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1

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

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2

1917-, Mann Alfred, e Parker Mary Ann 1951-, eds. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.

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3

Street, Christensen Thomas, e Dejans Peter 1964-, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

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4

Street, Christensen Thomas, Beelaert Sylvester, Dejans Peter 1964-, Snyers Kathleen e International Orpheus Academy for Music Theory, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

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5

1943-, Snook-Luther Susan P., ed. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.

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6

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.

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7

Holtmeier, Ludwig. Rameaus langer Schatten: Studien zur deutschen Musiktheorie des 18. Jahrhunderts. Hildesheim: Georg Olms Verlag, 2017.

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8

Christensen, Thomas Street. Rameau and musical thought in the Enlightenment. Cambridge [England]: Cambridge University Press, 1993.

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9

Curry, Robert, 1952 Sept. 26-, Gable David 1955- e Marshall Robert Lewis, eds. Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester, NY: University of Rochester Press, 2008.

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10

Alfred, Mann. The great composer as teacher and student: Theory and practice of composition : Bach, Handel, Haydn, Mozart, Beethoven, Schubert. New York: Dover, 1994.

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11

1681-1764, Mattheson Johann, ed. Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's universal style in theory and practice. Surrey, UK: Ashgate, 2014.

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12

1965-, Gallagher Sean, Kelly Thomas Forrest e Wolff Christoph, eds. The century of Bach and Mozart: Perspectives on historiography, composition, theory, and performance. Cambridge, Mass: Harvard University Department of Music, 2008.

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13

1648-1706, Salmon Thomas, e Locke, Matthew, 1621 or 2-1677, eds. Thomas Salmon: Writings on music. Burlington, VT: Ashgate, 2012.

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14

Verba, Cynthia. Music and the French enlightenment: Reconstruction of a dialogue, 1750-1764. Oxford: Clarendon Press, 1993.

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15

Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

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16

Hariharan, M. (Muthuswamy), 1951- author, ed. Music of South India: Upto 18th century. Delhi: B.R. Rhythms, 2016.

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17

Popescu-Judetz, Eugenia. Sources of 18th-century music: Panayiotes Chalathzoglou [i.e. Chalatzoglou] and Kyrillos Marmarinos' comparative treatises on secular music. Beşiktaş, İstanbul: Pan Yayıncılık, 2000.

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18

Yordanova, Iskrena, e Guiseppina Raggi. Theatre spaces for music in 18th-century Europe. Wien: Hollitzer, 2020.

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19

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

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20

B, Schwartz Richard, e National Endowment for the Humanities., eds. Theory and tradition in eighteenth-century studies. Carbondale: Southern Illinois University Press, 1990.

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21

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

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22

1968-, Keefe Simon P., ed. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.

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23

1935-, Odell Scott, ed. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.

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24

1960-, Burden Michael, e Cholij Irena, eds. A handbook for studies in 18th-century English music. Oxford: Burden & Cholij, 1999.

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25

Felicity, Nussbaum, e Brown Laura 1949-, eds. The New eighteenth century: Theory, politics, English literature. New York: Methuen, 1987.

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26

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.

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27

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

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28

Carlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.

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29

Eighteenth-century Russian music. Aldershot, Hants, England: Ashgate Pub. Company, 2006.

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30

18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.

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31

Christensen, Jesper Bøje. 18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.

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32

Malcolm, Boyd, e Carreras López, Juan José, 1957-, eds. Music in Spain during the eighteenth century. Cambridge: Cambridge University Press, 1998.

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33

Lester, Joel. Compositional Theory in the 18th Century. Harvard University Press, 2013.

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34

Lester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.

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35

Krebs, Harald Manfred. Third relation and dominant in late 18th- and early 19th-century music. 1986.

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36

(Editor), Alfred Mann, e Mary Ann Parker (Editor), eds. Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann (Festschrift Series, No 13). Pendragon Press, 1994.

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37

Lester, Joel. Compositional Theory in the 18th Century (Studies in the History of Music, No. 4). Harvard University Press, 1993.

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38

(Editor), Robert Curry, David Gable (Editor) e Robert L. Marshall (Editor), eds. Variations on the Canon: Essays on Music from Bach to Boulez (in Honor of Charles Rosen on his Eightieth Birthday) (Eastman Studies in Music). University of Rochester Press, 2008.

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39

Keefe, Simon P. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention. Boydell & Brewer, Incorporated, 2007.

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40

Christensen, Thomas. Rameau and Musical Thought in the Enlightenment (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2004.

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41

Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.

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42

Keates, Translated By Timothy. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

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43

Semi, Maria, e Timothy Keates. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

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44

Semi, Maria, e Timothy Keates. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

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45

Music as a science of mankind in eighteenth-century Britain. Surrey, England UK: Ashgate Pub., 2011.

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46

Day-O'Connell, Jeremy. Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press, 2007.

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47

The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance. Harvard University Department of Music, 2009.

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48

Glover, Jane. Handel in London. Penguin Random House, 2010.

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49

Glover, Jane. Handel in London. Penguin Random House, 2011.

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50

Glover, Jane. Handel in London. Pegasus Books, 2018.

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