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Artigos de revistas sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Magadeev, Iskander E. "The Role of Czechoslovakia in the Development of the Soviet-French Relations During the Non-Recognition Period of the USSR: View from Paris (1920–1924)". Slavianovedenie, n.º 1 (15 de fevereiro de 2024): 39–53. http://dx.doi.org/10.31857/s0869544x24010036.
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The article aims to discern the contents and specifics of the French estimates in regard of the Czechoslovakian role in the interactions between the Third Republic and the Soviet Russia/USSR in 1920–1924. Chiefly, the author analyses the French answers on the question about the significance and potential function of Czechoslovakia in the interstate triangle. Rather recently published French diplomatic documents are used as sources, as well as the evidence taken from the Diplomatic archives of the French Ministry of Europe and foreign affairs, and the from funds of the Historical services of the French Ministry of Armed forces. The author concludes that Paris contemplated two main roles of Prague in the triangle USSR – Czechoslovakian Republic – France. First, Czechoslovakia could be an important element of the «sanitary cordon» directed against Germany and the Soviets; second, she could perform the function of a potential bridge in the case of Franco-Soviet normalisation. Such roles of Czechoslovakia were not antagonistic, and Paris tried to combine them in the French foreign policy and strategy. The variety of international, regional and interior circumstances defined what role was emphasised by the leadership of the Third Republic. In 1919–1921, 1923, when the Soviet-French contradictions were sharp and Paris underlined the «Soviet menace», the right governments of France tended to think about Czechoslovakia more as an important element of the «sanitary cordon», though understanding that the latter wasn’t really solid. On the contrary, in 1922 and from end of 1923, while the interest of France in normalising the relations with the Soviets grew stronger, the role of Czechoslovakia as a potential bridge to USSR attracted more attention of the Paris (these aspirations remained unfulfilled). Though the French estimates were volatile and depended on person, the images of the russophilia of the Czechoslovakian society, and the thesis that antagonism Czechoslovakia and USSR couldn’t escalated to war, persisted.
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Kłakus, Michał. "Visite des évêques français en Pologne en 1924 à la lumière de dossier déposé par le Cardinal Dubois dans les archives historiques du diocèse de Paris". Archiwa, Biblioteki i Muzea Kościelne 113 (30 de junho de 2020): 221–36. http://dx.doi.org/10.31743/abmk.10005.
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À la fin 1923, plus de 100 000 Polonais étaient arrivés en France . Ce sont les aux agriculteurs de Galiceet les mineurs polonais de Westphalie et de la Rhénanie. Les Polonais considéraient leur séjour en France comme temporaire. Il est naturel que, attachés à la religion catholique enrichie de rites indigènes, ils demandent la pastorale des prêtres polonais. Le plus grand problème pour mener une pastorale polonaise en France c’était l’attitude du clergé français, qui s’est méfié des coutumes religieuses polonaises. Pour le primat de Pologne, la meilleure façon de familiariser les évêques français avec les spécificités de la pastorale polonaise était de les inviter à visiter la Pologne. Cette visite a eu lieu du 14 au 28 juin 1924. À Paris (archives historiques du diocèse de Paris) est conservé le dossier concernant la visite des évêques français en Pologne en 1924. La lecture des documents permet de connaitre les réactions des invités français pendant et après le voyage en Pologne.
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Guyot, Blandine. "L'Association des Karaïmes à Paris: de l'entraide amicale (1923-1939) à la lutte contre « la menace monstrueuse suspendue sur nos têtes » (1939-1945)". Almanach Karaimski 9 (30 de dezembro de 2020): 9–58. http://dx.doi.org/10.33229/ak.2020.9.1.
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At the beginning of the 1920s an active émigré community of 324 Karaims (275 Karaims from Crimea and 49 Karaims from Constantinople) had established itself in France. In 1923 they formed an organisation called the Karaims’ Association in Paris (Association des Karaïmes à Paris), headed by Salomon Krym and Boris Saratch. From its initial foundation until 1938, its goal was to promote mutual assistance, foster community ties and support the Karaim religion. However, in 1938, in response to increasing racial persecution and antisemitism in Europe, the Association assumed a new outlook and devoted greater time and effort to trying to help and protect Karaims in distress, mainly those based in Germany and Czechoslovakia.
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SCRIVANO, PAOLO. "Defining the Profession of Architect in the Twentieth Century: France, Italy and the United States". Contemporary European History 13, n.º 3 (agosto de 2004): 345–56. http://dx.doi.org/10.1017/s0960777304001766.
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Anthony Alofsin, The Struggle for Modernism. Architecture, Landscape Architecture, and City Planning at Harvard (New York and London: W.W. Norton & Company, 2002), 311 pp., $60.00 (hb), ISBN 0–393–730484.Hélène Jannière, Politiques éditoriales et architecture ‘moderne’. L'émergence de nouvelles revues en France et en Italie (1923–1939) (Paris: Éditions Arguments, 2002), 377 pp., €24.50 (pb), ISBN 2–909109–26–7.Paolo Nicoloso, Gli architetti di Mussolini. Scuole e sindacato, architetti e massoni, professori e politici negli anni del regime (Milan: FrancoAngeli, 1999), 239 pp., €19.63 (pb), ISBN 88–464–1305–9.
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JÓZAN, ILDIKÓ. "GÉOGRAPHIE, TYPOLOGIE, POLITIQUE : LA FONDATION DE LA CHAIRE DES LANGUES FINNO-OUGRIENNES À L’ÉCOLE DES LANGUES ORIENTALES VIVANTES". Hungarian Studies 33, n.º 2 (dezembro de 2019): 367–83. http://dx.doi.org/10.1556/044.2019.33.2.10.
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L’article retrace les débuts de la carrière d’Aurélien Sauvageot, « l’homme de France qui connaît le mieux hommes et choses de Hongrie ». Elève d’Antoine Meillet, figure-clé des relations culturelles franco-hongroises de l’entre-deux-guerres, premier titulaire, en 1931, de la Chaire des langues finno-ougriennes à l’Ecole des langues orientales à Paris, Sauvageot fait son entrée sur la scène scientifique, littéraire et politique française et hongroise à la sortie de la première guerre mondiale dans laquelle la Hongrie et la France étaient dans les camps opposés. L’arrivée de Sauvageot à Budapest (en 1923) et ses débuts dans le milieu de la linguistique finno-ougrienne permettaient de croire, pour la science et la politique françaises, que ce jeune linguiste bientôt hungarophone serait capable de servir la propagande intellectuelle, c’est-à-dire « la cause » française en Hongrie. Dans le sens inverse, aux yeux des autorités hongroises, on espérait qu’il pût disséminer la propagande intellectuelle hongroise en France. Or les objectifs communs (le rapprochement intellectuel) ne pouvaient compenser les contradictoires entre les deux pays, ces dernière se sont constamment imposées sur le chemin d’Aurélien Sauvageot.
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Charmley, John. "Duff Cooper and Western European union, 1944–47." Review of International Studies 11, n.º 1 (1 de janeiro de 1985): 53–64. http://dx.doi.org/10.1017/s0260210500114366.
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Duff Cooper fell in love with France during his first visit to Paris in 1900 and he remained faithful to her for the rest of his life. The fact that Paris in 1900 was deeply Anglophobic, because of the Boer war, had no effect upon Cooper's feelings for the city. His affection for France was no fair-weather plant. It was deepened by the experience of nine months in the trenches in the Great War and was, thereafter, proof against all discouragements. As a young Foreign Office clerk in 1923 he did not join in the fashionable disparagement of France inspired by the French occupation of the Ruhr. As Minister of War from 1935 to 1937 he fought for the creation of a British army which would be large enough to play a continental role and later, as First Lord of the Admiralty, he was a leading advocate of Anglo-French co-operation. After his resignation in protest against the Munich agreement, Cooper spent his time fostering the idea of an Anglo-French alliance as the corner-stone of a European combination against Hitler's Germany. His love for France even survived the fall of France in June 1940 and, at a time when many francophiles were repenting of their former faith. Cooper renewed his pledges of devotion. Speaking on the wireless as Minister of Information on the eve of the Franco-German armistice, he declared his faith that France would rise again: ‘This is not the first time that a great nation has been defeated and has recovered from defeat. They have fought with heroism against superior numbers and superior weapons; their losses have been terrible.’ At the Ministry of Information Cooper was one of the earliest patrons of General de Gaulle and his Free French Movement. Given such a long history of Francophilia what could have been more natural than that he should have been appointed as Britain's first post-war ambassador to France. It was not, however, quite so simple as that.
