Artigos de revistas sobre o tema "Painting, abstract – 20th century – exhibitions"
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Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (outubro de 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Texto completo da fonteChvyr, L. A. "The Visitor and the East West Jazz". Journal of the Institute of Oriental Studies RAS, n.º 1 (11) (2020): 61–75. http://dx.doi.org/10.31696/2618-7302-2020-1-61-75.
Texto completo da fontePark, Hyesung. "Rethinking the 20th-Century Korean Embroidery from Gender Perspectives". Korean Journal of Art History 320 (31 de dezembro de 2023): 65–98. http://dx.doi.org/10.31065/kjah.320.202312.003.
Texto completo da fonteMark, Reet. "Endel Kõksi abstraktsetest maalidest". Baltic Journal of Art History 11 (30 de novembro de 2016): 125. http://dx.doi.org/10.12697/bjah.2016.11.07.
Texto completo da fonteYur, Maryna. "Ukrainian painting of the first third of the 20th century in scientific discourse: National aspect". МISТ: Art, history, modernity, theory 18 (29 de novembro de 2022): 98–105. http://dx.doi.org/10.31500/2309-7752.18.2022.271060.
Texto completo da fonteBeck, Mirja. "A Lived Experience—Immersive Multi-Sensorial Art Exhibitions as a New Kind of (Not That) ‘Cheap Images’". Arts 12, n.º 1 (17 de janeiro de 2023): 16. http://dx.doi.org/10.3390/arts12010016.
Texto completo da fonteKulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries". Observatory of Culture 18, n.º 5 (29 de outubro de 2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.
Texto completo da fonteŽanja Vrbica, Sanja. "Hrvatska slikarska dionica ruskog marinista Alekseja Hanzena". Ars Adriatica 8, n.º 1 (28 de dezembro de 2018): 163–78. http://dx.doi.org/10.15291/ars.2760.
Texto completo da fonteGerasimova, Natalia V. "Exhibitions of Art Works from Private Collections of Kazan in the Second Half of 19th — Beginning of 20th Century". Observatory of Culture 21, n.º 2 (19 de abril de 2024): 214–23. http://dx.doi.org/10.25281/2072-3156-2024-21-2-214-223.
Texto completo da fonteXiaotao, Li, e Yan Qing. "The influence of the Itinerants' creative ideas on Chinese realistic painting". World of Russian-speaking countries 2, n.º 8 (2021): 87–104. http://dx.doi.org/10.20323/2658-7866-2021-2-8-87-104.
Texto completo da fonteRadonjic, Ana, e Slobodan Markovic. "Judgement of paintings belonging to different tendencies in the 20th century painting". Psihologija 37, n.º 4 (2004): 549–69. http://dx.doi.org/10.2298/psi0404549r.
Texto completo da fonteMajewski, Piotr. "Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era". Ikonotheka, n.º 30 (28 de maio de 2021): 135–53. http://dx.doi.org/10.31338/2657-6015ik.30.7.
Texto completo da fonteKotovskaya, Mariya G., e Elina G. Shvets. "Painting-report as visual document of an event (based on graphic sketches of F. Reshetnikov’s polar expeditions)". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 61 (2021): 333–44. http://dx.doi.org/10.37816/2073-9567-2021-61-333-344.
Texto completo da fonteKim, Seorim, e Kyoo Yun Cho. "Satire and Propaganda of Soviet Posters: The Artistic Representation of Laughter and Disgust in Deni’s Works". Institute for Russian and Altaic Studies Chungbuk University 25 (31 de agosto de 2022): 99–128. http://dx.doi.org/10.24958/rh.2022.25.99.
Texto completo da fonteLacina, Jan, e Petr Halas. "Landscape Painting in Evaluation of Changes in Landscape". Journal of Landscape Ecology 8, n.º 2 (1 de novembro de 2015): 60–68. http://dx.doi.org/10.1515/jlecol-2015-0009.
Texto completo da fonteTibbe, Lieske. "Aardappeleters". De Moderne Tijd 5, n.º 3/4 (1 de dezembro de 2021): 328–52. http://dx.doi.org/10.5117/dmt2021.3/4.006.tibb.
Texto completo da fonteKarpenko, Vladimir E., e Nikolay I. Shchepetkov. "Light Forms in Urban Environment". Light & Engineering, n.º 04-2021 (agosto de 2021): 6–15. http://dx.doi.org/10.33383/2021-033.
Texto completo da fonteKharitonova, Natalya Stepanovna. "Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries". Journal of Flm Arts and Film Studies 7, n.º 2 (15 de junho de 2015): 97–104. http://dx.doi.org/10.17816/vgik7297-104.
