Artigos de revistas sobre o tema "Musicology / Organ / 20th century"
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Whittall, Arnold. "Thoughts for the Future". Tempo, n.º 202 (outubro de 1997): 2. http://dx.doi.org/10.1017/s0040298200048865.
Texto completo da fonteSiuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory". Terminological Bulletin, n.º 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.
Texto completo da fonteNuo, Xu. "The reform of Chinese Musical Culture and the Formation of Musical Psychology in the Early 20th Century". Университетский научный журнал, n.º 77 (25 de dezembro de 2023): 99–111. http://dx.doi.org/10.25807/22225064_2023_77_99.
Texto completo da fonteVesic, Ivana, e Danka Lajic-Mihajlovic. "The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965)". Muzikologija, n.º 25 (2018): 49–76. http://dx.doi.org/10.2298/muz1825049v.
Texto completo da fonteHuovinen, Erkki. "Musiikin aatehistoriaa". Trio 12, n.º 1 (29 de junho de 2023): 33–42. http://dx.doi.org/10.37453/tj.131226.
Texto completo da fonteLajic-Mihajlovic, Danka. "Audio collection in the SASA Institute of Musicology". Muzikologija, n.º 10 (2010): 141–51. http://dx.doi.org/10.2298/muz1010141l.
Texto completo da fonteHysa, Oksana, Bingqiang Liu, Olha Yeremenko, Larisa Biryukova e Bei Liu. "THE HISTORY OF MUSICOLOGY STUDIES AT THE UNIVERSITY OF WROCLAW AND THEIR RELATIONSHIP WITH THE STATE-RELIGIOUS GENESIS OF JAGELLONISM IN THE XV-XVI CENTURIES". Conhecimento & Diversidade 15, n.º 40 (6 de dezembro de 2023): 417–27. http://dx.doi.org/10.18316/rcd.v15i40.11246.
Texto completo da fonteBrie, Mihai. "Gheorghe Dima – Seiten von der wertvollen hermannstädter musikalischen Tätigkeit". Studia Universitatis Babeş-Bolyai Musica 65, n.º 2 (21 de dezembro de 2020): 129–42. http://dx.doi.org/10.24193/subbmusica.2020.2.10.
Texto completo da fonteQiang, Wang. "Qu Xiao-Song’s Oratorio “Cleaving the Coffi n”: Features of Vocal and Orchestral Style". Университетский научный журнал, n.º 79 (24 de abril de 2024): 152–59. http://dx.doi.org/10.25807/22225064_2024_79_152.
Texto completo da fonteMiklós, Noémi. ""Organs in Transylvania – Part 2. Transylvanian Organs During the 19th Century "". Studia Universitatis Babeş-Bolyai Musica 67, n.º 2 (20 de dezembro de 2022): 177–91. http://dx.doi.org/10.24193/subbmusica.2022.2.10.
Texto completo da fonteTotan, Virðinia, e Petruța Maria Coroiu. "Impressionism in Serbian Music". Studia Universitatis Babeş-Bolyai Musica 68, n.º 2 (30 de dezembro de 2023): 39–61. http://dx.doi.org/10.24193/subbmusica.2023.2.03.
Texto completo da fonteSTETSKOVYCH, Olena. "MASS MUSIC CULTURE OF THE 20TH – EARLY 21ST CENTURY IN THE MIRROR OF MODERN UKRAINIAN MUSICOLOGY". Humanities science current issues 2, n.º 64 (2023): 114–19. http://dx.doi.org/10.24919/2308-4863/64-2-19.
Texto completo da fonteMykola, Udovychеnko. "Ways of shaping the concert repertoire for the viola in the 17th–19th centuries". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, n.º 62 (16 de setembro de 2022): 7–24. http://dx.doi.org/10.34064/khnum1-62.01.
Texto completo da fonteDér, András. "Special Issue on Versatile Organ-on-a-Chip Devices". Micromachines 12, n.º 12 (25 de novembro de 2021): 1444. http://dx.doi.org/10.3390/mi12121444.
Texto completo da fontePuchalska, Iwona. "Deus ex machina, czyli o doświadczeniu fonografii w poezji Stanisława Barańczaka / DEUS EX MACHINA, OR THE EXPERIENCE OF PHONOGRAPHY IN THE POETRY OF STANISŁAW BARAŃCZAK". Ruch Literacki 54, n.º 4-5 (1 de outubro de 2013): 477–94. http://dx.doi.org/10.2478/v10273-012-0082-3.
Texto completo da fonteNaumenko, Tatiana I. "Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era". Problemy Muzykal'noj Nauki / Music Scholarship, n.º 4 (2022): 22–37. http://dx.doi.org/10.56620/2782-3598.2022.4.022-037.
Texto completo da fonteAnuchin, Artem Maximovich. "Musical portrait of Nikolay Tcherepnin: Stages of his life and creative work. On the 150th anniversary of his birth". Manuscript 17, n.º 2 (15 de março de 2024): 76–84. http://dx.doi.org/10.30853/mns20240011.
Texto completo da fonteTabyisova, Fedosia W. "Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century". Contemporary Musicology, n.º 2 (2022): 81–106. http://dx.doi.org/10.56620/2587-9731-2022-2-081-106.
Texto completo da fonteKlendii, Oleksandra. "Music editing in the aspect of interdisciplinary connections (according to pages of foreign studies)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, n.º 66 (9 de abril de 2023): 191–206. http://dx.doi.org/10.34064/khnum1-66.12.
Texto completo da fontePeno, Vesna. "Methodological disputes about interpretation of neum notation in the 20th century". Muzikologija, n.º 18 (2015): 15–33. http://dx.doi.org/10.2298/muz1518015p.
Texto completo da fonteGorbunova, Irina B., e Mikhail S. Zalivadny. "About Applying Probabilistic-Static Methods in Studying Regular Laws of Music and Musical-Pedagogical Research Works". Music Scholarship / Problemy Muzykal'noj Nauki, n.º 1 (2022): 35–49. http://dx.doi.org/10.33779/2782-3598.2022.1.035-049.
Texto completo da fonteBralovic, Milos, e Ivana Medic. "The composer and his critics: The reception of Stanojlo Rajicic’s works in the light of crucial events for the development of Serbian music in the twentieth century". Muzikologija, n.º 31 (2021): 59–94. http://dx.doi.org/10.2298/muz2131059b.
Texto completo da fonteKysliuk, Andrii. "Lysenkiana in the Studies of Mykhailo Stepanenko in Its Connections with Musicological Tradition and Modern Investigations of the Artist’s Heritage". Folk Art and Ethnology, n.º 2 (30 de junho de 2024): 87–94. http://dx.doi.org/10.15407/nte2024.02.087.
Texto completo da fonteStrizhakova, Elena A. "F. J. Fetis and his role in the development of French organ playing school in the second half of the 19th century". Contemporary Musicology, n.º 4 (2020): 75–89. http://dx.doi.org/10.56620/2587-9731-2020-4-075-089.
Texto completo da fonteTao, Jin. "PERFORMANCE CHARACTERISTICS of Eugene Goossens’s Concerto for Oboe and Orchestra". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, n.º 60 (3 de outubro de 2021): 167–83. http://dx.doi.org/10.34064/khnum1-60.09.
Texto completo da fonteTeparić, Srđan. "Analytical Listening and Aesthetic Experience in Music Criticism". Arts 13, n.º 1 (14 de fevereiro de 2024): 34. http://dx.doi.org/10.3390/arts13010034.
Texto completo da fonteKushch, Viktoriia. "Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse". Collection of scientific works “Notes on Art Criticism”, n.º 39 (1 de setembro de 2021): 196–201. http://dx.doi.org/10.32461/2226-2180.39.2021.238720.
Texto completo da fonteDUȚICĂ, Luminița, e Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică". BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (20 de janeiro de 2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.
Texto completo da fonteКовнацкая, Л. Г. "The XVIII Bach Readings in St. Petersburg". OPERA MUSICOLOGICA, n.º 2021 (15 de setembro de 2021): 96–107. http://dx.doi.org/10.26156/om.2021.13.3.006.
Texto completo da fonteTazegul, Gokhan, Humeyra Bozoglan, Tahir S. Ogut e Mustafa K. Balci. "A Clinician's Artificial Organ? Instant Messaging Applications in Medical Care". International Journal of Artificial Organs 40, n.º 9 (24 de maio de 2017): 477–80. http://dx.doi.org/10.5301/ijao.5000606.
Texto completo da fonteVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars". Muzikologija, n.º 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Texto completo da fonteBausch, Sebastian, e Manuel Bärtsch. "Geisterhände – neu belebt". Schweizer Jahrbuch für Musikwissenschaft 40 (19 de abril de 2024): 103–8. http://dx.doi.org/10.36950/sjm.40.9.
Texto completo da fonteКнязева, Ж. В. "Manfred Bukofzer, Paul Sacher and the Basel Ordinariat". Научный вестник Московской консерватории, n.º 4(39) (7 de dezembro de 2019): 162–93. http://dx.doi.org/10.26176/mosconsv.2019.39.4.006.
