschaften. Wiesbaden: VS Verlag für Sozialwissenschaften, 2010.
Encontre o texto completo da fontePsychological time and mental illness. New York: Gardner Press, 1987.
Encontre o texto completo da fonteBerendt, Joachim Ernst. Ich höre, also bin ich: Hör-Übungen, Hör-Gedanken. Freiburg im Breisgau: H. Bauer, 1989.
Encontre o texto completo da fontePromenades autour de la temporalité: Psychologie scientifique : à quoi, à qui sert la recherche. Paris: L'Harmattan, 2003.
Encontre o texto completo da fonteUlrike, Lehmkuhl, ed. Die Bedeutung der Zeit: Zeiterleben und Zeiterfahrung aus Sicht der Individualpsychologie. Göttingen: Vandenhoeck & Ruprecht, 2005.
Encontre o texto completo da fontePsychological metaphysics. London: Routledge, 1993.
Encontre o texto completo da fonteBigand, Emmanuel. L' organisation perceptive d'œuvres musicales tonales. [Paris]: Editions de la Maison des sciences de l'homme, 1993.
Encontre o texto completo da fonteTsur, Reuven. How do the sound patterns know they are expressive?: The poetic mode of speech perception. Jerusalem: Israel Science Publishers, 1987.
Encontre o texto completo da fonteDoors of perception: Icons and their spiritual significance. London: Mowbray, 1987.
Encontre o texto completo da fonteBaggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, NY: St. Vladimir's Seminary Press, 1995.
Encontre o texto completo da fonteBaggley, John. Doors of perception: Icons and their spiritual significance. Crestwood, N.Y: St. Vladimir's Seminary Press, 1988.
Encontre o texto completo da fonteCongrès de psychiatrie et de neurologie de langue française (83rd session 1985 Besançon, France). Les troubles de la perception de la musique d'origine neurologique: (les 3 niveaux de la désintégration de la perception musicale considérée comme une agnosie auditive). Paris: Masson, 1985.
Encontre o texto completo da fontePsychoacoustical and psychophysiological correlates of the emotional impact and the perception of music. Hannover: Center for Systems Neuroscience, 2007.
Encontre o texto completo da fonteThe perception of music. Hillsdale, N.J: L. Erlbaum, 1988.
Encontre o texto completo da fonteJ, Moore Brian C., Tyler Lorraine Komisarjevsky 1945- e Marslen-Wilson William, eds. The perception of speech: From sound to meaning. Oxford: Oxford University Press, 2009.
Encontre o texto completo da fonteInge, Godøy Rolf, e Jørgensen Harald, eds. Musical imagery. Exton, PA: Swets & Zeitlinger Publishers, 2001.
Encontre o texto completo da fonteJones, Mari Riess, Arthur Popper e Richard R. Fay. Music Perception. Springer, 2011.
Encontre o texto completo da fontePopper, Arthur N., Mari Riess Jones e Richard R. Fay. Music Perception. Springer New York, 2012.
Encontre o texto completo da fonteBlum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2011.
Encontre o texto completo da fonteBlum, Lawrence A. Moral Perception and Particularity. Cambridge University Press, 2010.
Encontre o texto completo da fonte1937-, Davis Steven, e Vancouver Studies in Cognitive Science Conference (9th : 1996 : Simon Fraser University), eds. Color perception: Philosophical, psychological, artistic, and computational perspectives. New York: Oxford University Press, 2000.
Encontre o texto completo da fontePerception and Decision-Making in Sport. Taylor & Francis Group, 2019.
Encontre o texto completo da fonteJackson, Robin, e A. Mark Williams. Perception and Decision-Making in Sport. Taylor & Francis Group, 2019.
Encontre o texto completo da fonteDowling, W. Jay, e Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Encontre o texto completo da fonteDowling, W. Jay, e Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Encontre o texto completo da fonteDowling, W. Jay, e Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
Encontre o texto completo da fonteDowling, W. Jay, e Robert Frances. Perception of Music. Taylor & Francis Group, 2014.
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