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1
Biaggi, Cecilia. "Catholics in Northern Ireland : political participation and cross-border relations, 1920-1932". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:eeb511c0-ff08-4843-9d8b-bad91046351d.
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Lynch, Robert John. "The Northern IRA and the early years of partition 1920-22". Thesis, University of Stirling, 2003. http://hdl.handle.net/1893/1517.
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The years i 920-22 constituted a period of unprecedented conflct and political change in Ireland. It began with the onset of the most brutal phase of the War ofIndependence and culminated in the effective miltary defeat of the Republican IRA in the Civil War. Occurring alongside these dramatic changes in the south and west of Ireland was a far more fundamental conflict in the north-east; a period of brutal sectarian violence which marked the early years of partition and the establishment of Northern Ireland. Almost uniquely the IRA in the six counties were involved in every one of these conflcts and yet it can be argued was on the fringes of all of them. The period i 920-22 saw the evolution of the organisation from a peripheral curiosity during the War of independence to an idealistic symbol for those wishing to resolve the fundamental divisions within the Sinn Fein movement which developed in the first six months of i 922. The story of the Northern IRA's collapse in the autumn of that year demonstrated dramatically the true nature of the organisation and how it was their relationship to the various protagonists in these conflcts, rather than their unceasing but fruitless war against partition, that defined its contribution to the Irish revolution.
3
Lane, Karen. "Not-the-Troubles : an anthropological analysis of stories of quotidian life in Belfast". Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15591.
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To understand the complexity of life in a city one needs to consider a spectrum of experience. Belfast has a history of conflict and division, particularly in relation to the Troubles, reflected in comprehensive academic studies of how this has affected, and continues to affect, the citizens. But this is a particular mode of representation, a vision of life echoed in fictional literature. People's quotidian lives can and do transcend the grand narratives of the Troubles that have come to dominate these discourses. Anthropology has traditionally accorded less epistemological weight to fleeting and superficial encounters with strangers, but this mode of sociality is a central feature of life in the city. The modern stranger navigates these relationships with relative ease. Communicating with others through narrative – personal stories about our lives – is fundamental to what it is to be human, putting storytelling at the heart of anthropological study. Engagements with strangers may be brief encounters or build into acquaintanceship, but these superficial relationships are not trivial. How we interact with strangers – our public presentation of the self to others through the personal stories we share – can give glimpses into the private lives of individuals. Listening to stories of quotidian life in Belfast demonstrates a range of people's existential dilemmas and joys that challenges Troubled representations of life in the city. The complexity, size and anonymity of the city means the anthropologist needs different ways of reaching people; this thesis is as much about exploring certain anthropological methodologies as it is about people and a place. Through methods of walking, performance, human-animal interactions, my body as a research subject, and using fictional literature as ethnographic data, I interrogate the close relationship between method, data and analysis, and of knowledge-production and knowledge-dissemination. I present quotidian narratives of Belfast's citizens that are Not-the-Troubles.
4
Wilson, Tim. "Boundaries, identity and violence : Ulster and Upper Silesia in a context of partition, 1918-1922". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670141.
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Burke, Edward. "Understanding small infantry unit behaviour and cohesion : the case of the Scots Guards and the Argyll and Sutherland Highlanders (Princess Louise's) in Northern Ireland, 1971-1972". Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8507.
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This is the first such study of Operation Banner: taking three Battalions as case studies, drawing upon extensive interviews with former soldiers, primary archival sources including unpublished diaries, this thesis closely examines soldiers' behaviour at the small infantry-unit level (Battalion downwards), including the leadership, cohesion, orientation and motivation that sustained, restrained and occasionally obstructed soldiers in Northern Ireland. It contends that there are aspects of wider scholarly literatures - from sociology, anthropology, criminology, and psychology - that can throw new light on our understanding of the British Army in Northern Ireland. The thesis will also contribute fresh insights and analysis of important events during the early years of Operation Banner, including the murders of two men in County Fermanagh, Michael Naan and Andrew Murray, and that of Warrenpoint hotel owner Edmund Woolsey in South Armagh in the autumn of 1972. The central argument of this thesis is that British Army small infantry units enjoyed considerable autonomy during the early years of Operation Banner and could behave in a vengeful, highly aggressive or benign and conciliatory way as their local commanders saw fit. The strain of civil-military relations at a senior level was replicated operationally â as soldiers came to resent the limitations of waging war in the UK. The unwillingness of the Army's senior leadership to thoroughly investigate and punish serious transgressions of standard operating procedures in Northern Ireland created uncertainty among soldiers over expected behaviour and desired outcomes. Mid-ranking officers and NCOs often played important roles in restraining soldiers in Northern Ireland. The degree of violence used in Northern was much less that that seen in the colonial wars fought since the end of World War II. But overly aggressive groups of soldiers could also be mistaken for high-functioning units â with negative consequences for the Army's overall strategy in Northern Ireland.