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Santos, Breno Augusto de Oliveira. "Os movimentos autônomos europeus". Cadernos Cemarx 16 (10 de maio de 2022): e022002. http://dx.doi.org/10.20396/cemarx.v16i00.15881.
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Há uma série de debates, produções acadêmicas e militante sobre movimentos, coletivos e correntes autonomistas e suas práticas na cena política. Os movimentos autonomistas ou autônomos despertam a curiosidade de cientistas sociais diante o seu espontaneísmo e formas horizontais de organização. Os pesquisadores que buscaram compreender os fenômenos das jornadas de junho de 2013 reconheceram as heranças do autonomismo nas organizações coletivas que movimentaram as ruas das capitais brasileiras naquele ano. As raízes desses movimentos constituem-se a partir de experiências passadas e ressignificadas no tempo, sejam elas, como a Comuna de Paris em 1871, os Sovietes na Revolução Russa em 1917, os conselhos operários na Alemanha (1918-1923), Maio de 1968 na França e o Outono Quente italiano em 1969. Da mesma forma, suas diferentes correntes que passam desde os comunistas de conselho de Otto Rühle, Hermann Gorter, Paul Mattick, Anton Pannekoek, os Situacionistas de Guy Debort, a crítica às formas estatal-burocráticas de Socialismo ou Barbárie e a experiência do operaísmo italiano, refletem quanto tão complexas são, seja em sua produção teórica, ou em suas formas organizacionais expressas em movimentos sociais e coletivos. Para uma compreensão do tema convidamos Sébastien Schifres, doutor em Ciências Políticas pela Universidade Paris 8 - Vincennes de 2008 a 2014, especialista em movimentos revolucionários, autor dos livros Mouvement autonome en Italie et en France (1973-1984) e Movimiento Autónomo en France (1976-1984) e assessor histórico do documentário Lutter... Ici et Maintenant! (Philippe Roizès, 2013).
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Charmasson, Thérèse. "L’entourage protestant de la marquise Arconati Visconti". Revue d'histoire du protestantisme 7, n.º 4 (26 de janeiro de 2023): 517–50. http://dx.doi.org/10.47421/rhp7_4_517-550.
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La marquise Arconati Visconti, née Marie Peyrat (1840-1923), par de multiples dons et legs à différents musées et établissements d’enseignement supérieur, a contribué à l’enrichissement des collections publiques et au développement de l’enseignement de l’histoire et de l’histoire de l’art, tant à Paris qu’en province, notamment à Lyon, Toulouse et Angers. Profondément républicaine, dreyfusarde et anticléricale, elle a entretenu avec un certain nombre de protestants des relations amicales qui ont pu orienter ses libéralités dans le domaine des lettres, comme dans celui des arts. Gabriel Monod (1844-1912), Auguste Molinier (1851-1904) et son frère Émile Molinier (1857-1906), comme Alfred Morel-Fatio (1850-1924), normalien et chartistes, directeurs d’études à l’École pratique des hautes études, professeurs à l’École des chartes et à l’École du Louvre, titulaires de chaires au Collège de France, appartiennent au monde de l’érudition. Raoul Duseigneur (1844-1916), collectionneur et antiquaire, en souvenir duquel la marquise multiplie les donations après son décès en 1916, « l’ami fidèle », a sans doute été le compagnon de la marquise, partageant en particulier ses goûts pour les collections d’objets d’art.
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Jankovic, Zeljka. "Les relations éducatives entre la Serbie et la France dans la période 1936-1940". Prilozi za knjizevnost, jezik, istoriju i folklor, n.º 82 (2016): 119–37. http://dx.doi.org/10.2298/pkjif1682119j.
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Le premier XIXe si?cle met la Serbie en contact plus intense avec la France, berceau des valeurs d?mocratiques et du patrimoine culturel europ?en aux yeux des Serbes subissant l?occupation turque depuis des si?cles. C?est ? partir de cette p?riode que commencent ? se d?velopper les liens culturels, politiques et ?ducatifs plus ?troits entre deux pays, particuli?rement renforc?s pendant la Grande Guerre, o? la France aide les jeunes serbes en leur ouvrant la porte de ses ?coles et universit?s. La Convention sign?e en 1920 en vue de la mise en place de la coop?ration intellectuelle et ?ducative (surtout universitaire) des deux pays pr?voyait ?galement la position privil?gi?e de la langue fran?aise au sein du syst?me ?ducatif serbe : en effet, dans les ann?es 30 du XXe si?cle, celleci sera la mati?re la plus enseign?e apr?s la langue serbe et les math?matiques, et le Minist?re des affaires ?trang?res fran?aises enverra r?guli?rement des livres fran?ais, ainsi que des dipl?mes et m?dailles pour les meilleurs ?l?ves. En raison de la croissance de l?influence politique italienne et surtout allemande dans les Balkans, un Congr?s des clubs fran?ais de Yougoslavie, tenu en 1935, marque le d?but des d?marches coordonn?es visant ? renforcer la pr?sence fran?aise dans tous les domaines de la vie sociale yougoslave. Les responsables du D?partement d??ducation aupr?s de l?Ambassade yougoslave ? Paris (Aleksandar Arnautovic puis Milan Markovic) informaient r?guli?rement Belgrade des activit?s dans la capitale fran?aise et ailleurs. Les boursiers du Gouvernement fran?ais (qui accordait la moiti? de la somme totale du budget aux ?tudiants yougoslaves, dont le nombre variait entre 60 et 100 par an dans la p?riode 1936-1940), du retour dans leur pays, r?pandront l?esprit de la culture fran?aise, ainsi que les connaissances acquises dans tous les domaines. Parmi les personnalit?s importantes qui excelleront dans leur m?tier se trouvent : Dr Vukan Cupic, professeur ? l?Universit? de Belgrade et directeur de l?Institut belgradois pour la m?re et l?enfant (boursier du fonds d?Alexandre de Yougoslavie de la mairie de Marseille 1938-1940), le chimiste Pavle Savic qui collaborait avec Ir?ne Curie, Dr Borisav Arsic qui a soutenu la th?se La Vie ?conomique de la Serbie du Sud au XIX si?cle (Paris, France-Balkans, 1936), Dr Branislav Vojnovic, directeur du Th??tre national, Dr Milos Savkovic qui ?tudiait l?influence de la litt?rature fran?aise sur le roman serbe etc. Les jeunes yougoslaves choisissent surtout la litt?rature, les arts et les sciences humaines. D?autre c?t?, le gouvernement yougoslave finan?ait chaque ann?e cinq ?tudiants fran?ais faisant la recherche au sein des universit?s yougoslaves. De nombreuses conf?rences sont dispens?es par les professeurs yougoslaves et fran?ais ; les ?coles franco-serbes, l?Institut fran?ais, les clubs et les associations de l?amiti? donnent les cours de fran?ais ; l?Association des ?tudiants en langue et litt?rature fran?aises organise les soir?es fran?aises et va r?guli?rement en excursions en France ; le Minist?re d??ducation finance les formations estivales des professeurs de fran?ais. Du c?t? fran?ais, l?Institut slave, la Chaire de serbo-croate ? l??cole de langues vivantes orientales avec des professeurs ?minents tels Andr? Vaillant et Andr? Mazon, le Lectorat serbe ? Paris, Strasbourg, Lyon etc. contribuaient aux ?tudes yougoslaves. La langue serbo-croate a ?t? inscrite sur la liste des langues vivantes que les ?l?ves pouvaient passer au baccalaur?at en 1936. Pourtant, cet ?panouissement sera de nouveau menac? par une p?n?tration politique et ?conomique des forces de l?Axe de plus en plus forte ? la veille de la Deuxi?me guerre mondiale : c?est ainsi que l?allemand devient la langue ?trang?re obligatoire au detriment du fran?ais en 1940, les entreprises fran?aises ferment leurs portes, tandis que de nombreuses activit?s culturelles et d?marches ?ducatives cherchent ? pr?server l??tat privil?gi? dont la France jouissait en Serbie depuis la Grande Guerre.
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Tahirović, Husref, e Brigitte Fuchs. "Jadwiga Olszewska: A Woman Pioneer in Medicine in Serbia and Bosnia and Herzegovina". Acta Medica Academica 49, n.º 2 (11 de novembro de 2020): 207. http://dx.doi.org/10.5644/ama2006-124.299.
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<p>This article describes the life and medical activities of Jadwiga Olszewska (1855–1932) in Serbia from 1895–1899, Austro- Hungarian (AH)-occupied and annexed Bosnia and Herzegovina (BH) from 1899–1918, and the newly founded Kingdom of Yugoslavia, from 1919–1932. In summer 1899, Olszewska replaced Teodora Krajewska as an AH official female physician in Tuzla. Born in Congress Poland, Olszewska had enrolled in 1873 in the medical courses for women in St. Petersburg but had left Russia in 1880 to study medicine in France. She had lived as a student and single parent in Paris since 1883, and she was awarded her Doctorate in Medicine from the University of Paris in 1894. She could not practice medicine in Russian-occupied Poland because of her French diploma, and she could not practice in most Western countries due to her gender. Therefore, she decided to move to Serbia, where she worked as an assistant physician in the district hospitals of Loznica (1895–1897?) and Požarevac (1897–1899). Driven by the need for a higher income to fund her son’s education, she engaged her network of Polish compatriots and procured the position of an AH official female physician of Tuzla in 1899, where she performed her duties in an exemplary manner. After the breakdown of the Austro-Hungarian Empire (AHE) in 1918, Olszewska remained in Tuzla and retired as a Yugoslav official physician in 1923. When she died in Tuzla in 1932, local colleagues had to arrange for a proper fu- neral because Olszewska did not leave any savings due to her insufficient pension. Olszewska’s grave never received a tombstone, and it is untraceable today.</p><p><strong> Conclusion</strong>. Jadwiga Olszewska (1855–1932) was a woman pioneer of medicine from Poland, who practiced her profession first as an assistant physician in Serbia (1895–1899) and then as an AH and Yugoslavian official female doctor in Tuzla, BH (1899–1923).</p>
Teses / dissertações sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Benoist, Jacques. ""Le Sacré Cœur de Montmartre" : spiritualité, art et politique (1870-1923)". Paris 4, 1991. http://www.theses.fr/1990PA040155.
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La basilique du Sacré-Cœur a toujours été l'objet de nombreuses contestations. Pour les comprendre, il faut demander à ses promoteurs quelles étaient leurs intentions. Traumatisés par les évènements de 1870 tant en France qu'à Rome, ils promettent en décembre 1870-janvier 1871 de construire une église en l'honneur du cœur du christ par souscription nationale pour obtenir de dieu le salut de la France et la délivrance du souverain pontife. Leur initiative est déclarée d'utilité publique par l'assemblée nationale. Paul Abadie devient leur architecte. La lente édification du monument s'accompagne de la création d'un pèlerinage ou une adoration perpétuelle s'établit rapidement. La décoration récapitule dans la pierre la vision du monde des constructeurs. Les contestations et les contestataires de l'entreprise, d'hier et d'aujourd'hui, retiennent longuement l'attention, mais sont contestés à leur tourThe basilica of the sacred heart has always been the target of numerous criticisms. These cannot be understood without investigating the promoters' intentions. Under the shock of the event of 1870 in Rome as well as in France, they pledged in December 1870-January 1871 to build a church dedicated to the heart of Christ thanks to a national subscription, so as to obtain from god both salvation for France and liberation for the Holy Father. The national assembly granted their initiative the public interest status. Paul Abadie became their architect. During the slow building of the monument, pilgrimages and perpetual adoration began rapidly. The decoration expressed in the stone the builders' vision of the world. The critics and the criticisms of times past and present have long held general attention but are now being criticized themselves
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Borbely, Ayça Sevil. "Images de Paris chez trois écrivains contemporains turcs : Demir Özlü, Nedim Gürsel, Enis Batur". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030003/document.
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Le lien entre Paris et la Turquie remonte à l’ouverture des relations diplomatiques entre les deux pays au 17e siècle. Depuis lors, la culture, la langue et la littérature françaises occupent une place importante au sein de l’intelligentsia turque, première victime de l’instabilité que connaît le pays depuis 1960. Paris a ainsi joué le rôle de fenêtre sur l’Occident, conduisant des générations d’écrivains à cultiver le mythe de la Ville Lumière, cité de l’amour, des révolutions et des libertés. Le débat sur la place de la Turquie en Europe justifiait une étude approfondie des images de Paris dans la littérature turque contemporaine. Pour ce faire, il s’agissait de se pencher sur trois écrivains, qui œuvrent sous l’ombre de leur aîné, le précurseur Attilâ Ilhan, décédé en 2005. Demir Özlü, le solitaire nauséeux pour qui Paris reste un rêve inaccessible, Nedim Gürsel, l’amoureux prolixe qui en fit sa maîtresse, et Enis Batur, l’explorateur scientifique qui en scruta chacune des pierres, ont, chacun à leur façon, placé Paris au cœur de leur production littéraire, préservant ainsi la place particulière dont jouit la capitale française dans l’imaginaire turc. Au travers de leurs exils et errances, ils servent de pont entre une Turquie traditionnellement enracinée dans l’Orient et Paris, qui incarne un Occident tantôt flamboyant, tantôt décadent mais toujours obsessionnel. Le fait qu’ils soient constamment tiraillés entre deux langues, deux cultures et deux lieux, Paris d’une part et Istanbul et la Turquie d’autre part, les conduit à une lancinante et permanente quête de leur identité d’homme et d’écrivainThe link between Paris and Turkey was founded when both countries opened diplomatic relationships in the 17th century. Since then, the French culture, language and literature has been key to the Turkish intelligentsia, the first victim of the political instability the country is experiencing since 1960. Paris played the role of a window into the Western world, driving generations of writers to cultivate the myth of the Ville Lumière, city of love, revolutions and freedom. The debate on the place of Turkey in Europe justified a close look into the images of Paris in the contemporary Turkish literature. This study focused on three contemporary writers, who all worked under the shadow of Attilâ Ilhan the precursor, who died in 2005. Demir Özlü, the nauseated loner, for whom Paris will always remain an inaccessible dream, Nedim Gürsel, the prolix lover who turned the city into his mistress, and Enis Batur, the scientific explorer who observed each and every of its stones, have each in their own way placed Paris at the heart of their literary production. In doing so, they preserve the special status the French capital city enjoys in the Turkish collective imagination. Through their exiles and wanderings, they serve as a bridge between Turkey, whose traditions are grounded in the Middle-East, and Paris, which incarnates a Western world that is depicted either as flamboyant or decadent but will always remain obsessive. The fact that they are constantly split between two languages, cultures and places, Paris on the one hand, Istanbul and Turkey on the other hand, pulls them into a gnawing and permanent quest of their identity of human being and writer
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Sicard, Tristan. "Le traitement médiatique de l'Afrique dans la presse écrite de référence francophone entre 1993 et 2003 : le cas des quotidiens Le Devoir (Québec), Le Monde (France) et Le Soir (Belgique)". Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24550/24550.pdf.
