Literatura científica selecionada sobre o tema "Musée de Valence (France)"
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Artigos de revistas sobre o assunto "Musée de Valence (France)"
Thiesse, Anne-Marie. "L'Histoire de France en musée." Raisons politiques 37, n.º 1 (2010): 103. http://dx.doi.org/10.3917/rai.037.0103.
Texto completo da fonteSIGAL-KLAGSBALD, Laurence. "Vers un nouveau musée juif en France". Revue des Études Juives 151, n.º 3 (1 de julho de 1992): 429–40. http://dx.doi.org/10.2143/rej.151.3.2012674.
Texto completo da fonteAlbera, François. "Pour un musée du cinéma en France !" 1895, n.º 44 (1 de dezembro de 2004): 87–91. http://dx.doi.org/10.4000/1895.2082.
Texto completo da fontePoulot, Dominique. "Le musée d’histoire en France entre traditions nationales et soucis identitaires". Anais do Museu Paulista: História e Cultura Material 15, n.º 2 (dezembro de 2007): 293–316. http://dx.doi.org/10.1590/s0101-47142007000200021.
Texto completo da fonteConseil d’administration de. "Pétition pour un musée du cinéma en France !" 1895, n.º 43 (1 de junho de 2004): 86–87. http://dx.doi.org/10.4000/1895.1582.
Texto completo da fonteDe L'Estoile, Benoît. "Post-ethnographic museums: Changing relationships between museum and anthropology in France". Anuac 4, n.º 2 (5 de agosto de 2016): 78–105. http://dx.doi.org/10.7340/anuac2239-625x-1979.
Texto completo da fonteDelaplace, Andréa. "Le Musée de l'histoire de l'immigration à Paris: une collection et un musée en devenir". Anais do Museu Paulista: História e Cultura Material 23, n.º 2 (dezembro de 2015): 239–64. http://dx.doi.org/10.1590/1982-02672015v23n0209.
Texto completo da fonteBen Azzouna, Nourane. "« L’Orient » entre la France et l’Allemagne. Les collections d’arts de l’Islam au Musée des arts décoratifs de Strasbourg". Source(s) – Arts, Civilisation et Histoire de l’Europe, n.º 12 (19 de outubro de 2022): 13–34. http://dx.doi.org/10.57086/sources.219.
Texto completo da fontede Puma, Richard Daniel, e J. M. Gran Aymerich. "Corpus Vasorum Antiquorum. France 31, Musée du Louvre 20". American Journal of Archaeology 89, n.º 1 (janeiro de 1985): 179. http://dx.doi.org/10.2307/504787.
Texto completo da fonteDuclos, Jean-Claude. "Musée camarguais, mas du Pont-de-Rousty, Arles, France". Museum International (Edition Francaise) 32, n.º 1-2 (24 de abril de 2009): 24–33. http://dx.doi.org/10.1111/j.1755-5825.1980.tb01853.x.
Texto completo da fonteTeses / dissertações sobre o assunto "Musée de Valence (France)"
Vidal, Geneviève. "L'appropriation sociale du multimédia de musée : les interactions entre pratiques de musée et de multimédia de musée". Paris 8, 1999. http://www.theses.fr/1999PA081637.
Texto completo da fonteGonzález, Llovera Wilbert de Jesús. "Histoire critique du Musée National d'Ethnographie : des origines jusqu'au Musée des Arts et Traditions Populaires". Paris 1, 2002. http://www.theses.fr/2002PA010537.
Texto completo da fontePeyrouzère, Frédérique. "Le musée en partage : Etat et musée sous le ministère de Jean Zay (1936-1939)". Paris 1, 1999. http://www.theses.fr/1999PA010529.
Texto completo da fonteThis work is an analysis of the French political approach for national museums under the front populaire ; ministry of Jean Zay from 1936 to 1939. Socially, intellectually, administratively and politically it recounts one of the highlights of French museums during this period. These one which prepared throughout the reflexions engaged as well as an international, national and local scale, the context, the administrative framework and the approach of the contempory museums' action plans regarding social affairs. This study comprises three main axis. The first is what we call a projet populaire ; and points to one of the new political major targets which was to popularise ; the museums, giving access to all citizens. The second axis approaches the state's will to spread the museum's activities throughout France, trying to even-out the differences between Paris and the countryside. It is thanks to this national project ; and it's unifying vocation that the state succeeded. The third axis results from the first two. It is formed around the notion of the projet pour l'art vivant ;. It confirms the state's wish to introduce museums in the social environnement implicating its' contemporaries and especially the art vivant ; this art moderne ; which during the 1930's was not represented on the museum walls
Meyer, Anne-Doris. "Le "musée personnel" de la collection privée au Musée public : parcours de l'objet d'art en France au XIXème siècle". Strasbourg 2, 2001. http://www.theses.fr/2001STR20001.
