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1
Cooke, Peter David. "Gustave Moreau, #painter-poet'." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307413.
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Tanaka, Maya. "Gustave Moreau et l'estampe." Paris 4, 2009. http://www.theses.fr/2009PA040133.
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Gustave Moreau (1826-1898), peintre français du XIXe siècle, a rassemblé plus d’un millier d’estampes anciennes et modernes au cours de sa carrière. Cette thèse présente pour la première fois des recherches approfondies sur ce fonds d’estampes, en le traitant comme la collection d’estampes d’un artiste. Elle établit tout d’abord le premier catalogue des estampes amassées par Moreau, conservées dans leur intégralité dans le musée Gustave-Moreau à Paris. S’appuyant sur ce catalogue, des recherches quantitatives révèlent les tendances majeures de la collection d’estampes de Moreau avec des chiffres précis. En discutant les estampes particulièrement importantes dans sa collection, l’inclination de Moreau est ensuite comparée avec celle d’autres artistes contemporains, dont Degas et Giacomelli. Des sources visuelles de Moreau nouvellement trouvées sont également signalées. Enfin, le système d’organisation de sa collection et les goûts de Moreau en matière d’estampe sont comparés avec ceux d’autres collectionneurs et théoriciens antérieurs au XIXe siècle. En replaçant la collection d’estampes de Moreau dans un contexte plus large que le XIXe siècle, cette thèse met en lumière les particularités complexes de Moreau en tant que collectionneur d’estampes, qui lui confèrent une place particulière dans l’histoire des collections d’estampes<br>Gustave Moreau (1826-1898), the nineteenth century French painter, accumulated more than a thousand ancient and modern prints during his career. This thesis presents the first thorough study of these prints, treating them as the print collection of an artist. It contains the first catalogue of the prints owned by Moreau, which have all been kept at the Gustave Moreau Museum in Paris. Based on this catalogue, quantitative research reveals the main trends of Moreau’s print collection with precise figures. The most important prints in his collection are then discussed and Moreau's taste in prints is compared with that of other contemporary artists such as Degas and Giacomelli. Some newly discovered visual sources of Moreau are also identified. Finally, the system used to organise his collection and his taste in prints are compared with those of other pre-nineteenth century print collectors and theoretician. Placing Moreau’s print collection in a broader context than the nineteenth century reveals the complex features of Moreau as a print collector, giving him a special position in the history of print collections
3
Drouin, Michel. "Marcel Moreau, ou, La toccata sanguinaire de l'esprit." Thèse, Université du Québec à Trois-Rivières, 1985. http://depot-e.uqtr.ca/5820/1/000559795.pdf.
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Pereira, Maria de Fátima de Sá Guerra Marques 1964. "Casa Fotografia Moraes-a modernidade fotográfica na obra dos Cunha Moraes." Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras, 2001. http://dited.bn.pt:80/29544.
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De, La Mata Claudine. "Gilbert, Malfilatre, Hégésippe Moreau et quelques autres poètes maudits." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37594687k.
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La, Mata Claudine de. "Gilbert, Malfilâtre, Hégésippe Moreau et quelques autres poètes maudits." Toulouse 2, 1985. http://www.theses.fr/1985TOU20063.
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Martin, Michel Eugène. "Le fils de Jacques : Paul Moreau (de Tours), aliéniste." Caen, 1990. http://www.theses.fr/1990CAEN3069.
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Shawcross, Clare Teresa M. "The 'Chronicle of Morea' : historiography in crusader Greece." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424684.
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Qiu, Sun Ken Yan. "Observatorio ecológico Morro Moreno." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/129935.
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Memoria para optar al título de Arquitecto<br>A través del tiempo, la humanidad ha considerado al desierto como un territorio difícil de habitar, casi incapaz de albergar formas de vida. Sin embargo, la vida en el desierto es posible y ha persistido en distintas formas de flora, fauna y asentamientos que han podido adaptarse a los recursos que brinda el desierto.
La mayor necesidad, el bien más escaso, es el agua. La lucha del ser humano por obtener agua en parajes desérticos ha creado diversos métodos de obtención de este recurso a lo largo del tiempo. Mientras que los ecosistemas de zonas áridas han subsistido en base a la adaptación y a un conocimiento natural, logrando también acceder a este bien.
Un ejemplo particular de ecosistemas creados en territorios sin acceso a agua a nivel terrestre son los oasis de niebla, donde la vida se sustenta gracias al agua que se encuentra en la niebla costera conocida como “camanchaca” en Chile. En el Desierto de Atacama, se presentan varios casos a lo largo de la costa del norte chileno, y el presente proyecto busca indagar en la vida generada en estos lugares.
Morro Moreno, ubicado en la comuna de Antofagasta, es un parque nacional que alberga un oasis de niebla en sus alturas, del cual hay poca información en la actualidad y se encuentra en proceso de ser un parque consolidado, pero hay un deterioro notorio en su vegetación. El Observatorio Ecológico Morro Moreno es un punto de investigación, difusión y regeneración del paisaje, el cual buscará estudiar el morro en terreno, funcionando también como un punto de divulgación científica, y con ese conocimiento adquirido podrá reestablecer la vida en las zonas más deterioradas del parque.
10
Milanello, Mario. "Moreno e Winnicott: aproximações." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/15940.
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Previous issue date: 2005-08-26<br>Pontificia Universidade de São Paulo<br>Esta Dissertação de Mestrado consiste da apresentação das idéias do Psicodrama de JACOB LEVY MORENO e seus comentadores, especificamente, sobre os papéis e a matriz de identidade, e das idéias da Psicanálise de DONALD WOODS WINNICOTT e seus comentadores, sobre os estágios iniciais do processo de amadurecimento pessoal. Parte-se da hipótese de que, mesmo esses autores estando em campos teóricos distintos, é possível fazer uma aproximação de conceitos em torno de eixos, como: espontaneidade e gesto espontâneo; ego-auxiliar e mãe suficientemente boa; papel e verdadeiro/falso self; e jogar e brincar, respectivamente; e, com isso, enriquecer a compreensão dos processos do amadurecimento individual, contribuindo para o aprimoramento tanto teórico quanto da prática clínica. Essas aproximações de conceitos têm como intuito privilegiar mais os aspectos de convergência e complementaridade e menos os de divergência. Finalmente, é apresentado o entendimento da psicose para ambos os autores, e, utilizando-se do protocolo de atendimento de um paciente psicótico, realizado por MORENO, intitulado Psicodrama de Adolf Hitler , são feitos apontamentos, com fragmentos do atendimento, dos conceitos que foram anteriormente destacados. Apresenta-se o protocolo de atendimento em sua íntegra, no Anexo desta Dissertação
11
Dumaine, Sylvie. "Luc-Albert Moreau, 1882-1948 : un peintre dans la grande guerre." Lille 3, 2011. http://www.theses.fr/2011LIL30004.
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L'œuvre de Luc-Albert Moreau consacrée à la Grande Guerre se compose de peintures, de dessins et d'illustrations. Né à Paris en 1882, mort en 1948, l'artiste ne revendique pas une appartenance à un mouvement artistique du XXe siècle, mais, il demeure un artiste moderne. Son œuvre est singulier, en ce sens qu'il peut apparaître comme la synthèse des différentes problématiques posées par la première guerre moderne : guerre invisible, guerre indicible ? La question est étudiée, jusqu'alors sur le fondement de l'opposition entre les artistes avant-gardistes et les artistes "classiques". Luc-Albert Moreau transcende ce clivage et révèle d'autres oppositions aussi fondamentales comme la postérité ou la simultanéité de l'œuvre artistique au regard de l'événement historique, la rivalité entre l'esprit Ancien Combattant et les autres. Il est un artiste et un soldat de Verdun qui a peint la guerre, après son retour du front. Il dément ainsi la thèse jusqu'alors établie selon laquelle les artistes n'auraient pas représenté la Première Guerre mondiale. Il est également un excellent lithographe en illustrant un ouvrage majeur, Le Chant Funèbre pour les morts de Verdun d'Henry de Montherlant<br>The work of Luc-Albert Moreau dedicated to the Great War consists of paintings, drawings and pictures. Born in Paris in 1882, died in 1948, the artist does not claim any affiliation to an artistic movement of the XXth century, but he remains a modern artist. His work is singular, to the extent that it can appear as a synthesis between the different issues raised by the graphic representation of the first modern war : invisible war, or inexpressible war ? Hitherto, the question was analyzed on the basis of the opposition between the avant-garde artists and the classical ones. Luc-Albert Moreau goes beyond this divide and reveals other oppositions just as essential, such as the posterity and the simultaneity of the artistic work in the light of the historical event, the rivalry between the spirit of the Veteran and the others. He is an artist and a soldier of Verdun who painted the war, following his return from the front. He thus contradicts the thesis so far established that artists did not represent the First World War. He is also an excellent lithographer, for having illustrated a major book, the "Chant Funèbre pour les morts de Verdun", by henry de Montherlant
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Dicus, Kent Timothy 1958. "A stylistic analysis of selected piano works of Louis Moreau Gottschalk." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276718.