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Jorge, Muriel. "Philologie, grammaire historique, histoire de la langue ˸ constructions disciplinaires et savoirs enseignés (1867-1923)". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA138.
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Entre la fin des années 1860 et le milieu des années 1920, la philologie, la grammaire historique et l’histoire de la langue sont introduites dans l’enseignement supérieur français grâce à la création de postes et de chaires dans des établissements nouvellement fondés, comme l’École Pratique des Hautes Études et l’École normale supérieure de jeunes filles de Sèvres, ou profondément rénovés, comme la Faculté des lettres de Paris. La disciplinarisation de ces savoirs linguistiques de type historique participe du rapprochement entre enseignement et recherche et, ainsi, du renouvellement du système universitaire. En atteste la carrière dans les trois institutions citées de Gaston Paris, Arsène Darmesteter et Ferdinand Brunot, retracée à l’aide de correspondances privées et de documents d’archives d’ordre institutionnel. L’analyse de documents publiés par les établissements eux-mêmes (affiches, livrets, comptes rendus d’enseignements, ouvrages commémoratifs) met en évidence les difficultés que rencontrent ces trois enseignants pour s’adapter aux divers publics étudiants et aux préconisations officielles. Leurs notes de cours reflètent un travail de didactisation, qui passe par des pratiques d’écriture diverses dont on identifie les spécificités à l’aide des outils de la génétique textuelle. L’étude approfondie de deux objets de savoir met en lumière l’intérêt de ces notes en tant que sources pour l’histoire des idées linguistiques et de leur enseignement. D’abord, l’histoire de l’orthographe française, bien qu’absente des intitulés des cours, est présente dans les notes de cours. Ensuite, le « latin vulgaire » est un thème porteur d’enjeux idéologiques et épistémologiques majeurs invisibles dans les affichages institutionnelsBetween the late 1860s and the mid-1920s, philology, historical grammar and language history are introduced into the French higher education system with the creation of positions and tenures in newly founded schools, such as the École Pratique des Hautes Études and the girls’ École normale supérieure in Sèvres, and in deeply transformed institutions, like the Paris Faculty of Letters. Making history-oriented linguistic knowledge into disciplines contributed to bring teaching and research closer together and led to the rebirth of the university system. This is illustrated by the careers of Gaston Paris, Arsène Darmesteter and Ferdinand Brunot in these institutions as evidenced by private correspondence and institutional archive material. The analysis of documents published by the establishments (posters, booklets, teaching records, anniversary publications) casts light on the problems these teachers faced when attempting to adapt to various student populations and official guidelines. Their teaching notes reveal content adaptation through diverse writing practices, which we identify and characterize by using text genetics. The in-depth study of two knowledge contents demonstrates the use that can be made of these notes as sources for the history of linguistic thought and its teaching. Firstly with the history of French orthography which is present in teaching notes, although it does not appear in course titles. Secondly with vulgar Latin as a theme that pertains to major ideological and epistemological issues which are invisible in institutional display material
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Saiki, Shinichi. "Paris dans le roman de Proust". Paris 3, 1990. http://www.theses.fr/1991PA03A005.
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Dans a la recherche du temps perdu de marcel proust, un grand nombre de scenes ont pour cadre la ville de paris. Si chacun des lieux parisiens est relie a un personnage ou a une situation pour constituer un des elements indispensables du recit, c'est a travers sa signification culturelle et historique aussi bien que les images evoquees par son nomIn remembrance of things past by marcel proust, a large numvber of scenes have their setting in paris. Each location in paris is connected specifically with a character or a novelistic situation through its cultural and historic significance as well as the images evoked by its name, and constitue one of the indispensable elements of the narrative
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Deluermoz, Quentin. "Les policiers en tenue dans l'espace parisien (1854-1913) : la construction d'un ordre public". Paris 1, 2006. http://www.theses.fr/2006PA010692.
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En 1854, Napoléon III importe le modèle londonien de police dans la capitale française. La police visible et quotidienne s'impose alors, pour longtemps, dans l'espace parisien. En croisant représentations sociales, politiques institutionnelles et interactions quotidiennes, cette recherche étudie la relation police-société ainsi mise en pratique. Il apparaît qu'entre 1854 et 1913, le sergent de ville, devenu gardien de la paix, s'intègre progressivement dans l'espace parisien, sans que cela implique la fin des confrontations. Ce mouvement s'accompagne de plusieurs changements, comme la professionnalisation des agents, les adaptations de la Préfecture de police, mais aussi la rationalisation de l'espace urbain, le changement du rapport à la violence ou le développement de l'Etat-nation. Il est alors possible d'aborder, dans sa dynamique, une transformation profonde de la société française qui se traduit, à Paris, par la mise en place d'un ordre public d'un nouveau type.
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Boirel, François. "Catholiques en laïcité : l'exemple de la paroisse universitaire : de Pierre Paris à Pierre Dabosville (1929-1963)". Lyon 2, 1998. http://www.theses.fr/1998LYO20044.
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Le debut des annees 1990 a vu naitre deux phenomenes en apparence contradictoires. D'un cote, avec "l'affaire du foulard", "l'affaire clovis", une remise en cause de certains fondements de la laicite a la francaise ; de l'autre un interet croissant des francais pour les cultures religieuses, interet concretise dans l'enseignement par l'apparition de questions religieuses dans les programmes d'histoire issus de la reforme de 1995. Presente sur le terrain laique depuis sa fondation par joseph lotte en 1911, la paroisse universitaire a eu vocation a unir deux ideologies qui s'opposerent tout au long du xxeme siecle : laicite et catholicisme. Reunissant les enseignants catholiques des trois ordres (puis quatre avec l'apparition du technique en 1951) de l'universite francaise, la paroisse universitaire a insuffle une reflexion renouvelee sur le probleme laique qui atteignit son apogee en 1951, lorsque le pape pie xii la recut en pelerinage a rome (naissance d'une "laicite ouverte"). Temoin privilegie des luttes laiques des annees d'apres-guerre (commissions philip, paul boncour, lapie, ainsi que les lois marie-barange et debre), elle s'interessa, sous l'impulsion de son aumonier national, l'oratorien pierre dabosville (1907-1976), aux problemes de son temps, en particulier la guerre d'algerie et le coup d'arret qui frappa les pretres-ouvriers (1954), reunissant ainsi les conditions d'un renouveau de l'engagement des intellectuels catholiques francaisTwo phenomena came out in the early 1990's which seemed totally contradictory. On the one hand, with two different cases, the "affaire du foulard" and the "affaire clovis", some of the fundamental principles of the french secularised (non-religious) state education system were brought into question ; on the other hand, in france there was a growing interest in religious cultures, which was demonstrated in the teaching programme by religious questions being included in history syllabuses following the 1995 reform. The paroisse universitaire has always been dealing with the non-religious issues since it was founded by joseph lotte in 1911 and its vocation was really to unite two distinct ideologies which opposed throughout the 20th century, i. E. Secularisation and catholicism. Made up of catholic lecturers from the three orders (later four when the technique schools appeared in 1951) of the french university, the paroisse universitaire breathed new life into the consideration given to the problem of state education, which reached its peak in 1951 when pope pius xii welcomed a pilgrimage to rome (the birth of an openly secularised system). As a key observer in the post-war state education struggles (philip, paul-boncour and lapie commitees, as well as in the marie-barange and debre laws), the paroisse universitaire became interested, encouraged by its national chaplain, the oratorian priest pierre dabosville (1907-1976), in current affairs problems and in particular the war in algeria and the sharp check imposed on working priests (1954), thus uniting all of the conditions for a renewal of the commitment of the french catholic intellectuals
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Leenaerts, Danielle. "Analyse historique et artistique du magazine Vu (1928-1940), hebdomadaire d'informations générales illustré par la photographie". Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211383.
