Siga este link para ver outros tipos de publicações sobre o tema: Migrant otherness.
Artigos de revistas sobre o tema "Migrant otherness"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Migrant otherness".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.
1
Carrier, Neil, e Gordon Mathews. "Places of Otherness". Migration and Society 3, n.º 1 (1 de junho de 2020): 98–112. http://dx.doi.org/10.3167/arms.2020.030109.
Texto completo da fonteResumo:
This article looks at two urban landscapes critical for mobility within the Global South: Eastleigh, Kenya, and Xiaobei, China. While different, they are both centers of global trade that attract migrants seeking livelihoods, and are also regarded with great ambivalence within the countries that host them. We explore this ambivalence, showing how it links to fear of the “others” who animate them, and to broader politics in which migrants become caught. