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1

Street, Christensen Thomas, e Dejans Peter 1964-, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

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2

Street, Christensen Thomas, Beelaert Sylvester, Dejans Peter 1964-, Snyers Kathleen e International Orpheus Academy for Music Theory, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

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3

Rivera, Benito V. German music theory in the early 17th century: The treatises of Johannes Lippius. Rochester, N.Y: University of Rochester Press, 1995.

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4

Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.

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5

Baras, Ras. S̲h̲ams al-aṣvāt: The sun of songs by Ras Baras (an Indo-Persian music theoretical treatise from the late 17th century). Uppsala: Uppsala Universitet, 2012.

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6

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

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7

Ledbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.

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8

Ledbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.

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9

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

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10

1935-, Odell Scott, ed. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.

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11

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

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12

1954-, Carter Tim, e Butt John, eds. The Cambridge history of seventeenth-century music. Cambridge: Cambridge University Press, 2005.

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13

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.

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14

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

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15

Carlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.

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16

1917-, Mann Alfred, e Parker Mary Ann 1951-, eds. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.

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17

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.

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18

D, Harvey Elizabeth, e Maus Katharine Eisaman 1955-, eds. Soliciting interpretation: Literary theory and seventeenth-century English poetry. Chicago: University of Chicago Press, 1990.

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19

Slowik, Edward. Cartesian spacetime: Descartes' physics and the relational theory of space and motion. Dordrecht: Kluwer Academic, 2001.

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20

Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arresti polemic. New York: Garland Pub., 1989.

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21

Owens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.

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22

Rivera, Benito V. German Music Theory in the Early Seventeenth Century: The Treatises of Johannes Lippius. University of Rochester Press, 1996.

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23

Musical theory in the renaissance. Ashgate, 2013.

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24

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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25

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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26

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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27

Gender, Sexuality, and Early Music. Routledge, 2015.

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28

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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29

Welterkenntnis aus Musik: Anthanasius [i.e. Athanasius] Kirchers "Musurgia universalis" und die Universalwissenschaft im 17. Jahrhundert. Kassel: Bärenreiter, 2006.

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30

Bayreuther, Rainer. Musikalische Norm Um 1700. de Gruyter GmbH, Walter, 2010.

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31

Musikalische Norm um 1700: Frühe Neuzeit. De Gruyter, Inc., 2011.

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32

Musikalische Norm um 1700. Berlin ; New York: De Gruyter, 2010.

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33

Divining the Oracle: Monteverdi's Seconda prattica. University Of Chicago Press, 2003.

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34

Music, experiment and mathematics in England, 1653-1705. Aldershot, Hants, England: Ashgate, 2008.

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35

Praetorius, Michael, e Jeffery T. Kite-Powell. Syntagma Musicum III (Oxford Early Music Series). Oxford University Press, USA, 2004.

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36

(Editor), David K. Wilson, ed. Georg Muffat on Performance Practice: The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik--A New Translation With ... (Publications of the Early Music Institute). Indiana University Press, 2001.

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37

Networks of Music and Cultdure in the Late Sixteenth and Early Seventeenth Centuries. Taylor & Francis Group, 2013.

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38

Coprario, Giovanni, e Thomas Campion. A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, ... in Britain, 1500-1700: Critical Editions). Ashgate Publishing, 2003.

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39

Sor Juana/música: How the Décima musa composed, practiced, and imagined music. New York: Lang, 2009.

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40

Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

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41

The music theory of Harald Vallerius: Three dissertations from 17th-century Sweden. Uppsala: Uppsala Universitet, 2012.

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42

Carter, Tim, e John Butt. Cambridge History of Seventeenth-Century Music. Cambridge University Press, 2008.

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43

Pearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.

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44

Pearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.

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45

Pearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.

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46

Pearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.

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47

Cherlin. Readings in 20th Century Music Theory. Pearson Education, Limited, 1998.

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48

Twentieth-century music theory and practice. New York: Routledge, 2012.

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49

Lester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.

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50

Blasius, Leslie David. Music Theory of Godfrey Winham. Princeton University Press, 2014.

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