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Victor, Pujebet Bruder Danielle. "Les concerts de musique classique à Paris : description et analyse de la saison 1982-1983". Paris 4, 1987. http://www.theses.fr/1987PA040421.
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L'analyse des concerts de musique classique à paris (intra-muros) en 1982-1983 a été réalisée à l'aide d'un traitement informatique des 3416 concerts recensés. L'étude est limitée à 3 aspects de la saison : calendrier et organisation-programmation-critique musicale. Le calendrier et l'organisation des concerts sont décrits d'une part au niveau des principales instances parisiennes : Radio-France, formations symphoniques, de chambre, et de musique contemporaine, grandes salles, festivals. D'autre part au niveau des concerts organisés occasionnellement. Les lieux sont étudiés par types et classes par nombres de concerts, par jauge, par places offertes au public, par arrondissement : 222 lieux recensés, parc de 107000 places, 2 366 000 places offertes au public, estimation des entrées entre un million et un million et demi. L'analyse de la programmation est effectuée par type d'interprète : orchestres symphoniques, de chambre, groupes vocaux, solistes (piano, orgue, solistes vocaux, guitare, carillon) quatuors à cordes, duos piano : violon, chorales, et diverses formations de chambre. Le traitement informatique a permis de donner la liste des compositeurs (1290 compositeurs recensés) classés suivants divers paramètres : par siècle, du plus joué au moins joué, et par type d'interprète. La revue de presse a porté sur 8 quotidiens, 4 hebdomadaires, et 3 mensuels musicaux.
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Takai, Tetsuhiko. "De l'association à l'organisation : le système des affaires du bâtiment et des travaux publics à Paris, 1882-1929". Paris, EHESS, 1999. http://www.theses.fr/1999EHES0059.
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Nous avons propose d'examiner le modele francais du <Livros sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Gustave, Eiffel. La tour de trois cents mètres = The three-hundred metre tower. Köln: Taschen, 2006.
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Université de Paris IV: Paris-Sorbonne, ed. Le Sacré-Cœur de Montmartre: Spiritualité, art et politique, 1870-1923. Lille: A.N.R.T, Université de Lille III, 1990.
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Calvino, Italo. Hermit in Paris: Autobiographical writings. London: Jonathan Cape, 2003.
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Harvie, David. Eiffel: The genius who reinvented himself. Stroud: Sutton, 2004.
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Calvino, Italo. The hermit in Paris: Autobiographical writings. New York: Pantheon Books, 2003.
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Herrick, Agnes Blackwell. Paris embassy diary, 1921-1922. Lanham, Md: Hamilton Books, 2008.
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Simon, Joan. Alexander Calder: The Paris years, 1926-1933. New York: Whitney Museum of American Art, 2008.
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Henry, Miller. Paris 1928: Nexus II. Bloomington: Indiana University Press, 2012.
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Paris, Bibliothèque historique de la ville de. 50 ans de photographie de presse: Archives photographiques de Paris-Soir, Match, France-Soir. [Paris]: La Bibliothèque, 1990.
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Phillips, Ellen. The VIII Olympiad: Paris 1924, St. Moritz 1928. Los Angeles: World Sport Research & Publications, 1996.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Laprade, Albert, e Léon Jaussely. "Musée de la France d’Outre-mer 1927–1931". In Paris, 30–31. Wiesbaden: Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-86033-0_8.
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Ginoux, Jean-Marc. "The First International Conference on Nonlinear Processes: Paris 1933". In History of Nonlinear Oscillations Theory in France (1880-1940), 165–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55239-2_7.
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Snedeker, Jeffrey L. "Early horn tutors in France, the formation of the Conservatoire, and the Conservatoire’s first horn teachers". In Horn Teaching at the Paris Conservatoire, 1792 to 1903, 11–63. [1.] | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003093237-2.
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Giraud, Cédric. "La preuve par la codicologie. L’édition par Karl Müller (1913) du De vanitate d’Hugues de Saint-Victor et le manuscrit Paris, Bibl. nat. de France, lat. 15139". In Instrumenta Patristica et Mediaevalia, 889–907. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ipm-eb.5.111147.
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Winter, Jay. "The Road from Paris". In The Day the Great War Ended, 24 July 1923, 153—C6.P125. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192870735.003.0007.
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Abstract The Entente Cordiale between France and Britain broke down long before the delegates arrived at Lausanne. The difference between Prime Minister and Foreign Secretary Poincaré and Curzon was over whether France believed that her agreement of 1914 to act in lockstep with Britain in achieving peace was still in effect. The French answer was no; after 1918, each went her own way. This meant that Britain would not have French backing for a strong anti-Turkish front at the peace conference. France was not going to go to war, no matter what happened at Lausanne or in Anatolia. The price for this parting of the ways was British indifference to French pleas for support over her occupation of the Ruhr in January 1923, when the conference was in session. This chapter charts French disengagement from hostilities in Anatolia, and her preparation for what may be termed not dollar diplomacy but the diplomacy of investment by French companies and banks.
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Osipovich, Tatiana. "Gippius, Zinaida (ГИППИУС, ЗИНАИДА) (1869–1945)". In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1971-1.
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Zinaida Nikolaevna Gippius (Hippius) was a poet, prose writer, playwright, literary critic, religious thinker, and editor. Together with her husband Dmitry Merezhkovsky (1865–1941) and fellow poet Valery Briusov (1873–1923), she co-founded the Symbolist Movement in Russia. In fin-de-siècle St Petersburg she hosted an influential literary salon and was one of the major organizers of the famed Religious-Philosophical Meetings (1901–1903). She established and edited the journal The New Path (Novyi put; 1903–1905) in which she and her husband publicized their Neo-Christian beliefs, printed the works of their fellow Symbolists and reported on their Religious-Philosophical Meetings. After 1919, when the couple was forced to leave Bolshevik Russia, Gippius continued her literary and religious activities in the Russian émigré community in Paris, France, where she died in 1945.
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"Emmanel Levinas". In Wrestling with God, editado por Steven T. Katz, Shlomo Biderman e Gershon Greenberg, 450–54. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195300147.003.0037.
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Abstract Emmanel Levinas (1906-1996) was born in Kovno (now Kaunas), Lithuania, on 12 January. He grew up in the intensely Orthodox Jewish atmosphere of that city. His first languages were Hebrew and Yiddish while he learned Russian from a tutor. During World War I, when Kovno was occupied by German forces, the Levinas family moved to Kharkov in the Ukraine and here Levinas was one of the few Jewish children admitted to the Russian Gymnasium. In 1923 he began his university studies, concentrating in philosophy, at the University of Strasbourg (France). In 1927, he received his first degree in philosophy. He then continued his studies at the University of Freiburg in Germany where he attended seminars given by both Edmund Husserl and Martin Heidegger. He then returned to Strasbourg where he completed his doctoral studies by writing his thesis on The which was published in Paris in 1930. Levinas then began his teaching career at the Alliance Israelite Universelle in Paris. During the 1930s, he published a wide variety of essays on philosophical and topical issues and became a well-known younger member of Paris’s extraordinary intellectual community, which included individuals such as Jean-Paul Sartre and Gabriel Marcel. In 1939, the threat of war saw Levinas drafted into the French army. In June 1940, he was taken as a prisoner of war and sent to a military prisoners’ camp. There, the Jewish prisoners were separated from the others and made to wear special uniforms with the word Jud on them. His wife and young daughter were hidden in Paris by friends and then by the sisters of a Vincentian convent outside Orleans. Both survived the war and were reunited with Levinas in 1945 at the liberation of France.
