Teses / dissertações sobre o tema "Perception du danger"
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Ravi, Shankaran Raguram. "Survival, danger perception and the amygdala". Thesis, KTH, Skolan för teknik och hälsa (STH), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-119586.
Texto completo da fonteLandau-Wells, Marika. "Dealing with danger : threat perception and policy preferences". Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118222.
Texto completo da fonteCataloged from PDF version of thesis.
Includes bibliographical references (pages 193-216).
This dissertation develops and tests a new individual-level theory specifying the relationship between threat perception and policy preferences. The project takes a unified approach to studying the space of danger-mitigating political behaviors. It is designed to demonstrate that a single psychological model can apply to both citizens and elites and in both domestic and foreign policy issue areas. The first paper develops Threat-Heuristic Theory, a new individual-level model of the psychological processes linking the detection of danger to specific policy preferences for mitigating it. The paper presents a review of the literature in biology and cognitive science regarding evolved systems of threat perception and response, on which the theory draws. The paper demonstrates that the theory's core explanatory variable, threat classification, is not a proxy for other constructs already incorporated into political science. The paper also illustrates that the domain of complex dangers, characterized by low levels of agreement in threat classification, contains issues of interest to political science. The second paper applies the theory to explain variation in preferences for specific forms of immigration restriction in the U.S. The paper highlights the importance of understanding threat classification in order to move beyond explanations of pro/anti-immigrant sentiment towards a model that captures preferences for real-world policy options. The third paper applies the theory to a small number of elite policy-makers in order to explain their support for particular measures included in U.S. national security strategies of the early Cold War and of the first George W. Bush Administration. The paper demonstrates how "bad strategy' and problematic policy preferences can arise systematically through the operation of Threat-Heuristic Theory's psychological model and need not be solely explained by bureaucratic politics or error.
by Marika Landau-Wells.
Ph. D.
Ampofo-Boateng, Kwame. "Children's perception of safety and danger on the road". Thesis, University of Strathclyde, 1987. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21312.
Texto completo da fonteIslam, Shorful. "The socialisation of childrens' safety abilities : the role of parental supervision". Thesis, University of Lincoln, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342448.
Texto completo da fonteSchäfer, Thomas, David Huron, Daniel Shanahan e Peter Sedlmeier. "The sounds of safety: stress and danger in music perception". Universitätsbibliothek Chemnitz, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-177650.
Texto completo da fonteCorrell, Joshua. "Context, race and danger: The relationship between threat perception and the decision to shoot". Diss., Connect to online resource, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178352.
Texto completo da fonteLefebvre, Jo-Anne. "La mise en danger d'autrui en droit pénal : perception et mise en oeuvre du concept de mise en danger dans le nouveau Code pénal à travers le cas de la mise en danger d'autrui". Paris 2, 2009. http://www.theses.fr/2009PA020046.
Texto completo da fonteDurtschi, Shirley Kay. "Emotions and cognitions of athletes competing in a high-risk sport". Full text available online (restricted access), 1998. http://images.lib.monash.edu.au/ts/theses/Durtschi.pdf.
Texto completo da fonteMalrin, Antoine. "Utilisation de prothèses auditives en milieu de travail : évaluation de la perception des signaux utiles ou de danger pour les personnes appareillées". Electronic Thesis or Diss., Université de Lorraine, 2023. http://www.theses.fr/2023LORR0100.
