Literatura científica selecionada sobre o tema "Musée de la civilisation (Quebec, Quebec)"
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Artigos de revistas sobre o assunto "Musée de la civilisation (Quebec, Quebec)"
Gendreau, Andrée. "Of Ideas and Objects". Ethnologies 34, n.º 1-2 (6 de agosto de 2014): 133–47. http://dx.doi.org/10.7202/1026148ar.
Texto completo da fonteBROUILLETTE, LOUIS. "ÉLISABETH GALLAT-MORIN L'ORGUE DE 1753 RENAÎT DE SES CENDRES Quebec: Musée de la civilisation, 2012 pp. viii+87, isbn 978 2 551 25342 5". Eighteenth Century Music 10, n.º 2 (1 de agosto de 2013): 289–91. http://dx.doi.org/10.1017/s1478570613000092.
Texto completo da fonteBernier, Hélène, e Mathieu Viau-Courville. "Curating Action: Rethinking Ethnographic Collections and the Role/Place of Performing Arts in the Museum". Museum and Society 14, n.º 2 (9 de junho de 2017): 237–52. http://dx.doi.org/10.29311/mas.v14i2.641.
Texto completo da fonteJacobs, Christine, e Clément Arsenault. "Words can’t describe it: streamlining PRECIS just for laughs!" Indexer: The International Journal of Indexing: Volume 19, Issue 2 19, n.º 2 (1 de outubro de 1994): 88–92. http://dx.doi.org/10.3828/indexer.1994.19.2.3.
Texto completo da fonteToé, François Thierry, e Anne-Marie Émond. "Overview of Museum Education and Cultural Mediation in a Quebec Regional Museum: Between Democracy and Cultural Democratization / Aperçu de l’éducation muséale et de la médiation culturelle dans un musée régional du Québec : entre démocratie et démocratisation culturelle". Canadian Review of Art Education / Revue canadienne d’éducation artistique 46, n.º 2 (13 de setembro de 2019): 54–70. http://dx.doi.org/10.26443/crae.v46i2.77.
Texto completo da fonteMercier, Caroline, e Maryse Paquin. "Les aînés actifs et l’archéologie publique au Québec: enquête sur les motivations et les obstacles à la participation". Canadian Review of Art Education: Research and Issues / Revue canadienne de recherches et enjeux en éducation artistique 43, n.º 1 (17 de outubro de 2016): 76. http://dx.doi.org/10.26443/crae.v43i1.18.
Texto completo da fonteBazinet, Geneviève B. "The Musical Encart of the Royal Printers Le Roy & Ballard in the 1583 Hours of Jamet Mettayer Held in the Musée de l’Amérique francophone in Quebec City". Renaissance and Reformation 39, n.º 4 (5 de abril de 2017): 253–83. http://dx.doi.org/10.33137/rr.v39i4.28165.
Texto completo da fonteJoachim, Joana. "From Africa to the Americas: Face to Face, Picasso Past and Present, Organized by the Musée de quai Branly–Jacques Chirac, in collaboration with the Musée national Picasso-Paris, and adapted by the Montreal Museum of Fine Arts, Curator for the Montreal adaptation: Nathalie Bondil, Director General and Chief Curator of the Montreal Museum of Fine Arts; assisted by Erell Hubert, Curator of Pre-Columbian Art, MMFA Here We Are Here: Black Canadian Contemporary Art, Organized by the Royal Ontario Museum and adapted by the Montreal Museum of Fine Arts, Montreal, May 12, 2018 to September 16, 2018, Curators: Sylvia Forni, Julie Crooks, and Dominique Fontaine; assisted by Geneviève Goyer-Ouimette, Gail and Stephen A. Jarislowsky, Curator of Quebec and Canadian Contemporary Art (from 1945 to Today), MMFA". RACAR : Revue d'art canadienne 43, n.º 2 (2018): 137. http://dx.doi.org/10.7202/1054393ar.
Texto completo da fonteDe Laat, Sonya. "First Son: Portraits of C.D. Hoy, Museum of Civilisation, Hull, Quebec". NEXUS: The Canadian Student Journal of Anthropology 16, n.º 1 (1 de janeiro de 2003). http://dx.doi.org/10.15173/nexus.v16i1.186.
Texto completo da fonteAndrade, Lara Erendira Almeida de, e Emmanuelle Piedboeuf. "“A palavra museu não existe em Abénakis: ela foi criada para representar essa realidade”. Entrevista com Nicole O’Bomsawin." Revista AntHropológicas 30, n.º 2 (28 de abril de 2020). http://dx.doi.org/10.51359/2525-5223.2019.243728.
