Literatura científica selecionada sobre o tema "Nekrasov family"

The problem of N. A. Nekrasov's religiosity, especially its biographical aspect, has not been studied well. As for the sources of information about the dogma of Orthodoxy, in his poetic texts Nekrasov shows considerable awareness of spiritual issues, as they are addressed by the church and the Holy Fathers of the Church. The poet is interested in Orthodox hagiography. His source of information could be, first of all, the so-called popular Orthodoxy. The question remains open about the formation of Nekrasov's religiosity at an early age, about the nature of his spiritual disposition. This article attempts, on the one hand, to present a complete picture of the religious life of the Nekrasov family, which is currently available to us from isolated fragments, and, on the other, to understand the role of his mother, Elena Alexandrovna, as well as the accompanying factors that influenced the primary organization of his religious aspirations. The author suggests that the religious and general romantic mood of the poet’s worldview, inherited from his mother are inseparable. There is no doubt that the high civic pathos of Nekrasov's poetry, developed under the influence of the poet's revolutionary democratic environment, was formed on the childhood basis of a «holy», romantic religious outlook and the perception of life as care for the weak and disadvantaged – in which the main role was played by Nekrasov's mother. The protest pathos of Nekrasov's poetry acquires an unconventional meaning because subjectively, in the poet's own mind, it grows directly out of the ideals of the Gospel.

The medical history of N.A. Nekrasov still causes fierce disputes among medical historians, clinicians of various specialties (therapists, surgeons, proctologists, urologists), literary critics and literature lovers. Studying the issues of the journal «Vrach» of a century and a half of antiquity, we came across the reaction of this extremely popular publication in Russia to the death of N.A. Nekrasov with merciless criticism of the surgeon who operated on the poet. Objective. Retrospectively study the treatment of the poet N.A. Nekrasov and determine what mistakes were made by doctors. Materials and methods. For 45 years, the funds of N.A. Nekrasov have been studied in the archives of St. Petersburg, Moscow, Yaroslavl, Karabikha; his correspondence with the selection of materials concerning his illness. Results. N.A. Nekrasov from December 1874 to December 27, 1877 had rectal cancer with the spread of the tumor to the sacrum and bladder. The disease was complicated by colonic obstruction, in connection with which, by the decision of the family, Professor Theodor Billroth arrived from Vienna, who on April 12, 1877 performed a colostomy operation. The analysis revealed 13 medical mistakes committed in the treatment of Nekrasov, which did not allow timely diagnosis and prolong the life of the poet for a long time, who died of sepsis and uremia, which complicated the course of cancer. The negative evaluation in the late nineteenth-century publications of the Journal «Vrach» that T. Bilroth received is discussed. Conclusion. Serious medical mistakes were made in the treatment of N.A. Nekrasov, which brought the fatal outcome closer, which caused fair criticism by the journal «Vrach» of the surgeon, who operated on the poet.

Along with the peasant type of girl (“Troika”), Nekrasov tried to create the image of a provincial young lady from a noble family. His poem “Sasha” and Turgenev’s novel “Rudin” were created in the friendly communication of writers, and both works were published simultaneously in the journal “Sovremennik” in 1856 (No. 1). In the article they are considered in the context of literary disputes about women’s emancipation and works of art of the mid1850s. The literary context of the Nekrasov poem, in addition to Turgenev’s “Rudin”, is the poem by V. A. Fet “Two sticky trees” and the story of I. I. Panaev “Relatives”. The latter reveals the theme of the intellectual development of a young girl under the influence of an educated man. The concept of “hot head” and “cold heart” appears for the first time in it, which Panaev introduced even before Turgenev. But his Natasha is clearly inferior in its development to Turgenev’s Natalia Lasunskaya, although the finals of both works are in many ways similar. The greatest similarity of the storyline of Nekrasov’s poem can be traced with Turgenev’s novel “Rudin”. The main characters of both works have common features: love for nature, the integrity of nature, the desire for knowledge, spiritual development. The Russian poet created a charming image of a girl who, through education, developed her mind and joined the advanced ideas of the time. The author is convinced that such girls will eventually determine the future of Russia. But if the “Turgenev girl” entered Russian literature as a cultural code, the “Nekrasov girl” did not become such a code. The poet devoted his main artistic searches to the image of a Russian woman, “a majestic Slav”

