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Artigos de revistas sobre o assunto "Paul chaat"
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Copeland, Huey, Hal Foster, David Joselit e Pamela M. Lee. "A Questionnaire on Decolonization". October 174 (dezembro de 2020): 3–125. http://dx.doi.org/10.1162/octo_a_00410.
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The term decolonize has gained a new life in recent art activism, as a radical challenge to the Eurocentrism of museums (in light of Native, Indigenous, and other epistemological perspectives) as well as in the museum's structural relation to violence (either in its ties to oligarchic trustees or to corporations engaged in the business of war or environmental depredation). In calling forth the mid-twentieth-century period of decolonization as its historical point of reference, the word's emphatic return is rhetorically powerful, and it corresponds to a parallel interest among scholars in a plural field of postcolonial or global modernisms. The exhortation to decolonize, however, is not uncontroversial-some believe it still carries a Eurocentric bias. Indeed, it has been proposed that, for the West, de-imperialization is perhaps even more urgent than decolonization. What does the term decolonize mean to you in your work in activism, criticism, art, and/or scholarship? Why has it come to play such an urgent role in the neoliberal West? How can we link it historically with the political history of decolonization, and how does it work to translate postcolonial theory into a critique of the neocolonial contemporary art world? Respondents include Nana Adusei-Poku, Brook Andrew, Sampada Aranke, Ian Bethell-Bennett, Kader Attia, Andrea Carlson, Elise Y. Chagas, ISUMA, Iftikhar Dadi, Janet Dees, Nitasha Dhillon, Hannah Feldman, Josh T. Franco, David Garneau, Renee Green, Iman Issa, Arnold J. Kemp, Thomas Lax, Nancy Luxon, Nelson Maldonado-Torres, Saloni Mathur, Tiona Nekkia McClodden, Alan Michelson, Partha Mitter, Isabela Muci Barradas, Steven Nelson, Ugochukwu-Smooth C. Nzewi, Alessandro Petti, Paulina Pineda, Christopher Pinney, Elizabeth Povinelli, Ryan Rice, Andrew Ross, Paul Chaat Smith, Nancy Spector, Francoise Verges, Rocio Zambrana, and Joseph R. Zordan.
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Khademhosseini, Ali. "Fireside Chat with Professor Paul S. Weiss". Regenerative Engineering and Translational Medicine 6, n.º 3 (setembro de 2020): 358–60. http://dx.doi.org/10.1007/s40883-020-00168-w.
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Hadi, Abdul, Alfridsyah Alfridsyah e Ichsan Affan. "Efektifitas deteksi stunting menggunakan KMS dinding indeks TB/U pada anak usia 4 – 5 tahun di Sekolah PAUD". AcTion: Aceh Nutrition Journal 4, n.º 1 (17 de agosto de 2019): 70. http://dx.doi.org/10.30867/action.v4i1.160.
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Stunted was condition failured growth in children under five did chronic malnutrition. Child of preschool did not gone to posyandu monitor growth. This study aimed used wall growth chart to detected stunted in preschool. This tool has 92% of sensitivity dan 91% of specifitive. This research to determine the prevalence stunted for preschoolers Children using wall growth chart in Aceh Besar district. This research is descriptive with crossectional design, has been carried out for 2 months (April-June 2018). The sample are 355 children across 40 prescholl and anthropometry data were collected used wall growth chart. The results based on screening with wall growth chart it turned out that 38% of children were detected stunted and 62% children not stunted. Conclusion, the wall growth chart was eased to detected stunted in preschooler. It was expected that the role of the school can monitor growth every month used wall growth chart. Stunting adalah kondisi gagal tumbuh pada anak balita akibat dari kekurangan gizi kronis sehingga anak terlalu pendek usianya. Anak yang sudah memasuki PAUD jarang melakukan pemantauan pertumbuhan di posyandu. Pada penelitian ini menggunakan Kartu Menuju Sehat (KMS) dinding sebagai media untuk mendeteksi stunting pada anak PAUD. Alat ini memiliki sensititas 92% dan spesifitas 91%. Penelitian ini bertujuan untuk mengetahui prevalensi stunting anak paud menggunakan KMS Dinding di Kabupaten Aceh Besar. Penelitian ini bersifat deskriptif dengan desain crossectional, telah dilakukan selama 2 bulan (April-Juni 2018). Sampel sebanyak 355 anak yang tersebar di 40 sekolah PAUD dan pengumpulan data antropometri dilakukan menggunakan KMS Dinding. Hasil penelitian menunjukkan berdasarkan skrining dengan KMS dinding ternyata sebesar 38% anak PAUD mengalami stunting dan 62% normal. Kesimpulan, KMS Dinding lebih mudah mendeteksi stunting pada anak PAUD. Saran, diharapkan kepada pengelola PAUD untuk melakukan pengukuran dengan menggunakan KMS dinding.
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Moody, Paul, e Gabriel Aarón Macías Zapata. "Book Reviews". Regions and Cohesion 1, n.º 3 (1 de dezembro de 2011): 187–92. http://dx.doi.org/10.3167/reco.2011.010309.
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T. Winther. (2008). The impact of electricity: Development, desires and dilemmas. New York: Berghahn Books Review by Paul MoodyE. Velásquez, E. Léonard, O. Hoff mann, & M.F. Prêvot-Schapira (Coords.). (2009). El istmo mexicano: una región inasequible. Estado, poderes locales y dinámicas espaciales (siglos XVI-XIX). México: Publicaciones de la Casa Chata-CIESAS - IRD. Reseña por Gabriel Aarón Macías Zapata
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Karp, Jonathan D. "Performing Black-Jewish Symbiosis: The "Hassidic Chant" of Paul Robeson". American Jewish History 91, n.º 1 (2003): 53–81. http://dx.doi.org/10.1353/ajh.2004.0032.
