Literatura científica selecionada sobre o tema "Mythologie ancienne à l'opéra"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Mythologie ancienne à l'opéra".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Mythologie ancienne à l'opéra"
Kotnik, Vlado. "Lévi-Strauss et l’Opéra". Issues in Ethnology and Anthropology 4, n.º 2 (28 de fevereiro de 2016): 101–20. http://dx.doi.org/10.21301/eap.v4i2.6.
Texto completo da fonteDoniger O'Flaherty, Wendy. "La bisexualité dans la mythologie de l'Inde ancienne". Diogène 208, n.º 4 (2004): 58. http://dx.doi.org/10.3917/dio.208.0058.
Texto completo da fonteLebel, Maurice, e Jacques Desautels. "Dieux et Mythes de la Grece Ancienne: La Mythologie Grecoromaine". Phoenix 45, n.º 4 (1991): 371. http://dx.doi.org/10.2307/1088110.
Texto completo da fonteMathieu, Remy. "Note : Images de l'imaginaire dans la mythologie chinoise ancienne : des mythes solaires". Extrême orient Extrême occident 7, n.º 7 (1985): 83–92. http://dx.doi.org/10.3406/oroc.1985.941.
Texto completo da fonteSandness, Adéla. "La voix de la rivière de l'être : Études sur la mythologie de Sarasvatï en Inde ancienne". École pratique des hautes études, Section des sciences religieuses 116, n.º 112 (2003): 447–50. http://dx.doi.org/10.3406/ephe.2003.12281.
Texto completo da fonteCouture, André. "Des dieux qui bâillent et qui font bâiller dans la mythologie épique de l’Inde". Studies in Religion/Sciences Religieuses 38, n.º 3-4 (setembro de 2009): 411–25. http://dx.doi.org/10.1177/00084298090380030101.
Texto completo da fonteBodéüs, Richard. "Dieux et mythes de la Grèce ancienne. La mythologie gréco-romaineJacques Desautels Québec, Presses de l'Université Laval, 1988. 648 p." Dialogue 29, n.º 1 (1990): 151. http://dx.doi.org/10.1017/s0012217300012890.
Texto completo da fonteGantrel, Martine. "Albertine ou l'étrangère : une nouvelle interprétation des « cris de Paris » dans La Prisonnière". Revue d'histoire littéraire de la France o 100, n.º 1 (1 de janeiro de 2000): 3–26. http://dx.doi.org/10.3917/rhlf.g2000.100n1.0003.
Texto completo da fonteBerthiaume, Guy. "Comptes rendus / Reviews of books: Dieux et mythes de la Grèce ancienne. La mythologie gréco-romaine Jacques Desautels Québec, Les Presses de l'Université Laval, 1988. 648 p". Studies in Religion/Sciences Religieuses 19, n.º 3 (setembro de 1990): 364–65. http://dx.doi.org/10.1177/000842989001900310.
Texto completo da fonteSaïdi, Victoriya. "Le discours sur la langue ukrainienne en Galicie orientale dans la première moitié du XIXème siècle". Cahiers du Centre de Linguistique et des Sciences du Langage, n.º 26 (10 de abril de 2022): 145–58. http://dx.doi.org/10.26034/la.cdclsl.2009.1379.
Texto completo da fonteTeses / dissertações sobre o assunto "Mythologie ancienne à l'opéra"
Papadopoulou-Belmehdi, Ioanna. "L'art de Pandora : la mythologie du tissage en Grèce ancienne". Paris, EHESS, 1992. http://www.theses.fr/1992EHES0335.
Texto completo da fonteCorn, Gipsy. "Roumanité et modernité chez Georges Enesco : autour de l'opéra Oedipe". Paris 8, 1994. http://www.theses.fr/1994PA080922.