Texto completo da fonteThis thesis is part of the prevention of occupational accidents and diseases. It was carried out at the INRS, which is the French research institute for the prevention of accidents at work and occupational diseases. The work carried out aims to acquire knowledge on the risks related to the use of hearing aids worn by hearing-impaired employees in their workplace. Indeed, the primary function of these hearing aids is to amplify acoustic signals in order to compensate for the deafness of a hearing impaired person. However employees may work in noisy environments for which the hearing aid may not be suitable; for example, it may lead to overexposure to noise. In order to prevent the potential risks incurred by employees wearing hearing aids, we wanted to develop a method for the frequency characterisation of hearing aids. This method must also enable to evaluate, by means of psychoacoustic indicators, the perception of employees of their working environment. The selected indicators allow the evaluation of speech intelligibility in noise, the audibility of alarms as well as the daily noise exposure level of the employee. Hearing aids can perform complex operations that may be non-linear. In order to take into account these potential non-linearities in frequency, we used a characterisation method dedicated to non-linear systems. This method is based on the use of a synchronized swept sine to determine filters representative of the frequency nonlinearities of the system studied. In order to represent working sound environments associated with the industrial or tertiary sector, an experimental setup has been developed in the semi-anechoic chamber of the INRS. This bench is based on the use of an acoustic dummy equipped with hearing aids placed in the center of a multidiffusion system that can reproduce a realistic acoustic field of work. In order to test the accuracy of the characterisation, three models of hearing aids were chosen in this thesis. More or less noisy sound scenarios were built up in order to represent acoustic work environments in which the employee may work. The experimental protocol and the associated device made it possible to compare the signals measured at the output of the mannequin's ear canal with those measured at the input of the hearing aid and those resulting from the simulation of the hearing aid. The comparison of the indicators at the hearing aid input and output makes it possible to judge the intelligibility of speech in noise, the audibility of the alarms as well as the level of daily noise exposure at the hearing aid output and to decide on their contribution to the hearing impaired. This work allows us to conclude, on the one hand, on the advantages and limitations of the method for the characterisation of aids. On the other hand, this work could eventually lead to recommendations on the use and choice of hearing aid settings according to the noise environment in the workplace for hearing impaired employees with hearing aids
Racine, Maryliz. "Le " danger allemand " L'évolution de la perception des membres du Ministère des Affaires étrangères françaises envers la menace allemande (1945-1954)". Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29531/29531.pdf.
Texto completo da fonteClay, Russ. "The Evolution of Conservative Attitudes as a Complement to Cognitive Threat Detection Mechanisms". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2828.
Texto completo da fonteVaniotou, MariaA. "Catégorisation de configurations de virages à l'aide de simulation, dans le but de l'amélioration de la perception du tracé de la route". Marne-la-vallée, ENPC, 1990. http://www.theses.fr/1990ENPC9029.
Texto completo da fonteSalmane, Houssam. "Reconstruction et analyse de trajectoires 2D d'objets mobiles par modélisation markovienne et par la théorie de l'évidence à partir de séquences d'images monoculaires - Application à l'évaluation du danger aux passages à niveau". Phd thesis, Université de Technologie de Belfort-Montbeliard, 2013. http://tel.archives-ouvertes.fr/tel-00953503.
Texto completo da fonteKermisch, Céline. "Risques et perceptions des risques: analyse historique et critique". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210568.
Texto completo da fonteHistorical study of the emergence conditions of risk perception as a research field; critical analysis of the psychometric paradigm and cultural theory, as well as of the underlying risk conceptions.
Doctorat en Philosophie
info:eu-repo/semantics/nonPublished
Andrews, Matthew George. "Walking through nature : Perceptions of Danger and Environmental Restoration". Thesis, University of Surrey, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518708.
Texto completo da fonteBaker, Kathleen. "FLORIDA TEACHER PERCEPTIONS CONCERNING INTERNET DANGERS FOR STUDENTS". Doctoral diss., University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3122.
Texto completo da fonteEd.D.
School of Teaching Learning and Leadership
Education
Educational Leadership EdD
Pugh, Patricia Ann. "Outside danger : children's independent mobility and perceptions of risk in the lived environment". Thesis, Nottingham Trent University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324591.
Texto completo da fonteStanich, Veronica Dittman. "Poetics and Perception: Making Sense of Postmodern Dance". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1402089308.
Texto completo da fonteHamburger, Heidi. "Southwest Border Patrol Agent Perceptions of Job-Related Threats and Dangers". ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5874.
Texto completo da fonteCartwright, Elizabeth 1959. "Malignant emotions: Indigenous perceptions of environmental, social and bodily dangers in Mexico". Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282765.
Texto completo da fonteDe, Negri Linai Vaz. "Self-perception and the learning of movement skills in dance and synchronized swimming : the effects of a somatic approach". The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1272289128.
Texto completo da fonteWalton, Elizabeth. "Dance style transitions : from dancers' practice to movement-based technology". Electronic Thesis or Diss., université Paris-Saclay, 2022. http://www.theses.fr/2022UPASG027.
Texto completo da fonteDesign methodologies for gesture- and movement-based interaction take divergent perspectives, either quantifying movement from an ex-ternal point of view or supporting inner sensation exploration and description. However, professional movers, like dancers, define poses and phrases using both descriptions from choreographers and personal, bodily cues. I argue that dance style transitions offer researchers insights into dancers’ experiences questioning and balancing the externally codified and internally not-possible-to-be-codified parts of their training. After employing qualitative methods, I present the challenges and strategies of the dance style transition and discuss how structu-ring technology around movement substrates could support the mentality change necessary for dancers to access new types of movement. I then describe the ImproviGrid System and discuss how output modality impacts dancer use of cues during improvisation, in order to understand how to design better for movement exploration, a challenge of the dance style transition. I conclude with greater implications of user-designed movement methodologies, reframing them as users creating choreographed gestures rather than researchers eliciting gestures
Wahrmann, Lockhart Daniel [Verfasser], Daniel J. [Akademischer Betreuer] Rixen, Daniel J. [Gutachter] Rixen e Maren [Gutachter] Bennewitz. "Autonomous Robot Walking in Unknown Scenarios : Perception, Modeling and Robustness in Dynamic Environments / Daniel Wahrmann Lockhart ; Gutachter: Daniel J. Rixen, Maren Bennewitz ; Betreuer: Daniel J. Rixen". München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1172414920/34.
Texto completo da fonteOliveira, Isaira Maria Garcia de. "As relações entre os programadores e espectadores de dança na cidade de São Paulo : o caso do TD - Teatro de Dança". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284346.
Texto completo da fonteTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta tese tem por objetivo fazer uma reflexão e uma análise sobre as relações que envolvem profissionais (especificamente programadores dos teatros/casas de espetáculos de dança); e seus respectivos espectadores, no campo das Artes e da Cena, tendo como base os próprios espetáculos de dança. Para que essas relações fossem analisadas adequadamente, objetivou-se descrever como o espectador de dança percebe e reage (percepção e recepção) frente aos espetáculos apresentados, através da ótica de Patrice Pavis; bem como o posicionamento de Bertolt Brecht, frente aos espectadores e sua recepção. Apresenta-se a questão do julgamento e do gosto sob a ótica do pensamento de Pierre Bourdieu; bem como as relações entre artistas de dança e seus espectadores sob a ótica do marketing e do comportamento do consumidor, através dos pensamentos de Jagdish Sheth, Janelle Marlow e Dianna Maul. As relações e a influência do ambiente físico (aspectos estruturais dos teatros), por exemplo, frente a percepção dos consumidores, também é mencionada sob a análise de Leon Schiffman. Procurando, dessa forma, identificar características comuns e singularidades dos espectadores de dança, tendo como base o estudo de caso, realizado no período entre fevereiro de 2008 a outubro de 2011: TD - Teatro de Dança, da Secretaria de Estado da Cultura/São Paulo
Abstract: This thesis aims to make a reflection and an analysis of the relations involving professionals (specifically programmers theater / theater dance) and their viewers in the field of Arts and Scene, based on their own shows dance. For these relationships to be analyzed properly aimed to describe how the viewer perceives and reacts (perception and reception) before the shows presented through the lens of Patrice Pavis, as well as the positioning of Bertolt Brecht, and his face to viewers reception. It presents the question of the trial and the like from the perspective of the thinking of Pierre Bourdieu, as well as relationships between artists and their audiences dancing from the perspective of marketing and consumer behavior, through the thoughts of Jagdish Sheth, Janelle Marlow and Dianna Maul. The relations and the influence of the physical environment (structural aspects of the theaters), for example, front the perception of the consumers, is also mentioned under the analysis of Leon Schiffman Therefore, looking for to identify the common features and peculiarities of the dance spectators, based on the case study, conducted between February, 2008 to October, 2011: TD - Theater of Dance, the State Secretary of the Culture/São Paulo
Doutorado
Artes Cenicas
Doutor em Artes
He, Zijia. "Disparities between American and Chinese Perceptions on Chinese Foreign Policy". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1926.
