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Artigos de revistas sobre o assunto "Painting, 19th century – Dictionaries"
Myakshin, V. A. "A Brief Report on the Research Regarding Art History Texts (19th – First Half of the 20th Century) into Foreign Language Teaching (Courses: “Foreign Language” and “English for Professional Communication”) Carried out at Sergey Andriaka Academy of Watercolor and Fine Arts". Secreta Artis 6, n.º 4 (22 de maio de 2024): 27–35. http://dx.doi.org/10.51236/2618-7140-2023-6-4-27-35.
Texto completo da fonteTatham, David, Albert Boime, Elizabeth Johns e John Wilmerding. "19th-Century American Painting". Art Journal 51, n.º 4 (1992): 95. http://dx.doi.org/10.2307/777290.
Texto completo da fonteKasemu, Shermaymayti, Alfiya Sh Yusupova, Elvira N. Denmukhametova e Firdaus G. Khisamitdinova. "Dialect vocabulary that has enriched bilingual dictionaries". Laplage em Revista 6, Extra-B (24 de dezembro de 2020): 117–22. http://dx.doi.org/10.24115/s2446-622020206extra-b601p.111-116.
Texto completo da fonteKasemu, Shermaymayti, Alfiya Sh Yusupova, Elvira N. Denmukhametova e Firdaus G. Khisamitdinova. "Dialect vocabulary that has enriched bilingual dictionaries". Laplage em Revista 6, Extra-B (24 de dezembro de 2020): 117–22. http://dx.doi.org/10.24115/s2446-622020206extra-b601p.117-122.
Texto completo da fonteGoldberg, Marcia. "Textured Panels in 19th-Century American Painting". Journal of the American Institute for Conservation 32, n.º 1 (1993): 33. http://dx.doi.org/10.2307/3179650.
Texto completo da fonteGoldberg, Marcia. "Textured Panels in 19th-Century American Painting". Journal of the American Institute for Conservation 32, n.º 1 (janeiro de 1993): 33–42. http://dx.doi.org/10.1179/019713693806066492.
Texto completo da fontePandevska, Maria, e Makedonka Mitrova. "The Concept of the millet in Turkish dictionaries: Its alteration and the impact on Ottoman Macedonia". Balcanica Posnaniensia. Acta et studia 26 (26 de janeiro de 2020): 171–92. http://dx.doi.org/10.14746/bp.2019.26.10.
Texto completo da fonteHuang, Xinyi. "The influence of Japanese Ukiyo-e on Western painting art in the 19th Century". BCP Social Sciences & Humanities 20 (18 de outubro de 2022): 304–10. http://dx.doi.org/10.54691/bcpssh.v20i.2334.
Texto completo da fonteKaszewski, Marek. "Opisy interiekcji w wybranych XIX-wiecznych słownikach języka polskiego". LingVaria 31, n.º 1 (10 de maio de 2021): 11–24. http://dx.doi.org/10.12797/lv.16.2021.31.02.
Texto completo da fonteHilton, Alison, e Elizabeth K. Valkenier. "The Wanderers: Masters of 19th-Century Russian Painting". Russian Review 52, n.º 1 (janeiro de 1993): 106. http://dx.doi.org/10.2307/130872.
Texto completo da fonteTeses / dissertações sobre o assunto "Painting, 19th century – Dictionaries"
Lee, Sai-chong Jack, e 李世莊. "China trade painting: 1750s to 1880s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015442.
Texto completo da fonteGill, Laura Fox. "Peripheral vision : the Miltonic in Victorian painting, poetry, and prose, 1825-1901". Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/72673/.
Texto completo da fonteSprague, Abbie Noel. "The craftsman painters of the arts and crafts movement". Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.
Texto completo da fonteHoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada". Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Texto completo da fonteDudley, Ian A. "Edward Goodall's 'Sketches in British Guiana' : art, anthropography and colonialism in 19th century Amazonia". Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20121/.
Texto completo da fonteLam, Lai Sing. "Origins and development of the traditional Chinese roof : 16th century B.C.-19th century A.D". Thesis, Queensland University of Technology, 2001.
Encontre o texto completo da fonteAnesti, Maria. "'La femme modèle' from the first communicant to the affectionate mother : a dialogue between painting and moral discourse under the early Third Republic (1870-1900)". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7574.
Texto completo da fontePasco, Hélène. "When 19th century painters prepared organic-inorganic hybrid gels : physico-chemical study of « gumtions »". Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS296.pdf.
Texto completo da fonteMediums were used by painters in order to modify the texture and drying properties of their paint. During the 19th century, British artists developed a particular medium made of siccative oil, mastic resin and lead acetate trihydrate. The so-called “gumtions” form gel-like materials in a relatively short time, outperforming the existing paint media. This thesis contributes unveiling the chemical processes involved in the formation and ageing of gumtions. As a first step, we focused on mastic resin since it is a key component for the preparation of gumtion. The triterpenic fraction of the resin was identified and quantified using GC and GC/MS. Moreover, we took advantage of Spectroscopic Ellipsometry so as to study the optical properties of varnish thin films as well as their behaviour (swelling) under various atmospheres. Then, we reproduced historical recipes that helped us afterwards to define simplified formulations to deepen the understanding of the chemical interactions between the gel components, made of oleanolic acid (commercial triterpenoid) and a lead compound (acetate or oxide). They were investigated at dierent scales by spectroscopic (FTIR, MASNMR) and supramolecular analyses (Cryo-TEM, SAXS). The use of these complementary techniques gives an overview of the gel’s structure and formation: rapidly, a coordination complex is formed between lead and the carboxylic acid moieties of the triterpenoids, that organizeinto2Dobjectsleadingtothesolid-likebehaviorofthematerial. After few months ageing, we observed the self-assembly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation.bly of crystalline nanoparticles into lamellar structures, witnessing the dynamic occurring in the material even after gelation
Filippa, Kenne. "The object biography of Breakfast-Piece by Nicolaes Gillis : The reception of Netherlandish art in Sweden during the 19th century". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182722.