Texto completo da fonteГрохотов, С. В., К. В. Зенкин, Р. А. Насонов, Т. В. Цареградская e В. П. Чинаев. "Following the Conference “From Art Nouveau to Futurism” (Virtual Round-Table Discussion)". Научный вестник Московской консерватории, n.º 1(40) (20 de março de 2020): 56–67. http://dx.doi.org/10.26176/mosconsv.2020.40.1.004.
Texto completo da fonteRyzhinsky, Alexander S. "British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance". Problemy muzykal'noi nauki / Music Scholarship, n.º 2 (julho de 2023): 53–67. http://dx.doi.org/10.56620/2782-3598.2023.2.053-067.
Texto completo da fonteRadoman, Valentina. "On comparative research in musicology: Peripheral vs. Central European musical culture and the musicological comparative approach in the 20th century". New Sound, n.º 39-1 (2012): 30–48. http://dx.doi.org/10.5937/newso1201030r.
Texto completo da fonteDumbill, Richard, e Sanjay Sinha. "Seven decades of organ transplantation: Out of the 20th and into the 21st century". Journal of Indira Gandhi Institute of Medical Sciences 10, n.º 1 (2024): 3–5. http://dx.doi.org/10.4103/jigims.jigims_47_23.
Texto completo da fonteZhornikova, Mariia. "EMBODIMENT OF THE PRINCIPLES OF SONOR WRITING IN THE CREATIVE WORKS OF E. VILLA-LOBOS (on the example of the piano suite “Dolls”)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, n.º 58 (10 de março de 2021): 158–81. http://dx.doi.org/10.34064/khnum1-58.10.
Texto completo da fonteDOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN". Культурный код, n.º 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.
Texto completo da fonteBrooke, Christopher, Howell Edwards, Peter Vandenabeele, Sylvia Lycke e Michelle Pepper. "Raman Spectroscopic Analysis of an Early 20th Century English Painted Organ Case by Temple Moore". Heritage 3, n.º 4 (21 de outubro de 2020): 1148–61. http://dx.doi.org/10.3390/heritage3040064.
Texto completo da fonteKogler, Susanne. "Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern". Musicological Annual 43, n.º 2 (1 de dezembro de 2007): 287–303. http://dx.doi.org/10.4312/mz.43.2.287-303.
Texto completo da fonteGumerova, Aysylu Tagirovna. "The tradition of Orthodox singing of the baptized Tatars of the Laish and Mamadysh districts of Kazan province: the historical background". PHILHARMONICA. International Music Journal, n.º 3 (março de 2021): 82–88. http://dx.doi.org/10.7256/2453-613x.2021.3.35028.
Texto completo da fonteNikolskaya, I. I. "The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West". Art & Culture Studies, n.º 4 (dezembro de 2023): 500–555. http://dx.doi.org/10.51678/2226-0072-2023-4-500-555.
Texto completo da fonteBoettcher, Wolfgang, Frank Merkle e Heinz-Hermann Weitkemper. "History of Extracorporeal Circulation: The Conceptional and Developmental Period". Journal of ExtraCorporeal Technology 35, n.º 3 (setembro de 2003): 172–83. http://dx.doi.org/10.1051/ject/2003353172.
Texto completo da fonteVasiliu, Laura-Otilia. "Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years". Artes. Journal of Musicology 24, n.º 1 (1 de abril de 2021): 329–43. http://dx.doi.org/10.2478/ajm-2021-0020.
Texto completo da fonteRastegar, Sohi. "Life Force". Mechanical Engineering 122, n.º 03 (1 de março de 2000): 74–79. http://dx.doi.org/10.1115/1.2000-mar-4.
Texto completo da fonteRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher". Artes. Journal of Musicology 18, n.º 1 (1 de março de 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Texto completo da fonteUrbaniak, Krzysztof. "The organ made by Andreas Hildebrandt at tHe elevation of tHe Holy Cross Church in Pruszcz Gdański". Notes Muzyczny 2, n.º 14 (10 de dezembro de 2020): 29–58. http://dx.doi.org/10.5604/01.3001.0014.5747.
Texto completo da fonteFu, Xiaojiao. "Court Music of the Qing Dynasty at the End of the 17th-18th Centuries: Main Aspects of Research". PHILHARMONICA. International Music Journal, n.º 6 (junho de 2022): 40–54. http://dx.doi.org/10.7256/2453-613x.2022.6.39562.
Texto completo da fontePina, Isabel. "A Russian way of depicting true Portuguese traditions? Alentejo Suite No. 1 by Luis de Freitas Branco and its connections with intergalisimo lusitano". Contemporary Musicology, n.º 3 (2019): 73–91. http://dx.doi.org/10.56620/2587-9731-2019-3-073-091.
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