Texto completo da fonteThe rearch of this thesis about enescu's music shows how traditionalism and modernism can be married in a classical style of music at the beginning of the twentieth century period. The problematic which aren't agree is the turning of folklore by enescu to designate him as a leading composer of romania school music. Actually, no exists an univerity study about enescu's music exemptedin his native country : romania. So, it was necessary to realize an analyze of his work with a french view. It appears that enescu used folklore only as material and not ideological concept. His opera oedip attests enescu as one of the highest lyric composers of the twentieth century and not a romanian composer, because of modernist concets. Romania folklore serves only to modern experiences, especially about vocal an,d orchestral music
Samson, Vincent. ""De furore Berserkico" : les guerriers-fauves dans la Scandinavie ancienne : de l'âge de Vendel aux Vikings : VIème-XIème siècle". Lille 3, 2008. http://www.theses.fr/2008LIL30007.
Texto completo da fonteThe aim of this study is to establish that the tradition of "wild warriors" (French "guerriers-fauves") belonged to the historical reality of old Scandinavian society from the VIth to the XIth century. The term "guerrier-fauve" has been used some seventy years ago by Georges Dumézil to tranlate the old Norske berserkr (plural berserkir). In the medieval literature, this word describes a warrior endowed with an uncommon strength, especially feared for its irrepressible outburste of battle rage (berserksgangr). According to Snorri Sturluson, the behaviour of the berserkir must be related to the mythical powers attributed to the god Okin. The examination of old Norse sources, joined to the evidence of the archaeological materials, leads to link these warlike tradition with the religious beliefs of the ancient Nordic aristocracy. This thesis is dealing with etymological interpretation before investigating carefully the whole spectrum of old Norse sources (skaldic and eddic poetry, sagas, laws). A particular attention has been given to the critical review of Haraldskvœđi ("Song for Harald"), which must be seen as a primary source. These analysis results in an interpretation which differs to some extents from the stereotypical pattern displayed by the Icelandic literature (where berserkir are frequently depicted as outlaws) : even the oldest sagas have been written a long time after the events they are referring to. The early medieval Germanic iconography and the runic inscriptions are both providing a strong support to this conclusion : the tradition of the berserkir is intimately connected with the sacral kingship and the institution of warlord's retinue
Gourmelen, Laurent. "Entre l'homme et l'animal : les êtres à la double nature et la métamorphose : représentations de l'humain et de l'animalité en Grèce ancienne". Paris 4, 1998. http://www.theses.fr/1998PA040188.
Texto completo da fonteCuvelier, Pierre. "Le mythe de Pélops et d'Hippodamie en Grèce ancienne : cultes, images, discours". Thesis, Poitiers, 2012. http://www.theses.fr/2012POIT5009/document.
Texto completo da fonteThis is a mythological study concerning mainly two heroic figures of ancient Greece: Pelops and Hippodameia, ancestors of the heroic genos of the Pelopids. In the continuity of the works of Marcel Detienne, Claude Calame or Charles Delattre about the notion of myth, no more considered as an « indigenous category » but as a construct built a posteriori by contemporary scholars, I define, on the basis of the minimal criterias that are the proper nouns of the heroes and their iconographical types, a corpus composed of Greek (and also in some measure Latin) texts and of Greek, Etruscan and Roman figurative works, which I then study systematically in order to find out more precise criterias of unity or discontinuity in the representations of these heroic figures, paying special attention to the great variety of contexts (cults, genres, historical eras) in which they are evoked. I thus study the heroic cults devoted to Pelops and Hippodameia in Olympia, the visual representations of these heroes, and the different forms of speech which mention them, from Homer to Nonnos of Panopolis. I lastly try to provide the main elements for a global study of this corpus in a perspective informed by historical anthropology. If the widest corpus, composed of the mentions of Pelops, has only a limited coherence, several subsets appear more pertinent, mainly that which is formed by the representations of the chariot race that allows the union of two spouses, despite the reluctance of Hippodameia's father, Oinomaos
Sandness, Adela. "La voix de la rivière de l'être : études sur la mythologie de Sárasvatı̄ en Inde ancienne". Paris, EPHE, 2004. http://www.theses.fr/2004EPHE5002.
