Literatura científica selecionada sobre o tema "Patroclus (Greek mythology) in art"
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Artigos de revistas sobre o assunto "Patroclus (Greek mythology) in art"
Türe, Hatice, Uğur Türe, F. Ylmaz Göğüş, Anton Valavanis e M. Gazi Yaşargil. "The Art of Alleviating Pain in Greek Mythology". Neurosurgery 56, n.º 1 (janeiro de 2005): 178–86. http://dx.doi.org/10.1227/01.neu.0000146209.19341.3b.
Texto completo da fonteTüre, Hatice, e Uğur Türe. "The Art of Alleviating Pain in Greek Mythology". Neurosurgery 58, n.º 3 (março de 2006): E590. http://dx.doi.org/10.1227/01.neu.0000207973.21811.20.
Texto completo da fonteMachinis, Theofilos G., e Kostas N. Fountas. "The Art of Alleviating Pain in Greek Mythology". Neurosurgery 58, n.º 3 (março de 2006): E590. http://dx.doi.org/10.1227/01.neu.0000207974.15973.ef.
Texto completo da fonteNtaidou, T. K., e I. I. Siempos. "The Art of Providing Anaesthesia in Greek Mythology". Anaesthesia and Intensive Care 40, n.º 1_suppl (julho de 2012): 22–27. http://dx.doi.org/10.1177/0310057x120400s105.
Texto completo da fonteSiempos, Ilias I., Theodora K. Ntaidou e George Samonis. "The Art of Providing Resuscitation in Greek Mythology". Survey of Anesthesiology 59, n.º 3 (junho de 2015): 161. http://dx.doi.org/10.1097/01.sa.0000464146.74928.9c.
Texto completo da fonteSiempos, Ilias I., Theodora K. Ntaidou e George Samonis. "The Art of Providing Resuscitation in Greek Mythology". Anesthesia & Analgesia 119, n.º 6 (dezembro de 2014): 1336–41. http://dx.doi.org/10.1213/ane.0000000000000416.
Texto completo da fonteTüre, H., U. Türe, F. Y. Gögüs, A. Valavanis e M. G. Yasargil. "987 THE ART OF ALLEVIATING PAIN IN GREEK MYTHOLOGY". European Journal of Pain 10, S1 (setembro de 2006): S255b—S255. http://dx.doi.org/10.1016/s1090-3801(06)60990-7.
Texto completo da fonteKatzive, Bonnie. "Looking, Writing, Creating". Voices from the Middle 4, n.º 3 (1 de setembro de 1997): 1–5. http://dx.doi.org/10.58680/vm19973754.
Texto completo da fonteYang, Yixuan. "The Embodiment and Interpretation of Greek Mythology in The Renaissance: Analyzing Perseus with The Head of Medusa". Journal of Education, Humanities and Social Sciences 28 (1 de abril de 2024): 603–7. http://dx.doi.org/10.54097/tjamp162.
Texto completo da fonteNavarrete, Miquel Àngel, e Josep Maria Sala-Valldaura. "La tela de Penelope: Entre la Grècia clàssica i la poesia catalana actual". Zeitschrift für Katalanistik 1 (1 de julho de 1988): 93–105. http://dx.doi.org/10.46586/zfk.1988.93-105.
Texto completo da fonteTeses / dissertações sobre o assunto "Patroclus (Greek mythology) in art"
Vollkommer, Rainer. "Herakles in the art of classical Greece". Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.
Texto completo da fonteDipla, Anthi. "Images of revolt : women of myth in the art of classical Athens". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297329.
Texto completo da fonteServadei, Cristina. "La figura di Theseus nella ceramica attica : iconografia e iconologia del mito nell'Atene arcaica e classica /". Bologna : Ante Quem, 2005. http://catalogue.bnf.fr/ark:/12148/cb40201611c.
Texto completo da fonteLa p. de titre porte en plus : "Alma mater studiorum, Università di Bologna, Dipartimento di archeologia" Bibliogr. p. 217-234.
Pierce, Karen. "Images of Argive Helen from birth to death". Thesis, University of Wales Trinity Saint David, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683213.
Texto completo da fonteRosenzweig, Rachel. "Aphrodite in Athens : a study of art and cult in the classical and late classical periods /". view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.