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Hadi, Abdul, Ichsan Affan, Alfridsyah Alfridsyah e Agus Hendra Al Rahmad. "Efektifitas pendidikan gizi mengunakan KMS dinding indeks tb/u terhadap tindakan guru PAUD dalam pemantauan pertumbuhan anak usia 4 – 5 tahun pada anak sekolah PAUD". AcTion: Aceh Nutrition Journal 3, n.º 1 (23 de julho de 2018): 65. http://dx.doi.org/10.30867/action.v3i1.101.
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Indikator status gizi berdasarkan tinggi badan menurut umur sangat bermanfaat untuk mengevaluasi status gizi dan mengambarkan pertumbuhan linier dan dapat mengambarkan status gizi masa lampau (kronis). Kajian ini bertujuan untuk menilai efektifitas media Kartu Menuju Sehat (KMS) Dinding dalam meningkatkan perilaku gizi guru PAUD khususnya dalam melakukan pemantauan pertumbuhan. Rancangan penelitian ini Quasi Eksperimental study dengan rancangan non randomized one group pre-post test design dimana subjek penelitian ini adalah guru-guru sekolah PAUD. dilaksanakan pada 40 sekolah PAUD di Kabupaten Aceh Besar yang memenuhi criteria selama 5 (lima) bulan. Hasil penelitian menunjukan perbedaan atau dampak efektifitas yang ditimbulkan dari pelatihan KMS Dinding TB/U terhadap peningkatan pengetahuan dan terdapat dampak efektifitas pengunaan KMS Dinding TB/U terhadap peningkatan Pengetahuan dan Tindakan Guru PAUD sedangkan untuk sikap tidak Ada perbedaan atau dampak efektifitas pengunaan KMS Dinding TB/U terhadap peningkatan Sikap guru PAUD dengan p value sebesar 0,294. Kesimpulan, KMS dinding berdampak signifikan terhadap pengetahuan dan tindakan guru dalam mendeteksi anak pendek di PAUD. Kata kunci: KMS dinding, pendidikan gizi The nutritional status indicator based on height according to age is very useful for evaluating nutritional status and represents linear growth and can describe nutritional status of the past (chronic). This study aims to assess the effectiveness of wall growth chart media in improving the nutritional behavior of teachers, especially in monitoring growth. Method: This research design Quasi-Experimental study with non-randomized one group pre-post test design where the subject of this research is teachers of pre-school. Was held at 40 pre-schools in Aceh Besar district that met the criteria for 5 (five) months. The result was are differences or impacts of effectiveness resulting from the training of wall growth chart Height for Age (HFA) index on the improvement of knowledge and there is impact of effective use of it to increase knowledge and action of early childhood teacher while for attitude no difference or effectiveness impact of usage of it’s toward the improvement of teachers attitude with p-value of 0,294. Keywords: Wall growth chart, nutrition education
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Steenberge, Laura. "Yes, It Is Polyphony and a Map: Revisiting the 72 Verses of St. Martial". Arts 13, n.º 2 (17 de abril de 2024): 73. http://dx.doi.org/10.3390/arts13020073.
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The enigmatic 72 Verses for St. Martial is one of the many works by Ademar de Chabannes (989–1034) crafted to promote the false narrative that St. Martial of Limoges, rather than being a third-century bishop, was actually a first-century apostle. The composition is visually striking due to the acrostic formed from the first letter of each tercet, MARCIALIS APOSTOLVS XRISTI, and its two overlapping melodies, one in black ink and the other in red. The relationship between the two notations is the subject of debate: Paul Hooreman’s conclusion that they are two variations of the same monophonic chant is countered by Manuel Pedro Ferreira, who argues that Hooreman’s reasoning is insufficient to rule out polyphony. I use Ferreira’s assessment as a jumping-off point for the current analysis, which investigates the compositional processes underlying the creation of the 72 Verses. Hooreman describes many details in the chant as subject to disorganization, scribal error, lack of ability, etc., but when the chant is analyzed polyphonically, these problems resolve. Beyond the music itself, the chant’s unusual polyphonic structure features reveals that the chant is structured around medieval maps, moving between a mappa mundi and the celestial spheres.
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Arham, Arham, Asngadi Asngadi e Syamsuddin Syamsuddin. "ANALISIS EFEKTIFITAS DAN EFESIENSI TATA LETAK PABRIK TAHU SUPER AFIFAH DI KELURAHAN NUNU KECAMATAN TATANGA PALU BARAT". Jurnal Ilmu Manajemen Universitas Tadulako (JIMUT) 4, n.º 3 (6 de agosto de 2020): 253–64. http://dx.doi.org/10.22487/jimut.v4i3.128.
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This study aims to analyze the effectiveness and efficiency of layout inTahu Super Afifah Factory in Nunu Village, Tatanga District, West Palu. The type of research used is quantitative research using line balancing method and travel chart. Result of research by using line balancing method obtained efficiency of tofu production process equal to 90,04% with idle time 9,96%. While the result of travel chart method obtained new design layout of production facility of factory know Super Afifah which more effective equal to 441,74 material flow load from initial layout equal to 627,38 material flow load. By comparison 185.64 material flow load or 29.58%. Penelitian ini bertujuan untuk menganalisis efektivitas dan efesiensi tata letak pada Pabrik Tahu Super Afifah di Kelurahan Nunu Kecamatan Tatanga Palu Barat. Jenis penelitian yang digunakan adalah penelitian kuantitatif dengan menggunakan metode line balancing dan travel chart. Hasil penelitian dengan menggunakan metode line balancing diperoleh efesiensi dari proses produksi tahu sebesar 90,04% dengan waktu menganggur 9,96%. Sedangkan hasil dari metode travel chart diperoleh rancangan baru tata letak fasilitas produksi pabrik tahu Super Afifah yang lebh efektif sebesar 441,74 beban aliran bahan dari tata letak mula-mula sebesar 627,38 beban aliran bahan dengan perbandingan 185,64 beban aliran bahan atau 29,58%.