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Although Louis Moreau Gottschalk's works are not generally recognized as being exceptionally significant in the development of musical style, they do serve as a link between the music of Frederic Chopin and that of Charles Ives. Certain stylistic characteristics of Chopin are seen in many of Gottschalk's works, especially those which incorporate "Scherzo" and "Mazurka" passages. Simultaneously, Gottschalk's concept of using popular tunes as prominent melodies and themes was later expanded by Charles Ives. Gottschalk's works include some of America's first experimentations with form through utilization and expansion of the basic form of ABA Coda. Through his use of varied ABA form with repeated and parallel passages, Gottschalk developed his particular style of phrasing, texture, and rhythm, all of which figure prominently in his works. Four pieces are examined with these concepts as the basis for analysis.
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Peterson, Emelie. "Morfar : en pall för hemmiljö." Thesis, University of Kalmar, School of Communication and Design, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-5723.
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<p>Målet med mitt examensarbete har varit att formge en funktionell kökspall som ser till användarens behov. Användarna är en fiktiv familj som består av en 39-årig ensamstående mamma som bor i en liten trea ihop med sin 9-åriga dotter.</p><p>Syftet med uppsatsen är att beskriva det uppdrag som jag ställt upp för mig själv, som är att formge en kökspall utifrån ett hållbarhetsperspektiv som väl svarar upp för de aktiviteter som sker och de behov man har av pallen i köket. I uppsatsen återger jag min designprocess och mina ställningstaganden jag gör under denna process.</p><p>Observationer, användarstudier, intervjuer, Identity Tool Kit, funktionsanalys, brainstorming och studier av tidigare forskning har legat till grund för detta arbete. Ingående litteraturstudier inom design för hållbar utveckling samt efterforskningar om lämpliga materialval har funnits med som komplement.</p><p>Kvalitativa intervjuer och användartester har genomförts med olika användare under designprocessen. Jag har även genomfört observationer av brukarens beteende under användning av produkten.</p><p>Resultatet är en kökspall med en bekväm sittyta, ett utfällbart trappsteg som kan användas vid behov samt en förvaringsmöjlighet inuti pallen.</p><br>Design för hållbar utveckling
14
Neal, P. M. "Data acquisition for turbomachinery (MORDAS)." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282719.
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Fauriac, Lilie. "Les Moyen Âge de Gustave Moreau (1826-1898) : traces, fragmentations et réinventions." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H053.
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L’univers médiéval a donné naissance à de nombreux discours et images au cours de la période contemporaine. Ce renouveau devient, tout particulièrement au XIXe siècle, une période charnière dans la construction d’un nouveau rapport aux arts du passé. Ce travail propose d’éclairer cet aspect à l’aune de l’œuvre de Gustave Moreau dont la carrière traverse le XIXe siècle et semble très perméable aux intérêts historiques, artistiques et littéraires de son temps. À la fois critiqué et célébré, Gustave Moreau est une figure majeure de la seconde moitié du siècle, observé pour sa proposition inédite de l’art. Cette étude repose sur un vaste corpus composé de l’ensemble des fonds du musée Gustave Moreau. L’artiste conservait en effet au sein de son hôtel particulier les images et les récits d’un monde médiéval réhabilité et revisité par son époque. Cette réflexion s’articule ainsi en trois temps d’étude et a pour objectif d’exposer la réception, la fragmentation et la réinvention des arts médiévaux par Moreau. Le peintre ambitionne, par l’étude de ses contemporains, de sa vaste bibliothèque personnelle, des reproductions des œuvres du Moyen Âge, de restituer les arts médiévaux, et par eux, les origines de l’art et du catholicisme. Éprouvant l’envie de vivre en artisan, Moreau propose des images inédites d’un monde médiéval oriental et occidental et poétise ainsi son temps à la lueur de son imaginaire. Sans érudition particulière, l’artiste entrelace les légendes, pare ses toiles de broderies décoratives et rêve le passé en contrepoint d’une période qui le tourmente<br>The medieval universe has delivered numerous discourses and images during the contemporary period. Quite particularly in the 19th century, this renewal became, a pivotal phase in the establishment of a new approach with the arts of the past. This thesis offers to highlight this aspect considering Gustav Moreau’s work, whose career spanned the 19th century and appeared very sensitive to historical, artistic and literary matters of its time. Both criticised and praised, Gustave Moreau is a major figure of the second half of the century, observed for his unprecedented views on art. This study is based on a large body of documents which consists of the entire archives from the Gustave Moreau museum in Paris. The artist kept in his private mansion images and tales from a restored medieval time revised by his era. This essay is organized in three parts and aims to show the reception, the fragmentation and the reinvention of medieval arts by Moreau forward. The painter strives, by the study of contemporary artists, of his large personal library and reproductions from the Middle Ages, to restore medieval arts and the origins of art and Catholicism. Feeling the desire to live as a craftsman, Moreau offers unseen images coming from an oriental and occidental medieval world, and idealised his time using his imagination. Without any particular erudition, the artist weaves legends, adorns his canvas of decorative embroidery and dreams the past in a time period that tormented him
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Staphorst, Luan. "Die wond sê dit aan my: die morele wêreldbeskouing van die |xam as eko-morele fenomenologie." University of the Western Cape, 2020. http://hdl.handle.net/11394/8180.
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Magister Artium - MA<br>Despite the loss of speakers of |xam, one of the 28 Khoisan languages once spoken across Southern Africa, a part of the heritage of these speakers can be found in predominantly two archives: that of Wilhelm H. I. Bleek and Lucy Lloyd (1911) and Gideon R. von Wielligh (1919-1921). The archives form the heart of Bushman* Studies, and has long since received attention in, amongst others, anthropology, literature, and linguistics. This study presents an investigation into the ethical views of the |xam, an investigation which, with the single exception of the studies of Antjie Krog (2004-), has not been undertaken in a philosophical tradition. Through a comparative study of texts across archival boundaries, I engage critically with the ethical views of the |xam, specifically the phenomenological nature of these views. To this end, I use the hermeneutical approach in African philosophy, an approach which focuses on identifying and analysing concepts in texts. The approach to ‘reading’ |xam texts remains, however, a burning issue, and the limit to which disciplinary boundaries are appropriate, is debatable (Wessels 2010). Consequently, and as a result of the relative density of the available texts, insights from anthropology, literature, linguistics and rock art are incorporated within the comparative study. I secondly bring the ethical views which are identified through the comparative analysis into conversation with the dominant ethical framework in African philosophy, namely Ubuntu. Where Ubuntu as been ‘read’ through various lenses (Van Niekerk 2013), a phenomenological approach is absent. Further, where Ubuntu, African ethics broadly, is generally regarded as humanist, a salient ecological consciousness is present in the |xam views. A comparison between Ubuntu and the |xam views therefore deepens the discourse around African ethics in general, and further provides insights into the unique nature of the ethical views of the |xam in particular. Through this I attempt to add value both to Bushman Studies and African philosophy, whilst highlighting an important voice unique to Africa which could be added to the burning discussion around ecological decay in the time of the Anthropocene.
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Barbosa, Ana Claudia Bandeira [UNESP]. "Perfil de Prudente de Moraes, Neto." Universidade Estadual Paulista (UNESP), 2002. http://hdl.handle.net/11449/99163.
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barbosa_acb_me_assis.pdf: 232085 bytes, checksum: f86274a88ca92e6e49914f0232f7e15b (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>O trabalho de mestrado Perfil de Prudente de Moraes, neto, buscou recuperar parte dos artigos publicados pelo autor em diferentes periódicos. Dessa forma, esse trabalho será composto por uma introdução bibliográfica e intelectual de Prudente de Moraes, neto, apresentado por meio de alguns de seus amigos; logo após segue o corpo do trabalho, que é uma reprodução de parte dos artigos encontrados. Quanto à organização do trabalho, este contará, de início, com o prefácio introdutório, composto pelos dados biográficos do autor, de maneira mais ampla, em suas características intelectuais de crítico e estudioso da literatura brasileira, seguido do corpus central, ou seja, a reprodução parcial dos artigos encontrados.<br>The master degree project Perfil de Prudente de Moraes, neto, tried to recover part of the articles published by the author in different newspapers. This way, this project will be composed by a biographical and intellectual introduction of Prudente de Moraes, neto, presented through some oh his friends; right after the project itself will follow, wich is a reproduction of a part of the articles found. As for the organization of the project, this will coutain, in its beginning, the introductionary preface, composed by biographical data from the author, on a wider view, about his intelectual characteristics as a critic and studious man of the Brazilian literature, followed by the central corpus what means, a partial reproduction of the articles found.
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LARÊDO, Salomão. "Raymundo Moraes na planície do esquecimento." Universidade Federal do Pará, 2007. http://www.repositorio.ufpa.br:8080/jspui/handle/2011/1723.