Texto completo da fonteTypescript. Includes vita and abstract. Includes bibliographical references (leaves 225-237). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.
Roos, Bonnie. "Reviving Pygmalion : art, life and the figure of the statue in the modernist period /". view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045092.
Texto completo da fonteTypescript. Includes vita and abstract. Includes bibliographical references (leaves 277-283). Also available for download via the World Wide Web; free to University of Oregon users.
Von, Solms Charlayn Imogen. "Ingenuity's engine : an overview of the history and development of the concept of the muse". Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/16468.
Texto completo da fonteENGLISH ABSTRACT: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Many metaphors relating to creativity are too misleading, confusing, and restricted in scope for a meaningful exploration of the phenomenon and its fluctuating social and cultural contexts. Given the Muse's long-term association with literature, philosophy, education, and more recently, the fine arts and other "creative" fields, an analysis of this concept may provide a unique opportunity to gain insight into the "mechanisms" underlying the creative process. Since affiliation with the Muse appears to have signalled attainment of critical cultural and/or social status by cultural practitioners in various societies, from the ancient to the present (a category which was broadened substantially), it is thus logical to assume this concept encompasses and has accumulated characteristics particular to the creative process as historically and currently valued in Western culture. Given the limited scope of the thesis, I have focused on specific concerns: 1) Provide an overview of the history, origin and development of the concept via specific examples ranging from antiquity, the medieval period, and the modern. 2) Assess the changes which have occurred in the development of the concept, and postulate likely causes: such as for example, the impact of an increased focus on the visual - and by extension, the physical - due to a more literate populace, on a concept originally conceived of as experienced through predominantly audial means. 3) Identify closely related concepts, the characteristics of which may have played a role in the formulation of the initial concept, along with those integrated into it, to form the modern version of the Muse: examples include the influence of the myth of Pygmalion on notions regarding the poet's relationship with both material and Muse; and the consequences of an amalgamation of characteristics of Aphrodite with those of the pastoral Muse. 4) Explore the extent to which the Muse-poet interaction can reveal fundamental aspects of the creative process and its main components: the differences between the public invocation and experience of the Muse in an oral context, as opposed to the privately experienced Muse of the literate poet; also, the changes imposed on the concept's perceived means of functioning due to its extension to the practice of the visual arts; and the correlation between the Jungian notion of the anima and aspects of the Muse. 5) Postulate the fundamental aspects of the creative process as revealed by analysis of the concept of the Muse for further investigation. In brief then, the main intention of this thesis is simply to examine by analysis of particular examples, the feasibility of applying the concept of the Muse as metaphor through which to identify for further exploration, issues and themes relating to the production and changes in social assessment of creative enterprises.
AFRIKAANSE OPSOMMING: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Menige metafore verbonde aan kreatiwiteit is te misleidend, verwarrend, of beperk in omvang vir 'n betekenisvolle ondersoek van díe verskynsel en die fluktueerende sosiale en kulturele kontekste daarvan. Gesien in die lig van die Muse se langtermyn assosiasie met letterkunde, filosofie, opvoedkunde en meer onlangs, the skone kunste en ander "kreatiewe" velde, mag 'n analise van die konsep moontlik 'n unieke geleentheid bied om insig te verkry in die onderliggende "meganismes" van die kreatiewe proses. Aangesien affiliasie met die Muse blyk om die bereiking van kritiese kulturele en/of sosiale status, deur kulturele praktisyne in verskeie samelewings, van die antieke tot die huidige ('n kategorie wat aansienlik uitgebou is) aan te dui, is dit dus logies om te aanvaar dat die konsep alomvattend is van eienskappe kenmerkend van die kreatiewe proses, soos geskiedkundig en huidig op prys gestel in die Westerse kultuur. Gegewe die beperkte bestek van die tesis, is gefokus op spesifieke kwessies: 1) Verskaf 'n oorsig van die geskiedenis, oorsprong, en ontwikkeling van die konsep deur spesifieke voorbeelde, in omvang vanaf die antieke, die middeleuse periode, en die moderne. 