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Mahid, Diah Anggraeni, Saharuddin Kaseng e Syamsuddin Syamsuddin. "ANALISIS PENGENDALIAN KUALITAS PRODUK TELUR AYAM PADA UD AMINA KELURAHAN PETOBO DI KOTA PALU". Jurnal Ilmu Manajemen Universitas Tadulako (JIMUT) 4, n.º 3 (6 de agosto de 2020): 271–80. http://dx.doi.org/10.22487/jimut.v4i3.130.
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This study aims to determine and analyze the quality control of chicken eggs in an effort to control the level of chicken egg disability and whether the level of disability is within the limits of control at UD Amina Palu. Quality control process applied. UD Amina Palu in chicken egg production is using vasninator service provider of medicines. A common defect criteria for chicken egg production in UD Amina is egg crack criteria as much as 209 eggs, of the four criteria, ie cracking, hollow, thin, pale and broken. The method used is descriptive method with census sampling technique where the samples taken as much as the population produced during 25 working days. This research uses product quality control analysis tool based on Statistical Quality Control (SQC) method for attribute data by using Check Sheet and P-chart disability proportion control chart with standard deviation 3. The result of this research shows that the quality control of defect product done by UD Amina The hammer is in a controlled state or is within the limits of control. Penelitian ini bertujuan untuk mengetahui dan menganalisis pengendalian kualitas telur ayam dalam upaya mengendalikan tingkat kecacatan telur ayam dan apakah tingkat kecacatan berada dalam batas pengendalian pada UD Amina Palu. Proses pengendalian kualitas yang diterapkan. UD Amina Palu dalam produksi telur ayam adalah menggunakan jasa vasninator penyedia obat-obatan. Kriteria kecacatan yang sering terjadi pada produksi telur ayam di UD Amina adalah kriteria telur retak sebanyak 209 butir, dari keempat kriteria, yaitu retak, berlubang, tipis, pucat dan pecah. Metode yang digunakan adalah metode deskriptif dengan teknik pengambilan sampel secara sensus dimana sampel yang diambil sebanyak populasi yang dihasilkan selama 25 hari kerja. Penelitian ini menggunakan alat analisis pengendalian kualitas produk berdasarkan metode Statistical Quality Control (SQC) untuk data atribut dengan menggunakan Check Sheet dan peta kendali proporsi kecacatan P-chart dengan standar deviasi 3. Hasil penelitian ini menunjukan bahwa pengendalian kualitas produk cacat yang dilakukan oleh UD Amina Palu dalam keaadaan terkendali atau berada dalam batas pengendalian.
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Proietti, Pamela Werrbach. "The Future of Family Values". Journal of Interdisciplinary Studies 12, n.º 1 (2000): 21–44. http://dx.doi.org/10.5840/jis2000121/22.
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John Paul II's encyclical, Fides et Ratio, describes a profound and causal connection between the teaching of modem Western philosophy and contemporary spiritual dilemmas. The Pope argues persuasively that modem philosophy has led modern man to a loss of faith in the nobility of human reason and the possible existence of meaningful human truths. Modem political philosophers wanted to bring the divine law of revealed Scripture into service of modem philosophic principles of the autonomy of human reason and freedom. John Locke sought to reorganize family life in accordance with such modem principles. Locke clearly modified Biblical teaching to allow for more liberty for the autonomous individual in his imagined liberal democratic society of the future. John Paul II is among those who urge Christians in the West to examine our present social disintegration in light of the foundational ideas that have formed modem liberal societies. We must understand how these ideas have contributed to our present social problems, and determine how to chart the best course for liberal democracy in the new Millennium.
Teses / dissertações sobre o assunto "Paul chaat"
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Oliveira, Vinicius Morais de. "Entre o Mosteiro de São Bento e a cidade: o canto gregoriano e o acústico contemporâneo da Cidade de São Paulo". Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12853.
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The central theme of this dissertation is to historicize the present time, the domestic soundscape of the Monastery of São Bento, the medieval remnants contained in its architecture and in its musical production, beside all dichotomous, accelerated and noisy loudness of its surroundings‟ urban sounds. Both spaces have their sonorous territories‟ identities. In view of the prominence that the sound production‟s study of societies is creating new possibilities for the current historiography, the research issue also sought to provide subsidies to the historical investigation of the music writing reading rules through gregorian chant and the whole complex set of nomenclatures derived from musicological analysis. It also proposes a restructuring in the ocular mechanism hierarchy in equilibrium with the conscious listening of sounds, promoting new cognitive models of our sensitive capacities. Thus, the main documentary sources used were sound sources, a small photographic collection and oral reports from people who passed by in both spaces
O tema central da presente dissertação é historicizar no tempo presente a paisagem sonora interna do Mosteiro de São Bento, as permanências medievais contidas em sua arquitetura e em sua produção musical, ao lado de toda a sonoridade dicotômica, acelerada e ruidosa dos sons urbanos de seu arrabalde. Ambos os espaços têm seus territórios sonoros identitários. Diante da preeminência de que o estudo da produção sonora das sociedades vem criando novas possibilidades para a historiografia atual, o problema da pesquisa também procurou oferecer subsídios à investigação histórica das regras de leitura da escrita musical do canto gregoriano e todo o conjunto complexo de nomenclaturas oriundas da análise musicológica. Propõe-se ainda uma reestruturação na hierarquia do mecanismo ocular em equilíbrio com a escuta consciente dos sons, promovendo novos modelos cognitivos das nossas capacidades sensíveis. Assim, as principais fontes documentais utilizadas foram as fontes sonoras, um pequeno acervo fotográfico e os relatos orais das pessoas que por ali passaram
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Knaggs, Daniel J. "Hope Reaching Beyond the Limit". Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1242400733.