The article provides the first detailed commentary on Nekrasov’s poem “Death”. Nekrasov’s first poetry collection “Dreams and Sounds” has barely been studied. Meanwhile, it entirely reflects the spiritual formation of the seventeen-year-old poet, his devotion to the ideals of Orthodoxy and youthful determination to lead a truly spiritual life. Religious poems in “Dreams and Sounds” (they comprise more than half of the poems in the collection) reveal unexpected spiritual experience in the young man. He confidently introduces the teachings of the Holy Fathers, elements of church preaching, etc. into his verses. In his poem “Death” he speaks of the “transition” of the human soul from the earthly world to the heavenly one and especially emphasizes the question of a moment of death that is favorable from the Christian point of view. The poem is a poetic realization of a well-known agraphon, a phrase attributed to Christ: “In what I find, in that I judge”. Nekrasov could hear this expression in church at a sermon, or in the family. But the immediate impetus for the creation of this poem was probably the reading of Shakespeare’s play “Hamlet” in N. Polevoy’s translation. “Hamlet”, who also knows the agraph “In what I find, in that I judge”, in the scene of Claudia’s prayer juxtaposes two states in which a person can be caught by death: a state of sin and being immersed in prayer. The young Nekrasov should have been struck by the skill with which Shakespeare transformed a familiar expression into a “pearl of creation”, which probably prompted him to write one of the best poems in “Dreams and Sounds”.

Organic connection of perspective and poetics of "The Snow Maiden" by Alexander Ostrovsky with spiritual search of his contemporaries, the 1870s writers, is shown in the article, and the playwright's aesthetic position originality – going beyond the limits of poetic schools which were at enmity with each other, and overcoming contradiction between them in new artistic synthesis – comes to light. Fragility of human communications, disappearance of attachment to family life from daily communication is very characteristic of that time, that found refl ection in Leo Tolstoy's, and Fyodor Dostoevsky's, Mikhail Saltykov-Shchedrin's and Alexander Ostrovsky's creative work. It becomes clear that the playwright's confl ict with Nikolay Nekrasov concerning "The Snow Maiden" was caused by distinction of aesthetic positions rather than by finance disputes. New poetic synthesis which refl ected breadth and Christian "toleration" of Alexander Ostrovsky's lyric soul sickened Nikolay Nekrasov. After aesthetic rejection, rejection of the substantial party of "Spring's Tale" as well did not take long – social actuality characteristic of Nikolay Nekrasov as a poet, was obviously softened in it.

This article explores the key linguistic features and connections, and dialects fixing concepts, bor-rowings, speech creativity and the actual folklore of the Nekrasov Cossacks of the Novokumsky hamlet (Levokumsky district of the Stavropol Territory). The object of the study was the lexical layer of language data, speech creation and folklore of the Nekrasov Cossacks, men and women of three respondent groups aged 20 to 60 years. The language sources of the local museum—the No-vokumsk Museum of the History of the Nekrasov Cossacks—are considered as the most valuable empirical base for the study of the language, folklore and history of this Cossack group. The in-formation of the museum and historiography emphasizes that the Nekrasov Cossacks are a Cos-sack group whose culture has always attracted domestic researchers who studied the Cossacks in the historical space of Russia, Turkey, Romania and other countries. It is revealed that the lan-guage culture of the Nekrasovites in modern times is not well understood, which leads to interest in this Cossack group. Representatives of the Cossack community of the hamlet are descendants of the Cossacks of the Maynos community. The linguistic features of the Maynos community of Nekrasov Cossacks differed significantly from those of the larger Danube community. A linguis-tic expedition to the Novokumsky hamlet is in demand both to translate the sources of the local museum, and in order to discover the hidden linguistic connections of the community representa-tives, actual folklore, which was formed under the influence of the Stavropol Cossacks. During the expedition, such features of the vocabulary and semantics of the dialect were revealed, such as the saturation of the language with representations of the Old Believer religious culture with a pre-dominance of the influence of the colloquial style of the Turkish language of the XIX century, the Don dialect, and family concepts.

