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Bibliografias temáticas / Mushic

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Artigos de revistas

Literatura científica selecionada sobre o tema "Mushic"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 30 de julho de 2024

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Artigos de revistas sobre o assunto "Mushic"

1

Jin, Mi-Hyun, Ju-Hyun Lee, Heon-Ho Choi, et al. "Performance Comparison of 2D MUSIC and Root-MUSIC Algorithms for Anti-jamming in GPS Receiver." Transactions of The Korean Institute of Electrical Engineers 60, no. 11 (2011): 2131–38. http://dx.doi.org/10.5370/kiee.2011.60.11.2131.

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2

Warnet, Victoria. "The Relationship Between Music Familiarity, Music Preference, and Concert Attendance in Music Majors and Non-Music Majors." Research Perspectives in Music Education 23, no. 1 (2023): 3–13. http://dx.doi.org/10.55814/bc850bde.

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3

黃俊銘, 黃俊銘. "【預刊】音樂、文藝機構與身分：中國的《人民音樂》（1950-2019）如何論述台灣流行音樂". 人文及社會科學集刊 36, № 2（預刊） (2024): 1–42. http://dx.doi.org/10.53106/1018189x202202002.

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4

Waxman, Rebecca, and Abigail McQuater. "Editorial." MUSIC.OLOGY.ECA 1 (September 11, 2020): 7. http://dx.doi.org/10.2218/music.2020.5694.

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5

Anderson, Natasha. "Narrative and Number in Busby Berkeley’s Footlight Parade." MUSIC.OLOGY.ECA 1 (September 11, 2020): 40–59. http://dx.doi.org/10.2218/music.2020.5697.

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The backstage film musical was a successful genre of the brief ‘Pre-Code’ era of American film history (1929-1934), in which audiences witnessed the inner workings of a theatre studio and watched the creation and performance of a musical production unfold. This essay focusses on one of these film musicals, Footlight Parade, and examines its key musical numbers: ‘Honeymoon Hotel’, ‘By a Waterfall’ and ‘Shanghai Lil’. Using these examples, the article analyses the relationship between musical number and film narrative, while relating the film to wider issues surrounding musicals in the ‘Pre-Code’ era and beyond.

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6

Morton, Melissa. "‘Where Did That Voice Come From?’." MUSIC.OLOGY.ECA 1 (September 11, 2020): 8–25. http://dx.doi.org/10.2218/music.2020.5695.

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For the last two decades, the viewers of televised talent competitions have witnessed an intriguing phenomenon—singers with voices that fail to ‘match’ their bodies. With a particular focus on female child singers, this article explores the phenomenon of the ‘mismatched girl’. Combining theories from voice studies and musicology, the article examines the depiction of the relationship between voice and body within the talent competitions. Ultimately, mismatched girls prompt journalists, fans, and musicians alike to consider fundamental questions concerning the human voice—where do voices come from and what do they mean?

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7

Behrens, David. "Originality or Familiarity?" MUSIC.OLOGY.ECA 1 (September 11, 2020): 60–77. http://dx.doi.org/10.2218/music.2020.5698.

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This article explores the dramaturgical strategies used to present chosen recital repertoire, initially outlining what lead to the formation of the programme, before discussing elements of musical narrativity and how that can aid in conveying meaning on a deeper level. In addition, the article investigates the importance of utilising novelty in balance with familiarity to entice an audience, whilst keeping an awareness of the drawbacks that each can impose. Finally, the presence of a unifying theme will be discussed with regards to how it can potentially add originality, resulting in a programme that can be simultaneously engaging and informative.

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8

MacLeod, Brian James. "Tunes of Glory." MUSIC.OLOGY.ECA 1 (September 11, 2020): 78–91. http://dx.doi.org/10.2218/music.2020.5699.

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The late-16th through to the early-17th century was a period of unprecedented upheaval and conflict throughout the British Isles. This article explores the transformative rise in social status of pipers in Highland society during this period of social, political, economic, and cultural change. Bagpipes, traditionally assigned a low-caste role in society in Ireland and Scotland, were transformed into a vehicle for a highly developed form of musical composition, ceòl mòr (‘great music’). The article examines the factors which allowed the families of hereditary pipers to achieve this significant change in fortune, whilst the highlighting the unique compositional form of pipe music which enabled their entry into the upper echelons of Gaelic society in Scotland.

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9

Macaulay, Cameron. "The Cosmic & The Corporeal." MUSIC.OLOGY.ECA 1 (September 11, 2020): 26–39. http://dx.doi.org/10.2218/music.2020.5696.

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Under the Skin is a film deeply preoccupied with the human experience. Our protagonist is ‘Laura,’ an alien in disguise who stalks Glasgow in search of male prey. We are entirely situated with her throughout — seeing the streets through her eyes, sitting with her in the van during each hunt. Our proximity to her complicates the ontological question beyond a blunt dichotomy of Laura and the human subjects. Rather, it’s a dynamic continuum whereby Laura might glean empathy while ordinary people are estranged. The article argues that audiovision is the primary channel through which entanglements between the cosmic and the corporeal are explored in the film. Through director Jonathan Glazer and composer Mica Levy’s maintaining of the ‘alien lens’ (as well as an alien audition) the subject of humanity is ravelled.

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10

MOON, Ok bae. "서양음악 수용의 한 축으로서의 교회음악". Tongyang Ŭmak 34 (31 грудня 2012): 89–107. http://dx.doi.org/10.33452/amri.2012.34.89.

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