Livros sobre o tema "Music Germany History and criticism"
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Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.
Encontre o texto completo da fonteChorley, Henry Fothergill. Modern German music: Recollections and criticisms. Cambridge: Cambridge University Press, 2009.
Encontre o texto completo da fonteKomlós, Katalin. Fortepianos and their music: Germany, Austria, and England, 1760-1800. Oxford: Clarendon Press, 1995.
Encontre o texto completo da fonteWallscheid, Margot, Stephan Schulmeistrat e J. Bradford Robinson. Musical life in Germany: Structure, facts and figures. Editado por Deutsches Musikinformationszentrum. Bonn: German Music Council, 2011.
Encontre o texto completo da fonteRehding, Alexander. Music and monumentality: Commemoration and wonderment in nineteenth-century Germany. New York: Oxford University Press, 2009.
Encontre o texto completo da fonteGerman music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.
Encontre o texto completo da fonteNew music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.
Encontre o texto completo da fonteChorley, Henry Fothergill. Music and manners in France and Germany: A series of travelling sketches of art and society. Cambridge: Cambridge University Press, 2009.
Encontre o texto completo da fonteThe new German cinema: Music, history, and the matter of style. Berkeley: University of California Press, 2004.
Encontre o texto completo da fonteMusical thought in Britain and Germany during the early eighteenth century. New York: P. Lang, 1987.
Encontre o texto completo da fonteJohann Sebastian Bach: His work and influence on the music of Germany, 1685-1750. London: Novello, 1992.
Encontre o texto completo da fonteDifferent drummers: Jazz in the culture of Nazi Germany. New York: Oxford University Press, 1992.
Encontre o texto completo da fonteMusik im Unterhaltungskino des Dritten Reichs (2010 : Würzburg, Germany), ed. Musik im Unterhaltungskino des Dritten Reichs. Würzburg: Königshausen & Neumann, 2011.
Encontre o texto completo da fontede, Vries Willem. Sonderstab Musik: Music confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi occupation of Western Europe. Amsterdam: Amsterdam University Press, 1996.
Encontre o texto completo da fonteMusic, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud. Burlington, VT: Ashgate, 2011.
Encontre o texto completo da fonteGermany in the loud twentieth century: An introduction. New York: Oxford University Press, 2012.
Encontre o texto completo da fonteSaffle, Michael. Liszt in Germany, 1840-1845: A study in sources, documents, and the history of reception. Stuyvesant, NY: Pendragon Press, 1994.
Encontre o texto completo da fonteMüller, Reinhold. Spielmann, Trompeter, Hoboist: Aus der Geschichte der deutschen Militärmusiker. Berlin: Militärverlag der Deutschen Demokratischen Republik, 1988.
Encontre o texto completo da fonteImagined Germany: Richard Wagner's national utopia. New York: P. Lang, 1999.
Encontre o texto completo da fonteGentsch, Werner. Hinter den Kulissen der Berliner Philharmonie: Ein Chorsänger erinnert sich. Berlin: Frieling, 1989.
Encontre o texto completo da fonteLotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5a ed. Bonn: Birgit Lotz Verlag, 1997.
Encontre o texto completo da fonte1947-, Supper Martin, Weinzierl Stefan 1967-, Deutsche Gesellschaft für Elektroakustische Musik e Technische Universität Berlin. Fachgebiet Audiokommunikation, eds. SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Encontre o texto completo da fonteSound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Encontre o texto completo da fonteKater, Michael H. The twisted muse: Musicians and their music in the Third Reich. New York: Oxford University Press, 1997.
Encontre o texto completo da fonteThe music of Hans Pfitzner. Oxford: Clarendon Press, 1992.
Encontre o texto completo da fonteRehding, Alexander. Resounding monumentality: Nineteenth-century German music, commemoration, and wonderment. New York: Oxford University Press, 2009.
Encontre o texto completo da fonteSchutte, Uwe. Kraftwerk: Future Music from Germany. Penguin Books, Limited, 2020.
Encontre o texto completo da fonteWilliams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2017.
Encontre o texto completo da fonteMusic in Germany Since 1968. Cambridge University Press, 2008.
Encontre o texto completo da fonteEditing Music in Early Modern Germany. Ashgate Publishing, 2007.
Encontre o texto completo da fonteSchumann's virtuosity: Criticism, composition, and performance in nineteenth-century Germany. 2016.
Encontre o texto completo da fonte1929-, Jakoby Richard, ed. Musical life in Germany: Structure, development, figures. Bonn: Inter Nationes, 1997.
Encontre o texto completo da fonteSchiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2018.
Encontre o texto completo da fonteSoundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2019.
Encontre o texto completo da fonteSoundtracking Germany: Popular Music and National Identity. Rowman & Littlefield International, 2018.
Encontre o texto completo da fonteThompson, Mark Christian. Anti-Music. State University of New York Press, 2019.
Encontre o texto completo da fonteMichael, Cooper John, e Prandi Julie D. 1951-, eds. The Mendelssohns: Their music in history. Oxford: Oxford University Press, 2002.
Encontre o texto completo da fonte(Editor), John Michael Cooper, e Julie D. Prandi (Editor), eds. The Mendelssohns: Their Music in History. Oxford University Press, USA, 2002.
Encontre o texto completo da fonteWomen composers in Germany. Bonn: Inter Nationes, 1996.
Encontre o texto completo da fonteStefaniak, Alexander. Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press, 2016.
Encontre o texto completo da fonteFlinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2004.
Encontre o texto completo da fonteFlinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2003.
Encontre o texto completo da fonteRehding, Alexander. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford University Press, Incorporated, 2017.
Encontre o texto completo da fonteWaligorska, Magdalena. Klezmer's Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany. Oxford University Press, Incorporated, 2013.
Encontre o texto completo da fonte1953-, Walker Paul, ed. Church, stage, and studio: Music and its contexts in seventeenth-century Germany. Ann Arbor, Mich: UMI Research Press, 1990.
Encontre o texto completo da fonteJewish Music and Modernity: The Paradox of a European Music History. Oxford University Press, 2005.
Encontre o texto completo da fonteOne Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990. Berghahn Books, Incorporated, 2019.
Encontre o texto completo da fonteMorrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. Cambridge University Press, 2006.
Encontre o texto completo da fonteBeal, Amy C. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. University of California Press, 2006.
Encontre o texto completo da fonteNancy, Van Deusen, ed. Medieval Germany: Associations and delineations. Ottawa, Canada: Institute of Mediaeval Music, 2000.
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