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K.C.Cooper, David, e Robert P. Lanza. "From Icarus to the First Heart Transplant". In Xeno, 24–43. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128338.003.0003.
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Abstract The surgeon cuts out the testicle from the anesthetized donor, carefully carries it into the adjacent room, slices it into six sections, and delicately inserts three sections into each testicle of the recipient. As soon as the operation is completed, the surgeon repeats the procedure in a second elderly man, this time using the donor’s remaining testicle. Who would donate two testicles? One may desire to be altruistic and help one’s fellow man, but surely this is taking things a bit too far! If you haven’t already guessed, the donor is, of course, an animal-on this occasion a baboon. The year is 1921. The scene is the prestigious College de France in Paris, and the surgeon is Russian emigre Serge Voronoff (Figure 3.1). “Between the 12th of June, 1920, and October 15, 1923, I performed fifty two testicular grafting operations. The graft, in one instance, was taken from man; in all other cases the grafts were obtained from apes.” So begins Voronoff’s remarkable book Rejuvenation by Grafting, published in 1925, in which he details his surgical experiences. Most of the recipients were elderly men. A typical example is one 74-year-old Englishman who “walked with difficulty, leaning on a stick His memory was bad, his intelligence slow and sluggish. He presented all the characteristics of the senile type.
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Creswell, Michael H. "The Collapse of the Versailles System". In The Oxford Handbook of World War II, 15–37. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780199341795.013.21.
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Abstract Despite the safeguards established at the Paris Peace Conference in 1919, a second World War erupted within a single generation. Many observers believe that had the Allied powers avoided making a few key mistakes, the Versailles System they created could have prevented war from breaking out in 1939. However, no single isolated decision, hasty move, or simple oversight caused the Versailles System to fail and end in a second global cataclysm. The world failed to avert catastrophe mainly because the Versailles System was unenforceable. France recognized this in 1923, and future events would confirm it. In the early 1930s, Germany continued violating the terms of the Versailles Treaty, and those charged with defending the system proved either unable or unwilling to enforce it.
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Victoroff, Tatiana V. "Trans-mitting/ferring Bounine. “The Mad Artist” Translated by Maurice Parijanine". In I.A. Bunin and his time: Context of Life — History of Work, 769–843. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-769-843.
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The paper deals with the work of Maurice Donzel as translator (pen-name Parijanine). A witness of the Russian Revolution, translator of Lenin and Trotsky, on returning to France he continued to collaborate with the communist press and became the first and chief translator of Ivan Bounine. Based on correspondence between M. Donzel with Ivan Bounine from the Russian archive in Leeds, of Ivan Bounine with R. Rolland and M. Donzel with M. Martinet from the manuscript collection of the Bibliothèque Nationale de Paris the paper shows efforts made not only to translate Bounine into French but also to translate him into a different ideological camp. In 1923 such an approach seemed possible as shown by the publication of the story “The mad artist” (“Le fol artiste”, transl. M. Parijanine) in the first issue of the journal “Europe” and also in the nascent cooperation with Romain Rolland. The paper analyses the characteristics of this translation, where Bounine’s parody “birth of a new man” becomes “Nativity of the New Man!” At the same time Bounine’s translator applies all his knowledge of languages and ideological codes to trans-late the “counter-revolutionary” in his milieu Bounine from “forbidden” to “acceptable reading”, suggesting raising to Bounine’s level as well as “appropriating” him to the cause. The appendix is a first publication of correspondence between M. Donzel and his colleagues from “L’Humanité”, of correspondence between Ivan Bounine and Romain Rolland and extracts from the diaries of Romain Rolland, 1922–1923 and 1928.
Trabalhos de conferências sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Duport, Laurent J. "Georges Candilis (1913-1995) architecte pour le plus grand nombre". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.664.
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Résumé: Né à Bakou en 1913 Georges Candilis est un architecte d’origine grecque qui étudie à l’Ecole Supérieure Polytechnique d’Athènes où il rencontre Le Corbusier en 1933 lors du 4e congrès des CIAM. Arrivé à Paris en 1945 il intègre l’Atelier de Le Corbusier où il travaille exclusivement sur les études et le chantier de l’Unité d’Habitation de Marseille. Après avoir été chargé de représenter Le Corbusier au 7e CIAM à Bergamo en 1949 Candilis va se rendre au Maroc où il va construire des nombreuses opérations en qualité de directeur de l’ATBAT Afrique et de membre du groupe GAMMA. Il va se révéler un des acteurs du Team X assurant le passage des CIAM au Team X dont il organisera 5 réunions entre 1960 et 1977. De retour en France en 1955 Candilis va s’associer avec les architectes Woods et Josic. L’équipe va remporter le concours Million et construire près de 4000 logements à Bagnols sur Cèze, Toulouse et en région parisienne. D’autres concours vont suivre en France et à l’étranger, l’équipe construira ainsi l’université libre de Berlin. Par la suite Candilis assure seul la mission d’architecte en chef de la station de Leucate Barcares (1962-1976) et entre 1970 et 1978 il est chargé de plusieurs projets au Moyen Orient. Parallèlement Candilis est impliqué dans la diffusion de l’architecture dès 1953 comme membre du comité de rédaction de revues et dans l’enseignement en qualité de professeur à partir de 1963. Il s’éteint à Paris le 10 mai 1995. Abstract: Born in Baku in 1913 Georges Candilis is an architect of Greek origin who studied at the Polytechnic School of Athens where he met Le Corbusier in 1933 at the 4th Congress of CIAM. Arrived in Paris in 1945 he joined the Atelier of Le Corbusier where he works exclusively on studies and the site of the Unité d’habitation in Marseilles. After being appointed to represent Le Corbusier at the 7th CIAM in Bergamo in 1949 Candilis will travel to Morocco where he will build many operations as Director of ATBAT Africa and a member of the GAMMA group. It will be one of the actors of Team X and ensure the transition from CIAM to Team X for which he will hold 5 meetings between 1960 and 1977. Back in France in 1955 Candilis will partner with architects Alexis Josic and Shadrach Woods. The team will win the Million competition and build nearly 4,000 housing units in Bagnols sur Cèze, Toulouse and around Paris. Other competitions will follow in France and abroad, the team will thus build the Free University in Berlin. Subsequently Candilis assumes alone the chief architect mission of Leucate Barcares station (1962-1976) and between 1970 and 1978 he was responsible for several projects in the Middle East. In parrallel Candilis is involved in the diffusion of architecture since 1953 as an editorial board member of reviews and in architectural education with a grade of Professor since 1963. He died in Paris on May 10, 1995. Mots-clés: CIAM, Team X, Enseignement, Habitat, Tige, Web. Keywords: CIAM, Team X, Education, Housing, Stem, Web. DOI: http://dx.doi.org/10.4995/LC2015.2015.664
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Rocaciuc, Victoria. "Book graphics in the creation of the plastic artist Liudmyla Kozhokar". In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.11.
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The fine arts artist Liudmyla Kozhokar had professional studies in Ukraine: the Arts Studio in Kherson (1975–1978) and the Ukrainian Polygraphic Institute „I. Fyodorov” in Lvov (1978–1983). Since 1984, Liudmyla Kozhokar participates in fine art exhibitions in Chisinau and abroad. Since then, the artist has collaborated with various Moldovan publishing houses, combining publishing with teaching in the field of fine arts. Since 1999 Liudmyla Kozhokar is a full member of the UAP of the Republic of Moldova, and since 2001 – a member of the A.I.A.P. UNESCO, Paris, France. Liudmyla Kozhokar’s works are in the collections of the National Art Museum of Moldova and in private ones in Romania, the Republic of Moldova, France, USA, Iraq, Italy, Germany, Japan, England, etc. The graphic designer illustrated books of different kinds: ABC books, textbooks, children’s stories, encyclopedic literature, etc. Liudmyla Kozhokar perceives each graphic book separately, finding new plastic formulas and stylistic methods, delving into the text and studying it to the last sentence.