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Made available in DSpace on 2011-03-23T21:19:20Z (GMT). No. of bitstreams: 0<br>Item created via OAI harvest from source: http://www.bdtd.ufpa.br/tde_oai/oai2.php on 2011-03-23T21:19:20Z (GMT). Item's OAI Record identifier: oai:bdtd.ufpa.br:131<br>Raymundo Moraes (1872 - 1941), was a Brazilian writer, that was born in Para (Stated located in the North of Brazil), he wrote seventeen works in that the literary universe was the Amazon, he obtained for his book entitled "Na Planície Amazônica" (= In the Amazon Plain), among other, the praise done by Washington Luís (Brazilian Republic President in the thirties) - that used this book to know the area, and soon after the work obtained national repercussion with the author enjoy of fame and critical fortune that later took it, paradoxically, to complete forgetfulness: his name not more it was pronounced, also not pronounce of the Common Justice for the imputed crime - homicide. This dissertation has for main objective to call the academic community's attention and of the reader in general for the importance of the literary work of this paraense writer, today, unknown, autodidactic, commandant of ships for the rivers of the area, journalist, political, member of intellectual activities of his time, besides member of linked entities to the Belles letters. It went to the literary podium in the decade of 1930 and later it lowered to the catacombs of the unawareness, deserving to be represented and recognized in a homage of gratitude and justice, due to his considerable production regarding the Amazonian, because many of his works, as "Meu dicionário de Cousas da Amazônia" (= My dictionary of Amazonian things), written in 1931, continue being source of indispensable investigation for the ones that dedicated to study regarding the Amazon Area and its culture(s), as well as they fed the Mário de Andrade's anthropophagous voracity.<br>O escritor Raymundo Moraes (1872 - 1941), autor de dezessete trabalhos em que o universo literário é a Amazônia, obteve por seu livro Na Planície Amazônica , dentre outros, o elogio feito por um Presidente da República - Washington Luís - que o utilizou para conhecer a região, e em seguida a obra obteve repercussão nacional com o autor usufruindo de fama e fortuna crítica que depois o levaram, paradoxalmente, a completo esquecimento: não mais se pronunciou seu nome, também impronunciado da Justiça Comum pelo crime imputado - homicídio. Esta dissertação tem por objetivo principal chamar a atenção da comunidade acadêmica e do leitor em geral para a importância da obra literária deste escritor paraense, hoje, desconhecido, autodidata, comandante de navios pelos rios da região, jornalista, político, partícipe de atividades intelectuais de seu tempo, inclusive membro de entidades ligadas às letras. Foi ao pódio literário na década de 1930 e depois baixou às catacumbas do olvido, merecendo ser reapresentado e reconhecido num preito de gratidão e justiça, em decorrência de sua considerável produção a respeito da Amazônia, pois muitas de suas obras, como O meu dicionário de cousas da Amazônia (1931), continuam sendo fonte de investigação imprescindível para os que se dedica[re]m a estudar a respeito da Região Amazônica e sua(s) cultura(s), assim como alimentaram a voracidade antropófaga de Mário de Andrade.
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Leitão, Inês Achega. "Editora Moraes. Percurso entre 1958-1974." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/7313.
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Trabalho
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Barbosa, Ana Claudia Bandeira. "Perfil de Prudente de Moraes, Neto /." Assis : [s.n.], 2002. http://hdl.handle.net/11449/99163.
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Orientador: José Carlos Zamboni<br>Banca: Rosane Gazolla Alves Feitosa<br>Banca: Luiz Eduardo Ramos Borges<br>Resumo: O trabalho de mestrado Perfil de Prudente de Moraes, neto, buscou recuperar parte dos artigos publicados pelo autor em diferentes periódicos. Dessa forma, esse trabalho será composto por uma introdução bibliográfica e intelectual de Prudente de Moraes, neto, apresentado por meio de alguns de seus amigos; logo após segue o corpo do trabalho, que é uma reprodução de parte dos artigos encontrados. Quanto à organização do trabalho, este contará, de início, com o prefácio introdutório, composto pelos dados biográficos do autor, de maneira mais ampla, em suas características intelectuais de crítico e estudioso da literatura brasileira, seguido do corpus central, ou seja, a reprodução parcial dos artigos encontrados.<br>Abstract: The master degree project Perfil de Prudente de Moraes, neto, tried to recover part of the articles published by the author in different newspapers. This way, this project will be composed by a biographical and intellectual introduction of Prudente de Moraes, neto, presented through some oh his friends; right after the project itself will follow, wich is a reproduction of a part of the articles found. As for the organization of the project, this will coutain, in its beginning, the introductionary preface, composed by biographical data from the author, on a wider view, about his intelectual characteristics as a critic and studious man of the Brazilian literature, followed by the central "corpus" what means, a partial reproduction of the articles found.<br>Mestre
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Doblado, Juan Carlos. "Casa en Sierra Morena Huarochirí, Perú." Facultad de Ciencias Jurídicas y Sociales de la Universidad de Talca. Chile, 2014. http://hdl.handle.net/10757/314564.
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La horizontalidad en la conformación de esta casa busca acentuar su relación con el paisaje de la cordillera de Los Andes. Se organiza en dos volúmenes horizontales paralelos, desfasados y semitransparentes, que se clavan a la pendiente. Al interior, la vivienda se caracteriza por poder integrar sus espacios a través de mamparas corredizas. En el primer cuerpo se encuentran los espacios comunes, la cocina y dormitorios, mientras que en el segundo volumen se sitúan un estar familiar y los dormitorios de huéspedes.<br>The horizontality in the form of this house seeks to accentuate its relationship with the Andean landscape. The house is organized in two parallel, semi-transparent, horizontal volumes that are pinned to the slope. On the interior, the house is characterized by integrating its spaces with sliding screens. In the first body the common spaces, kitchen and bedrooms are found, while the second volume contains a family room and guestrooms.
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Moreau, Richard Redarce Tanneguy Pham Minh Tu. "Le simulateur d'accouchement BirthSIM un outil complet pour la formation sans risque en obstétrique /." Villeurbanne : Doc'INSA, 2008. http://docinsa.insa-lyon.fr/these/pont.php?id=moreau.
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Anlicker, Christine D. "Evolution of Ethics in the Island of Doctor Moreau and Heart of Darkness." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/139.
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This thesis analyzes H. G. Wells’s The Island of Doctor Moreau and Joseph Conrad’s Heart of Darkness within the context of nineteenth-century evolutionary theory. I explore how Charles Darwin and Thomas Huxley used evolution by natural selection to develop differing explanations of the origins of ethics and how this impacted the place each scientist gave morality in civilization. By exploring how Huxley and Darwin understood morality to derive from the phenomena of sympathy and restrain, I illustrate how Wells’s and Conrad’s novellas interrogate these discourses of altruism.
24
Cosgrove, Catherine Alison. "Characterization of immune responses to oral BCG Moreau Rio de Janeiro in humans." Thesis, St George's, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418229.
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25
Trentin, Bijoy <1980>. "Perdere la testa. La morte di Orfeo, Gustave Moreau, l'arte simbolista: itinerari transculturali." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2009/1/trentin_bijoy_tesi.pdf.
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Considerando la figura di Orfeo, si mette in luce la ricezione del mito della morte di questo personaggio leggendario nell’arte simbolista, con particolare attenzione per Gustave Moreau. Il lavoro di ricerca vuole approfondire anche la natura epistemologica e metodologica dello studio della sopravvivenza dei classici, prediligendo i processi di tipo comparatistico e quelli che si rifanno alla grande categoria dei Cultural Studies, intendendo attraversare i confini, le barriere, le frontiere, i limiti delle discipline tradizionalmente intese. Viene cosí presa in considerazione anche l’interazione tra cultura verbale, scritta, letteraria e cultura visuale, sottolineando i meccanismi di transtestualità, nelle loro valenze e potenzialità di ibridazione e contaminazione. Si punta, dunque, non solo sulla superificie tematica specifica ma anche sulla filigrana dei procedimenti di legittimazione scientifica e della prasseologia di questa specifica area filologica transdisciplinare.
26
Trentin, Bijoy <1980>. "Perdere la testa. La morte di Orfeo, Gustave Moreau, l'arte simbolista: itinerari transculturali." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2009/.
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Considerando la figura di Orfeo, si mette in luce la ricezione del mito della morte di questo personaggio leggendario nell’arte simbolista, con particolare attenzione per Gustave Moreau. Il lavoro di ricerca vuole approfondire anche la natura epistemologica e metodologica dello studio della sopravvivenza dei classici, prediligendo i processi di tipo comparatistico e quelli che si rifanno alla grande categoria dei Cultural Studies, intendendo attraversare i confini, le barriere, le frontiere, i limiti delle discipline tradizionalmente intese. Viene cosí presa in considerazione anche l’interazione tra cultura verbale, scritta, letteraria e cultura visuale, sottolineando i meccanismi di transtestualità, nelle loro valenze e potenzialità di ibridazione e contaminazione. Si punta, dunque, non solo sulla superificie tematica specifica ma anche sulla filigrana dei procedimenti di legittimazione scientifica e della prasseologia di questa specifica area filologica transdisciplinare.