Texto completo da fonteSaëz-Guérif, Nicole. "Le Musée Grévin (1882-2001) : cire, histoire et loisir parisien". Paris 4, 2002. http://www.theses.fr/2001PA040220.
Texto completo da fonteThe Musée Grévin was inaugurated with great pomp on 5th June 1882. Arthur Meyer, the founder, wanted to create a popular attraction and a money-business. The role of Grévin, the designer, was insignificant. The Musée Grévin, adhered to wax-modelling traditions a thousand years old and soon became the only rival to Madame Tussaud's. The museum's ideal position on a Parisien Boulevard, enabled it to become a distraction equal to the theatre or panoramas. The popularity of the museum also owes much to Gabriel Thomas, whose family continued to direct the Musée Grévin for four generations. The morbid attraction of death and the wish to create historical and pedagogical scenes are a possible explanation for the lasting success of the institution, which at the height of its fame possessed seven franchised museums in France. Modernisation came in 1999, when the museum was bought by Asterix Group
Floriant, Sonia. "La collection de musée comme objet sémiotique : La Réunion, la collection du Musée Léon Dierx". Besançon, 2002. http://www.theses.fr/2002BESA1036.
Texto completo da fonteLatouille, Jean-Jacques Avanzini Guy. "L'université de Valence en Dauphiné (1452-2000)". Lyon : Université Lumière Lyon 2, 2003. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2003/latouille_jj.
Texto completo da fonteJonchery, Anne. "Quand la famille vient au musée : des pratiques de visites aux logiques culturelles". Paris, Muséum national d'histoire naturelle, 2005. http://www.theses.fr/2005MNHN0050.
Texto completo da fontePeople going to museums as families is an important and growing segment for attendance. The research presented here––which is drawn from two quantitative and qualitative surveys at three museums in Paris––describes the people making up family groups who visit museums and shows their motivations, strategies and visiting habits. The composition of these groups reflects the change in structure of modern families, particularly the move back to the nuclear family, in whatever configuration. Visiting is a particular context and just one of many options for spending time. It calls into point and questions the aesthetics of museum facilities. Given this diversity, the motivations for visiting can be broken down into three broad categories: the museum as an educational experience, the museum as a means for sharing and the museum experience as way toward self-discovery. In this way, going to museums contributes to both making children members of society and their personal growth. It also adds to various aspects of family building. Family visits to museums require time and experience. They come about in stages. These visits are also an identity confirming behaviour, involving the individuality and status of each person as a family member. As identity related issues may generate tensions during a visit, it also transforms the apprehension of museums on the part of adults. Parental status equally impacts on relationships to museums as institutions. Though in quantitative terms families are shown to be as elitist as visitors as a whole, on the qualitative side, their roles as parents enables those with less education or who are unfamiliar with museums to attend. Visiting has been shown to be a key time for negotiating relationships within families. It also affords an opportunity for initiating the younger members, and, for parents, an occasion for rediscovery (or discovering for the first time). Taking this into account constitutes a major stake in the cultural policy of museums
Alary, Luc. "De l'art vivant à l'art moderne : genèse du Musée national d'Art moderne". Paris 1, 1997. http://www.theses.fr/1997PA010526.
Texto completo da fonteThis doctoral thesis deals with the process of formation of the "Musée national d'Art moderne" from the creation of the "galerie royale destinée aux artistes vivants" in 1818 until the opening of the "Musée national d'Art moderne" in 1947. The history of the institution, through its successive definitions, brings into light the birth of a museological consciousness for modern art, closely connected with political change, architectural and technical improvements, debates about classifying methods. As a whole, this thesis could be an alternative history of modern art as a part of national patrimony
Bompis-Dartout, Annie. "La mise en musée in situ du patrimoine naturel dans le domaine des sciences de la Terre : analyse muséologique d'un musée de site, l'Espace Pierres Folles - St-Jean des Vignes (69)". Lyon 1, 1995. http://www.theses.fr/1995LYO10219.
Texto completo da fonteLivros sobre o assunto "Musée de Valence (France)"
Musée de Valence (Valence, Drôme, France), ed. Musée de Valence: Guide des collections art. Valence: Musée de Valence, 2015.
Encontre o texto completo da fonteMusée de Valence (Valence, Drôme, France). Dessins XVIIIe, XIXe, XXe siècles de la collection du musée. Valence: Musée de Valence, 1997.
Encontre o texto completo da fonteMusée de Valence (Valence, Drôme, France). Dessins XVIIIe, XIXe, XXe siècles de la collection du musée. Valence: Musée de Valence, 1997.
Encontre o texto completo da fonteHubert Robert: Embarcadère pour le Musée de Valence. Lyon: Fage éditions, 2014.
Encontre o texto completo da fonteRobert, Hubert. Les Hubert Robert de la collection Veyrenc au Musée de Valence. [Valence]: Le Musée, 1985.
Encontre o texto completo da fonteSoubigou, Gilles. Valence: Le groupe cathédral. Vénissieux]: La Passe du vent, 2018.
Encontre o texto completo da fonteJanand, Marie-Caroline. Estampes XVIe-XXe siècle de la collection du Musée. Valence: Musée de Valence, 2004.
Encontre o texto completo da fonteBurgard, Chrystèle. Le paysage. [Valence]: Musée de Valence, 1990.
Encontre o texto completo da fonteValence, Musée de. Voyage, de l'exotisme aux non-lieux: [Exposition organisée par le musée de Valence et l'Institut d'art contemporain-FRAC Rhône-Alpes au musée de Valence, Valence, 14 mai-30 août 1998]. Valence: Musée de Valence, 1998.
Encontre o texto completo da fonteErstein, Musée Würth France, ed. Musée Würth France Erstein. Künzelsau: Swiridoff, 2009.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Musée de Valence (France)"
Laprade, Albert, e Léon Jaussely. "Musée de la France d’Outre-mer 1927–1931". In Paris, 30–31. Wiesbaden: Vieweg+Teubner Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-86033-0_8.
Texto completo da fonteMladenović, Velimir. "Un nouveau musée d’art en Europe: la réception des beaux-arts classiques et modernes Serbes dans Les Lettres françaises (1945–1970)". In La France et la Serbie les défis de l’amitié éternelle, 357–74. Belgrade: Institut d'études politiques, 2023. http://dx.doi.org/10.18485/ips_frsr_defis.2023.ch16.
Texto completo da fonteSallois, Jacques. "À la Direction des musées de France". In Autopsie du musée, 97–105. CNRS Éditions, 2016. http://dx.doi.org/10.4000/books.editionscnrs.29137.
Texto completo da fonteOlivier, Laurent. "5. Du musée des Antiquités nationales au musée d’Archéologie nationale". In La fabrique de l'archéologie en France, 79–100. La Découverte, 2009. http://dx.doi.org/10.3917/dec.chris.2009.01.0079.
Texto completo da fonte"BRUNET RESIDENTIAL BUILDING, VALENCE, FRANCE". In Building for Everyday Life / Bauen für den Alltag 2010–2025, 140–45. De Gruyter, 2024. http://dx.doi.org/10.1515/9783035628395-015.
Texto completo da fonteLabourdette, Anne. "Le musée de Douai pendant l’Occupation". In Culture, occupation et résistance en Belgique et dans le nord de la France. Publications de l’Institut de recherches historiques du Septentrion, 2024. http://dx.doi.org/10.4000/books.irhis.8199.
Texto completo da fonteLoyau, Anne. "Le Musée d’Ethnographie du Trocadéro et ses transformations, 1878-1935 : configurations, espaces muséaux et réseaux". In La France savante, 234–59. Éditions du Comité des travaux historiques et scientifiques, 2017. http://dx.doi.org/10.4000/books.cths.2714.
Texto completo da fontePriego, Hélène. "Pourquoi un musée de la Résistance à Bondues ?" In De Gaulle, Vendroux, la Résistance dans le Nord de la France, 157–59. Artois Presses Université, 2013. http://dx.doi.org/10.4000/books.apu.688.
Texto completo da fonteBlowen, Sarah. "5. Lest we forget: memories, history and the Musée de la Résistance et de la Déportation de l'Isère". In Recollections of France, 68–88. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781782389880-008.
Texto completo da fontePodvin, Jean-Louis. "La collection égyptienne du Musée Sandelin à Saint-Omer (France)". In Proceedings of the XI International Congress of Egyptologists, Florence, Italy 23-30 August 2015, 506–12. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv177tjnf.95.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Musée de Valence (France)"
Albore, Alexandre, Saverio Malatesta e Christelle Molinié. "Open Cultural Data and MediaWiki Software for a Museum: The Use Case of Musée Saint-Raymond (Toulouse, France)". In ArcheoFOSS 2019. Basel Switzerland: MDPI, 2021. http://dx.doi.org/10.3390/environsciproc2021010010.
Texto completo da fonte