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Rome´ro, Ste´phanie. "Environmental Remediation of an ALSTOM Grid Industrial Site (France)". In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59270.
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ALSTOM Grid is the project owner of the remediation of a former industrial site, located in Saint-Ouen, north of Paris. The industrial activity (power transformer production) started in 1921 and stopped in 2006. The type of pollution is linked with the former activity. It’s an organic pollution: hydrocarbon, PCB and chlorinated volatile organic compounds. The clean-up concerns soil and groundwater. The main specificity of the project is that the remediation is operated inside the existing industrial buildings which must be kept in place and restituted to the owner after the works. The treatment of soil requires excavating soil up to 9 m deep (1 m under the level of the groundwater) inside the buildings. As a consequence, some impressive devices were set up to ensure the stability of the buildings during the clean-up, like support structures of the foundations and strengthening of the building fronts. In the same time, it has to be pointed out that great diversity of clean-up actions is performed on the site: the soil is excavated to be treated on site (bioremediation or chemical treatment) or off site. The treatment of groundwater consists of pumping the oil staying on the surface and oxidizing the dissolved pollution. This project is probably the first experience of this scale in France with multi-contaminated soil and groundwater decontamination in keeping and reinforcing the existing buildings.
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Lodo, Gabriela Cristina. "Jesús Rafael Soto nas IV, V e VII bienais de São Paulo". In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4017.
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Jesús Rafael Soto nasce em 1923 em Cuidad Bolívar, na Venezuela, e após demonstrar interesse pela arte ainda na infância, ingressa, em 1942, na Escola de Artes Plásticas de Caracas, onde toma os primeiros contatos com a arte moderna. Porém, não é no seu país natal que Soto desenvolve sua produção. O artista deixa a Venezuela e estabelece-se em Paris no início da década de 1950, onde reside até sua morte. É na Europa que ele realiza pesquisas de cunho abstrato-geométrico, juntamente com outros artistas, na sua maioria estrangeiros, como o israelense Yaacov Agan, o suíço Jean Tinguely, o húngaro Victor Vasarely, o argentino Tomasello, o americano Alexander Calder, e entre outros ligados ao Salon de Réalités Nouvelles, todos apoiados pela Galeria Denise René, importante galeria francesa de participação ativa e fundamental para os artistas abstrato-geométricos e cinéticos.
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Martínez de Guereñu, Laura. "Letter from the Basses-Pyrénnées: An Unintended Trigger for a Site Exchange". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.915.
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Abstract: The contents of an unpublished letter (FLC I1-17-5), sent to Le Corbusier from the Basses-Pyrénées during the development of the Villa Ocampo project (1928), is the key to understanding the Swiss-French master’s particular response to the site at the end of the 1920s. Countess Adela Cuevas de Vera, who negotiated the project from Anglet, revealed the Côte Basque as an attractive new market and claimed Le Corbusier's presence there. Furthermore, she reminded him of the prevailing regionalism and the strong cultural identity of the place, as well as the fact that Robert Mallet-Stevens, a great competitor of his, had already embarked there. Whatever the content of this letter awakened in Le Corbusier, led him to submit a very similar version of the third Villa Meyer project (1925) (designed for Paris) to be built in Buenos Aires. This paper re-evaluates the reasons behind a site exchange between two Southern cities on different sides of the Atlantic, studying the role of the negotiation site in the design process; and reassesses Le Corbusier’s critical attitude towards regionalism, mapping out his relationship with a French region in which he never intervened. Through primary source research, this paper also recognizes that in architecture, rivalry, pride and ambition can quite often be authentic triggers for action. Resumen: El contenido de una carta inédita (FLC I1-17-5), enviada a Le Corbusier desde los Bajos Pirineos durante el desarrollo del proyecto de la Villa Ocampo (1928), es la clave para entender la muy particular respuesta al lugar del maestro suizo-francés a finales de los años 20. La Condesa Adela Cuevas de Vera, que negoció el proyecto desde Anglet, presentó a Le Corbusier la Côte Basque como un atractivo mercado, al tiempo que reclamó allí su presencia. Le habló del regionalismo imperante y de la fuerte identidad cultural del lugar, recordándole que Robert Mallet-Stevens, un gran competidor suyo, había desembarcado ya allí. La reacción a esta carta llevó a Le Corbusier a entregar un proyecto muy similar a la tercera versión del proyecto de la Villa Meyer (1925) (proyectado para París) para ser construido en Buenos Aires. Este artículo reevalúa las razones que pueden existir tras el intercambio de lugar entre dos ciudades del Sur situadas a los dos lados del Atlántico, estudiando para ello el papel que el lugar de negociación juega en el desarrollo de un proyecto; y reexamina la actitud crítica de Le Corbusier hacia el regionalismo, mapeando su relación con una región francesa en la que nunca intervino. A través de la investigación de fuentes primarias, este artículo muestra también cómo la rivalidad, el orgullo y la ambición pueden asimismo ser auténticos desencadenantes para la acción durante el desarrollo de un proyecto. Keywords: Site; negotiation; pragmatism; universalism; regionalism; dwelling. Palabras clave: Lugar; negociación; pragmatismo; universalidad; regionalismo; habitar. DOI: http://dx.doi.org/10.4995/LC2015.2015.915
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Juhan-Vague, I., J. M. Stassen, M. C. Alessi, L. Kieckens e D. Collen. "EFFECT OF DIFFERENT HEPARINS ON THROMBOLYSIS WITH t-PA AND scu-PA IN RABBITS WITH EXPERIMENTAL THROMBOSIS". In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643792.
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Infusion of heparin or low-Mr heparin fractions in animals with experimental thrombosis or in patients with thromboembolic disease may result in a significant reduction of the thrombus size, without being associated with measurable changes in the blood fibrinolytic parameters.We measured the effect of clinical grade heparin (Hep) and of two low-Mr heparin fragments (CY216 and CY222 from Choay, Paris, France) on thrombolysis with t-PA and with scu-PA in a rabbit jugular vein thrombosis model (Collen et al., J. Clin. Invest. 71, 368, 1983). After thrombus formation, t-PA (0.25 mg/kg) or scu-PA (0.5 mg/kg) were infused over 4 hours. The heparins were administered at hourly intervals at the start and during the infusion as bolus injections of the following amounts (expressed in anti-Xa units): Hep: 70 (A) or 200 (B); CY216: 30 (A) or 90 (B); CY222: 50 (A) or 150 (B). Results were (mean ± SEM): It is concluded that at sufficiently high doses, heparin and to a larger extent the two low-Mr heparin fractions CY216 and CY222, potentiate thrombolysis by rt-PA and scu-PA in this animal model of thrombosis.
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Braun, I. M. "THE SWISS MAGDALENIAN PORTABLE ART AND SUPRA-REGIONAL PARALLELS". In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.8-9.