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Pinho, Deyna. "Contribuição à petrografia de pedra britada". Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/44/44137/tde-25082007-000528/.
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O conhecimento das propriedades físico-químicas da composição mineralógica dos agregados é de extrema importância para o não comprometimento da obra em que serão empregados. Desse modo, o conhecimento da petrografia, mineralogia e geologia das rochas-fonte para brita também são extremamente necessárias. O principal objetivo deste trabalho foi gerar informações sobre a geologia, mercado produtor e petrografia das rochas-fonte da pedra britada nas principais regiões produtoras do país. As informações disponíveis neste segmento da mineração são escassas, principalmente devido às próprias características do setor onde os investimentos em pesquisas geológicas geralmente são escassas e por vezes pouco exigidas. Os cinco principais pólos produtores de pedra britada, alvos de estudo deste trabalho, incluem as cinco maiores regiões metropolitanas do país: São Paulo,Minas Gerais, Rio de Janeiro , Paraná , Rio Grande do Sul. São locais que possuem diferentes rochas-fonte de brita para cada centro produtor, devido à diversidade geológica e abundância daquelas nestes centros. Assim sendo, na região de São Paulo capital a principal rocha-fonte utilizada são granitos e gnaisses provenientes do Embasamento; na região de Belo Horizonte são os calcários provenientes do Grupo Bambuí; na região do Rio de Janeiro capital são os sienitos alcalinos, localizados em diversos corpos alcalinos intrusivos e gnaisses; na região de Curitiba (RMC) são calcários (Formações Perau e Votuverava) e migmatitos extraídos de complexos migmatíticos; e na região de Porto Alegre (RMPA) são predominatemente basaltos e dacitos da Formação Serra Geral. Neste trabalho foi gerado um mapa geológico com localização das pedreiras ativas no período de 2004-2006 para cada região metropolitana relativa à capital de cada Estado. Em cada região foram selecionadas as minerações representativas de acordo com a geologia (rocha-fonte) e produtividade e feitas amostragens e mapeamento em frentes de lavra para a realização de análises petrográficas. As 180 amostras coletadas nas diferentes regiões metropolitanas foram analisadas petrograficamente de forma macroscópica, selecionadas e analisadas na forma microscópica, com base nas normas ABNT e recomendações do Laboratório de Petrologia e Tecnologia de Rochas do IPT. As principais características observadas foram: a composição mineralógica, texturas, estruturas, presença de minerais deletérios, grau de alteração deutérica e estado microfissural. Essas características intrínsecas da rocha-fonte influenciam diretamente a forma e a composição do material britado, e podem dificultar sua aplicação ou mesmo comprometê-la, tanto por motivo de geração de reação álcali-agregado com ligantes quanto por comprometer a resistência mecânica exigida na mistura. O desconhecimento dessas características muitas vezes gera um baixo aproveitamento dos materiais, principalmente finos de pedreira, que se acumulam em pilhas de rejeito ao derredor das empresas mineradoras podendo causar sérios problemas ambientais. Portanto, o trabalho gerou informações para uma melhor otimização e utilização das matérias-primas ou rochas-fonte de brita, contribuindo também indiretamente na redução desses problemas ambientais que atingem as principais regiões urbanas do país.It is extremely important to know the physical and chemical properties of aggregate mineralogical composition so that the construction where they will be used is not compromised. In this sense, knowing the petrography and mineralogy is as necessary as knowing the geology of the rock deposit to be developed as a source of crushed stone. The main purpose of this work was to generate information on the geology, market and petrography of the rock source of crushed stone in the main producing areas of Brazil. This type of information is not commonly available, especially due to this sector?s characteristics, where investments in geological research are usually scarce and rarely required. The five main states that are crushed stone producers and that therefore contain the centers of production on which this present work focused as case study are: São Paulo, Minas Gerais, Rio de Janeiro, Paraná and Rio Grande do Sul. Each production center presents different types of crushed stone, mainly because of the geological diversity and abundance of the source rock in these places. In the region of the capital of São Paulo the main source rocks are granite and gneiss extracted from the embasement; in Belo Horizonte they are carbonates from the Bambuí group; in Rio de Janeiro, the alkali sienites, localized in diverse intrusive alkaline rocks and gneiss; in the region of Curitiba they are carbonates (Perau and Votuverava Formations) and migmatites extracted from migmatite complex; finally, in the region of Porto Alegre (RMPA), they are basalts and dacites from the Serra Geral Formation. The rock mines in urban regions, related to the state capitals and which were active in the period from 2004 to 2006, are shown on the geological maps generated for the present work. One map has been made for each urban region. The most important mines are shown according to the geology of the source-rock and the productivity. Samples and mapping or description of the benches from the over feet were also made in order to further proceed in petrographic analysis. The 180 samples collected in each urban region suffered macroscopic petrographic analysis after which they were selected and analysed microscopically, according to the ABNT norms and to the recommendation of the Laboratory of Petrology and Rock Technology of IPT. The main observed characteristics were: mineral composition, texture, structure, presence of deleterious minerals, degree in metheoric alteration and microfissural mapping. These intrinsic characteristics of the source rock influence directly the form and composition of the crushed stones and might cause difficulty or even compromise its use due to alkali-aggregate reaction or because of mechanical resistance lower than that required in the mixture. The lack of acknowledgement of these characteristics will often cause the poor use of material, especially of the stone quarry fines, which will end up as reject piled up around mines, causing environmental problems. Therefore, the present work has generated relevant information that can be used to optimize and better use raw material and source rock of crushed stone. It might also contribute indirectly to diminish the environmental problems which are evident in the main urban regions of the country.
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Gomez, Norberto Jr. "The Art of Perl: How a Scripting Language (inter)Activated the World Wide Web". VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/472.
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In 1987, computer programmer and linguist Larry Wall authored the general-purpose, high-level, interpreted, dynamic Unix scripting language, Perl. Borrowing features from C and awk, Perl was originally intended as a scripting language for text-processing. However, with the rising popularity of the Internet and the advent of Tim Berners-Lee’s World Wide Web (Web), in the 1990s, Perl soon became the glue-language for the Internet, due in large part to its relationship to the Hypertext Transfer Protocol (HTTP) and the Common Gateway Interface (CGI). Perl was the go-to language for on the fly program writing and coding, gaining accolades from the likes of publisher Tim O’Reilly and hackers alike. Perl became a favorite language of amateur Web users, whom net artist Olia Lialina calls barbarians, or the indigenous. These users authored everything from database scripts to social spaces like chatrooms and bulletin boards. Perl, while largely ignored today, played a fundamental role in facilitating those social spaces and interactions of Web 1.0, or what I refer to as a Perl-net. Thus, Perl informed today’s more ubiquitous digital culture, referred to as Web 2.0, and the social web. This project examines Perl’s origin which is predicated on postmodern theories, such as deconstructionism and multiculturalism. Perl’s formal features are differentiated from those of others, like Java. In order to defend Perl’s status as an inherently cultural online tool, this project also analyzes many instances of cultural artifacts: script programs, chatrooms, code poetry, webpages, and net art. This cultural analysis is guided by the work of contemporary media archaeologists: Lialina and Dragan Espenschied, Erkki Huhtamo and Jussi Parikka. Lastly, the present state of digital culture is analyzed in an effort to re-consider the Perl scripting language as a relevant, critical computer language, capable of aiding in deprogramming the contemporary user.
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Coe, Henrique. "Three works on religious themes : psalmus 150, string quartet on the life of Saint John Paul II and symphony “The Redemption”". Thèse, 2015. http://hdl.handle.net/1866/12592.
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Dans cette dissertation, je présente trois pièces sur des thèmes religieux composées au cours de ma maîtrise, ainsi que leur analyse : Psalmus 150 pour chœur de jeunes à trois voix, chœur d'adultes à huit voix et orgue ou piano ; Quatuor à Cordes sur la vie de Saint Jean-Paul II ; et la Symphonie « La Rédemption » pour orchestre et chœur. Malgré les particularités de chacune, elles présentent des aspects communs. L'idée principale des compositions fut d'éviter la rupture avec la tradition tout en apportant des nouvelles idées aux pièces, et de souligner l'importance de ma recherche sur la beauté. À cet égard, certaines techniques contemporaines, ainsi que les sonorités médiévales des quintes et octaves parallèles, furent utilisées en accord avec un langage tonal / modal qui demeure la base des trois compositions. Le chant Grégorien fut aussi une importante caractéristique de ces compositions. Pour mieux comprendre les analyses des œuvres, deux techniques seront expliquées, la douce toile de dissonances linéaires et l'harmonie d'accords parfaits majeurs. L'analyse de chaque pièce est divisée en deux parties. La première est une vision générale et la deuxième est plus détaillée. À la fin, les connaissances acquises par la composition des ces œuvres seront résumées et l'importance intemporelle de la beauté sera réaffirmée.In this dissertation, I present three pieces on religious themes composed during my master’s degree as well as their analysis: Psalmus 150 for three-voice youth choir, eight-voice adult choir and organ or piano; String Quartet on the life of Saint John Paul II; and Symphony “The Redemption” for orchestra and choir. Despite the particularities of each one, they present common aspects. The main compositional idea was to avoid rupture with tradition, whilst bringing new ideas into the pieces, as well as to highlight the importance of my research on beauty. For this purpose, some contemporary techniques as well the medieval sonorities of parallel fifths and octaves were used in consonance with a modal/tonal language, which remains the framework of the three pieces. Gregorian chant is also an important characteristic of these compositions. In order to better understand the analysis of the pieces, two techniques are explained, the soft web of linear dissonances and the perfect major chord harmony. The analysis of each piece is divided into two parts. The first is an overview and the second a more detailed analysis. At the end, the knowledge obtained from composing these pieces will be summarized, and the timeless importance of beauty will be reaffirmed.
Livros sobre o assunto "Paul chaat"
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Cézanne, Paul. Paul Cézanne: Le chant de la terre : fondation Pierre Gianadda, Martigny, Suisse, du 16 juin au 19 novembre 2017. Martigny, Suisse: Fondation Pierre Gianadda, 2017.
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Gauguin, Paul. Racontars de rapin: Fac-similé du manuscrit de Paul Gauguin : edition enrichie de dix-huit monotypes. Suivie de Art de Papou & chant de rossignoou, la lutte pour les peintres / par Victor Merlhès. Taravao, Tahiti: Editions Avant et après, 1994.
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CALIFE, Anne. PAUL ET LE CHAT. MENTHOL HOUSE, 2010.
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Everything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
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Everything you know about Indians is wrong. Minneapolis: University of Minnesota Press, 2009.
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Everything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
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Everything You Know about Indians Is Wrong. University of Minnesota Press, 2009.
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Newman, Paul. You're Not a Person - Just a Birth Chart: The Astrological Cartoon Humour of Paul F. Newman. Wessex Astrologer, Ltd, 1999.