As anticipated in Ref. 1, elaborated in Refs. 2–4, and explicitly formulated in Ref. 5, the Dotsenko–Fateev integral discriminant coincides with conformal blocks, thus providing an elegant approach to the AGT conjecture, without any reference to an auxiliary subject of Nekrasov functions. Internal dimensions of conformal blocks in this identification are associated with the choice of contours: parameters of the Dijkgraaf–Vafa phase of the corresponding matrix models. In this paper, we provide further evidence in support of this identity for the 6-parametric family of the 4-point spherical conformal blocks, up to level 3 and for arbitrary values of external dimensions and central charges. We also extend this result to multipoint spherical functions and comment on a similar description of the 1-point function on a torus.

This article examines the iconographic heritage of the Old Believer Lipovan Rogachevsky-Nikita family in the context of history of Romanian rural localities. Based on the expedition material, analysis is conducted on the peculiarities of folk icon and local traditions that established in the Old Believer center of Romania. The reviewed documentary sourced were acquired in the course of expeditions and further personal contact with the family. The collected material contains history of the family of iconographers, their lifestyle and customs, conditions for fulfilling the orders that are closely related to the history of this rural locality and way of life of the Nekrasov Cossacks. The research is of applied nature in the area of art history, as well as of interdisciplinary in nature. The article employs the methods of stylistic and historical-cultural analysis; biographical method for reconstruction of biography of the family members and their artistic heritage. New records on the dynasty of Romanian iconographers are introduced, which expands  the information on the Lipovan icon and indicate regional peculiarities of its creation. The author also introduces the new names and monuments of iconography into the scientific discourse that allows clarifying the attribution. The artistic heritage of iconographers of the late XIX – early XX centuries is also introduced into the scientific discourse: Rogachevsky-Nikita; in the XX century – Egor Nikitovich Nikita and Roman Egorovich Nikita.

<p style="text-align: justify;"><strong>Objective. </strong>The study of the relationship between the position of parents in relation to the mental development of the child, attitudes in relation to the influence of digital devices, parenting style and screen (active and passive) time of the child. <br><strong>Background. </strong>Modern digital devices are becoming an integral part of the life of a modern child. An adult, primarily parents, becomes an intermediary between a digital device and a child. In this connection, the study of child-parent relationships, parental position, attitudes and time that the child spends interacting with digital devices (screen time) becomes relevant. <br><strong>Study design. </strong>The study is of a correlational nature. The presence and nature of the relationship is checked using a path analysis (structural equation modeling) performed in the IMB Statistics v. 23 AMOS. <strong>Participants. </strong>The study involved 318 parents of older preschool children attending kindergartens in Moscow and the Moscow Region (237 women and 81 men, mean age 28,5 years). <br><strong>Measurements</strong>. To study the screen time of children and the attitudes of parents regarding the impact of digital devices on the development of the child, a modified methodology &ldquo;Regulations for the use of gadgets&rdquo; by M.V. Bortsova and S.D. Nekrasov. To study parent-child relationships, the questionnaire &ldquo;Analysis of family relationships&rdquo; by E.G. Eidemiller and V.V. Yustickis in the children's version (3-10 years old). To study the parental position, the questionnaire &ldquo;Position of parents in relation to the mental development of children&rdquo; by E.L. Porotskaya and V.F. Spiridonov. <br><strong>Results.</strong> The parents did not demonstrate any pronounced tendency to one parenting style. However, such styles as "Hyperprotection" and "Indulgence" are most common. Parents are aimed at accelerating children's development and take a moderately active position in relation to the development of preschoolers. Most parents are ambivalent about the impact of digital technologies on children, but they talk about them more often with negative connotations. Children's media activity ranges from 5,2 to 8,9 hours per week. <strong>Conclusions. </strong>The study shows that the time an older preschooler spends in front of a screen of digital devices is associated with such characteristics of parent-child relationships as parenting style, attitudes towards the influence of digital devices, and position on the acceleration of child development. At the same time, different ways of using digital devices are associated with different characteristics of the parent-child relationship. Watching cartoons and videos (passive screen time) is associated with indulgent hyperprotection and the desire of parents to satisfy the needs of the child as much as possible. The use of applications and video games (active screen time) by a child is associated with positive expectations of parents from digital devices in the field of development and a position on the acceleration of child development.</p>

This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. The book lets the original writers speak for themselves — the good and the bad, the truth and the lies — and includes extensive notes with correctives, counterarguments, and other pertinent information. It looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. It then turns to the individuals who afforded Dostoevsky security and peace amid the often-negative reception from fellow writers and readers of his early fiction. Finally, the book shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction.