Literatura científica selecionada sobre o tema "Museo archeologico nazionale (Altamura, Italy)"

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Artigos de revistas sobre o assunto "Museo archeologico nazionale (Altamura, Italy)"

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Nicastro, G., e P. Puma. "VIRTUAL HERITAGE FOR THE DISSEMINATION OF THE BARATTI IN 3D PROJECT". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (31 de janeiro de 2019): 529–34. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-529-2019.

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<p><strong>Abstract.</strong> The paper describes the final step of the Baratti in 3D project, aimed at the dissemination of the important archaeological heritage of the Etruscan city of Populonia (Tuscany, Italy). The chain of “data metrical surveying &amp;ndash; 2D and 3D representation &amp;ndash; communication” has been applied on the “Princes's tombs” of the monumental necropolis of San Cerbone and its finds to provide a detailed description of their context, workmanship, morphological characteristics and materials to realize the virtual recreation. The preservation of the finds from the excavations in two different museums far from the archaeological area (the Museo Archeologico Nazionale di Firenze and the Museo Archeologico del Territorio di Populonia, in Piombino) makes the understanding of the original context very difficult for visitors. Thus the “Baratti in 3D Project” has been conceived in order to document the tombs, their finds and produce the “virtual match” showing in its entirety the environmental and architectural provenance and material ritual context and in order to display in innovative visual approach this archaeological heritage. To complement the interactive platform, as a physical fallout of this project has been realized “A museum in every sense”, a permanent exhibition in the Museo Archeologico del Territorio di Populonia.</p>
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Germanò, Germano. "Il Museo della Magna Grecia. Dal progetto di Piacentini ai primi allestimenti del Museo Archeologico Nazionale di Reggio Calabria". Opus Incertum 9 (13 de dezembro de 2023): 122–33. http://dx.doi.org/10.36253/opus-14846.

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The paper retraces the history of the exhibition designs of the National Archaeological Museum of Reggio Calabria (Italy), investigating the museographic and museological instances that inspired them, with a glimpse of the cultural context in which they flourished. The investigation period spans from the 1930s, when the architect Marcello Piacentini developed the original planning ideas for the building and the interior of the “first museum in Italy built for this purpose”, to the first exhibition presented to the public at the opening in 1958. The paper concludes with an analysis of the expansion of the museum sections in the 1960s with new criteria. Thanks to hitherto unpublished documents, the history of the museum and its protagonists has been reconstructed, revealing a spirit of collaboration between architects and archaeologists which provides an example of good museum practice and laid the basis for the subsequent development of this important institution in Southern Italy.
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D'Auria, Alessia, Fabio Marzaioli, Isabella Passariello, Riccardo Spaccini, Stefano Conti, Giuseppe Melchionna, Maurizio Teobaldelli e Gaetano Di Pasquale. "Can plant material be considered part of cultural heritage? A lesson from Vitis vinifera L. remains stored in the Museo Archeologico Nazionale di Napoli, (Italy)". Journal of Cultural Heritage 60 (março de 2023): 72–77. http://dx.doi.org/10.1016/j.culher.2023.02.001.

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Griffith, Alison B. "ARCHITECTURAL TERRACOTTAS - P. Lulof, C. Rescigno (edd.) Deliciae Fictiles IV. Architectural Terracottas in Ancient Italy. Images of Gods, Monsters and Heroes. Proceedings of the International Conference held in Rome (Museo Nazionale Etrusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale ‘Paolo Orsi’), October 21–25, 2009. Pp. xiv + 634, ills, maps, colour pls. Oxford: Oxbow Books, 2011. Cased, £40, US$80. ISBN: 978-1-84217-426-5." Classical Review 63, n.º 1 (1 de março de 2013): 243–45. http://dx.doi.org/10.1017/s0009840x12003228.

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"“Bronzi Di Riace” Geomatics Techniques in Augmented Reality for Cultural Heritage Dissemination". International Journal of Innovative Technology and Exploring Engineering 9, n.º 3 (10 de janeiro de 2020): 1001–10. http://dx.doi.org/10.35940/ijitee.c7953.019320.

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In the ‘Museo Archeologico Nazionale della Magna Grecia' in Reggio Calabria (south Italy) are located two full-size bronzes cast around the 5th century BC: The Riace Bronzes; thanks to their outstanding manufacture, they truly represent significant sculptural masterpieces of Greek art in the world. This paper describes the methodology used by the Geomatics Laboratory of the DICEAM of the Mediterranean University of Reggio Calabria to achieve a 3D model of the two sculptures. The 3D modelling is based on the use of imaging techniques, such as digital photogrammetry and computer vision. The achieved results demonstrate the effectiveness of the technique used in the cultural heritage field for the creation of a digital production and replication through 3d printing. Moreover considering that in the renewed interest in the context of international museological studies, Augmented Reality innovation represents a new method for amplifying visitor numbers into museums despite concerns over returns on investment, the procedure to develop a touristic app is described. In fact the enhancement of cultural heritage through the use of 3D acquisition and modeling tools represents one of the fields of study that will see rapid development in the near future. Thus, in order to further valorize and disseminate archaeological heritage, we are developing an app for tourism purposes. The created app allows the user, in real time, to obtain additional information on the object of investigation, even allowing them to view the 3D model in AR. Moreover, the app combines AR and VR technologies with the opportunities offered by 3D printing,
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Livros sobre o assunto "Museo archeologico nazionale (Altamura, Italy)"

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Museo archeologico nazionale (Nuoro, Italy), ed. Il Museo archeologico nazionale di Nuoro. Sassari: C. Delfino, 2006.

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Agnoli, Nadia. Palestrina: Il Museo archeologico nazionale. Milano: Electa, 1999.

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3

Rastrelli, A. Museo archeologico di Chiusi. Roma: Vision, 1991.

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4

Baldoni, Daniela. Guida al Museo archeologico nazionale di Ferrara. [Italy]: Ministero per i beni e le attività culturali, Soprintendenza archeologica per i beni archeologici dell'Emilia Romagna, 2001.

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5

Museo archeologico statale G. Cilnio Mecenate (Arezzo, Italy). Il Museo archeologico nazionale G. Cilnio Mecenate. Montepulciano (Siena): Le balze, 2000.

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6

Grassi, P. Zamarchi. Museo archeologico nazionale G. Cilnio mecenate, Arezzo. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1993.

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7

Guarnieri, Anita. Storie di un castello: Museo archeologico nazionale della Daunia. Bari: Mario Adda editore, 2016.

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8

Museo archeologico nazionale (Aquileia, Italy), ed. Il colore dei vetri antichi del Museo archeologico nazionale di Aquileia: Colours of the ancient glass in the Museo archeologico nazionale di Aquileia. Venezia: Comitato nazionale italiano dell'AIHV, 2013.

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9

Cassieri, Nicoletta. La grotta di Tiberio e il Museo archeologico nazionale, Sperlonga. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2000.

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10

Cassieri, Nicoletta. La grotta di Tiberio e il Museo archeologico nazionale, Sperlonga. Roma: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2000.

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