Texto completo da fonteThis study proffers a qualitative and quantitative analysis of the nature of Sarasvati as she is depicted on select Vedic literature. It identifies what relates and distinguishes the two forms of this deity which is simultaneously river and aspect of creative Speech. This linguistic study with commentary of the verses naming or dedicated to Sarasvati or Sarasvant in the Rg-Veda is followed by a composite analysis of the nature of Sarasvati as presented by the Rgvedic selections studied. We conclude that in the perceptions of the poets of the Rg-Veda, Sarasvati functions as a container of a contained substance that she holds and dispenses in different forms in different places in a cosmos where the non-manifest principle of life manifests by means of a feminine figure and Is animated by the presence of corresponding masculine figure in a cosmic structure that is numerically coded. The substance within Sarasvati is that which enlivens this cosmos. Sarasvati as river and Sarasvati as aspect of Speech appear at opposite ends of this cosmic spectrum along with an intermediate form of Sarasvati as cow and cosmic source of sacrificial offering substances including water, butter, milk, honey and speech. These ends and their middle join to create a cosmic river Sarasvati that flows as a transcendent figure through the worlds of the Vedic cosmos enlivening and invigorating both gods and men
Petrilli, Aurore. "La lignée monstrueuse de Phorkys et Keto : étude mythologique et iconographique". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040070.
Texto completo da fonteSince the end of Antiquity the myths which were related to polytheist religions have gradually been pushed aside towards the grounds of lore, although our culture keeps quite vivid the memory of great myths. Nevertheless, in order to be able to understand both ancient religions and societies, turning back to myths is an absolute necessity. Numerous works, some of which vulgarise, are devoted to the subject. However, contemporary studies - thus following the ways of the ancient themselves – mainly dwell on the lives of Greek heroes. As opposed to this general tendency, our study will be dealing with those forgotten creatures, beings of fantasy that are so often encountered in mythological tales and without whom the fame of these mythic heroes would be lessened. Most of these fearful creatures are issued from Phorkys and Keto’s long lineage. Among their numerous offsprings, we have chosen to study those generally known as “monsters”. We have set up a selection among these monsters in order to underline common characteristics. Thus, we intend to consider only creatures that are unique, monstrous by birth, having fabulous morphologies, such as for instance the Hydra and Cerberos. Based on both literary and iconographic sources we will attempt to draw a history of the traditions linked to these lineage members. Some more information on the topic will at times be provided by a few comparisons with foreign mythologies. The geographical and chronological boundaries of our study have to be quite large. The period will span from the 9th or 8th centuries BC up to the 3rd century AD. As for geography, the whole of Greece, both continental and insular, is concerned, as well as Asia Minor and Magna Graecia
Mezaguer, Sarah. "La femme et la mort ou les figures de l'altérité radicale en Grèce ancienne". Lyon 3, 2006. https://scd-resnum.univ-lyon3.fr/in/theses/2006_in_mezaguer_s.pdf.
Texto completo da fonteThis essay means to explore the fuzzy and polymorphic links existing between the Feminine and some of the representations of Death by examining the rich example of Archaïc Greece. In the first place this civilization focus the attention by the overabundance of the feminine monsters that fill its mythology. But adds to that a particular representation of the kingdom of Death - or, rather, of Death itself - , the one of a world divided between Water and Darkness that is nearer the sweet abandon in the uterine deapth than the biting flames of Dante's Hell. This work leans on the fact that, in a way, Woman is to Man what Death is to Life : it appears as its most radical otherness (alterity), so that the Feminine is often contemporaneous, in the myths, with the appearing of Death, the Old age, and disease. This twist by the archetypes enable to clarify the many ways in which the feminine appears as something eminently worrying, and, as a matter of fact, it enables to understand why Woman and Death are so unfailingly linked. But this work tends also to show that the feminine imagerie path permit to give a meaningful outline to something that, precisely, don't have any, and, in this way, it helps the individual to live with the thinking of Death
Baqué, Manzano Lucas. "Les colosses du dieu Min dans le temple de Coptos : origine conceptuelle d'une grande figure divine (iconographie, iconologie et mythologie)". Montpellier 3, 1998. http://www.theses.fr/1998MON30045.