27
Santos, Juliana. "Vinícius de Moraes e a poesia metafísica." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10918.
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Souvent, les critiques divisent la production poétique de Vinicius de Moraes en deux phases, la phase mystique et la phase sociale. La “première” est composée des oeuvres suivantes: O caminho para a distância (1933), Forma e exegese (1935), Ariana, a mulher (1936), Novos Poemas (1938) et Cinco elegias (1943). La “deuxième phase” comprend principalement: Poemas, sonetos e baladas (1946), Pátria minha (1949), Antologia poética (1954), Livro de sonetos (1957) et Novos Poemas II (1959). Certains théoriciens, tels que Renata Pallotini et Otto Lara Resende, considèrent la production initiale de Moraes – tournée vers les questions métaphysiques – comme un expérimentalisme esthétique; d’après eux, cette production a vite été abandonnée pour céder la place au véritable poète, qui se consacra à la lyrique à tendance sociale et amoureuse. D’autres critiques, comme Antonio Candido et David Mourão Ferreira, ne partagent pas cette opinion et défendent l’idée d’une réélaboration de ces débuts en une sorte d’“humanisation du sentiment religieux”. Sur la base de ces points de vue, le présent travail analyse la poésie initiale de Moraes, avec l’accent sur ses principales caractéristiques et ses influences. D’autre part, il présente quelques poèmes de la production finale de l’auteur et certaines créations musicales, dans le but de montrer le parcours des fondements et du symbolisme religieux dans la production artistique du poète. L’étude se penche tout d’abord sur la fortune critique de Moraes, puis analyse des compositions poétiques et musicales, en s’appuyant sur le texte biblique et les fondements théoriques de la lyrique, de la métaphysique et de l’imaginaire. La recherche a permis de caractériser la poésie inaugurale en ce qui concerne la question de la religiosité. Partant de là, il a été possible de mettre en évidence la permanence de ces éléments à caractère métaphysique, aussi bien au niveau de la poésie finale que de la chanson, ce qui va à l’encontre de la thèse de l’artificialisme de sa production initiale.<br>Freqüentemente, os críticos dividem a produção poética de Vinicius de Moraes em duas fases, intitulando-as fase mística e social. Fazem parte da chamada “primeira fase” as seguintes obras: O caminho para a distância (1933), Forma e exegese (1935), Ariana, a mulher (1936), Novos poemas (1938) e Cinco elegias (1943). A “segunda fase” é composta principalmente pelos seguintes livros: Poemas, sonetos e baladas (1946), Pátria minha (1949), Antologia poética (1954), Livro de sonetos (1957) e Novos poemas (II) (1959). Alguns estudiosos, como Renata Pallotini e Otto Lara Resende, consideram a produção inicial de Vinicius, voltada para questões metafísicas, como um experimentalismo estético, logo abandonada para dar lugar ao verdadeiro poeta que se apresentaria em um segundo momento, dedicado à lírica de tendência social e amorosa. Outros críticos, como Antonio Candido e David Mourão Ferreira, contrariando tal posicionamento, defendem a idéia de uma reelaboração destes princípios para uma espécie de “humanização do sentimento religioso”. Partindo desses posicionamentos, este trabalho dedica-se ao estudo da poesia inicial de Vinicius, destacando as suas principais características e influências, e ainda à apresentação de alguns poemas da sua produção final e de algumas criações musicais, como forma de lançar luz sobre o percurso dos fundamentos e do simbolismo religiosos na produção artística do poeta. Inicialmente, foi feita uma revisão da fortuna crítica de Vinicius e, em seguida, realizou-se a análise das composições poéticas e musicais, tomando por base o texto bíblico e os fundamentos teóricos da lírica, da metafísica e do imaginário. A pesquisa permitiu caracterizar a poesia inaugural, no que tange à questão da religiosidade e, a partir disso, dar visibilidade à permanência destes elementos de caráter metafísico, tanto na poesia final quanto na canção, o que contraria a tese do artificialismo de sua produção inicial.
28
Moreno, García Barbara. "Le parcours poétique de Domingo Moreno Jimenes." Paris 8, 1998. http://www.theses.fr/1998PA081470.
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Cette these concerne la presentation d'un poete hispano-americain au cours de son evolution poetique: domingo moreno jimenes (1894-1986). Son oeuvre est consideree comme le point de depart de la nouvelle poesie de son pays, la republique dominicaine. Tout d'abord, ce poete fut influence par le mouvement modernismo, il cultiva alors les differentes formes canoniques et mania les vers avec efficacite. En 1921 moreno, mecontent de la rhetorique classique, crea le postumismo qui fut le premier mouvement poetique de la litterature dominicaine. Ce mouvement proclama la liberte complete du vers (vers-librisme) et revendiqua les themes et motifs propres au terroir et a la culture dominicaine. Le posthumisme" est un postmodernismo. Moreno, ainsi que les poetes mariano lebron savinon et alberto baeza flores participerent a un nouvel essai poetique en 1943: los trialogos. Il s'agissait de traiter la poesie en tant que matiere tridimensionnelle", exercice proche d'une experience surrealiste. La poesie de moreno evolue ensuite vers un discours ontologique et metaphysique revelant le poete-philosophe. Les themes de sa poesie sont: dieu, l'esprit, le sens de l'existence, l'au-dela, la mort. Lepoete s'interroge, reflechit, medite. Ses vers auront souvent, jusqu'a sa mort parvenue en 1986, un ton prophetique et oraculaire, sentencieux et mystique.
29
Moreau, Catherine A. [Verfasser], and Friedrich [Akademischer Betreuer] Frischknecht. "Profilin in Plasmodium berghei gliding motility and development / Catherine A. Moreau ; Betreuer: Friedrich Frischknecht." Heidelberg : Universitätsbibliothek Heidelberg, 2019. http://d-nb.info/117704353X/34.
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Helsing, Sophie. "Doktor Moreau och jakten på den etiska figuren : Från misslyckat människoskapande till respektfulla relationer." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30245.
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“Doctor Moreau and The Hunt for The Ethical Figure. From unsuccessful man-making to respectful relations with Jacques Derrida, Donna Haraway and H. G. Wells” In H. G. Wells’ science fiction novel, The Island of Doctor Moreau (1896), a scientist on a remote island in the Pacific Ocean attempts to create humans from animals. Wells draws on Charles Darwin’s theories on the origins of species and the descent of man to create a horror story in which the uniqueness of the human is called into question. This study uses the novel to investigate the re-emergent interest in human-animal relations, within the natural sciences as well as the arts and humanities, in the past twenty years. In what is often termed “the Animal Turn,” theorists such as Jacques Derrida and Donna Haraway, who are at the centre of this study, have dedicated a significant amount of their work to the animal question and in particular to the ethics of inter-species relationships. Furthermore this essay stages the interaction of fiction and theoretical discourse in an analysis that probes challenges inherent to the relations of humans to other species, such as the practice of eating meat, the killing of animals, and animal rights. Moreover, it considers how the figure of the animal has been used to define the human, as well as to dehumanize people in the justification of abuse and persecution. However, human-animal ethics also has positive connotations, discussed through the figures of positivity and possibility in play, sharing, contact and responsive responsibility. Taking its inspiration from Karen Barad’s method of diffraction, this study foregrounds new pattern-making while exploring how Derrida’s and Haraway’s strategies for formulating a new ethics are present in their use of tropes and figures.<br>Science fiction-romanen The Island of Doctor Moreau skrevs 1896 och handlar om hur en vetenskapsman på en avlägsen ö i Stilla havet försöker skapa människor av djur. Författaren H. G. Wells inspirerades av Darwins teorier om arternas uppkomst till att skriva en skräckberättelse där mänsklighetens unikhet sätts ur spel. Den här studien använder Wells text i syfte att undersöka hur relationen mellan människor och andra arter har kommit att få ett nytt intresse inom en mängd olika vetenskapliga, praktiska och konstnärliga ämnen i slutet av 1900-talet och början av 2000-talet, något som har kommit att kallas ”The Animal Turn”. I centrum för studien återfinns teorier formulerade av filosofen Jacques Derrida och den feministiska vetenskapsteoretikern och biologen Donna Haraway. Båda två har ägnat stor del av sina respektive arbeten åt djurfrågan, framför allt med enträget intresse för hur ett etiskt förhållande mellan arter kan se ut. Studien låter romanen och de teoretiska texterna samverka i en analys som diskuterar utmaningar i människa-djur-relationer – som köttätande, dödande och rättigheter. Människan har till exempel använt sig av djuret för att definiera sig som människa, men också för att dehumanisera andra människor, och därmed kunnat utnyttja eller våldföra sig på dessa människor. Men människa-djur-etiken har också positiva aspekter: kontakt över språkgränser, att tillsammans utgöra världsmedborgare som alla består av och är beroende av varandra, att dela lek och arbete, att se och upptäcka den andre. Med inspiration från Karen Barads användning av metoden diffraktion vill den här uppsatsen utforska Derridas och Haraways strategier för att formulera en ny etik genom bruket av figurer och troper.
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Moreau, Catherine [Verfasser], and Friedrich [Akademischer Betreuer] Frischknecht. "Profilin in Plasmodium berghei gliding motility and development / Catherine A. Moreau ; Betreuer: Friedrich Frischknecht." Heidelberg : Universitätsbibliothek Heidelberg, 2019. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-235589.
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Ransom, Emily Ann. "Fingerprints of Thomas More's Epigrammata on English Poetry." NCSU, 2009. http://www.lib.ncsu.edu/theses/available/etd-11122009-145232/.
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Thomas Moreâs Latin epigrams, published with the second edition of Utopia in 1518, were apparently widely read both among contemporary European intellectuals and during the subsequent development of English poetry. With a humble audacity that could engage Classical authors in a Christian posture, More cultivated a literary climate that could retain the earthiness of the middle ages in dialogue with the ancients, and is more responsible for the ensuing expansion of vernacular poetry than perhaps any other Henrican author. This thesis probes the Classical influences and Humanist practices at work in the epigrams, explores their contemporary reception on the continent, and traces their legacy among sixteenth- and seventeenth-century English poets.
33
Mustonen, J. (Juha). "Jäätikkömäiset muodostumat Moreux-kraatterin ja Protonilus Mensaen alueella." Master's thesis, University of Oulu, 2015. http://urn.fi/URN:NBN:fi:oulu-201504021200.
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Pro Gradu-tutkielmassa kartoitetaan Marsin Protonilus Mensaen ja Moreux-kraatterin alueelta löytyviä jäätikkömäisiä kohteita. Alue sijaitsee Marsin dikotomiarajalla, joka sisältää runsaasti merkkejä amatsoonisella aikakaudella tapahtuneesta jäätiköitymisestä. Protonilus Mensaen alueelta tehdyissä aiemmissa tutkimuksissa on löydetty paljon merkkejä jäätä sisältävistä laattamaisista LDA-muodostumista ja laaksojen pohjia täyttävistä LVF-muodostumista [Squyres 1978, 1979] ja [Levy et al. 2010]. Kyseistä aluetta ei ole kuitenkaan aiemmin kartoitettu laaja-alaisesti uuden sukupolven avaruusluotaimien tuottamaa kuvamateriaalia hyödyntäen.
Tämän työn päämääränä on ollut kartoittaa Protonilus Mensaen alue uuden sukupolven Mars Global Surveyor-, Mars Express-, Mars Reconnaissance Orbiter- ja Mars Odyssey-luotaimien tuottaman kuvamateriaalin avulla. Työssä on etsitty merkkejä mahdollisesti eri aikakausina toimineista jäätiköitymisprosesseista. Toisen mielenkiintoisen tutkimusaiheen muodostavat merkit veden virtauksesta alueella. Lisäksi tutkielmassa käydään läpi veden ja jään historiaa, koska niiden merkitys Marsin historiassa on koko ajan kasvanut. Tämän vuoksi on tärkeää käydä läpi, kuinka nykyinen käsityksemme Marsin vedestä on muodostunut. Tämän tutkielman myötä lukija saa kattavan käsityksen Marsin veden historiasta sekä nykyhetkestä.
Tutkimuksen aineistona käytetään erityisesti Mars Odyssey-luotaimen Mola-instrumentin tuottamaa topografiatietoja sekä muiden luotaimien CTX-, HiRISE- ja HRSC-kameroiden tuottamaa kuvamateriaalia. Mars Reconnaissance Orbiter-luotaimen CTX-kameran tarkat ja hyvälaatuiset kuvat ovat toimineet kartoituksen pohjamateriaalina. CTX-instrumentin avulla Protonilus Mensaen aluetta voidaan tutkia noin kuuden metrin resoluutiolla. HiRISE- ja HRSC-kameroiden tarkempia ja yksityiskohtaisempia kuvia on käytetty alueilta, joista niitä on ollut saatavilla. Topografiatiedon avulla on mahdollista ymmärtää alueen jäätikkömäisten muodostumien liikettä sekä merkkejä veden virtauksesta. Tutkielman historiaosuudessa on käytetty hyväksi aiempien tutkimusryhmien tuloksia 1970-luvulta 2010-luvulle. Kartoituksessa pääasiallisena työkaluna on käytetty ArcGis-kartoitusohjelmaa, jonka avulla voidaan kartoittaa tehokkaasti laajoja alueita. Pienempiä alueita kartoitettaessa on käytetty myös Photoshop-kuvankäsittelyohjelmaa.
Kartoituksessa Marsin Protonilus Mensaen alueelta löytyi paljon jäätikkömäisiä muodostumia. Laattamaiset LDA-muodostumat keskittyvät sirpaloituneelle ylänköalueelle ja Moreux-kraatterin keskuskohouman ympärille. Protonilus Mensae-alueen vuorien ympärille on muodostunut vaihtelevan kokoisia LDA-muodostumia. Tutkitulta alueelta löydetyt LVF-muodostumat keskittyvät sirpaloituneen ylänköalueen laaksoihin ja noaakkisella ylänköalueella vanhoihin virtausuomiin. Kraattereiden täytteitä eli CCF-muodostumia löytyy jokaisen kraatterin pohjalta. Noaakkiselta ylänköalueelta löydettiin yksi muinainen kraatterijärvi, josta on lähtenyt uoma kohti alempana sijaitsevia alueita. Jäätikkömäiset muodostumat ovat sijoittuneet topografisesti usean kilometrin skaalalle. Merkkejä jään sublimoitumisesta löytyy jokaisesta Protonilus Mensaen geologisesta yksiköstä.
Tehdyn Pro gradu-tutkielman pohjalta voidaan todeta, että Moreux-kraatterin ympäristö ja Protonilus Mensae-alue on kokenut merkittävän jäätiköitymisjakson myöhäisellä amatsoonisella aikakaudella. Yhteneviin tuloksiin ovat päätyneet useat dikotomiaraja-aluetta tutkineet työryhmät [Baker et al, 2010]; [Kress and Head, 2008]; [Morgan et al, 2009]. Jäätikkömäisten muodostumien ajoittaminen kraatterilaskujen perusteella on epävarmaa, koska Marsin olosuhteet voivat muuttua merkittävästi suhteellisen lyhyessä ajassa. Olosuhteiden muutokset vaikuttavat jään säilymiseen sekä sen kykyyn edetä. Edellä mainitut tekivät vaikuttavat siten, että kraattereiden tuhoutumisnopeus voi vaihdella merkittävästi.
Protonilus Mensaen alueella on tapahtunut ainakin kaksi eri jäätiköitymisjaksoa. Laajempi jäätiköityminen on synnyttänyt puhkaisun Moreux-kraatteriin. Puhkaisun aiheuttaneet LDA- ja LVF-muodostumat ovat pahasti erodoituneet. Myöhäisempi jäätiköityminen ei ole edennyt yhtä pitkälle. Laajempi jäätiköitymisjakso on voinut esiintyä samoihin aikoihin kuin hespeerisen ajan suuret tulvat. Nestemäinen vesi on voinut olla merkittävä tekijä laajempien LDA- ja LVF-muodostumien synnyssä. Amatsoonisella aikakaudella tapahtunut jäätiköityminen on kuitenkin ollut paikallista ja jäätiköityminen on vaatinut juuri sopivat olosuhteet. Jäätä on kertynyt etenkin kraattereihin, vuorien rinteille ja laaksoihin. Alueelta läydetyt LDA-, LVF- ja CCF-muodostumat ovat hyvin samankaltaisia kuin muiltakin alueilta löytyneet vastaavat muodostumat. Niiden syntymekanismi on luultavasti ainakin osittain identtinen.
Tutkittu alue on täynnä pieniä mielenkiintoisia jäätikkömäisiä muodostumia, joiden tutkimiseen tulevaisuudessa kannattaa panostaa. Erityisesti muinaisen kraatterijärven myöhäisen jäätiköitymisprosessin tutkiminen tarkemmin olisi hyvin mielenkiintoista. Sirpaloituneen ylängön LDA- ja LVF-muodostumien keskinäisten vuorovaikutusten tutkiminen vaatisi nykyistä tarkempaa topografia- ja kuvamateriaalia. Virtausalueelta löytynyt kuivunut allas tulisi kuvata tarkemmilla kameroilla, koska allas vaikuttaa olevan alueen viimeisin nestemäisen veden aiheuttama muodostuma.
34
Masliah, Laura. "Roman et société chez l'écrivain Carlos Martínez Moreno." Paris 3, 1992. http://www.theses.fr/1993PA030062.