2) Evalueer die veranderinge wat voorgekom het in die ontwikkeling van die konsep, en veronderstel moontlike redes daarvoor: soos byvoorbeeld, die impak van vermeerderde fokus op die visuele - en daarby die fisiese - as gevolg van 'n meer geletterde bevolking, op 'n konsep wat aanvanklik hoofsaaklik ouditief ondervind is. 3) Identifiseer verwante konsepte, die eienskappe waarvan moontlik 'n rol kon gespeel het in die formulasie van die aanvanklike konsep, asook die wat daarby geintegreer is, om die moderne weergawe van die Muse te vorm: voorbeelde sluit in, die invloed van die mite van Pigmalion op begrippe aangaande die digter se verhouding met beide die materiaal en Muse; en die gevolge van 'n samesmelting van Aphrodite se karaktertrekke met die van die pastorale Muse. 4) Ondersoek die mate waartoe die Muse-digter verhouding fundamentele aspekte van die kreatiewe proses en sy hoof komponente kan ontbloot: soos die verskille tussen die publieke invokasie en ervaring van die Muse in 'n verbale konteks, in teenstelling met die geletterde digter wat die Muse privaat ondevind; asook die veranderinge temeegebring op die persepsies aangaande die konsep se funksionering as gevolg van die uitbreiding daarvan tot die visuele kunste; en die korrelasie tussen die Jungiaanse idee van die anima, en aspekte van die Muse. 5) Veronderstel die fundamentele aspekte van die kreatiewe proses, soos ontbloot deur analise van die konsep van die Muse vir verdere ondersoek. Kortliks dan, die hoof voorneme van hierdie tesis is om deur analise van spesifieke voorbeelde, die uitvoerbaarheid te ondersoek om die konsep van die Muse toe te pas as metafoor vir verdere navorsing waardeur kwessies en temas, aangaande die produksie en veranderinge in sosiale waardering van kreatiewe ondernemings, ge-identifiseer kan word.
Mance-Coniglio, Melissa. "Falling mythologies /". Online version of thesis, 2008. http://hdl.handle.net/1850/7750.
Texto completo da fontePosthumus, Liane. "Hybrid monsters in the Classical World : the nature and function of hybrid monsters in Greek mythology, literature and art". Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6865.
Texto completo da fonteENGLISH ABSTRACT: The aim of this thesis is to explore the purpose of monster figures by investigating the relationship between these creatures and the cultures in which they are generated. It focuses specifically on the human-animal hybrid monsters in the mythology, literature and art of ancient Greece. It attempts to answer the question of the purpose of these monsters by looking specifically at the nature of manhorse monsters and the ways in which their dichotomous internal and external composition challenged the cultural taxonomy of ancient Greece. It also looks at the function of monsters in a ritual context and how the Theseus myth, as initiation myth, and the Minotaur, as hybrid monster, conforms to the expectations of ritual monsters. The investigation starts by considering the history and uses of the term “monster” in an attempt to arrive at a reasonable definition of monstrosity. In aid of this definition, attention is also given to themes that recur when considering monster beings. This provides a basis from which the hybrid monsters of ancient Greece, the centaur and Minotaur in particular, can be considered. The next section of the thesis looks into the attitudes to animals prevalent in ancient Greece. The cultural value of certain animal types and even certain body parts have to be taken account, and the degree to which these can be traced to the nature and actions of the hybrid monster has to be considered. The main argument is divided in two sections. The first deals with the centaur as challenger to Greek cultural taxonomy. The centaur serves as an eminent example of how human-animal hybrid monsters combine the familiar and the foreign, the Self and the Other into a single complex being. The nature of this monster is examined with special reference to the ways in which the centaur, as proponent of chaos and wilderness, stands in juxtaposition to the ideals of Greek civilisation. The second section consists of an enquiry into the purpose of the hybrid monster and considers the Minotaur’s role as a facilitator of transformation. The focus is directed towards the ritual function of monsters and the ways in which monsters aid change and renewal both in individuals and in communities. By considering the Theseus-myth and the role of the Minotaur in the coming-of-age of the Attic hero as well as the city of Athens itself, the ritual theory is given application in ancient Greece. The conclusion of this thesis is that hybrid monsters, as manifestations of the internal dichotomy of man and the tenuous relationship between order and chaos, played a critical role in the personal and communal definition of man in ancient Greece.
AFRIKAANSE OPSOMMING: Die doelstelling van hierdie tesis is om die sin van monsters te ondersoek deur te kyk na die verhouding wat bestaan tussen hierdie wesens en die gemeenskappe waarbinne hulle hul ontstaan het. Die tesis fokus spesifiek op die mens-dier hibriede monster in die mitologie, literatuur en kuns van antieke Griekeland. Dit probeer om tot ‘n slotsom te kom oor die bestaansrede van monsters deur te kyk na die aard van die man-perd monster. Hierdie wese se tweeledige samestelling – met betrekking tot beide sy interne en eksterne komposisie – het ‘n wesenlike bedreiging ingehou vir die kulturele taksonomie van die antieke Grieke. Die tesis kyk ook na die rol, van monsters in die konteks van rituele gebeure. Die mite van Theseus as ‘n mite met rituele verbintenisse, en die Minotaurus as hibriede monster, word dan oorweeg om te bepaal wat die ooreenstemming is met die verwagtinge wat daargestel is vir rituele monsters. Ten einde ‘n redelike definisie van monsteragtigheid daar te stel, begin die ondersoek deur oorweging te skenk aan die geskiedenis en die gebruike van die woord “monster”. Ter ondersteuning van hierdie definisie word daar ook aandag geskenk aan sekere temas wat herhaaldelik opduik wanneer monsters ter sprake kom. Dit skep ‘n basis vir die ondersoek na die hibriede monsters van antieke Griekeland, en meer spesifiek na die kentaurus en die Minotaurus. Die tesis oorweeg ook die houding van die antieke Griekse beskawing teenoor diere. Die kulturele waarde van sekere soorte diere, en selfs seker ledemate van diere, moet in ag geneem word wanneer die hibriede monsterfiguur behandel word. Aandag moet geskenk word aan die maniere waarop die assosiasies wat die Grieke met diere gehad het, oorgedra word na die aard en handelinge van die monsterfiguur. Die hoofargument van die tesis word in twee dele uiteengesit. Die eerste gedeelte behandel die kentaurus as uitdager van die kulturele taksonomie van die antieke Grieke. Die kentaurus dien as ‘n uitstekende voorbeeld van die manier waarop die mens-dier monster dit wat bekend is en dit wat vreemd is, die Self en die Ander, kombineer in een komplekse wese. Die aard van hierdie wese word ondersoek met spesifieke verwysing na die maniere waarop die kentaurus, as voorstander van die ongetemde en van chaos, in teenstelling staan teenoor die ideale van die Griekse beskawing. Die tweede gedeelte vors die doel van die hibriede monster na en oorweeg die Minotaurus se rol as bevorderaar van transformasie. Hier word gefokus op die rol van die monster in ’n rituele konteks en die maniere waarop monsters verandering en vernuwing teweegbring in enkelinge sowel as in gemeenskappe. Hierdie teorie word van toepassing gemaak op antieke Griekeland deur die mite van Theseus en die rol van die Minotaurus te oorweeg binne die konteks van die proses van inburgering wat beide die held en sy stad, Athene, ondergaan. Die gevolgtrekking van hierdie tesis is dat hibriede monsters, as uitbeeldings van die interne tweeledigheid van die mens sowel as van die tenger verband tussen orde en chaos in die wêreld, ‘n noodsaaklike rol gespeel het in die persoonlike en sosiale definisie van die individu in antieke Griekeland.
Totskas, George. "Penthesilea : woman as hero /". Online version of thesis, 1990. http://hdl.handle.net/1850/11327.
Texto completo da fonteLivros sobre o assunto "Patroclus (Greek mythology) in art"
Barber, Antonia. Apollo & Daphne: Masterpieces of Greek mythology. Los Angeles: J. Paul Getty Museum, 1998.
Encontre o texto completo da fonteFrontisi-Ducroux, Françoise. L' homme-cerf et la femme-araignée: Figures grecques de la métamorphose. Paris: Gallimard, 2003.
Encontre o texto completo da fonteFrontisi-Ducroux, Françoise. L' homme-cerf et la femme-araignée: Figures grecques de la métamorphose. Paris: Gallimard, 2003.