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The Watcher in the Wall. G.P. Putnam's Sons, 2016.
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Laukkanen, Owen. Watcher in the Wall. Penguin Publishing Group, 2016.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Paul chaat"
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Grünewald, Dietrich. "»Jeder wehrt sich gegen die Zeit«:". In Alter(n)skulturen, 195–216. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459928-010.
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Harold Fosters Prinz Eisenherz gehört zu den wenigen Serien, in denen der Protagonist nicht auf einen Lebenszeitpunkt »eingefroren« ist, sondern allmählich älter (und erfahrener) wird. Das geschieht kaum merklich von Album zu Album. Doch in Band 3 der Werkausgabe, Ritter der Tafelrunde, begegnet er in der Höhle der schönen Hexe einem Greis, der personalisierten Zeit. Er versucht mit dem Alten zu kämpfen, doch der besiegt ihn und zeigt ihm, wie er als alter Mann aussehen wird: abgemagert, hohlwangig, weißhaarig - ein »Schatten des einst so stolzen Prinzen«. (27 f.) Hans Tischler hat das Thema auf parodistische Weise aufgegriffen: Wenn die Comic-Helden so alt wären, wie sei eigentlich sein müssten (MAD 211). Klingt hier eher die Angst vor dem Alter an, das uns Kraft, Vitalität und Lebensmut nehme, so setzte eine Bilderbuch-Bildgeschichte 1988 einen anderen Akzent: Meine Oma hat schwarze Haare. Mary Hoffman und Joanna Burroughes erzählen von einer aktiven Oma, die - ganz anders als die alten Märchenomas mit weißem Haar und altmodischer Kleidung - fit und aktiv ist, sich modisch kleidet. Und der Opa, der sich auf der letzten Seite sehen lässt, sieht auch nicht aus, wie das Klischee den Opa zeichnet. Beide Extreme, aktive alte Menschen, die sich nicht treiben lassen, die neue Herausforderungen suchen, gerne mit anderen Generationen mal anecken aber auch suchen, mit allen klarzukommen, wie auch alte Menschen, die durch Krankheiten körperlicher wie geistiger Natur in ihrer Energie, ihren Möglichkeiten, ihrem Willen eingeschränkt sind, haben als Akteure ihren Platz in Bildgeschichten gefunden. Von witzig-trotzigen Geschichten, wie sie die Reihe Die Alten Knacker (Paul Cauuet/ Wilfird Lupane) erzählt, von überraschenden Erfahrungen im Alter, von denen Pascal Rabaté in Bäche und Flüsse berichtet, vom Opa, der als Superman unterwegs (Philip Waechter) ist bis zu umfangreich angelegten Bildromanen, die sich mit den problematischen Seiten des Alterns, mit Krankheit, mit Pflege, mit den Problemen, die die Generationen miteinander haben, auseinandersetzen, wie z. B. Kopf in den Wolken (PacoRoca), Können wir nicht über was Andres reden (Roz Chast) oder das unabwendbare altern der gefühle (Zidrou & Aimé de Jongh) oder auch Besondere Jahre. Ein Abschied in Bildern ( Joyce Farmer). Der Tenor vieler Geschichten ist, die Leserschaft für das Thema Alter zu sensibilisieren, Verständnis zu schaffen, Einblick zu geben in eine Lebensspanne, in der die meisten Leserinnen und Leser selbst nicht sind, die aber auch sie erwartet. Bei allem Ernst bleibt auch der Humor nicht auf der Strecke. Zahlreiche Cartoons (die ja oft so etwas wie Ein-Bild-Geschichten sind) spiegeln diesen witzigen Blick. Ralf König (Herbst in der Hose) spielt selbstironisch mit dem Altwerden, ohne die Probleme lächerlich zu machen. Dass Altern uns alle betrifft, und dass niemand von uns weiß, wie er das Alter meistern wird, hat die Bildende Kunst mit ihren zahlreichen Altersbildern unterschiedlicher Thematik schon immer aufgezeigt. In diesen Zusammenhang - vom Cartoon bis zur Bildenden Kunst - eingebunden, sollen ausgewählte Comic-Beispiele, die sich differenziert mit dem Thema Alter auseinander setzen, vorgestellt werden.
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Vérilhac, Catherine. "5. Paulo Freire, un chant pour la liberté". In La petite bibliothèque de l'Approche narrative, 85–108. InterEditions, 2022. http://dx.doi.org/10.3917/inter.veril.2022.01.0085.
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"Appendix One. Chart summary of the allusions and echoes of scripture detected in Paul’s letter to the colossians". In Echoes of Scripture in the Letter of Paul to the Colossians, 267–70. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004170810.i-344.109.
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Feather, Leonard, e Ira Gitler. "o". In The Biographical Encyclopedia of Jazz, 502–10. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195074185.003.0015.
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Abstract Oatts, dick (richard dennis), alto, tnr saxes, cl, fl; b. Des Moines, IA, 4/2/53. Father, Jack, pioneered jazz educ. in Iowa; bro. Jim pl. w. Kenton, Thad Jones–Mel Lewis. Stud. w. fath., then for one yr. at Drake U. Pl. club dates fr. age 13. Freelanced in Minneapolis-St. Paul 1972–7 bef. moving to NYC. Pl. w. Thad Jones–Mel Lewis Orch. ’77–9; Mel Lewis Orch. and Qnt. ’79–90, then Vanguard Jazz Orch., Bob Brookmeyer ’81–4; Ray Mantilla ’82–6; Joe Haider ’82–91; Red Rodney ’86–90; Eddie Gomez ’87–91; Dial and Oatts w. Garry Dial since ’89; also pl. w. Tito Puente; Machito; Fred Hersch; Jack McDuff; Teo Macero; Joe Morello; Flora Purim. Taught at NYU ’81–4; Manh. Sch. of Mus. fr. ’91. Fav. arrs: Brookmeyer, Dial. Fests: Eur., Japan, So. Amer., etc. since ’77. TV: David Letterman. CDs: Steep.; Dial and Oatts (DMP); w. Mel Lewis (Tel.; M M); R. Rodney (Steep.; Den.); T. Talbert (Chart.); H. Meurkens; A. Farnham (Conc.); Bill Mays; Ted Rosenthal (JA); Gary Smulyan (CC); Vic Juris (Steep.); A Donelian (Sunny.); Stockholm Jo (Drag.).