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L'oeuvre romanesque de Carlos Martinez Moreno, l'un des auteurs les plus représentatifs de la génération d'écrivains des années 45, appelée "la génération critique", propose une vision singulière et complexe de sa société d'appartenance dans le contexte latino-américain. Cette vision fait l'objet de notre étude dans laquelle il s'agit de cerner les représentations du réel social uruguayen des années de crise politique et institutionnelle et d'écroulement démocratique (1958-1973) proposées par l'écrivain dans l'ensemble de ses romans. Plusieurs méthodes d'approche de cette production littéraire ont été mises en oeuvre pour parvenir à rendre compte des rapports que l'écrivain entretient avec le monde qu'il dépeint. Ces rapports déterminent l'orientation de son projet global d'écriture - dans la diachronie et dans la synchronie - vers une oeuvre de témoignage. Parmi ces méthodes, l'approche socio-historique de l'Uruguay depuis l'épopée indépendantiste du XIXe siècle jusqu'aux années tragiques de l'avènement dictatorial de la décennie 70 reste centrale. Elle est destinée à révéler le processus de détérioration et d'effondrement d'une société régressive en voie d'extinction. Les six romans de la série sont conçus comme une entreprise balzacienne<br>The novels of Carlos Martinez Moreno, one of the most representative authors of Uruguay's generation of writers of the 1945's - called "la generacion critica" offers a unique and complex vision of the society he belongs to, in the context of Latin-America. That vision is the object of the present study : the idea is the focus on the representation of social reality of Uruguay during the years of political and institutional crisis, and democratic collapse (1958-1973) as set forth by the writer in his whole novel writing work. Several methods to approach this literary production have been put to use in order to account for the author's relationships with the world he depicts. Those relationships determine the orientation of his global writing project -diachronically and synchronically - towards a work of witness and testimony. Among these methods, the socio-historical approach of Uruguay, from the XIXth century's independence adventure onwards to the tragic years of the coming of the dictatorship in the 70's, lies at the very heart of the present thesis. Its purpose is to unveil the deterioration process and collapse of a backward world on the verge of extinction. The six novels are built as a balzacian endeavour
35
Boer-van, den Berg Hanneke van den. "De juiste keuze... : morele dilemna's van toekomstige ouders /." Baarn : Ten Have, 1997. http://catalogue.bnf.fr/ark:/12148/cb39976940s.
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Ortega, Gonzalez-Rubio Mercedes. "Cartographie du féminin dans l'œuvre de Marvel Moreno." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20061.
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L’écriture de l’auteure colombienne Marvel Moreno (Barranquilla, 1939-Paris 1995) a pour cadre une vision du monde féministe humaniste ; cependant, elle est composée d’un réseau de discours hétérogènes en conflit. Notre travail, depuis une perspective pluridisciplinaire intégrant principalement la théorie et la critique littéraires, la sociologie de la littérature et la théorie féministe, explore les représentations du féminin qui circulent dans l’œuvre à travers trois axes : les discours la parcourant, le système de personnages féminins et le positionnement des voix énonciatrices dans le champ littéraire. Nous affirmons que, sans sortir complètement d’une logique hétérocentrée masculiniste, l’œuvre morénienne s’éloigne de la féminité normative. Comme dans le cas d’une majorité d’auteures, son écriture ne trouve pas encore un lieu dans le canon officiel et patriarcal de la littérature colombienne, latino-américaine et « universel », ceci prouve qu’elle porte un discours subversif proposant d’autres possibilités dans le devenir femme<br>The writing of the Colombian author Marvel Moreno (Barranquilla, 1939-Paris 1995) is framed in a feminist humanist world vision. Nonetheless, it is made of a network of heterogeneous conflictive speeches. In this current work and from a multidisciplinary perspective which integrates mainly literary theory and criticism, sociology of literature and feminist theory, our work explores the representations of the feminine which circulates in Moreno’s work thought three axes: the discourses that run through it, the feminine character’s system and the positioning of the enunciating voices in the literary field. We affirm that without entirely departing a hetero-centered masculinist logic, Moreno’s work moves away from the normative femininity. The ruptures it carries out make her writing, just as the majority of all women authors, unable to find a place in the official and patriarchal canon of literature
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Moreth, Kolja C. [Verfasser]. "Insolvenzkommunikation : ein interdisziplinärer Ansatz zur Fortführung von Unternehmen mit Hilfe der Insolvenz / Kolja C. Moreth." Kassel : kassel university press c/o Universität Kassel - Universitätsbibliothek, 2020. http://d-nb.info/1228792461/34.
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Heyraud, Hélène. "Revoir le symbolisme pictural : le cas de Gustave Moreau : thème du féminin, style, réception critique." Thesis, Rennes 2, 2022. https://tel.archives-ouvertes.fr/tel-03685520.
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Le symbolisme est généralement considéré comme un mouvement littéraire, unifié par le thème du féminin. Or, la peinture occupe elle aussi une place importante dans la constitution du symbolisme et le thème du féminin ne saurait être l’entrée unique pour appréhender ce mouvement. Cette thèse se propose d’interroger les présupposés dominants sur ce mouvement : l’antériorité du symbolisme littéraire sur le symbolisme pictural, l’importance du thème du féminin dans la peinture, le manque voire l’absence des études stylistiques. Le corpus symboliste étant vaste, le peintre Gustave Moreau est érigé en archétype du symbolisme pictural et se pose comme le cas privilégié de cette étude. Les œuvres picturales replacées ici au centre des analyses thématiques, stylistiques et quantitatives, permettent de nuancer d’emblée cette supposée antériorité de la littérature, en montrant que les productions picturales précèdent historiquement d’une triple décennie les productions littéraires. À partir de ce corpus pictural singulier, le thème du féminin est ainsi réinterrogé : ce thème est-il si important dans la production de Gustave Moreau ? Les analyses quantitatives auxquelles est soumis le corpus permettent là encore de nuancer l’idée selon laquelle ce thème serait fondateur dans le symbolisme. Si le thème n’apparaît plus fondamental, la question du style s’impose alors. L’étude stylistique de l’œuvre de Gustave Moreau montre un peintre innovant et singulier, qui sera pourtant effacé – à l’instar des œuvres de manière générale – dans l’historiographie critique du mouvement. L’analyse de la réception critique et de l’historiographie du symbolisme montre ainsi comment les artistes, les œuvres et la stylistique ont été marginalisés au profit d’une pensée littéraire, poétique et philosophique du symbolisme<br>Symbolism is generally seen as a literary movement, unified by the theme of the feminine. However, painting occupies an important place in the symbolism construction and the theme of the feminine cannot be the only way to question this movement. This thesis proposes to question the dominant assumptions about this movement: the anteriority of literary symbolism over pictorial symbolism, the importance of the feminine theme in painting, the lack or even the absence of stylistic studies. The Symbolist corpus being vast, the painter Gustave Moreau is raised as an archetype of pictorial symbolism and is posed as the privileged case of this study. The thematic, stylistic, and quantitative studies of Gustave Moreau’s pictorial works allow to immediately qualify this supposed anteriority of literature, by showing that pictorial productions historically precede literary productions by three decades. From this singular corpus of paintings, the theme of the feminine is thus re-examined: is this theme dominant in Gustave Moreau's production? Once again, the idea according to which theme of the feminine founded Symbolism is challenged by the quantitative studies made on this corpus. If the theme of the feminine no longer appears fundamental, then the question of style arises. The stylistic study of Gustave Moreau’s work shows an innovative and singular painter, who will nevertheless be erased - like artworks in general - in the critical historiography of the movement. The analysis of the critical reception and historiography of Symbolism thus shows how artists, artworks and stylistics have been marginalized in favor of literary, poetic, and philosophical thought of Symbolism
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Le, Hai Yen. "Approche variationnelle de la fonction rang : relaxation convexe, sous-différentiation généralisée, régularisation-approximation de Moreau." Toulouse 3, 2013. http://thesesups.ups-tlse.fr/1973/.
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Dans ce mémoire de these, nous étudions la fonction rang du point de vue variationnel. La raison pour laquelle nous nous intéressons à cette fonction est qu'elle apparaît comme une fonction objectif (ou comme fonction contrainte) dans divers problèmes d'optimisation moderne, par exemple: complétion de matrices, analyse de données statistiques, acquisition parcimonieuse de données, etc. Dans certains cas particuliers, les problèmes de minimisation de la fonction rang peuvent être résolus en utilisant la décomposition en valeurs singulières. Mais, en géneral, les problèmes de minimisation de la fonction rang sont « NP-difficiles ». Nous proposons ici quelques propriétés de la fonction rang du point de vue variationnel: des démonstrations supplémentaires pour son enveloppe convexe fermée (restreinte à des boules spectrales), les expressions des sous-différentiels généralisés et la régularisation-approximation au sens de Moreau. Puis, dans le dernier chapitre, nous revenons sur une notion dont la définition ressemble à celle de la fonction rang, la fonction cp-rang<br>In this dissertation, we consider the rank function from the variational point of view. The reason why we are interested in this function is that it appears as an objective (or constraint) function in various modern optimization problems, such as: low rank matrix completion, multivariate statistical data analysis, compressed sensing, etc. In some particular cases, the rank minimization problems can be solved by using the singular value decomposition of matrices or can be reduced to the solution of linear systems. But in general, the rank minimization problems is known to be « NP-hard ». We provide here several properties of the rank function from the variational point of view: additional proofs for its closed convex relaxation, the expressions of its generalized subdifferentials and the explicit expression of its Moreau regularization-approximation form. Then, in the last chapter, we revisit a notion whose definition resembles that of the rank, the cp-rank function
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Kaffa, Elena. "Greek Church of Cyprus, the Morea and Constantinople during the Frankish Era (1196-1303)." Thesis, Cardiff University, 2008. http://orca.cf.ac.uk/54761/.
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This thesis provides an analytical presentation of the situation of the Greek Church of Cyprus, the Morea and Constantinople during the earlier part of the Frankish Era (1196-1303). It examines the establishment of the Latin Church in Constantinople, Cyprus and Achaea and it attempts to answer questions relating to the reactions of the Greek Church to the Latin conquests. It considers the similarities and differences in the establishment in Constantinople, the Morea and Cyprus, the diocesan structure, agreements regarding the fate of the Greek ecclesiastical properties, the payment of tithes and the agreements of 1220-1222. Moreover it analyses the relations of the Greek Church of Cyprus, the Greek Church of Constantinople and the Morea with the Latin Church. For instance it details the popes' involvement in the affairs of the Church in these three significant areas, the ecclesiastical differences between the Greek and the Latin Church, the behaviour of the Greek patriarchs, archbishops and bishops within the Greek Church, the reaction of the Greeks towards the establishment of the Latin Church, and significant events such as the martyrdom of the thirteen monks of Kantara and the promulgation of the Bulla Cypria. The third topic area pertains to the relationship of the Greek Church of the Morea, Constantinople and Cyprus with the secular authority. It discusses the attitude of the king of Cyprus, the rulers of the Morea and the emperor of Constantinople towards the problems between the Latin and Greeks, the relationship of the Latin nobility with the Greeks, and the involvement of the crown regarding the ecclesiastical property and possible explanations for the attitude of the Latin crown towards the Greeks.
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Brunner, Diogo Schmidt [UNESP]. "A epopeia pornô de Reinaldo Moraes: uma narrativa contemporânea." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/94038.
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000746273.pdf: 836812 bytes, checksum: 70296dddc92842a3a08dbb041f055ab8 (MD5)<br>O presente estudo visa analisar alguns aspectos relevantes da obra Pornopopéia do escritor paulistano Reinaldo Moraes. Nele, buscamos discutir o possível ressurgimento da figura do malandro na literatura brasileira, assim como fizemos algumas tentativas de interpretação, analisando o narrador-personagem Zeca, a questão da linguagem do romance, que traz algumas novidades quanto à estrutura narrativa, o uso bastante particular do conceito do tempo, a comicidade, questão quase central da narrativa, e, finalmente, as relações e representações gerais que permeiam o livro e que seriam um espelho para analisar as relações do mundo urbano e contemporâneo propriamente dito<br>The present study aims to examine some relevant aspects of the work Pornopopéia from the São Paulo’s capital writer, Reinaldo Moraes. In it, we look forward to highlight issues such as the possible resurgence of the scoundrel figure in Brazilian literature, as well as other attempts of interpreting and analyzing the narrator Zeca. The question of the language of the novel, which brings some news about the narrative structure; the use of a very particular time concept; the comicality, almost a central question of the narrative; and finally, the relations and general representations that permeate the book as a mirror, to examine the relationships of the contemporary urban world itself
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Smits, Marie-Josée Elisa Hendrika. "Zorgen voor een draaglijk bestaan morele ervaringen van verpleegkundigen /." [Amsterdam : Maastricht : Aksant] ; University Library, Maastricht University [Host], 2004. http://arno.unimaas.nl/show.cgi?fid=7544.
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LeitÃo, Mary Nascimento da Silva. "REPRESENTAÃÃES FEMININAS RESIDUAIS NA LÃRICA DE VINÃCIUS DE MORAES." Universidade Federal do CearÃ, 2013. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=9776.
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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>La dissertation intitulÃe  RepresentaÃÃes femininas residuais na lÃrica de VinÃcius de Moraes (ReprÃsentations fÃminines rÃsidueles dans la lyrique de VinÃcius de Moraes)  a Ãtà Ãcrite à partir dâune recherche et dâune analyse des diffÃrentes reprÃsentations de types de fÃmmes quâexistent dans lâouvrage du  poetinha Â, au moment oà a Ãtà procÃdà une comparaison avec les paradigmes fÃminines dâÃpoques postÃrieures au Moyen Ãge. Ces comparaisons nous ont permis une Ãtude basà dans la ThÃorie de la RÃsidualitÃ, qui faire des investigations sur ce qui reste dâune culture prÃcÃdente à lâautre qui la suivre. Cette thÃorie a surgi de recherche dÃveloppÃe à lâUniversità FÃderal du CearÃ, spÃcifiquement au DÃpartement de LittÃrature de son Cours de Lettres, et a Ãtà systÃmatisÃe par le Professeur Dr. Roberto Pontes. La RÃsidualità travaille avec les concepts de rÃsidu, mentalitÃ, hybridisme culturel et cristallisation. Ainsi, à partir des diffÃrentes reprÃsentations typologiques fÃminines trouvÃes dans lâouvrage  viniciana Â, nous observons des vestiges de mentalitÃ, prÃsents dans les poÃmes, qui reprendre dâautres temps, ou soit, nous identifions les rÃsidus et nous discutons lâessence de la pensÃe dâune Ãpoque si souvent immortalisÃe dans les ouvres litteraires mÃmorables. Beaucoup a Ãtà dit sur la poÃsie de VinÃcius de Moraes, mais, à notre avis, manquait un travail plus vaste pour embrasser des suggestions prÃsentÃes dans lâÃtude realisà par Elizabeth Dias Martins, qui a comme titre  VinÃcius, uma poÃtica residual (VinÃcius, une poÃtique rÃsiduel)  (MARTINS, 2002). Dans ses pages, lâauteur traite de la mentalità prÃsente dans lâouvrage des auteurs des diffÃrentes Ãcoles littÃraires, prÃcÃdentes ou contemporaines de VinÃcius, et mettre en relief ce quâil y a de rÃsiduel dans les textes du poÃte carioca.<br>A dissertaÃÃo intitulada "RepresentaÃÃes femininas residuais na lÃrica de VinÃcius de Moraes" foi escrita a partir de uma pesquisa e de uma anÃlise das diversas representaÃÃes de tipos de mulheres existentes na obra do âpoetinhaâ, ocasiÃo em que foi procedida uma comparaÃÃo com os paradigmas femininos de outras Ãpocas posteriores à Idade MÃdia. Essas comparaÃÃes nos permitiram um estudo baseado na Teoria da Residualidade, que investiga aquilo que remanesce de uma cultura anterior noutra que a sequencia. Esta teoria surgiu de pesquisa desenvolvida na prÃpria Universidade Federal do CearÃ, mais propriamente no Departamento de Literatura do seu Curso de Letras, e tem como sistematizador o Professor Dr. Roberto Pontes. A residualidade trabalha com os conceitos de resÃduo, mentalidade, hibridismo cultural e cristalizaÃÃo. Desse modo, partindo das diversas representaÃÃes tipolÃgicas femininas encontradas na obra viniciana, observamos os traÃos de mentalidade presentes nos poemas que retomam outros tempos, ou seja, identificamos os resÃduos e discutimos a essÃncia do pensamento de uma Ãpoca tantas vezes eternizada em obras literÃrias marcantes. Muito se tem dito a respeito da poesia de VinÃcius de Moraes, mas, a nosso ver, faltava um trabalho de carÃter mais extenso a dar conta das sugestÃes apresentadas em estudo realizado por Elizabeth Dias Martins, que leva por tÃtulo "VinÃcius, uma poÃtica residual" (MARTINS, 2002). Em suas pÃginas, a autora trata da mentalidade presente na obra de autores de diferentes escolas literÃrias, anteriores ou contemporÃneas de VinÃcius, enfatizando o que hà de residual nos textos do poeta carioca.
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Brunner, Diogo Schmidt. "A epopeia pornô de Reinaldo Moraes : uma narrativa contemporânea /." Assis, 2013. http://hdl.handle.net/11449/94038.