Texto completo da fonteBerk, Mario [Verfasser], Daniel [Akademischer Betreuer] Straub, Daniel [Gutachter] Straub, Matteo [Gutachter] Pozzi e Markus [Gutachter] Lienkamp. "Safety Assessment of Environment Perception in Automated Driving Vehicles / Mario Berk ; Gutachter: Daniel Straub, Matteo Pozzi, Markus Lienkamp ; Betreuer: Daniel Straub". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/119900572X/34.
Texto completo da fonteChang, Michael James. "Skill and Aesthetics in Latin Dance". Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20917.
Texto completo da fonteBrady, Adena Michelle. "The Evolutionary and Cognitive Basis of the Perception and Production of Dance". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10562.
Texto completo da fontePsychology
Fowler, Christopher Anthony. "On 'Clear And Present Danger'| The Influence of Firearm Legislation on College Student Perceptions of Mental Illness and Treatment-Seeking Intentions". Thesis, University of Missouri - Kansas City, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10615904.
Texto completo da fonteMental illness (MI) stigma is considered a primary barrier to seeking and remaining in treatment. Mental health experts argue that directly targeting persons with MI in an effort to reduce gun violence may increase public stigma via further associating MI with dangerousness and increasing public preferences for social distance. The present study experimentally investigated whether firearm laws targeting persons with MI who are considered to be a ‘clear and present danger’ to themselves and others can increase MI stigma (i.e., dangerousness, social distance) and ultimately decrease treatment-seeking intentions among college students. Examining mental health reporting practices imposed by such laws poses important questions about their influence on whether people are less likely to seek necessary treatments pending personal distress. The empirical evidence from a variety of research studies largely does not support the effectiveness of these laws. The current study differs from previous research by directly exposing participants to how these reporting provisions impact limits to confidentiality in the therapy process to determine whether they influence differences in treatment-seeking intentions and MI stigma. Additionally, this study examined whether perceived dangerousness and preference for social distance mediate the relationships between exposure to these reporting provisions and treatment-seeking intention. Two-hundred and twenty-nine undergraduate students were randomly-assigned by gender to read a therapy consent form containing clear and present danger reporting laws (CPD) or a standard therapy consent without these laws (control). Participants then completed measures of treatment-seeking intentions, perceived dangerousness, and preference for social distance. Contrary to hypotheses, perceived dangerousness, preference for social distance, and treatment-seeking intentions did not differ between the CPD and control conditions. Furthermore, dangerousness and social distance did not mediate the relationship between CPD conditions and intention to seek treatment. Findings do not support concerns that firearm laws directly targeting MI populations may increase stigma and decrease treatment-seeking intentions. Implications for MI populations, future research, and CPD laws are discussed.
Fuller, Melanie. "Injury surveillance and monitoring during transitions in dance training and careers including end-user perceptions towards training load practices". Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/207339/1/Melanie_Fuller_Thesis.pdf.
Texto completo da fonteZancan, Rubiane Falkenberg. "Motivação criadora e recepção estética no espetáculo Re-sintos da Muovere Companhia de Dança". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/17689.
Texto completo da fonteThe research entitled Creative Motivation and the Aesthetic Reception at Re- Sintos Performance of Muovere Dance Company has a question: How creative motivations and receptive process operate in a contemporary dance performance? The performance chosen to investigate the process of creation and reception crosses the borders between dance and theater, either by the casting composition by dancers and actors or by the general and scenic direction done, respectively, by Jussara Miranda and Jezebel de Carli, a dance artist and a theater artist. Re-Sintos has as characteristics: the emphasis of the non-facial neutrality; the utilization of sound elements, be it produced by the dancers or accompanied by the musical track; the scenery presentation; the use of the fragmented narrative; the utilization of dialogue with daily subjects; at least, values the corporal movement plasticity as its principal thread. As a way to systematize and organize the reading, this research is divided in three chapters: Chapter I analyses how the articulation between dance and theater happens at the Re-Sintos performance. Chapter II verifies what involves the reception process and how the performance offers itself to the receptive exercise. Chapter III examines and presents the way how the production and the reception of the Re-Sintos performance operate from some approximate characteristics from Gilles Deleuze and Félix Guattarri's rhizome. The features presented in Re-Sintos portray a conduction way of the work, which shows the presence of an investigative character that has the multiplicity as its effect. This multiplicity comprehends the connections, ruptures and contaminations consentied by the questioning way of look of the producers in a dynamic process of the creation's territorialization, deterritorialization and reterritorialization. About the aesthetic reception, it is observed that each spectator articulates its prior knowledge, the plural and paradoxical feelings in lines of segmentarity and lines of deterritoriamization. As the perception produces constantly connections and consecutive developments, when it creates new connections and demand without ceasing other agency the links between the creative motivations and the aesthetic receptions are rhizomatous and do not allow the spectator the full identification of the sources or origins.