Texto completo da fonteWilsey, Shannon K. "Interpretations of Medievalism in the 19th Century: Keats, Tennyson and the Pre-Raphaelites". Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/20.
Texto completo da fonteLivros sobre o assunto "Painting, 19th century – Dictionaries"
Mark, Poltimore, ed. Popular 19th century painting: A dictionary of European genre painters. Woodbridge, Suffolk: Antique Collectors' Club, 1986.
Encontre o texto completo da fonteChristopher, Wood. Victorian painters. Woodbridge, Suffolk: Antique Collectors' Club, 1995.
Encontre o texto completo da fonteGalleries, Hammer. 19th & 20th century American paintings. New York: Hammer Galleries, 1991.
Encontre o texto completo da fonteMarius, Gerarda Hermina. Dutch painters of the 19th century. Woodbridge: Antique Collectors' Club, 1988.
Encontre o texto completo da fonteKossak, Steven. Indian court painting, 16th-19th century. New York: Metropolitan Museum of Art, 1997.
Encontre o texto completo da fonteKossak, Steven. Indian court painting, 16th-19th century. London: bThemes and Hudson, 1997.
Encontre o texto completo da fonteCleveland Museum of Art. European paintings of the 19th century. [Cleveland]: Cleveland Museum of Art, 1999.
Encontre o texto completo da fonteVincent, Adrian. 19th century maritime watercolours. Newton Abbot: David & Charles, 1989.
Encontre o texto completo da fonteFriborg, Flemming. French painting in the 19th century: Catalogue. Copenhagen: Carlsberg Glyptotek, 1994.
Encontre o texto completo da fonteChicago, Art Institute of. Treasures of 19th- and 20th- century painting. New York: Abbeville, 1993.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Painting, 19th century – Dictionaries"
Nuccorini, Stefania. "Chapter 3. Teaching phraseology in the 19th century". In AILA Applied Linguistics Series, 43–58. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/aals.20.03nuc.
Texto completo da fonteEitner, Lorenz. "French Landscape". In An Outline of 19th Century European Painting, 197–223. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-8.
Texto completo da fonteEitner, Lorenz. "David and His School". In An Outline of 19th Century European Painting, 15–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-2.
Texto completo da fonteEitner, Lorenz. "British Neoclassicism and William Blake". In An Outline of 19th Century European Painting, 75–99. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-4.
Texto completo da fonteEitner, Lorenz. "English Landscape". In An Outline of 19th Century European Painting, 121–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-6.
Texto completo da fonteEitner, Lorenz. "Edouard Manet, 1832-1883". In An Outline of 19th Century European Painting, 289–312. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-11.
Texto completo da fonteEitner, Lorenz. "Academic and Salon Painters". In An Outline of 19th Century European Painting, 269–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-10.
Texto completo da fonteEitner, Lorenz. "Francisco José de Goya y Lucientes, 1746-1828". In An Outline of 19th Century European Painting, 55–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-3.
Texto completo da fonteEitner, Lorenz. "Impressionism". In An Outline of 19th Century European Painting, 334–418. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-13.
Texto completo da fonteEitner, Lorenz. "Edgar Degas, 1834-1917". In An Outline of 19th Century European Painting, 313–31. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-12.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Painting, 19th century – Dictionaries"
Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY". In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.
Texto completo da fonteFarhangpour, Yasaman. "THE EFFECTS OF AESTHETIC HEDONISM IN PAINTING RESTORATION IN THE 19TH CENTURY". In 2nd Arts & Humanities Conference, Florence. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2017.002.001.
Texto completo da fonteBardik, M. А. "THE PRESERVED MURAL PAINTING OF THE LATE 19TH CENTURY IN THE GREAT PECHERSK CHURCH". In DEVELOPMENT OF CULTURE AND ART IN THE WAR AND POST-WAR PERIODS. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-341-5-20.
Texto completo da fonteZhang, Xiaojie. "The Painting Technical Characteristics and Sources of Hungarian Painter MihALy MunkACsy in the 19th Century". In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.65.
Texto completo da fonteMorozova, Anna Valentinovna. "THE DEVELOPMENT OF RUSSIAN PERCEPTION OF SPANISH PAINTING IN THE PERIOD FROM THE MIDDLE OF THE 19TH CENTURY TO THE BEGINNING OF THE 20TH CENTURY". In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.004.
Texto completo da fonteАртемова, А. А. "ORCHID PAINTING IN ART OF CHUSA KIM JEONGHUI (1786–1856)". In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.16.
Texto completo da fonteEdlichko, Anzhela I. "CODIFICATION OF THE ORTHOEPIC NORMS OF THE GERMAN LANGUAGE: HISTORY AND CURRENT SITUATION". In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.07.
Texto completo da fonteKushida, Maria. "Образ писателя-художника как коммуникативный феномен". In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.
Texto completo da fonteIstrate, George Dan. "The image of the other in titles pertaining to visual arts. References to painting". In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/56.
Texto completo da fonteNivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA". In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.
Texto completo da fonteRelatórios de organizações sobre o assunto "Painting, 19th century – Dictionaries"
Leading Figures in Venezuelan Painting of the Nineteenth Century. Inter-American Development Bank, setembro de 1999. http://dx.doi.org/10.18235/0006227.
Texto completo da fonteA Challenging Endeavor: The Arts in Trinidad and Tobago. Inter-American Development Bank, maio de 2002. http://dx.doi.org/10.18235/0006229.
Texto completo da fonte