6
MCDONAGH, Patrick James. "Homosexuals are revolting : a history of gay and lesbian activism in the Republic of Ireland, 1973 -1993". Doctoral thesis, European University Institute, 2019. http://hdl.handle.net/1814/60677.
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Defence date: 14 January 2019Examining Board: Professor Pieter M. Judson, EUI (Supervisor); Professor Laura L. Downs, EUI (Second Reader); Professor Diarmaid Ferriter, University College Dublin; Doctor Sean Brady, Birkbeck, University of London.
This project explores the history of gay and lesbian activism in the Republic of Ireland from 1973 to 1993. Using primary archival material and oral interviews it challenges the current historical narrative which presupposes that gay and lesbian activism in Ireland was confined to a legal battle to decriminalise sexual activity between males and confined to the activities of one man, David Norris. The project broadens the campaign for gay rights in Ireland to include other individuals, organisations, concerns, aims, strategies, and activities outside Dublin. In particular, the thesis demonstrates the extent to which there were numerous gay and lesbian organisations throughout Ireland which utilised the media, the trade union movement, student movement and support from international gay/lesbian organisations to mount an effective campaign to improve both the legal and social climate for Ireland’s gay and lesbian citizens. While politicians in recent years have claimed credit for the dramatic changes in attitudes to homosexuality in Ireland, this project demonstrates the extent to which these dramatic changes were pioneered, not my politicians, but rather by gay and lesbian activists throughout Ireland, in both urban and provincial regions, since the 1970s. The project considered the emergence of a visible gay community in Ireland and its impact on changing perceptions of homosexuals; the important role played by lesbian women; the role of provincial gay/lesbian activists; the extent to which HIV/AIDS impacted the gay rights campaign in Ireland; and how efforts to interact with the Roman Catholic Church, political parties, and other important stakeholders shaped the strategies of gay/lesbian organisations. Homosexuals are revolting: A history of gay and lesbian activism in the Republic of Ireland, 1973-1993, reveals the extent to which gay and lesbian activists were important agents of social and political change in Ireland, particularly in terms of Irish sexual mores and gender norms. This project helps to contextualise the dramatic changes in relation to homosexuality that have taken place in recent years in Ireland and encourages scholars to further explore the contribution of Ireland’s queer citizens to the transformation of Ireland in the twentieth- and twentieth-first century.
Chapters 1 'Smashing the wall of silence: Irish Gay Rights Movement' and chapter 3 'Decentring the metropolis: gay and lesbian activism in Cork, forging their own path?' of the PhD thesis draws upon an earlier version published as an article '“Homosexuals are revolting” : gay & lesbian activism in the Republic of Ireland 1970s -1990s' (2017) in the journal 'Studi Irlandesi: a journal of Irish studies'
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Kinmonth, Claudia. "Irish vernacular furniture 1700-1950". Thesis, Bucks New University, 1997. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714441.
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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present". Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.
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Tobin, Robert Benjamin. "The minority voice : Hubert Butler, Southern Protestantism and intellectual dissent in Ireland, 1930-72". Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:d7206b16-dd27-4a47-b8da-205d23e05290.