Encontre o texto completo da fonteNyenhuis, Jacob E. Myth and the creative process: Michael Ayrton and the myth of Daedalus, the maze maker. Detroit, MI: Wayne State University Press, 2002.
Encontre o texto completo da fonteCarpenter, Thomas H. Art and myth in ancient Greece: A handbook. New York: Thames and Hudson, 1990.
Encontre o texto completo da fonteCarpenter, Thomas H. Art and myth in ancient Greece: A handbook. London: Thames and Hudson, 1991.
Encontre o texto completo da fonteVollkommer, Rainer. Herakles in the art of classical Greece. Oxford: Oxford University Committee for Archaeology, 1988.
Encontre o texto completo da fonteFrancesco, De Angelis, Muth Susanne, Hölscher Tonio e Deutsches Archäologisches Institut. Römische Abteilung., eds. Im Spiegel des Mythos: Bilderwelt und Lebenswelt : Symposium, Rom 19.-20. Februar 1998 : immaginario e realtà. Wiesbaden: L. Reichert, 1999.
Encontre o texto completo da fonteKauffmann-Samaras, Aliki. Hē thalassa: Theōn, hērōōn kai anthrōpōn stēn archaia hellēnikē technē = La mer : des dieux, des héros et des hommes dans l'art grec antique. Athēna: Ekdoseis Kapon, 2008.
Encontre o texto completo da fonteMoret, Jean-Marc. Œdipe, la Sphinx et les thébains: Essai de mythologie iconographique. [Rome]: Institut suisse de Rome, 1985.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Patroclus (Greek mythology) in art"
Huang, Juan. "Influence of greek mythology on modern art". In Engineering Technology, Engineering Education and Engineering Management, 61–63. CRC Press, 2015. http://dx.doi.org/10.1201/b18566-17.
Texto completo da fonteNeils, Jenifer. "Myth and Greek Art: Creating a Visual Language". In The Cambridge Companion to Greek Mythology, 286–304. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol9780521845205.011.
Texto completo da fonte"Poetic Imagination and Cultural Memory in Greek History and Mythology". In Imagination and Art: Explorations in Contemporary Theory, 50–66. Brill | Rodopi, 2020. http://dx.doi.org/10.1163/9789004436350_004.
Texto completo da fonteMoland, Lydia L. "Classical Art". In Hegel's Aesthetics, 78–98. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847326.003.0004.
Texto completo da fonteStamos, Nikolaos Ath. "Portraits Historiques in Education: Seeing Greek Mythology Through Renaissance Flemish Paintings". In Ways of Seeing: The Book of Selected Readings 2024, 130–42. International Visual Literacy Association, 2024. http://dx.doi.org/10.52917/ivlatbsr.2024.020.
Texto completo da fonteWinkler, Martin M. "Tragic Features in John Ford’s The Searchers". In Classical Myth & Culture in the Cinema, 118–47. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195130034.003.0007.
Texto completo da fonteGrasskamp, Anna. "Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture". In Art and Ocean Objects of Early Modern Eurasia. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158_ch03.
Texto completo da fonteCameron, Alan. "Myth and Society". In Greek Mythography in the Roman World, 217–52. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195171211.003.0009.
Texto completo da fonteNewman, William R. "Religion, Ancient Wisdom, and Newton’s Alchemy". In Newton the Alchemist, 45–63. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691174877.003.0003.
Texto completo da fonteBorchmeyer, Dieter. "In Search of a Lost Style: Wagner’s Ideal of ‘Classical Form’". In Richard Wagner, 75–86. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780193153226.003.0007.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Patroclus (Greek mythology) in art"
Wang, Ruishu, e Wanbing Shi. "Teaching Objectives and Strategies of Greek and Roman Mythology for College Students*". In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.141.
Texto completo da fonteLiu, Tianyi. "Reflections on Man and Nature in Greek Mythology: From the Name of Natural Creatures". In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.019.
Texto completo da fonteBondarenko, Igor. "The Ensemble of the Acropolis of Athens in the Light of Ancient Greek Mythology". In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.6.
Texto completo da fonteDimitrakopoulou, Georgia. "WILLIAM BLAKE�S: THE BOOK OF THEL. THE AESTHETIC VERSUS THE USEFUL?" In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.23.
Texto completo da fonte