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Orientador: Benedito Antunes<br>Banca: Eliana Maria de Melo Souza<br>Banca: Ana Maria Domingues de Oliveira<br>Resumo: O presente estudo visa analisar alguns aspectos relevantes da obra Pornopopéia do escritor paulistano Reinaldo Moraes. Nele, buscamos discutir o possível ressurgimento da figura do malandro na literatura brasileira, assim como fizemos algumas tentativas de interpretação, analisando o narrador-personagem Zeca, a questão da linguagem do romance, que traz algumas novidades quanto à estrutura narrativa, o uso bastante particular do conceito do tempo, a comicidade, questão quase central da narrativa, e, finalmente, as relações e representações gerais que permeiam o livro e que seriam um espelho para analisar as relações do mundo urbano e contemporâneo propriamente dito<br>Abstract: The present study aims to examine some relevant aspects of the work Pornopopéia from the São Paulo's capital writer, Reinaldo Moraes. In it, we look forward to highlight issues such as the possible resurgence of the scoundrel figure in Brazilian literature, as well as other attempts of interpreting and analyzing the narrator Zeca. The question of the language of the novel, which brings some news about the narrative structure; the use of a very particular time concept; the comicality, almost a central question of the narrative; and finally, the relations and general representations that permeate the book as a mirror, to examine the relationships of the contemporary urban world itself<br>Mestre
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Abdala-Mesa, Yohainna. "La création en devenir : Marvel Moreno : écriture, mémoire, temps." Toulouse 2, 2007. http://www.theses.fr/2007TOU20013.
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Marvel Moreno (1939 - 1995) est l'écrivain colombienne la plus importante du XXe siècle. La thèse porte sur l'ensemble de l'oeuvre (deux romans, le second inédit et trois recueils de nouvelles). Le questionnement de recherche consistait à comprendre comment s'effectue le changement d'une oeuvre dans le temps, comment évoluent l'écriture et l'idéologie de l'auteur à travers le parcours de son projet scriptural. L'oeuvre donne à constater une trajectoire de changement, une quête de nouvelles formes, un déplacement du moi scriptural vers une dimension collective, une mémoire qui encadre d'abord une idée “ totalisante ” et finit par se fragmenter, une temporalité qui se détourne de l'évocation et opte pour l'instantané. Commençant par une vision unitaire de l'humain et une ambitieuse explication du monde, l'auteur passe à une exploration multiple de l'autre, pour, dans ses derniers manuscrits, en venir à son moi originel et dépasser le grand contournement de soi qu'avait été son oeuvre<br>Marvel Moreno (1939-1995) is the most important Colombian writer of the 20th century. This thesis includes her complete works (two novels, the second is unedited, and three short story collections). This work attempts to answer a research question: to comprehend how change takes place in a work over time, the manner in which the writing and the author's ideology evolve, through the journey of her literary output. Her work displays a trajectory of change and the search for a new expression, a displacement of the literary-self that attempts to hold a collective dimension; a memory that in principle frames a totalizing idea and winds up fragmenting it. An evocative Time that becomes instantaneous and immediate. Starting by a unitary vision of the human being and an ambitious explanation of the world, the author goes through a multiple exploration of the otherness that ends up in an intimate discovery that overtakes the elusive process of the self that had been the leitmotiv of her work
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Siatra, Eleni. "A Critical Edition of Hannah More’s Percy: A Tragedy." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1249064664.
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Ankarsköld-Flück, Kevin, and Erik Wiskman. "Mechanical Design and Thermal Analysis of the MoreBac Experiment." Thesis, KTH, Skolan för teknikvetenskap (SCI), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210827.
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Sending bacteria to space is a further step withinthe framework of transporting humans to distant locations inspace. This can build a knowledge platform of how the bacteriabehaves in the space environments, in order to be able to functionin the long term as a LLS (long term life support system), i.ea mini ecology for the space station that handles waste (gas,liquid and solid) and transforms it into food, water and oxygen.By constructing a bacterial experiment (MoreBac) in a smallsatellite and thermally simulating it in space environment, itcan aid future projects performed in similar but larger scales.To visualize the experiment in presentations, a CAD-model ofthe experiment will be designed and constructed in SIEMENSSolid Edge. The thermal analysis is made in Airbus SYSTEMAThermica and will help show on the critical problem, which isto maintain suitable temperature conditions on the microfluidicchip inside the experiment. By performing the simulations, onecan assure that the design is suitable and that the heat gradientis in required intervals for different components. The CADmodelwas designed in a sandwich layout and consist of twoprinted circuit boards, one microfluidic chip and one reservoir.Not specified components of the experiment was not used in theCAD- model since they where still in early development. Thethermal analysis of the experiment was studied in a steady stateenvironment, with boundary conditions of 5C in the cold caseand 30C in the hot case, which means that the time variablewas not considered. Three configurations of heat dissipation weremade; 16 nodes at the illumination board with 0,05 W each, 16nodes at the detection board with 0,05 W each and finally 36nodes on both PCBs together with 0,025 W each. In the hot case,the microfluidic chip reaches temperatures between 34; 16C and42; 15C when 0,8 W is equally divided to both PCBs. In thecold case, the microfluidic chip reaches temperatures between13; 82C and 22; 32C with the same heat distribution as thehot case.
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Philander, N. C. "Sosialisering as modus van morele vorming in die kerk." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019.1/1210.
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Leitão, Mary Nascimento da Silva. "Representações femininas residuais na lírica de Vinícius de Moraes." www.teses.ufc.br, 2013. http://www.repositorio.ufc.br/handle/riufc/8088.
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LEITÃO, Mary Nascimento da Silva. Representações femininas residuais na lírica de Vinícius de Moraes. 2013. 178f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2013.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-05-19T13:26:06Z
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Previous issue date: 2013<br>A dissertação intitulada "Representações femininas residuais na lírica de Vinícius de Moraes" foi escrita a partir de uma pesquisa e de uma análise das diversas representações de tipos de mulheres existentes na obra do “poetinha”, ocasião em que foi procedida uma comparação com os paradigmas femininos de outras épocas posteriores à Idade Média. Essas comparações nos permitiram um estudo baseado na Teoria da Residualidade, que investiga aquilo que remanesce de uma cultura anterior noutra que a sequencia. Esta teoria surgiu de pesquisa desenvolvida na própria Universidade Federal do Ceará, mais propriamente no Departamento de Literatura do seu Curso de Letras, e tem como sistematizador o Professor Dr. Roberto Pontes. A residualidade trabalha com os conceitos de resíduo, mentalidade, hibridismo cultural e cristalização. Desse modo, partindo das diversas representações tipológicas femininas encontradas na obra viniciana, observamos os traços de mentalidade presentes nos poemas que retomam outros tempos, ou seja, identificamos os resíduos e discutimos a essência do pensamento de uma época tantas vezes eternizada em obras literárias marcantes. Muito se tem dito a respeito da poesia de Vinícius de Moraes, mas, a nosso ver, faltava um trabalho de caráter mais extenso a dar conta das sugestões apresentadas em estudo realizado por Elizabeth Dias Martins, que leva por título "Vinícius, uma poética residual" (MARTINS, 2002). Em suas páginas, a autora trata da mentalidade presente na obra de autores de diferentes escolas literárias, anteriores ou contemporâneas de Vinícius, enfatizando o que há de residual nos textos do poeta carioca.<br>La dissertation intitulée « Representações femininas residuais na lírica de Vinícius de Moraes (Représentations féminines résidueles dans la lyrique de Vinícius de Moraes) » a été écrite à partir d’une recherche et d’une analyse des différentes représentations de types de fémmes qu’existent dans l’ouvrage du « poetinha », au moment où a été procédé une comparaison avec les paradigmes féminines d’époques postérieures au Moyen Âge. Ces comparaisons nous ont permis une étude basé dans la Théorie de la Résidualité, qui faire des investigations sur ce qui reste d’une culture précédente à l’autre qui la suivre. Cette théorie a surgi de recherche développée à l’Université Féderal du Ceará, spécifiquement au Département de Littérature de son Cours de Lettres, et a été systématisée par le Professeur Dr. Roberto Pontes. La Résidualité travaille avec les concepts de résidu, mentalité, hybridisme culturel et cristallisation. Ainsi, à partir des différentes représentations typologiques féminines trouvées dans l’ouvrage « viniciana », nous observons des vestiges de mentalité, présents dans les poèmes, qui reprendre d’autres temps, ou soit, nous identifions les résidus et nous discutons l’essence de la pensée d’une époque si souvent immortalisée dans les ouvres litteraires mémorables. Beaucoup a été dit sur la poésie de Vinícius de Moraes, mais, à notre avis, manquait un travail plus vaste pour embrasser des suggestions présentées dans l’étude realisé par Elizabeth Dias Martins, qui a comme titre « Vinícius, uma poética residual (Vinícius, une poétique résiduel) » (MARTINS, 2002). Dans ses pages, l’auteur traite de la mentalité présente dans l’ouvrage des auteurs des différentes écoles littéraires, précédentes ou contemporaines de Vinícius, et mettre en relief ce qu’il y a de résiduel dans les textes du poète carioca.
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Hagedorn, Nele [Verfasser]. "Motivationsfördernde Rehabilitation durch Modularisierung "MoReMo" : Entwicklungs- und Machbarkeitsanalyse von motivationsstadienbasierten und modularisierten Adipositasschulungskonzepten für Jugendliche der Phase 2 des Forschungsprojekts MoReMo / Nele Hagedorn." Flensburg : Zentrale Hochschulbibliothek Flensburg, 2019. http://d-nb.info/1192384989/34.
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