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Much has been written about the generation of Southern Irish Protestant intellectuals who played such a prominent role in Ireland's public life from the fall of Charles Stewart Parnell in the early 1890s until the rise of Eamon de Valera in the early 1930s. Very little indeed has been written about the generation of Southern Protestant intellectuals following them, those writers, journalists, academics and churchmen who were born around 1900 and who came of age in the decade following Irish Independence. Though few in number, these people represent an important facet of the young nation's cultural history and serve to refute the blanket assumption that the minority community had neither the will nor the ability to make a contribution to the new dispensation. As a particularly eloquent and stalwart member of this community, the Kilkenny man-of-letters Hubert Butler (1900-91) functions as the touchstone of this thesis, an individual worthy of attention in his own right but also compelling as a commentator on the challenges facing Southern Protestants generally during the period 1930-72. For in these years, Protestants confronted the delicate task of adapting to their changed position within Irish society without in the process forfeiting their distinct identity. As a nationalist eager to participate fully in the country's civic life but also as a Protestant fiercely committed to the rights of spiritual independence and intellectual dissent, Butler often struggled to balance the demands of community with those of autonomy. This thesis explores the various contexts in which he and his contemporaries challenged the normative terms of Irishness so that the criteria for belonging might better accommodate their minority values and experiences. In so doing, Southern Protestant intellectuals of this generation made a valuable contribution to the development of pluralistic values on the island.
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Casey, Walter Thomas. "Unexpected Unexpected Utilities: A Comparative Case-Study Analysis of Women and Revolutions". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2728/.
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Women have been part of modern revolutions since the American Revolution against Great Britain. Most descriptions and analyses of revolution relegate women to a supporting role, or make no mention of women's involvement at all. This work differs from prior efforts in that it will explore one possible explanation for the successes of three revolutions based upon the levels of women's support for those revolutions. An analysis of the three cases (Ireland, Russia, and Nicaragua) suggests a series of hypotheses about women's participation in revolution and its importance to revolutions' success.
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Macbeth, Georgia School of Theatre Film & Dance UNSW. "A Plurality of Identities: Ulster Protestantism in Contemporary Northern Irish Drama". Awarded by:University of New South Wales. School of Theatre, Film and Dance, 1999. http://handle.unsw.edu.au/1959.4/33257.
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This thesis examines the ways in which Ulster Protestant identity has been explored in contemporary Northern Irish drama. The insecurity of the political and cultural status of Ulster Protestants from the Home Rule Crises up until Partition led to the construction and maintenance of a distinct and unified Ulster Protestant identity. This identity was defined by concepts such as loyalty, industriousness and ???Britishness???. It was also defined by a perceived opposite ??? the Catholicism, disloyalty and ???Irishness??? of the Republic. When the Orange State began to fragment in the late 1960s and early 1970s, so did notions of this singular Ulster Protestant identity. With the onset of the Troubles in 1969 came a parallel questioning and subversion of this identity in Northern Irish drama. This was a process which started with Sam Thompson???s Over the Bridge in 1960, but which began in earnest with Stewart Parker???s Spokesong in 1975. This thesis examines Parker???s approach and subsequent approaches by other dramatists to the question of Ulster Protestant identity. It begins with the antithetical pronouncements of Field Day Theatre Company, which were based in an inherently Northern Nationalist ideology. Here, the Ulster Protestant community was largely ignored or essentialised. Against this Northern Nationalist ideology represented by Field Day have come broadly revisionist approaches, reflecting the broader cultural context of this thesis. Ulster Protestant identity has been explored through issues of history and myth, ethnicity, class, gender and sexuality. More recent explorations of Ulster Protestantism have also added to this diversity by presenting the little acknowledged viewpoint of extreme loyalism. Dramatists examined in this thesis include Stewart Parker, Christina Reid, Frank McGuinness, Bill Morrison, Ron Hutchinson, Marie Jones, Graham Reid, Robin Glendinning and Gary Mitchell. The work of Charabanc Theatre Company is also discussed. What results from their efforts is a diverse and complex Ulster Protestant community. This thesis argues that the concept of a singular Ulster Protestant identity, defined by its loyalty and Britishness, is fragmented, leading to a plurality of Ulster Protestant identities.
12
Page, Michael von Tangen. "The IRA, Sinn Fein and the hunger strike of 1981". Thesis, University of St Andrews, 1993. http://hdl.handle.net/10023/14348.
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This thesis examines the 1981 hunger strike by republican prisoners in Northern Ireland against the removal of special category status from newly convicted paramilitary prisoners on 1 March 1976, the fast was part of a protest that began in 1976. The thesis opens with an examination of the origins of the Provisional Irish Republican Army in 1969 and the emergence of a younger leadership in the late 1970's, and evaluates the significance of the prisons in Irish history. The development of the prisoners protests ranging from the refusal to put on a uniform and perform prison work to the rejection of sanitary or washing facilities, is analysed. The prisoners demands are examined in the context of British and international law. The campaign in support of the republican prisoners conducted outside the Maze Prison, including the formation of the Relatives Action Committee and the National H-Block/Armagh Committee is surveyed, and the female "dirty" protest at Armagh Prison is examined. The medical, ethical, and moral dilemmas presented by hunger striking are identified and the thesis examines the debate whether the men who died were suicides or martyrs. The 1980 and 1981 hunger strikes are examined with particular attention to the efforts to bring about a compromise with the British government and the factors leading to a new hunger strike in 1981 and to the intervention of the Catholic Church with the prisoners relatives which ended the fast. The hunger strike is analysed regarding its effect internationally in building up republican support, and in the Province where it acted as the base for the future success of Provisional Sinn Fein later in the decade.
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Abdullahi, Abdirashid. "Colonial policies and the failure of Somali secessionism in the Northern frontier district of Kenya colony, c.1890-1968". Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002384.
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This thesis examines the events that took plac,e. in the Northern Frontier District I North Eastern Province of Kenya hetween the late nineteenth century and 1968. After 1900 the imposition of colonial policies impacted on the socio-economic and political structures of the Somali people. This thesis also examines the nature of Somali resistance l\P- to the late 1920s when Somali society was finally pacified. It further examines colonial policies such as the creation of the Somali-Galla line in 1919, the separation of the J uhaland region from the Kenya Colony in 1926 and the Special District Ordinance of 1934. Between 1946 and 1948 the British Government through its Foreign Minister, Ernest Bevin, attempted to unify Somali territories in the Horn of Africa and this raised Somali hopes of uni fication. The Bevin Plan collapsed because of the opposition of the United States, the Soviet Union, the French and Ethiopian leaders. Similar hopes of NFD Somali unification were raised hetween 1958 and 1963 because of the unification of the former British Somali land and Italian Somaliland. Due to the imminent end of British colonial rule in Kenya, the NFD Somali leaders demanded secession from Kenya to join up with the nascent Somali republic. But the NFDSomali hopes of unification with the Somali Repuhlic were dashed by 1964 because of the same opposition provided by the United States, the French and the Ethiopians. The British Government were all along half-hearted towards Somali unification attempts even though the field administrators adopted a pro-Somali attitude to the issue. In the early 1960s, however, the NFD Somali leaders were faced with the additional opposition of the new KANU government in Kenya. In 1964 the failure of the NFD Somalis to secede from Kenya led to the guerrilla war, what the Kenyan government called the 'shifta movement', that engulfed the North Eastern Region until 1968 when the Arusha Memorandum of Understanding was signed between the Kenyan and the Somali Governments. The signing of the Arusha Memorandum of Understanding by the Kenyan and Somali Governments did not satisfy· the NFD Somalis hopes of joining the Somali Republic. The main conclusion of this thesis is that the N FD Somalis, except for few collahorators, did at no time, whether in the colonial or post-colonial eras, accept heing in Kenya. By the late 1960s the prospects of NFD Somalis unifying with the Somali Republic were, in view of the forces arrayed against the Somali secessionist movement, slim; and they have remained slim since then.
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Paterson, Adrian. "'Words for music perhaps' : W.B. Yeats and musical sense". Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c.
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‘Poetry’ insisted Ezra Pound, ‘is a composition of words set to music’: his Cantos remembered ‘Uncle Willie’ downstairs composing, singing poetry to himself. This study examines the nature and effects of W.B.Yeats’s idiosyncratic but profound sense of music. For his poems were compositions set to music. They were saturated with musical themes; syntactically he professed to write for the ear rather than the eye; and he flung himself repeatedly into the breach between music and words, composing ballads, songs, and plays with music, and performing poetry with musical instruments. My thesis is that nature of poetry, spoken, read or sung, obsessed Yeats, and I hold it self evident that such an acutely self-conscious poetry will articulate this obsession: to use his own imagery, will bear the scars of its own birth. What follows is a study of meaning, obsession, and influence, beginning with what Yeats knew and how he came to poetry: his father’s and his own vocalizations of the musical preoccupations of Scott and Shelley, viewed through the annotations of ‘the first book [he] knew Shelley in’ and the solipsistic singers and instrumentalists of his early verse. The theme of chapter two is Ireland: the musical resonances of Anglo Irish ballads and Irish verse are viewed through Yeats’s aurally-oriented canon-formation, as we examine his instinctual recitations and deliberate approach to Irish folksong through the mediation of Douglas Hyde. The aesthetics of Wagner, Pater, and the French symbolistes frame the third chapter, which describes how poetry might approach the condition of music in the motivic organization of The Wind Among the Reeds. In chapter four the impact of Nietzsche’s profoundly musical philosophy is correlated for the first time with the exact moments of Yeats’s discovery of his texts, as Yeats’s plays and poetry move from ‘Apollonian’ languor to ‘Dionysian’ energy, from dream to song and dance. My final chapter uncovers the long history of the practical experiments Yeats made to perform poetry with a ‘psaltery’, and their resonating afterlife in subsequent poetry and poets. No musician himself, Yeats’s musical sense has until now been entirely dismissed: this study shows how central it is to his art and to an understanding of the dominant aesthetic of the age.
