Literatura científica selecionada sobre o tema "Musique assistée par ordinateur"
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Artigos de revistas sobre o assunto "Musique assistée par ordinateur"
Guillotel-Nothmann, Christophe. "Les signes musicaux et leur étude par l’informatique. Le statut épistémologique du numérique dans l’appréhension du sens et de la signification en musique". Revue musicale OICRM 6, n.º 2 (24 de março de 2020): 45–72. http://dx.doi.org/10.7202/1068385ar.
Texto completo da fonteMarmaras, Nicolas V. "L’interaction compositeur-ordinateur il y a 25 ans". Circuit 18, n.º 1 (29 de abril de 2008): 109–20. http://dx.doi.org/10.7202/017912ar.
Texto completo da fonteTerrien, Pascal. "Des logiciels audio-vidéo à l’enseignement de l’éducation musicale dans l’enseignement secondaire français". Les Cahiers de la Société québécoise de recherche en musique 17, n.º 1 (17 de abril de 2018): 25–37. http://dx.doi.org/10.7202/1044667ar.
Texto completo da fonteRousseaux, Francis, e Et Alainbonardi. "“Music-ripping”: Des Pratiques Qui Provoquent la Musicologie". Musicae Scientiae 7, n.º 1_suppl (setembro de 2003): 111–23. http://dx.doi.org/10.1177/10298649040070s106.
Texto completo da fonteMigliore, Olivier. "Analyser l’interprétation vocale des musiques populaires avec le logiciel AudioSculpt : chronique d’une pratique de l’analyse musicale assistée par ordinateur". Musurgia Volume XXIX, n.º 3 (11 de setembro de 2023): 7–25. http://dx.doi.org/10.3917/musur.223.0007.
Texto completo da fontePrunier-Poulmaire, Sophie. "Flexibilité assistée par ordinateur". Actes de la recherche en sciences sociales 134, n.º 4 (1 de setembro de 2000): 29–36. http://dx.doi.org/10.3917/arss.p2000.134n1.0029.
Texto completo da fonteSchulthess, Peter. "Psychothérapie assistée par ordinateur". à jour! Psychotherapie-Berufsentwicklung 4, n.º 2 (novembro de 2018): 62–65. http://dx.doi.org/10.30820/8245.29.
Texto completo da fontePrunier-Poulmaire, Sophie. "Flexibilité assistée par ordinateur". Actes de la recherche en sciences sociales 134, n.º 1 (2000): 29–36. http://dx.doi.org/10.3406/arss.2000.2688.
Texto completo da fonteDavarpanah, K., G. Demurashvili, M. Daas, P. Rajzbaum, N. Capelle-Ouadah, S. Szmukler-Moncler e M. Davarpanah. "Implantologie assistée par ordinateur". Revue de Stomatologie et de Chirurgie Maxillo-faciale 113, n.º 4 (setembro de 2012): 259–75. http://dx.doi.org/10.1016/j.stomax.2012.06.007.
Texto completo da fonteDouyère, David. "La prière assistée par ordinateur". Médium 27, n.º 2 (2011): 140. http://dx.doi.org/10.3917/mediu.027.0140.
Texto completo da fonteTeses / dissertações sobre o assunto "Musique assistée par ordinateur"
Malt, Mikhail. "Les mathématiques et la composition assistée par ordinateur (concepts, outils et modèles)". Paris, EHESS, 2000. http://www.theses.fr/2000EHES0120.
Texto completo da fonteDahan, Kevin. "Domaines formels et représentations dans la composition et l'analyse des musiques électroacoustiques : systèmes dynamiques dans la création musicale assistée par ordinateur". Paris 8, 2005. http://www.theses.fr/2005PA083580.
Texto completo da fonteSome theories and technical approaches used to characterize the computer-assisted composition process are presented. Theories and techniques unusually used in the field of computer music are applied to the numerous problems raised by a musicology of electroacoustic music and its genetic ontology. A critical deconstruction of methods and tools used to characterize musical creation is developed and a novel conceptual tool is exposed, and formalized. The notion of object, which permits a multiscalar reading of the creative process, is described and an adaptation of the traditional electroacoustic toolkit is made neccesary by the object considered as a multiscalar seme. A prototype of a compositional system gives a first answer in order to present complexity
Lesbros, Vincent. "Atelier incrémentiel pour la musique expérimentale". Paris 8, 1995. http://www.theses.fr/1995PA081034.
Texto completo da fonteThis thesis presents the design and implementation of a computerized workbench, for the composition, creation and programming of experimental music. This workbench offers editors of graphical representations of musical pieces, sounds and models of elastic couplings, close to the underlying physical models, which are used for the synthesis and analysis of sounds. Our workbench also includes application skeletons, reusable program modules and function libraries which give support during the programming of compositional algorithms and interactive musical applications. Finally, the thesis presents several generators of musical scores, in particular a generator of a piece for orchestra and piano concertant. Our workbench integrates these various representational systems of musical forms as well as tools to convert from one representation to another. Thus it offers the composers innovative means for the computer assisted composition of experimental music
Justel, Elsa. "Les structures formelles dans la musique de production électronique". Paris 8, 2000. http://www.theses.fr/2000PA081902.