Hinchliff, Sharron. "Phenomenology and the dance culture : women's perceptions of ecstasy use, clubbing and the body". Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20721/.
Texto completo da fonteBrasil, Ana Clara Cabral Amaral 1981. "Fuga! = jogo de percepções na fronteira entre a dança e o teatro". [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284034.
Texto completo da fonteAnexos: 1 DVD do espetaculo Fuga! gravado no Lume-teatro, em dezembro de 2007, 1 Livreto do espetaculo Fuga!, contendo sinopse tecnica completa e informação sobre o processo de criação, impressão em Campinas (SP), dezembro de 2007
Dissertação (mestrado] - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta pesquisa investiga os procedimentos utilizados pelo Núcleo Fuga! durante o processo de criação do espetáculo de mesmo nome. O Núcleo Fuga! é um núcleo de pesquisa vinculado ao Lume-teatro, e em seu primeiro experimento tratou de investigar as fronteiras entre as linguagens da dança e do teatro; para tanto foram utilizados procedimentos advindos das duas linguagens que possuem princípios de trabalho próximos e/ ou complementares. Princípios como a importância dada ao sujeito na criação, à percepção do indivíduo em relação à seu próprio corpo e ao ambiente em que está inserido, e o jogo gerado neste contexto. As ferramentas utilizadas foram: A Técnica Klauss Vianna da dança e procedimentos do Lume-teatro, da área do teatro, ambas as pesquisas de criadores brasileiros: Klauss Vianna e Luís Otávio Burnier, respectivamente; que se encontram em constante desenvolvimento e atualização pelos pesquisadores que continuaram seus trabalhos. Dançarinos e atores vivenciaram uma experimentação onde o corpo organizava as informações que recebia em território de jogo, e podia a partir das ferramentas em comum transitar entre as linguagens com liberdade e indisciplina, no bom sentido da palavra. Desestabilizando informações anteriores e gerando outras conexões, este espaço "entre" as linguagens foi sendo esboçado por corpos que puderam desenvolver disponibilidade e atenção, onde as sutilezas de relação geravam o jogo criativo. O experimento cênico que derivou deste processo se configurou também a partir dos princípios dos procedimentos utilizados. Conceitos como o de Zona de Turbulência e de Micropercepção iluminaram a pesquisa permitindo a construção da hipótese desta Dissertação, que sugere que os procedimentos utilizados permitiram um espaço de criação e troca baseado na experiência sensível do aqui - agora
Abstract: This research investigates the procedures used by the Nucleo Fuga! during the process of creation creation process of the spectacle with the same title. Núcleo Fuga! is a research center connected to the Lume-Teatro, and in its first research , it investigated the borders between the languages of the dance and the theater in its first experiment. To do soWith this goal in mind, itthere were used procedures taken from both languages which that have close similar or complementary working principles.Principles like the importance given to the subject in during the creation, to the individual related in relation to his/her own body and to the environment in which he/she is inserted; finally, the game created by this context., and the game created in this context.The tools used were: The Klauss Vianna techniquec in dance and the procedures of the Lume-Teatro, in the field of the Theater. Both researches were made by Brazilian creators: Klauss Vianna and Luís Otávio Burnier, respectively; that Ihey are now are constantly being developed and brought up to dateupdated by the researchers that continued their works. Dancers and actors went through an experiment where the body organized the received information in the game territory, and could, from the tools in common, pass through the languages with liberty and indiscipline (in the good sense of the word).Destabilizing previous information and generating other connections, these gaps between the languages have been sketched by bodies that were able to develop availability and attention, where the subtleness of relations generated the creative game. The scenic experiment that was derived from this process was also bought up from the principies of the used procedures.Concepts like "Zona de Turbulência", and micro perception lighted upshed light in the research, allowing for the construction of the hypothesis of this dissertation, which suggests that the used procedures used permitted a space of creation and exchange based in the sensitive experience of the "right here-right now"
Mestrado
Artes Cenicas
Mestre em Artes
Willadino, Isabel Costa. "Dança Zouk : trajetórias do aprendiz". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/49841.
Texto completo da fonteThis study is about the learning of the Zouk dance and has the aim to understand how the student coordinate the information at the moment of learning as well as to observe the way he reacts and orientates himself from the received information. The observations involve the way how the student tries to adequate the body to the gestual to accomplish the movement of the feet as well as to move with the music. The subjects of this study were 23 adults that were attending Zouk dance classes within two private schools and an university situated in Porto Alegre, Brazil. Data were collected during the months of August and September, 2011. The present research is supported by some theoreticians like Braun, Rebouças and Ranvaud (2009), Caregnato (2011), Fraisse (1974), Rocha (2008) and Wachowicz (2010). From the results, it is understood that the Zouk dance learning depends on the construction of the mental representation of gesture. Until the construction of the internal image occurs, the learner needs to choose sources of information to accomplish the tasks. I highlight the visual information indicated by the learners as the main source of information at the time of learning and the importance of the teacher as model and reference. Regarding the rhythmic aspects, it was found that the teacher's voice, using syllables and emphases, solidifies details of the rhythm. To learn the characteristic movements of the dance, the learner adjust the body to the downbeat of the music before understanding the musical time. The results of this study should contribute with reflections about the way to teach dance, using the specific Zouk music in a way to optimize the learning of the characteristic movement.
Töpfer, Daniel [Verfasser], e C. [Akademischer Betreuer] Stiller. "On Compositional Hierarchical Models for holistic Lane and Road Perception in Intelligent Vehicles / Daniel Töpfer. Betreuer: C. Stiller". Karlsruhe : KIT-Bibliothek, 2014. http://d-nb.info/1064940153/34.
Texto completo da fonteNkosi, Gugulethu Sebenzile. "Umkhosi Womhlanga (Reed Dance) as a tourism enterprise in KwaZulu-Natal: Perceptions, policies and practices". Thesis, University of Zululand, 2013. http://hdl.handle.net/10530/1282.
Texto completo da fonteuMkhosi Womhlanga is a traditional ceremony that is celebrated annually. This event attracts event tourists and generates revenue for the host communities of KwaNongoma, KwaZulu-Natal, and South Africa as a whole. It is assumed that the event has a massive tourism potential and platform to yield socio-economic benefits for the local community. Comprehensive planning and management are essential tools for hosting successful events. Event organizers or managers require extensive knowledge, skills, good intuition and an eye for beauty in the planning and management of special events. These are essential factors in this booming events sector of the tourism industry. The premises of this study involve understanding the meaning and objectives of celebrating uMkhosi Womhlanga as a traditional ceremonial event and ascertaining the extent to which uMkhosi Womhlanga is planned and managed in order to realize its full potential as a tourism enterprise. The study also highlights the policy framework that governs the event, the benefits, practices, participation levels and perceptions of all stakeholders linked to this ceremonial event. The research study area is KwaZulu- Natal. This paper has the following objectives: a) To find out whether stakeholders involved understand the origins and meaning of celebrating uMkhosi Womhlanga as a traditional and ceremonial event. b) To find out whether there are policies and procedures in place that govern the planning and management of the event. c) To indicate the extent to which the uMkhosi Womhlanga event is perceived as a tourist attraction in the study area. d) To establish the extent to which stakeholders participate in the uMkhosi Womhlanga event.
Sikkema, Marcel Daniel, e University of Lethbridge Faculty of Education. "Group treatment of men who are abusive : Counsellors' perceptions of what variables impact dropout / Marcel Daniel Sikkema". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, c2011, 2011. http://hdl.handle.net/10133/2608.
Texto completo da fontexvii, 174 leaves ; 28 cm
Denney, Karson B. "Real Men Can Dance, But Not in That Costume: Latter-day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2615.
Texto completo da fonteGrein, Marcel Verfasser], Daniel [Akademischer Betreuer] [Wentzel e Stefanie [Akademischer Betreuer] Paluch. "Does minimalistic product design equate to maximum liking? : The perception of visual design complexity / Marcel Grein ; Daniel Wentzel, Stefanie Paluch". Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130402584/34.
Texto completo da fonteGrein, Marcel [Verfasser], Daniel [Akademischer Betreuer] Wentzel e Stefanie [Akademischer Betreuer] Paluch. "Does minimalistic product design equate to maximum liking? : The perception of visual design complexity / Marcel Grein ; Daniel Wentzel, Stefanie Paluch". Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130402584/34.
Texto completo da fonteNovais, Maria João Abrantes de Figueiredo Gonçalves. "Orientações cognitivas de jovens bailarinas-comparação das suas perspectivas com as dos seus professores". Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Motricidade Humana, 1999. http://dited.bn.pt:80/29071.
Texto completo da fonteHerzner, Dominik. "Die Wahrnehmung der Figur „Adolf Hitler“ in Daniel Levys „Mein Führer- die wirklich wahrste Wahrheit über Adolf Hitler“ durch internationales Filmpublikum". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-227208.
Texto completo da fonteReimann, Daniel [Verfasser], Robert [Akademischer Betreuer] Gaschler, Robert [Gutachter] Gaschler e Roman [Gutachter] Liepelt. "Weighing the visual evidence – Experiments on the perception of data graphs / Daniel Reimann ; Gutachter: Robert Gaschler, Roman Liepelt ; Betreuer: Robert Gaschler". Hagen : FernUniversität in Hagen, 2020. http://d-nb.info/1221368532/34.
Texto completo da fonteReimann, Daniel Verfasser], Robert [Akademischer Betreuer] [Gaschler, Robert [Gutachter] Gaschler e Roman [Gutachter] Liepelt. "Weighing the visual evidence – Experiments on the perception of data graphs / Daniel Reimann ; Gutachter: Robert Gaschler, Roman Liepelt ; Betreuer: Robert Gaschler". Hagen : FernUniversität in Hagen, 2020. http://d-nb.info/1221368532/34.
Texto completo da fontePomper, Ulrich [Verfasser], Daniel [Akademischer Betreuer] Senkowski, Werner [Akademischer Betreuer] Sommer e Niko [Akademischer Betreuer] Busch. "Functional significance of EEG beta-band oscillations in multisensory perception and selective attention / Ulrich Pomper. Gutachter: Daniel Senkowski ; Werner Sommer ; Niko Busch". Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2015. http://d-nb.info/1068255390/34.
Texto completo da fonteKaimann, Daniel [Verfasser]. "Decision making under asymmetric information in markets for experience goods : empirical evidence of signaling effects on consumer perceptions / Daniel Kaimann". Paderborn : Universitätsbibliothek, 2015. http://d-nb.info/1068568992/34.
Texto completo da fonteDanner, Hannah [Verfasser], Luisa [Akademischer Betreuer] Menapace, Jutta [Gutachter] Roosen e Luisa [Gutachter] Menapace. "Sustainable consumption – insights from text mining on consumer perception and agenda setting and implications for consumer behavior / Hannah Danner ; Gutachter: Jutta Roosen, Luisa Menapace ; Betreuer: Luisa Menapace". München : Universitätsbibliothek der TU München, 2021. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20210730-1584829-1-8.
Texto completo da fonteGirard, Éric. "Le jugement des expressions faciales dynamiques : l'importance de l'intensité maximale et finale, et de la moyenne globale". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0021/NQ43074.pdf.
Texto completo da fonteMonroy, Agamez Ernesto Eduardo. "The role of motion smoothness, synchrony, and culture in aesthetic perception of human movement : from the method of production to the method of choice". Thesis, Brunel University, 2018. http://bura.brunel.ac.uk/handle/2438/16426.
Texto completo da fonteKöhntopp, Daniel [Verfasser], Andreas [Akademischer Betreuer] Birk, Andreas [Gutachter] Birk, Dieter [Gutachter] Kraus e Francesco [Gutachter] Maurelli. "Shape-based Machine Perception of Man-Made Objects on Underwater Sensor Data / Daniel Köhntopp ; Gutachter: Andreas Birk, Dieter Kraus, Francesco Maurelli ; Betreuer: Andreas Birk". Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2018. http://d-nb.info/1161606726/34.
Texto completo da fonte