Texto completo da fonteTeses / dissertações sobre o assunto "Musée de la civilisation (Quebec, Quebec)"
Pressé, Suzanne. "Les expositions du Musée du Québec, "Entrez vous réchauffer au musée. . . " : le paradoxe du Musée du Québec produire de l'histoire et la valider pour le compte de l'Etat". Grenoble 2, 1997. http://www.theses.fr/1997GRE29053.
Texto completo da fonteLes exposition du musee du quebec is the result of an inductive study of the musee du quebec (canada), a unique establishment where people take action, prerogatives are distributed and ideologies try as best they can not to be too obtrusive. The musee du quebec exhibitions constitue the corpus of my theses. I have studied 55 exhibitions held between 1991 and 1996, focusing particularly on the star exhibits produced by the museum irself. This theses is the result of the analysis of a variety of primary sources including art exhibitions, curatorial, exhibition and artist files, exhibition catalogues and other documents published by the musee. These public documents as well as writings in the press, reviews and documents published by the governments of quebec and canada, have been the basis of my study of the events, the musee and the state. I have attempted to understand the structures and the dynamics of their mediations
Guyot, Elsa. "Les représentations du Moyen Âge au Québec à travers les discours muséaux (1944-2014) : pour une histoire du goût, du collectionnement et de la mise en exposition de l'art médiéval au Québec". Thèse, Montpellier 3, 2015. http://hdl.handle.net/1866/13601.
Texto completo da fonteCette thèse a pour but d’étudier les diverses représentations du Moyen Âge au Québec à travers un corpus d’expositions parcourant le XXe siècle et le début des années 2000. Nous nous intéressons au rôle joué par l’espace muséal québécois dans la diffusion de discours sur cette période européenne. Chaque exposition est replacée dans son contexte de création afin de mettre en évidence les raisons d’ordres religieux, culturels, politiques et linguistiques qui incitent les musées à privilégier telle ou telle représentation du Moyen Âge.
This thesis aims to study the various representations of the Middle Ages in Quebec through a corpus of temporary exhibitions held during the twentieth century and the early 2000s. We question the role played by the Quebec museums in the diffusion of discourses about this European period. In order to highlight the religious, cultural, political or linguistic reasons for museums to focus on a specific representation of the Middle Ages, each exhibition is replaced within its original context of creation.
Azzimani, Souad. "La perception du Canada à travers les magazines Time et Newsweek : 1995-2000". Paris 3, 2008. http://www.theses.fr/2008PA030049.
Texto completo da fontePerception of Canada in Time and Newsweek magazines (1995-2000) describes the Canadian presence in two main American newsmagazines. Canada appears as a peaceful country, even if, both magazines present violence-related stories involving Canadians. Canada is a multicultural country, and as far as diversity is concerned, the country does not seem peaceful. Quebeckers are divided concerning the question of their belonging to Canada and many other communities feel the effects of rejection (racism…); the Inuit and the French Quebeckers have chosen nationalism to express their different identities. While Canadians of different heritage are concerned by their identity in Canada, the whole country feels the impact of the American presence. And while Canadians focus on the substance of their national identity, Time and Newsweek journalists perceive Canada as a distinct country with its own characteristics based on peace, multiculturalism or even Nature; characteristics representing Canada in the world
Adam, Francine. "Des noms et des lieux : la médiation toponymique au Québec et en Arcadie du Nouveau-Brunswick". Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040049/document.
Texto completo da fonteThe toponymic mediation is one of the systems of relationships, which compose an inhabited land, here Quebec and Acadia of New Brunswick. Three main linguistic stems have influenced the construction of places : the autochthonous one, the French one and the English one. Denomination in relationship with property and socializing, belonging and event, direct experience and honours make the names resound with the earth. The place names offer an inheritance to live with and transmit. Body, heart and mind nourish an affective and sensitive toponymy, which relies on visions and perceptions of the environment. It expresses itself through anthroponymy (possessive and honorary) and through cultural consecration ; it influences the dynamics of changing names. An illustration of that is the debate on identity in the context of municipal mergers in Quebec. The specifically semantic dimension of affective and sensitive toponymy establishes three great thematic categories : imprints of possession and identity, senses and sensations, atmospheres and feelings. Regional profiles appear in Quebec and profiles of counties in Acadia of New Brunswick : it outlines a toponymy of happiness and sorrow. Very contrasted toponymic types stand out from this comparison between Quebec and Acadia of New Brunswick ; they testify to the respective political history of both regions and to the role of institutional authorities
Houle, Nathalie. "Le discours muséal à travers l'exposition des collections de quatre musées d'art : Montréal, Québec, Joliette et Sherbrooke". Thèse, 2013. http://hdl.handle.net/1866/10384.