Texto completo da fonteSalvaille-Millette, François-Olivier. "L'utilisation d'outils de composition assistée par ordinateur dans cinq de mes oeuvres". Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/33936.
Texto completo da fonteBresson, Jean. "La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son". Phd thesis, Université Pierre et Marie Curie - Paris VI, 2007. http://tel.archives-ouvertes.fr/tel-00807656.
Texto completo da fonteManiatakos, Vasileios Foivos A. "Graphes et Automates pour le Contrôle de l'Interaction en Improvisation Musicale Assistée par Ordinateur". Paris 6, 2012. http://www.theses.fr/2012PA066249.
Texto completo da fonteThis thesis studies three party interaction in the music improvisation context. We use this term to refer to the ensemble of interactions arising from the onstage coexistence of three constituents participants: the human instrument player, the computer and the computer operator/performer. The purpose of this study is to investigate the requirements arising out of such interaction as well as establish the framework that will allow the computer fulfil the double mission of operating both as player and an instrument. In this framework we first present Multi Factor Graph (MFG), a new memory model for musical sequences. MFG is a deterministic automaton that indexes played sequences, with the intention of dealing with pattern recognition and sequence generation. Inspired by the Factor Oracle (FO) automaton, MFG deals with two FO-related issues. First, it corrects FO’s false positives during string recognition. Second, as far as the computer improvisation domain is concerned, it corrects the errors in the estimation of continuation probabilities arising from the misinterpretation of the FO’s Suffix Link Tree (SLT) as an indicator for maximal suffix repeats. Secondly, we study with the help of graphs by examining the complexity of adding simple to more sophisticated and complex constraints to generation. We propose reduced, graph-based computational frameworks that are able to efficiently deal with each of the problems discussed earlier. Finally, by drawing together all elements developed throughout the first two parts, we employ MFG as a universal framework for managing problems of machine musicianship, namely music listening, constrained sequence generation and interaction
Pottier, Laurent. "Le contrôle de la synthèse sonore informatique : cas particulier, l'utilisation du programme PatchWork". Paris, EHESS, 2001. http://www.theses.fr/2001EHES0121.
Texto completo da fonteHadjeres, Gaëtan. "Modèles génératifs profonds pour la génération interactive de musique symbolique". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUS027/document.
Texto completo da fonteThis thesis discusses the use of deep generative models for symbolic music generation. We will be focused on devising interactive generative models which are able to create new creative processes through a fruitful dialogue between a human composer and a computer. Recent advances in artificial intelligence led to the development of powerful generative models able to generate musical content without the need of human intervention. I believe that this practice cannot be thriving in the future since the human experience and human appreciation are at the crux of the artistic production. However, the need of both flexible and expressive tools which could enhance content creators' creativity is patent; the development and the potential of such novel A.I.-augmented computer music tools are promising. In this manuscript, I propose novel architectures that are able to put artists back in the loop. The proposed models share the common characteristic that they are devised so that a user can control the generated musical contents in a creative way. In order to create a user-friendly interaction with these interactive deep generative models, user interfaces were developed. I believe that new compositional paradigms will emerge from the possibilities offered by these enhanced controls. This thesis ends on the presentation of genuine musical projects like concerts featuring these new creative tools
Lopez, Charles Carlos. "La convergence musicale entre les médias visuels et musicaux dans la création de la musique visuelle". Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080142/document.
Texto completo da fonteHow can the musical convergence between sound and image, between audio en video, be achieved when working with digital technology? What is "musicable" in the visual domain? I suggest that the musical convergence is achieved through the use of technological devices that allow to 1) establish a certain degree of interaction between the musical and visual media, and 2) manipulate visual materials through an ensemble of compositional operations that are coherent with a given musical paradigm. On this basis, we suggest that what is "musicable" in the visual domain is the ensemble of visual variables that can be manipulated during the compositional process, to the extent in which they make musical sense. The research begins by identifying the historical context that set the conditions for the musical convergence between visual and musical media. We then present a multiple case study that is integrated by 12 works which belong different stages of the history of visual music. The study reveals the use of 41 methods to craft the musical convergence between visual and musical media. The final chapter presents an artistic demonstration of the use of the methods and concepts that emerged from our multiple case study. The conclusions present a synthesis of the results, a discussion of the interaction between theoretical and practical approaches, and my personal reflections on the pathways for future research in the field
Livros sobre o assunto "Musique assistée par ordinateur"
Calberg, Luc. L'Indispensable pour la musique assistée par ordinateur. Alleur (Belgique): Marabout, 1988.