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Mercurio, Jeremiah Romano. "Fantasy as a mode in British and Irish literary decadence, 1885–1925". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1964.
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This Ph. D. thesis investigates the use of fantasy by British and Irish 'Decadent' authors and illustrators, including Oscar Wilde, Max Beerbohm, Aubrey Beardsley, 'Vernon Lee' (Violet Paget), Ernest Dowson, and Charles Ricketts. Furthermore, this study demonstrates why fantasy was an apposite form for literary Decadence, which is defined in this thesis as a supra-generic mode characterized by its anti-mimetic impulse, its view of language as autonomous and artificial, its frequent use of parody and pastiche, and its transgression of boundaries between art forms. Literary Decadence in the United Kingdom derives its view of autonomous language from Anglo-German Romantic philology and literature, consequently being distinguished from French Decadence by its resistance to realism and Naturalism, which assume language's power to signify the 'real world'. Understanding language to be inorganic, Decadent writers blithely countermand notions of linguistic fitness and employ devices such as catachresis, paradox, and tautology, which in turn emphasize the self-referentiality of Decadent texts. Fantasy furthers the Decadent argument about language because works of fantasy bear no specific relationship to 'reality'; they can express anything evocable within language, as J.R.R. Tolkien demonstrates with his example of "the green sun" (a phrase that can exist independent of the sun's actually being green). The thesis argues that fantasy's usefulness in underscoring arguments about linguistic autonomy explains its widespread presence in Decadent prose and visual art, especially in genres that had become associated with realism and Naturalism, such as the novel (Chapter 1), the short story (Chapter 3), drama (Chapter 4), and textual illustration (Chapter 2). The thesis also analyzes Decadents' use of a wholly non-realistic genre, the fairy tale (see Chapter 5), in order to delineate the consequences of their use of fantasy for the construction of character and gender within their texts.
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Kempa, Michael A. "Contesting and shaping Liberal governance : the case of policing reform in Northern Ireland". Phd thesis, 2004. http://hdl.handle.net/1885/151580.
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NI, LOCHLAINN Aoife. "A question of allegiance? : ideology, agency and structure : British-based union in Ireland 1922-1960". Doctoral thesis, 2005. http://hdl.handle.net/1814/5915.
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Defence date: 25 November 2005Examining board: Prof. Alan S. Milward, UK Cabinet Office, London (Supervisor) ; Prof. Colin Crouch, University of Warwick ; Prof. Mary E. Daly, University College Dublin ; Prof. Dermot Keogh, University College Cork
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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GLYNN, Irial. "International trends and national differences in asylum policymaking : Australia, Italy and Ireland compared, 1989-2008". Doctoral thesis, 2009. http://hdl.handle.net/1814/13276.