Texto completo da fonteArt museums are the perfect settings to gaze at past and actual works of art. According to their mandate, the museums have to conciliate two functions that can be difficult to manage, that is to say their functions of enjoyment and education. Some favor one approach instead of the other, but each museum is subjective in the way it exhibits works of art. Even if the art seems to be displayed naturally in the galleries, everything that is related to the conception and the realisation of the exhibition is the object of a construction and results from a decision of the museum. In accordance with their choices, that is to say which objects are presented or not, and the way they are exhibited, the museums contribute to define what art is, and influence the meanings of the works of art. Consequently, each museum transmits its own vision of art history and its institutional values. This particular discourse can be foregrounded as much by the writings installed near the works of art as by the museography around them. With a comparative analysis of four fine arts museums from the province of Quebec (Canada), this thesis explores a typology of museums discourses, as well as the intertwined relations between the different components of those discourses and the works of art that are shown in their galleries.
Ben, Jemia Imen. "L’identité en projets : ville, architecture et patrimoine. Analyse de concours à Québec et à Toronto". Thèse, 2013. http://hdl.handle.net/1866/10895.
Texto completo da fonteThis thesis examines the concept of identity, its definitions and uses in the debates and practices of the city, architecture and heritage. Interventions on historic buildings reveal as much the relationship between the identity of society and its history as with the contemporary world. This research studies architectural competitions in two Canadian cities that aspire to be international, one focusing on the contemporary and global aspect (Toronto) and the other on the historical and local aspect (Quebec City). The objective of this research is on the one hand, to unravel the process of identity construction of the contemporary city through architectural projects. On the other hand, it is to analyze the process of identification and the architectural identity in its relation to history and contemporaneity in architectural practice of historic buildings. The methodology used in this study combines discourse analysis and analysis of the architecture and its representation. The choice of the competition of Place-Royale Interpretation center in Quebec City (1996) and the competition for the expansion of Royal Ontario Museum (2001) in Toronto reveals the concept of identity’s different facets. The history of each competition and semantic analysis of the documentation clarify the relationship between processes and intentions and help to highlight local issues. The analysis of both textual and visual discourses of architects’ proposals reveals the process of identification of the projects, the different types of references involved and the communication strategies employed. The analysis of the projects reflects the identity characteristics of contemporary architecture. This research reveals the importance of discourses and communication in the construction of cities’ identity, and the societal debates that these questions provoke. During the process of architectural identification, the specific approach of the brief, in the case of Quebec City, prompts a discourse with a historical focus by the architects. The proposed projects are presented within the historical setting and focus on the visual experience of visitors. In the Toronto case, the interest on the global and spectacular in the city’s identity construction generates enthusiasm for an attractive representation of the projects and for iconic architecture.
Livros sobre o assunto "Musée de la civilisation (Quebec, Quebec)"
Saucier, Céline. Image inuit du Nouveau-Québec. [Montréal]: Fides, 1988.
Encontre o texto completo da fonteLimited, International Shows, ed. Eden Musée, Montréal, galeries historiques, catalogue, Musée Eden, Montréal. [Montréal?: s.n., 1995.
Encontre o texto completo da fonteLéger, Jean-Marc. Cracking the Quebec code: The 7 keys to understanding Quebecers. Montreal, Quebec: Juniper Publishing, 2016.
Encontre o texto completo da fonteGrescoe, Taras. Sacré blues: An unsentimental journey through Quebec. Toronto: Macfarlane Walter & Ross, 2001.
Encontre o texto completo da fonteGrescoe, Taras. Sacré blues: An unsentimental journey through Quebec. Toronto: Macfarlane Walter & Ross, 2000.
Encontre o texto completo da fonteMusée d'art contemporain (Montréal, Quebec). Le geste oublié: Raymonde April ...[et al.]. Montreal: the museum, 1987.
Encontre o texto completo da fonteTremblay, Myriam. La collection amérindienne du Séminaire de Québec et la part de l'oeuvre de Joseph-Charles Taché. Québec: Musée de la civilisation, 1998.
Encontre o texto completo da fonteQuébec), Musée Eden (Montréal. Eden Musée, galeries historiques, catalogue 5 cents illustré, monument national, Montréal. [Montréal?: Librairie Beauchemin, 1995.
Encontre o texto completo da fonteHero, Alfred O. Contemporary Quebec and the United States, 1960-1985. [Cambridge, Mass.]: Center for International Affairs, Harvard University, 1988.
Encontre o texto completo da fonteMusée national des beaux-arts du Québec. The collection of the Musée national des beaux-arts du Québec: A history of art in Quebec. Editado por Landry Pierre, Lacasse Yves 1955- e Porter John R. [Québec]: Musée national des beaux-arts, 2004.
Encontre o texto completo da fonte