Texto completo da fonteWenji, Zhao, Cui Rongrong e Niu Li. "Design and Cultural Aspects of 20th Century Chinese Xiangjin Brocade". Fibres & Textiles in Eastern Europe 151, n.º 3 (28 de setembro de 2022): 116–29. http://dx.doi.org/10.2478/ftee-2022-0030.
Texto completo da fonteAmosova, Alisa A., e Alina K. Cherchintseva. "Ways of interpreting the siege and frontline daily life in expositions and exhibitions of Leningrad — St. Petersburg historical museums in the 1940s–1990s". Issues of Museology 12, n.º 2 (2021): 187–205. http://dx.doi.org/10.21638/spbu27.2021.204.
Texto completo da fonteJuhászová, Tereza. "The Troubled Pasts of Hungarian and German Minorities in Slovakia and Their Representation in Museums". Journal of Nationalism, Memory & Language Politics 12, n.º 1 (30 de julho de 2018): 52–71. http://dx.doi.org/10.2478/jnmlp-2018-0002.
Texto completo da fonteYing-Ling Huang, Michelle. "Introducing the art of modern China: trends in exhibiting modern Chinese painting in Britain, c.1930–1980". Journal of the History of Collections 31, n.º 2 (23 de agosto de 2018): 383–401. http://dx.doi.org/10.1093/jhc/fhy017.
Texto completo da fonteCramer, Florian. "Hiding in Plain Sight. Amy Suo Wu’s The Kandinsky". INMATERIAL. Diseño, Arte y Sociedad 2, n.º 4 (20 de dezembro de 2017): 104–16. http://dx.doi.org/10.46516/inmaterial.v2.40.
Texto completo da fonteStehlík, Michal. "Creation of Permanent Exhibitions of the National Museum". Muzeum: Muzejní a vlastivedná práce 55, n.º 3 (1 de setembro de 2017): 6–10. http://dx.doi.org/10.1515/mmvp-2017-0029.
Texto completo da fonteAguilar-Rodríguez, Pablo, Sandra Zetina, Adrián Mejía-González e Nuria Esturau-Escofet. "Microanalytical Characterization of an Innovative Modern Mural Painting Technique by SEM-EDS, NMR and Micro-ATR-FTIR among Others". Molecules 28, n.º 2 (5 de janeiro de 2023): 564. http://dx.doi.org/10.3390/molecules28020564.
Texto completo da fonteShamraeva, Elena Yu. "The Mentality of a Museum on a Library Site: Book Exhibitions and the Representative Function". Observatory of Culture 19, n.º 3 (5 de julho de 2022): 236–46. http://dx.doi.org/10.25281/2072-3156-2022-19-3-236-246.
Texto completo da fonteJITAI WANG. "Abstract expressionism in European and Chinese painting from the beginning of the 20th century to the beginning of the 21st century". Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, n.º 1-1 (2022): 197–210. http://dx.doi.org/10.37485/1997-4663_2022_1_1_197_210.
Texto completo da fonteCeaușu, Felicia. "Fine Arts: 6. The Healing Power of Art-Therapy". Review of Artistic Education 16, n.º 1 (1 de março de 2018): 203–11. http://dx.doi.org/10.2478/rae-2018-0022.
Texto completo da fonteKoch, Rolf Heinrich. "Entwicklungen in der Darstellung Buddhistischer Erzählstoffe in Sri Lanka". Asiatische Studien - Études Asiatiques 72, n.º 2 (28 de agosto de 2018): 363–74. http://dx.doi.org/10.1515/asia-2017-0086.
Texto completo da fonteÅžener, Fatma, e Meltem Erdogan. "Neo-Geo and Fashion Interaction". New Trends and Issues Proceedings on Humanities and Social Sciences 2, n.º 1 (19 de fevereiro de 2016): 595–601. http://dx.doi.org/10.18844/prosoc.v2i1.909.
Texto completo da fonteYan, Keyu. "Modernizing Sculpture: Print Culture and the New Discourse on Sculpture in China, circa 1880–1929". East Asian Publishing and Society 13, n.º 2 (8 de setembro de 2023): 133–69. http://dx.doi.org/10.1163/22106286-12341378.
Texto completo da fonteQin, Xiaofeng, e Natalia A. Fedorovskaya. "Specifics of Russian-Chinese Cross-Cultural Communication in the Field of Fine Art of the Second Half of the 20th — Early 21st Century". Observatory of Culture 17, n.º 6 (10 de fevereiro de 2021): 582–93. http://dx.doi.org/10.25281/2072-3156-2020-17-6-582-593.
Texto completo da fonteŞtefănescu, Mircea. "The Beginnings of The Modern Art". Review of Artistic Education 18, n.º 1 (1 de março de 2019): 255–61. http://dx.doi.org/10.2478/rae-2019-0028.