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The Upper Paleolithic in Switzerland is so far only known by the Magdalenian (ca. 18000 12000 BP). Only in seven of the about fifty Magdalenian sites known in Switzerland pieces of portable art were found (Braun, 2019). The most well-known Swiss site where portable art was found is the Kesslerloch. According to Hneisen (1993) Swiss Magdalenian portable art can be divided into two groups: engravings and figurative sculpture. Some of them are decorated either with signs or animal figures. The engravings are mostly on rein-deer antlers, but also on bones, stone and jet. The majority of the engravings are on objects of utility as btons percs, spear points and other tools. In addition to figurative themes such as animals and a possible animal-human representation, there are mainly signs and other ornamental patterns (Bosinski, 1982 Braun, 2019 Hneisen, 1993). The term figurative sculptures is used to describe objects of utility, some of which are sculpted, such as spear thrower ends decorated with horse heads, so-called spindle-shaped sculptures and very stylized female statuettes. Apart from a musk ox head from the Kesslerloch, no other animal sculptures have yet been found in Switzerland. The figurative sculptures are less frequent than the engravings (Bosinski, 1982 Braun, 2019 Hneisen, 1993). Numerous works of portable art in Switzerland are similar to works of portable art of Southwest France and of the French Pyrenees, as f.i. the sculptured spearthrowers (Bandi, Delporte, 1984 Bosinski, 1982 Braun, 2019 Garrod, 1955 Leesch et al., 2019 Stodiek, 1993). But there are also characteristic features which are typical of Swiss and South German portable art, as f.i. the use of jet. Fig. 1. Kesslerloch. Spear thrower ends decorated with horse heads (Guyan, 1944). Электронная библиотека ИА РАН: https://www.archaeolog.ru/ru/el-bib 9 Bandi, H.-G., Delporte, H. (1984). Propulseurs dcors en France et en Suisse. Elments de Pr- et Protohistoire europenne. Hommage Jacques-Pierre Millotte, 203211. Annales littraires de lUniversit de Besanon. Paris: Les Belles Lettres. Bosinski, G. (1982). Die Kunst der Eiszeit in Deutschland und der Schweiz Bonn: Habelt. Braun, I. M. (2019). Ausgewhlte Beispiele der Kleinkunst des Sptglazials aus der Schweiz und berregionale Parallelen. In Floss, H. (Ed.), Das Magdalnien im Sdwesten Deutschlands, im Elsass und in der Schweiz (pp. 277296). Kerns: Tbingen. Garrod, D. A. E. (1955). Paleolithic Spear-Throwers. Proceedings of the Prehistoric Society, 21, 2135. Guyan, W. U. (1944) Eine Speerschleuder vom Kesslerloch. Zeitschrift fr Schweizerische Archologie und Kunstgeschichte, 6, 7584. Hneisen, M. (1993). 4.7. Die Kunst des Jungpalolithikums der Schweiz. In Le Tensorer, J.-M., Niffeler, U. (Hrsg.), SPM I Die Schweiz vom Palolithikum bis zum frhen Mittelalter. Band 1: Palolithikum und Mesolithikum (pp. 187199). Basel: Schweizerische Gesellschaft fr Ur- und Frhgeschichte. Leesch, D. Bullinger, J., Mller, W. (2019). Vivre en Suisse Le Magdalnien. Basel: Archologie Schweiz. Stodiek, U. (1993). Zur Technologie der jungpalolithischen Speerschleuder Eine Studie auf der Basis archologischer, ethnologischer und experimenteller Erkenntnisse. Tbingen: Archaeologica Venatoria (Tbinger Monographien zur Urgeschichte, Band 9).
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Costa, Mateus Magalhães Soares da, João Pedro de Sá Pereira e Laura Victória Miranda Silveira. "History of neurology in São Paulo at the first half of the 20th century: a systematic review". In XIV Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2023. http://dx.doi.org/10.5327/1516-3180.141s1.611.
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Neurology in São Paulo was initiated at the beginning of the XX century, with the creation of the Paulista School of Medicine. This article aims to analyze the emergence of Neurology in the state of São Paulo and the influences it received. To this end, we conducted a systematic search in an electronic database, Scielo. In this context, in the 20th century, neurology studied in São Paulo was greatly influenced by the science practiced in France, since in 1882 the specialty was initiated at the University of Paris. Discussions about the diseases in this area were discussed at the Santa Casa de Misericórdia in São Paulo. Another important place for the development of neurology in São Paulo was the creation of the neuropathology and cerebrospinal fluid laboratory, in 1924, at the Hospital de Juqueri. In the 1920s, the teaching of clinical neurology was created at the Faculty of Medicine by Enjolras Vampré, known as the father of neurology in São Paulo. In the 1930s, there were major changes in the areas of brain pathology, diagnosis of diseases that affect the central nervous system, and therapy. All of this was used at Hospital de Juqueri and Faculdade Paulista de Medicina. Among the prominent methods used were pneumoencephalography, cerebral arteriography, and cerebral leucotomy. Some literary works were fundamental for the dissemination of knowledge of Neurology in the society of São Paulo, namely “Memories of the Hospital of Juqueri” from 1924 and “Archives of Assistance to Psychopaths” from 1936. Neurology underwent a major evolution at the end of the first half of the twentieth century, however, it became expensive and inaccessible to a large part of the population, especially at a time before the creation of the Unified Health System, making the poorest marginalized concerning the treatment of neurological diseases that affected the society of São Paulo at the time.
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Mameli, Maddalena. "Le Corbusier and the American Modulor". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.984.
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Abstract: The definition of the Modulor as a set of measurements obtained through “universal” rules for composition of the new architecture has a long and complex development, stemming from a combination of studies in architecture, geometry and mathematics, but also from approximation and intuition. The process began in Paris in 1920, was completed in 1946 in New York and its results were published in an autobiographical vein in 1950 in the book entitled Le Modulor completed in 1955 by the book Le Modulor II. In his trip to New York in 1946 as French delegate for the project of the United Nations’ headquarters, his urgency to define the Modulor responded to an immediate need: to create a simple tool and a compositional principle to be applied to the United States’ building programme and to UN reconstruction and recovery programs. Unfortunately Le Corbusier did not manage to find a patron in America. He was unable to apply the Modulor in the USA. Not so in Europe, where work started on building the Unités d’habitation in Marseilles. Resumen: La definición del Modulor como un conjunto de medidas obtenidas a través de reglas "universales" para la composición de la nueva arquitectura tiene un largo y complejo desarrollo, derivada de una combinación de estudios de arquitectura, geometría y matemáticas, sino también de aproximación y intuición. El proceso comenzó en París en 1920, se completó en 1946 en Nueva York y sus resultados se publicaron en el libro titulado Le Modulor completado en 1955 por el libro Le Modulor II. En su viaje a Nueva York en 1946 como delegado francés para el proyecto de la sede para las Naciones Unidas, la urgencia de definir el Modulor respondió a una necesidad inmediata: para crear una instrumento fàcil y un principio compositivo que se aplicará al programa de construcción de los Estados Unidos y para los programas de reconstrucción de la ONU. Desafortunadamente Le Corbusier no encontró un patrón en América. No fue capaz de aplicar el Modulor en los EE.UU.. No es así en Europa, donde comenzó a trabajar en la construcción de la Unités d'habitation de Marsella. Keywords: New York; UN Headquarter; Modulor; USA. Palabras clave: New York; Naciones Unidas; Modulor; USA. DOI: http://dx.doi.org/10.4995/LC2015.2015.984
Relatórios de organizações sobre o assunto "Paris-Soir (Paris, France : 1923)"
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Iakimova, Antonina. LIDIA SHISHMANOVA’S JOURNALISM IN UKRAINIAN AND EMIGRANT PERIODICALS. Ivan Franko National University of Lviv, março de 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12158.
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The main objective of the study is to analyze the Ukrainian journalistic heritage of Lidia Shishmanova. For the first time, Lidia Shishmanova’s publications in the Ukrainian periodicals «Rada», «Dilo», «Our Past» in 1912-1918 in Ukraine and in the Ukrainian emigrant publications «New Ukraine» and «Trident» in 1922-1935 in the Czech Republic and France are separately studied. The results of the research claim that Lidia Shishmanova’s journalistic creativity was multifaceted. In particular, Lidia Shishmanova an invaluable contribution to the history of Ukrainian journalism with her Ukrainian publications. The subject of the analyzed texts are mainly memoirs and are dedicated to such prominent figures in the history of Ukraine as Mykhailo Dragomanov, Lesya Ukrainka and others. At the same time, were characterized the periodicals where Lidia Shishmanova was published (Kyiv, Lviv, Praha, Paris). Keywords: Lidia Shishmanova; Ukrainian journalism; emigrant periodicals; memoirs.