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Harrison, Rodney, e John Schofield. "A Disciplinary (Pre)History". In After Modernity. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199548071.003.0007.
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Following the brief definition and discussion of the archaeology of the contemporary past provided in Chapter 1, this chapter will consider the academic context for the development of the archaeology of the contemporary past and its emergence in the years surrounding the Millennium. It then briefly surveys and summarizes the topics which have emerged as areas of focus amongst archaeologists working in the field over the past decade. It will chart the important role of commercial archaeology and developer funding in the emergence of the archaeology of the contemporary past, and look at the role of national heritage agencies and local authorities. Another major issue in this chapter is the ways in which the archaeology of the recent and contemporary past has developed as a means of addressing cultural diversity and recent migrant communities and their heritage, which is inevitably and by definition ‘contemporary’ albeit often with reference to other times and places. The chapter concludes with a consideration of the relationship between historical archaeology and the archaeology of the contemporary past, considering claims for and against seeing it as a discipline in its own right. It is now a decade since the publication of two key books which have been central to the establishment of the archaeology of the contem-porary past as a specific area of study within the English speaking world—Matter, Materiality and Modern Culture edited by Paul Graves-Brown (2000b), and Archaeologies of the Contemporary Past edited by Victor Buchli and Gavin Lucas (2001e). As Buchli (2007: 115) points out however, archaeologists have had a long interest in studying contemporary material culture, dating back to the late nineteenth and early twentieth century and including Pitt-Rivers’s studies of contemporary rifles while working as a military officer, and Kroeber’s (1919) study of changes in contemporary women’s dress lengths. Nonetheless, throughout most of the twentieth century, archaeology has concerned itself almost exclusively with the study of the distant past, accepting a conservative and literal definition of archaeology as something that should focus only on that which is ancient, or ‘archaic’.
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Herz, Norman, e Ervan G. Garrison. "Radiation-Damage, Cosmogenic, and Atom-Counting Methods". In Geological Methods for Archaeology. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195090246.003.0010.
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Fission-track dating, one of the more recent techniques involving the use of radioactivity, has developed one of the widest ranges of applications. Dates of objects have been obtained ranging from 6 months to 109 years BP. Volcanic tephra, obsidian, man-made and basaltic glass, meteorites, and mica have been dated. A more apt term is nuclear-track dating because fissionable elements do not have to be present in the material. Fission, which produces one form of nuclear track, is a rare mode of radioactive decay. A more common decay is alpha decay, which produces a different type of track. Uranium 238 fissions spontaneously and has a well-defined half-life. It also fissions in the presence of neutrons such as are produced by reactors, accelerators, or neutron "howitzers." About 99.27% of all uranium is uranium 238. Robert L. Fleischer, Paul B. Price, and Robert M. Walker, who have done most of the original work in this field, have determined that most minerals contain this isotope in amounts from a few parts per billion (ppb) to many parts per million (ppm). These researchers devised a chart which characterizes the ease of use of this technique as a function of the uranium concentration. A high uranium concentration allows an "easily measured" age where the observer spends an hour at the microscope counting chemically etched fission tracks. For "considerable labor," 40 hours of such work is assumed. Ancient synthetic glass typically contains 1-2 ppm of uranium, so most glasses older than 8,000 years are datable. Most pottery clay contains about 5 ppm of uranium in either the clay itself or other minerals that occur as inclusions. It is very probable that some pottery clays or the mineral inclusions, such as zircon, might contain higher concentrations than this, which would make the age measurement lie between "easily" and "with considerable labor." It is important to point out that mineral inclusions such as zircons or micas act as solid-state detectors in that they register fissions as a track on the surface in contact with the pottery clay. Both fission and alpha events can do this.
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"Surrealist movement, how difficult it was for them. ‘Madame Realism’ was a retort to Surrealism. It really doesn’t have to do with realism. PN: Going back to Haunted Houses, the three female characters seem almost permeable with each other. The reader finds it hard to pull them apart. LT: That’s what Paul Bowles said too. He said it was like a Russian novel, that he couldn’t keep them apart, but that he liked that. It was deliberate. In so many novels characters were pitched against each other, to represent so many different ideas, and then there would be a clash. Lawrence is the perfect example of that. I was interested in the social as well as the psychological, how these interpenetrated. I thought if you took a particular moment you could find girls being turned into girls and there would be a lot of similarities, questions about virginity, their mothers, their fathers. So, yes, they would be as much like each other as unlike each other—maybe more so. It was so confusing to me I had to make a chart to remember the characteristics I had given to Emily, Jane or Grace. PN: There’s something similar about character in Motion Sickness… LT: Yes, in the ‘I’ being unnamed, but I wanted to do the opposite there, which was to go from characters who never met each other, as in Haunted Houses, to ones who constantly meet. I wanted to play with that happening and see if I could get away with it. PN: One major theme of the book seems to be summed up in a quotation you give from Simone de Beauvoir: ‘It is a strange experience for whoever regards himself as the One to be revealed to himself as otherness, alterity.’ That awkward passage from self to other seems to provide one of the main dynamics in your narratives. LT: I think I’m more comfortable with ‘identity’ than with ‘self’. There’s something historically about ‘self’ that assumes one owns it. With ‘identity’ or ‘subjectivity’ you have the sense that it’s shot through with others already. There’s something very painful about Haunted Houses and not painful about Motion Sickness. There is the anxiety of recognizing how really unstable your identity is in Motion Sickness. When you meet others on the road, your relation to yourself can change. Haunted Houses is more painful because the girls are trying to achieve some identity, as if they’ll be able to. By the time I wrote Motion Sickness, my sense was that there was no use in trying. You’re not going to achieve a stable existence, but that’s not so terrible in a way. It might make you sick, though, once in a while, because of that motion." In Textual Practice, 55. Routledge, 2005. http://dx.doi.org/10.4324/9780203986219-21.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Paul chaat"
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CAMPOS, ROGERIO, e CARLOS FERNANDO DE ARAUJO JUNIOR. "O TUTOR YOUTUBER E O USO DA SALA DE AULA INVERTIDA NA PROMOÇÃO DA AUTONOMIA DOS ESTUDANTES NA MODALIDADE EAD". In 26º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2020. http://dx.doi.org/10.17143/ciaed.xxviciaed.2020.52928.
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ENTENDE-SE QUE A QUALIFICAÇÃO DA TUTORIA SOBRE METODOLOGIAS ATIVAS DE APRENDIZAGEM É UM GRANDE POTENCIAL PARA A TRANSFORMAÇÃO DAS PRÁTICAS EDUCACIONAIS. ESTE ARTIGO TEM COMO OBJETIVO, RELATAR A EXPERIÊNCIA DO TUTOR EAD NA ELABORAÇÃO DE UM MODELO DE TUTORIA UTILIZANDO A METODOLOGIA ATIVA SALA DE AULA INVERTIDA, PARA TANTO, UTILIZOU-SE O YOUTUBE PARA A DISPONIBILIZAÇÃO DE VÍDEOS COMPLEMENTARES À DISCIPLINA ELABORADOS PELO TUTOR COMO FORMA DE PROPORCIONAR POSTERIORMENTE, DEBATES ATRAVÉS DE CHAT ONLINE PARA DISCUSSÃO DA DISCIPLINA. COMO MÉTODO, TRATA-SE DE UM RELATO DE EXPERIÊNCIA QUE BUSCA EVIDENCIAR ELEMENTOS ALÉM DA ANÁLISE E DISCUSSÃO DE RESULTADOS. TAL EXPERIÊNCIA, FOI REALIZADA COM OS ALUNOS DA EAD DE UMA UNIVERSIDADE PARTICULAR DO ESTADO DE SÃO PAULO. COMO RESULTADO, O MODELO DE TUTORIA COM UTILIZAÇÃO DE METODOLOGIA ATIVA, PROCUROU DESENVOLVER O PENSAMENTO CRÍTICO, A RETENÇÃO DE CONTEÚDO, MAIS AUTONOMIA E PROTAGONISMO DO ALUNO, DEIXANDO O TUTOR COMO MEDIADOR DO PROCESSO DE ENSINO APRENDIZAGEM.
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CAMPOS, ROGERIO, e CARLOS FERNANDO DE ARAUJO JUNIOR. "O TUTOR YOUTUBER E O USO DA SALA DE AULA INVERTIDA NA PROMOÇÃO DA AUTONOMIA DOS ESTUDANTES NA MODALIDADE EAD". In 26º CIAED Congresso Internacional ABED de Educação a Distância. Associação Brasileira de Educação a Distância - ABED, 2020. http://dx.doi.org/10.17143/ciaed.xxviciaed.2020.52928.
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ENTENDE-SE QUE A QUALIFICAÇÃO DA TUTORIA SOBRE METODOLOGIAS ATIVAS DE APRENDIZAGEM É UM GRANDE POTENCIAL PARA A TRANSFORMAÇÃO DAS PRÁTICAS EDUCACIONAIS. ESTE ARTIGO TEM COMO OBJETIVO, RELATAR A EXPERIÊNCIA DO TUTOR EAD NA ELABORAÇÃO DE UM MODELO DE TUTORIA UTILIZANDO A METODOLOGIA ATIVA SALA DE AULA INVERTIDA, PARA TANTO, UTILIZOU-SE O YOUTUBE PARA A DISPONIBILIZAÇÃO DE VÍDEOS COMPLEMENTARES À DISCIPLINA ELABORADOS PELO TUTOR COMO FORMA DE PROPORCIONAR POSTERIORMENTE, DEBATES ATRAVÉS DE CHAT ONLINE PARA DISCUSSÃO DA DISCIPLINA. COMO MÉTODO, TRATA-SE DE UM RELATO DE EXPERIÊNCIA QUE BUSCA EVIDENCIAR ELEMENTOS ALÉM DA ANÁLISE E DISCUSSÃO DE RESULTADOS. TAL EXPERIÊNCIA, FOI REALIZADA COM OS ALUNOS DA EAD DE UMA UNIVERSIDADE PARTICULAR DO ESTADO DE SÃO PAULO. COMO RESULTADO, O MODELO DE TUTORIA COM UTILIZAÇÃO DE METODOLOGIA ATIVA, PROCUROU DESENVOLVER O PENSAMENTO CRÍTICO, A RETENÇÃO DE CONTEÚDO, MAIS AUTONOMIA E PROTAGONISMO DO ALUNO, DEIXANDO O TUTOR COMO MEDIADOR DO PROCESSO DE ENSINO APRENDIZAGEM.