Encontre o texto completo da fontePérier, Emmanuel. Formation musicale et informatique: L'enseignement de la musique assisté par ordinateur. Paris: Cité de la musique, Département pédagogie et documentation musicales, 2003.
Encontre o texto completo da fonteYves, Pimor, ed. Maintenance assistée par ordinateur. Paris: Masson, 1985.
Encontre o texto completo da fonteBouché, Marcel. Écologie opérationnelle assistée par ordinateur. Paris: Masson, 1990.
Encontre o texto completo da fonteLerdahl, Fred. La composition assistée par ordinateur. Paris: IRCAM, 1986.
Encontre o texto completo da fonteWilliams, David Brian. Experiencing music technology. 3a ed. Belmont, CA: Cengage Learning, 2008.
Encontre o texto completo da fonteWilliams, David Brian. Experiencing music technology: Software, data, and hardware. New York: Schirmer Books, 1996.
Encontre o texto completo da fonteWilliams, David Brian. Experiencing music technology. 3a ed. Belmont, CA: Cengage Learning, 2008.
Encontre o texto completo da fonteWilliams, David Brian. Experiencing music technology. 3a ed. Belmont, CA: Thomson, Schirmer, 2006.
Encontre o texto completo da fonte1947-, Webster Peter Richard, ed. Experiencing music technology: Software, data, and hardware. 2a ed. New York: Schirmer Books, 1999.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Musique assistée par ordinateur"
Grass, Thierry. "37 La traduction automatique et assistée par ordinateur dans les pays de langue romane". In Manuel de traductologie, editado por Jörn Albrecht e René Métrich, 751–64. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110313550-039.
Texto completo da fonteArrué, J., B. Moreno e J. P. Chavoin. "Conception assistée par ordinateur et reconstruction des parois". In Chirurgie plastique et reconstructrice des parois et des confins, 39–56. Elsevier, 2009. http://dx.doi.org/10.1016/b978-2-294-70949-4.50003-7.
Texto completo da fonteH.Troadec e A. Benzinou. "Chapitre VI. Estimation de l’âge assistée par ordinateur". In Manuel de sclérochronologie des poissons, 199–242. IRD Éditions, 2002. http://dx.doi.org/10.4000/books.irdeditions.21000.
Texto completo da fonte"Prothèse totale du genou Chirurgie assistée par ordinateur". In Traité De Chirurgie du Genou, 239–46. Elsevier, 2012. http://dx.doi.org/10.1016/b978-2-294-71510-5.00027-0.
Texto completo da fonteSaragaglia, D. "Chirurgie assistée par ordinateur des arthroplasties totales du genou". In 18 Mises au Point en Chirurgie du Genou, 151–63. Elsevier, 2013. http://dx.doi.org/10.1016/b978-2-294-74053-4.00011-x.
Texto completo da fonteLoock, Rudy. "Chapitre 5. Les corpus comme outils de Traduction Assistée par Ordinateur". In La traductologie de corpus, 103–80. Presses universitaires du Septentrion, 2016. http://dx.doi.org/10.4000/books.septentrion.31762.
Texto completo da fonteKauffmann, Michel. "De l’Euro au Teuro : un exemple d’analyse de contenu assistée par ordinateur". In Passerelles et passeurs. Presses Sorbonne Nouvelle, 2002. http://dx.doi.org/10.4000/books.psn.6068.
Texto completo da fonteAzam, Martine, Johann Chaulet e Jean-Pierre Rouch. "Chapitre IV – La préadolescence assistée par ordinateur : de la culture connectée aux tensions identitaires". In Enfance & culture, 103–26. Ministère de la Culture - DEPS, 2010. http://dx.doi.org/10.3917/deps.octo.2010.01.0103.
Texto completo da fonte"Le résumé de texte : une activité de production en langue étrangère assistée par ordinateur". In Babel en éducation, 311–20. Presses Sorbonne Nouvelle, 2003. http://dx.doi.org/10.4000/books.psn.6385.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Musique assistée par ordinateur"
Agon, Carlos, e Gérard Assayag. "Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur". In the 14th French-speaking conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/777005.777035.
Texto completo da fonteFeugueur, G., P. Keribin, P. Grolleau e H. Moizan. "À propos d’un cas d’allogreffe osseuse maxillaire pré implantaire assistée par ordinateur". In 64ème Congrès de la SFCO, editado por S. Boisramé, S. Cousty, J. C. Deschaumes, V. Descroix, L. Devoize, P. Lesclous, C. Mauprivez e T. Fortin. Les Ulis, France: EDP Sciences, 2016. http://dx.doi.org/10.1051/sfco/20166403028.
Texto completo da fonteElmoutawakkil, N., S. Bouzoubaa, S. Bellemkhannate e I. Benyahya. "Flux de travail du guidage tridimensionnel en chirurgie orale". In 66ème Congrès de la SFCO. Les Ulis, France: EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206602005.
Texto completo da fonte