Texto completo da fonteSamalens, Gomes Véronique. "Oedipus-Rex : une version mythique". Paris 4, 1987. http://www.theses.fr/1987PA040157.
Texto completo da fonteThe purpose of this study is to emphasize the mythical dimension of music, using as a particular instance one of Stravinsky’s works, namely Oedipus-rex. By using the formal structure of the piece to organize our research and by making use of the myth of Oedipus to reflect on the process of knowledge, we undertook a subjective semantic enquiry going on to three different levels. The analytical level considers the opera-cum-oratorio from a contradictory viewpoint taking in both ritual and drama. The exegetic level integrates the work in a double-sided reading, that of the composer and that of the listener. Finally, the theoretical level attempts to define what could be a research on myth and music. Considering that Oedipus-rex is one version of the myth of Oedipus, i. E. A product expressing the questioning of a specific culture, we consider it in the light of its own criteria. This implies having an aesthetic stand and looking into the problematic of the opera, as a human representation. At the end of our quest, it seems that the strength of Oedipus-rex as a myth is to offer both a binary and ambiguous scheme which enables the work to crystalize the collective and symbolic material of which myths are made of
Livros sobre o assunto "Mythologie ancienne à l'opéra"
Grant, Michael. Dictionnaire de la mythologie. Alleur (Belgique): Marabout, 1997.
Encontre o texto completo da fonteMichael, Grant. Dictionnaire de la mythologie. Verviers, Belgique: Marabout, 1990.
Encontre o texto completo da fonteQuesnel, Alain. Pharaons & dieux de l'Égypte ancienne. [Paris]: Hachette jeunesse, 2010.
Encontre o texto completo da fonteBrigitte, Bercoff, e Fix Florence, eds. Mythes en images: Médée, Orphée, Oedipe. Dijon: Ed. universitaires de Dijon-Université de Bourgogne, 2007.
Encontre o texto completo da fonteCotterell, Arthur. Mythologie classique: Les mythes et les légendes de la Grèce et de Rome. Paris: Celiv, 1997.
Encontre o texto completo da fonteDésautels, Jacques. Dieux et mythes de la Grèce ancienne: La mythologie gréco-romaine. Québec: Presses de l'Université Laval, 1988.
Encontre o texto completo da fonteMyth in the Greek and Roman worlds: Textual sources 2. Milton Keynes: Open University, 2010.
Encontre o texto completo da fonte1930-, Vidal-Naquet Pierre, ed. La Grèce ancienne. Paris: Seuil, 1990.
Encontre o texto completo da fonteLe Soleil et le Tartare: L'image mythique du monde en Grèce archaïque. Paris: Editions de l'École des hautes études en sciences sociales, 1986.
Encontre o texto completo da fonteGandon, Odile. Dictionnaire de la mythologie grecque et latine. [Paris]: Hachette, 1996.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Mythologie ancienne à l'opéra"
Klock-Fontanille, Isabelle, e Aline Housepian. "Les avatars du dieu de l’Orage dans la mythologie arménienne ancienne". In Dieu de l’Orage dans l’Antiquité méditerranéenne, 61–70. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.hr-eb.5.112401.
Texto completo da fonteGhiglione, Anna. "Quelques remarques sur l’imaginaire du tir à l’arc dans la pensée chinoise ancienne". In Approches critiques de la mythologie chinoise, 207–48. Les Presses de l’Université de Montréal, 2008. http://dx.doi.org/10.1515/9782760625174-008.
Texto completo da fonteBoehringer, Sandra. "Monter au ciel : le baiser de Kallistô et d’Artémis dans la mythologie grecque". In La religion des femmes en Grèce ancienne, 33–50. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.141122.
Texto completo da fonte