Literatura científica selecionada sobre o tema "Pelican (Firm)"
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Artigos de revistas sobre o assunto "Pelican (Firm)"
Azis, Moch Abdul, Nur Hadianto, Jaja Miharja e Saifulloh Rifai. "IMPLEMENTASI ALGORITMA APRIORI UNTUK ANALISA PEMILIHAN TIPE GENRE FILM ANIME (STUDI KASUS : MYANIMELIST.NET)". Jurnal Pilar Nusa Mandiri 14, n.º 2 (15 de setembro de 2018): 209. http://dx.doi.org/10.33480/pilar.v14i2.932.
Texto completo da fonteSiti Aijah, Nur Ainun Hasibuan e Hadijah Sipahutar. "PENGARUH KINERJA KEUANGAN TERHADAP NILAI PERUSAHAAN PADA PT. CAHAYA PELITA ANDHIKA". CEMERLANG : Jurnal Manajemen dan Ekonomi Bisnis 2, n.º 4 (16 de novembro de 2022): 218–29. http://dx.doi.org/10.55606/cemerlang.v2i4.537.
Texto completo da fonteTsivian, Yu. "Joan Neuberger’s This Thing of Darkness". Modern History of Russia 11, n.º 1 (2021): 248–51. http://dx.doi.org/10.21638/11701/spbu24.2021.119.
Texto completo da fonteTerekhova, V. I., e A. V. Konstantinovich. "Influence of types of eggplant plant formation on productivity in the conditions of summer-autumn turnover in film greenhouses". Vegetable crops of Russia, n.º 3 (30 de julho de 2020): 36–38. http://dx.doi.org/10.18619/2072-9146-2020-3-36-38.
Texto completo da fonteStinton, Darrol. "Aero-marine design and flying qualities of floatplanes and flying-boats". Aeronautical Journal 91, n.º 903 (março de 1987): 97–127. http://dx.doi.org/10.1017/s0001924000091375.
Texto completo da fonteSuryanto, Suryanto. "Konsep Ideologi Terhadap Film Demi Ucok Karya Simmaria Simanjuntak". PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 7, n.º 2 (27 de maio de 2022): 178. http://dx.doi.org/10.22303/proporsi.7.2.2022.178-186.
Texto completo da fonteAulia, Azwani, e Rosa Fitriana. "Praktik Green Accounting dan Economic Value Added terhadap Firm Value". In Search 22, n.º 2 (24 de janeiro de 2024): 386–95. http://dx.doi.org/10.37278/insearch.v22i2.794.
Texto completo da fonteJaya, Eko Pebrian, e Dwi Aji Budiman. "REALITAS SOSIAL KEKERASAN TERHADAP PEREMPUAN DALAM FILM 7 HATI 7 CINTA 7 WANITA". Jurnal Kaganga: Jurnal Ilmiah Sosial dan Humaniora 4, n.º 2 (10 de outubro de 2020): 58–66. http://dx.doi.org/10.33369/jkaganga.4.2.58-66.
Texto completo da fonteAbdullah, Zulfhazli Zulfhazli, Wesli Wesli e Said Jalalul Akbar. "PENGGUNAAN ABU BATU BARA SEBAGAI FILLER PADA CAMPURAN ASPAL BETON AC-BC". Teras Jurnal 6, n.º 2 (19 de março de 2017): 121. http://dx.doi.org/10.29103/tj.v6i2.95.
Texto completo da fonteKoskimaa, Raine. "Game of Thrones -pelin Let's Play -videot ja populaarikulttuurin vastaanotto esityksenä". Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, n.º 3 (6 de dezembro de 2019): 7–25. http://dx.doi.org/10.23994/lk.87955.
Texto completo da fonteLivros sobre o assunto "Pelican (Firm)"
The Firm / The Pelican Brief. London: Arrow, 1999.
Encontre o texto completo da fonte1929-, Edwards Russell, e Hare Steve, eds. Pelican books: A sixtieth anniversary celebration. [Edinburgh]: Penguin Collectorsʹ Society, 1997.
Encontre o texto completo da fonteDetmar, Schäfer. Pelikan, the brand. Hannover: Leuenhagen & Paris, 2013.
Encontre o texto completo da fonteL'affaire pelican. Paris: Robert Laffont, 2001.
Encontre o texto completo da fonteGrisham, John. Cazul pelican. Bucuresti: RAO International, 2001.
Encontre o texto completo da fonteGrisham, John. Il rapporto pelican. Milan: Arnoldo Mondadori Editore, 1993.
Encontre o texto completo da fonteThe Pelican Brief. 4a ed. New York, USA: Island Books, 1999.
Encontre o texto completo da fonteGrisham, John. The Pelican Brief. London: Random House Group Limited, 2010.
Encontre o texto completo da fonteThe Pelican Brief. New York, USA: Doubleday, 1992.
Encontre o texto completo da fonteGrisham, John. The pelican brief. New York: Random House Large Print, 2004.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Pelican (Firm)"
Çiçekoğlu, Feride. "Female Agency in Pelin Esmer Films: The Play (2005) and Queen Lear (2019)". In Female Agencies and Subjectivities in Film and Television, 27–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56100-0_3.
Texto completo da fonteDiLello, Giovanna. "John Fante: The Passion That Became a Festival". In John Fante's Ask the Dust, 177–92. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287864.003.0011.
Texto completo da fonte"Kees Kasander’s producing career has been dominated by his collaboration with a single lmmaker—the British director Peter Greenaway. Kasander rst became aware of Greenaway’s work in the early 1980s and was smitten. The moment of epiphany came when he saw a Greenaway retrospective at the Edinburgh Film Festival and recognized a director whose preoccupations matched his own. Within reason, the Dutch producer will do anything he can to help Greenaway realize his artistic vision. At a time when British broadcasters and public funders have largely spurned Greenaway, Kasander has enabled him to go on working. Kasander started working with Greenaway on A Zed & Two Noughts (1986) and the two have subsequently made Drowning by Numbers (1988), The Cook, the Thief, His Wife, and Her Lover (1989), Prospero’s Books (1991), The Baby of Mâcon (1993), The Pillow Book (1996), 8½ Women (1999), The Tulse Luper Suitcases (2003), and Nightwatching (2007), among other audiovisual work. The bond between the producer and Greenaway remains as strong as ever. At the time of the interview, work was almost complete on Greenaway’s new feature, Goltzius and the Pelican Company, and Kasander was already beginning to crank up Greenaway’s next project, Food for Love (an adaptation of Thomas Mann’s Death in Venice). Alongside his lms with Greenaway, the producer has a very successful parallel career. The Kasander Film Company, based in Rotterdam, specializes in making kids’ movies, documentaries, and multimedia work and exhibitions. Kasander has also worked with plenty of other directors with strong personal visions too, among them Andrea Arnold (Fish Tank, 2009); Sophie Fiennes (The Pervert’s Guide to Cinema, 2006; Over Your Cities Grass Will Grow, 2010); Larry Clark (Ken Park, 2002); Paul Tickell (Christie Malry’s Own Double-Entry, 2000), and Ben Sombogaart (Crusade in Jeans, 2006)." In FilmCraft: Producing, 85–87. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-30.
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