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Defence date: 23 November 2009Examining Board: Prof. Jay Winter (Yale) [supervisor]; Prof. Rainer Bauböck (EUI); Prof. Gil Loescher (University of Oxford); Prof. Leo Lucassen (Leiden)
First made available online 20 March 2019
The primary purpose of this interdisciplinary study is to show the value of history in investigating asylum policymaking from 1989 to 2008. Chapter 1 provides a short summary of asylum before 1989. It focuses especially on the power, influence and composition of actors who advocated for generous asylum policies and actors who proposed restrictive asylum policies at crucial times throughout the twentieth century. Chapters 2, 3 and 4 analyse the case studies of Australia, Italy and Ireland. By setting traditional emigration countries against a traditional immigration country, EU countries against a non-EU country, Catholic countries against a multidenominational country, islands against a peninsula, common law states against a civil law state, as well as countries where boat people drove asylum debates against one that lacked boat people, many divergences and convergences emerged. Every country had, to a certain degree, a unique asylum system based on its own history, identity and geography. The comparative Chapter 5 reveals that despite inherent national differences, noticeable international asylum trends also appeared during this period. In contrast to people who applied for asylum during the Cold War, asylum applicants in the 1990s provided limited political and economic returns for receiver states. Accordingly, governing political parties inclined towards the formation of more restrictive asylum policies. But secular and religious NGOs, INGOs and certain opposition political parties loudly protested by referencing humanitarian ideals, national commitments to human rights and the rule of law. Acknowledging the challenges posed by actors sympathetic to asylum seekers, governments in the 2000s attempted to securitize and externalise asylum, reduce the influence of the courts, and expedite the deportation of rejected asylum seekers. The conclusion suggests that governments in Europe, North America and Australasia are likely to build on advances made through the 2000s to restrict asylum even further in the next decade, especially in the wake of the economic crisis of 2008- 09.
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Smale, Robert Leland. "Above and below : peasants and miners in Oruro and Northern Potosí, Bolivia (1899-1929) /". Thesis, 2005. http://wwwlib.umi.com/cr/utexas/fullcit?p3183964.
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DUNPHY, Richard. "Class, power and the Fianna Fail Party : a study of hegemony in Irish politics, 1923-1948". Doctoral thesis, 1988. http://hdl.handle.net/1814/5257.
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Defence date: 4 July 1988Examining Board: Prof. Ian Budge, Univ. of Essex ; Prof. Joseph Lee, Univ. College, Cork ; Prof. Jean Blondel, E.U.I., Florence ; Dr. Ferdinan Muller-Rommel, Hochschule Lüneburg ; Prof. Derek Urwin, Univ. of Warwick, Coventry
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
21
Herman, Jeanette Marie. "Empire's bodies: images of suffering in nineteenth and twentieth-century India and Ireland". Thesis, 2004. http://hdl.handle.net/2152/1197.
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Seroto, Johannes. "A historical perspective of formal education for black people in the rural areas of South Africa with special reference to schools in the Northern Province". Diss., 1999. http://hdl.handle.net/10500/17717.
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Hynes, Colleen Anne 1978. ""Strangers in the house": twentieth century revisions of Irish literary and cultural identity". Thesis, 2007. http://hdl.handle.net/2152/3383.
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This thesis, Strangers in the House, illuminates how "strangers in the house"--unconventional women, Travellers, emigrants and immigrants--have made significant contributions to the evolving traditions of Irish literature and culture. I trace the literary and creative contributions of groups that were silenced during the early twentieth-century nation-building project to review the impact of the Irish Revival, from the politics of Arthur Griffith and Eamon de Valera to the writings of Yeats, Gregory and Synge, on the establishment of an "authentic" Irish identity. I draw on scholarship that establishes Ireland as a postcolonial nation, suggesting that contemporary identity is closely linked to the national, religious and gender expectations reinforced during the periods of colonialism and decolonization. My scholarship considers individuals who continue to be peripheral in the "reimagining" of what it means to be Irish in a post-Celtic Tiger, E.U. Ireland.
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Zulu, Prince Bongani Kashelemba. "From the Lüneburger Heide to northern Zululand : a history of the encounter between the settlers, the Hermannsburg missionaries, the Amakhosi and their people, with special reference to four mission stations in northern Zululand (1860-1913)". Thesis, 2002. http://hdl.handle.net/10413/6216.
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O’Shea, Eileen. "The professional experience of Irish Catholic women teachers in Victoria from 1930 - 1980". Thesis, 2015. https://vuir.vu.edu.au/31017/.
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This qualitative research study focusses on ‘The professional experience of Irish Catholic women teachers in Victoria from 1930 to 1980’. The research is based on a collection of reconstructed oral histories derived from interviews conducted with twenty-two Irish Catholic women, both lay and religious, who were primary and secondary teachers in Victoria, Australia. The professional lives reflected in these stories span from the 1930 to 1980. This study explores how Irish women teachers experienced education in Australian Catholic schools in Victoria in terms of curriculum, pedagogy, discipline, culture and religious traditions.