Texto completo da fonteChereches, Alexandra. "Grey Building Blocks and Brueghel: The Canvas of Romania Painted by Mircea Dinescu". Acta Marisiensis. Philologia 2, n.º 1 (1 de setembro de 2020): 1–19. http://dx.doi.org/10.2478/amph-2022-0020.
Texto completo da fonteBrenni, Paolo. "Prizes, Medals and Honourable Mentions". Nuncius 34, n.º 2 (12 de junho de 2019): 392–420. http://dx.doi.org/10.1163/18253911-03402010.
Texto completo da fonteKozłowski, Krzysztof. "„Jupiter and Beyond the Infinite”. 2001: Odyseja kosmiczna Stanleya Kubricka". Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 27, n.º 36 (15 de dezembro de 2020): 117–28. http://dx.doi.org/10.14746/i.2020.36.07.
Texto completo da fonteStolyarova, Elena G., e Andrey Ev Berezin. "Aesthetic principles of expressionism in modern architecture". Urban construction and architecture 14, n.º 1 (25 de abril de 2024): 150–56. http://dx.doi.org/10.17673/vestnik.2024.01.17.
Texto completo da fonteКобер, О. И. "About the features of the avant-garde art of Orenburg of the second half of the 20th century: axiological context". Iskusstvo Evrazii [The Art of Eurasia], n.º 3(26) (30 de setembro de 2022): 128–41. http://dx.doi.org/10.46748/arteuras.2022.03.011.
Texto completo da fonteFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de março de 2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Texto completo da fonteYartseva, O. A. "Коллекция Пегги Гуггенхайм". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de março de 2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Texto completo da fonteNiemira, Konrad. "Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)". Ikonotheka 26 (26 de junho de 2017): 167–91. http://dx.doi.org/10.5604/01.3001.0010.1677.
Texto completo da fonteBrinkmann, Hanna, Louis Williams, Raphael Rosenberg e Eugene McSorley. "Does ‘Action Viewing’ Really Exist? Perceived Dynamism and Viewing Behaviour". Art and Perception 8, n.º 1 (4 de março de 2020): 27–48. http://dx.doi.org/10.1163/22134913-20191128.
Texto completo da fonteКовалинская, В. Ю. "The image of V.I. Surikov in works of decorative and applied art from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(28) (31 de março de 2023): 54–65. http://dx.doi.org/10.46748/arteuras.2023.01.005.
Texto completo da fonteAbed, Murtadha Atewa. "THE INFLUENCE OF THEOSOPHY ON MODERN PAINTING". American Journal Of Social Sciences And Humanity Research 4, n.º 4 (1 de abril de 2024): 42–48. http://dx.doi.org/10.37547/ajsshr/volume04issue04-07.
Texto completo da fonteLubimova, Anastasia I. "The unofficial art of Saratov: the problem of the evolution of artistic language in the 1960s – 1980s". Vestnik of Saint Petersburg State University of Culture, n.º 3 (56) (2023): 125–29. http://dx.doi.org/10.30725/2619-0303-2023-3-125-129.
Texto completo da fonteHama, Bakhtiar S. "Imagism and Imagery in the Selected Poems of Major Imagist Poets". Koya University Journal of Humanities and Social Sciences 3, n.º 1 (22 de junho de 2020): 88–93. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp88-93.
Texto completo da fonteHelgason, Hlynur. "Viðtökur á verkum Þórarins B. Þorlákssonar". Ritið 18, n.º 3 (20 de dezembro de 2018): 187–215. http://dx.doi.org/10.33112/ritid.18.3.10.
Texto completo da fonteCzerni, Krystyna. "Malarska „dwujęzyczność” Jerzego Nowosielskiego. Związki między abstrakcją a ikoną w monumentalnych projektach sakralnych". Sacrum et Decorum 13 (2020): 48–80. http://dx.doi.org/10.15584/setde.2020.13.4.
Texto completo da fonteAslan qızı Məmmədova, Ləman. "Portrait treasury of great Azerbaijan female artists". SCIENTIFIC WORK 78, n.º 5 (17 de maio de 2022): 31–37. http://dx.doi.org/10.36719/2663-4619/78/31-37.
Texto completo da fonteRozmarynowski, Łukasz. "Abstrakcji przestrzeń wieloraka. Kategoria przestrzenności w twórczości Wojciecha Fangora, Jerzego Grabowskiego i Ryszarda Winiarskiego - studium porównawcze". Artium Quaestiones 31, n.º 1 (20 de dezembro de 2020): 401–36. http://dx.doi.org/10.14746/aq.2020.31.13.
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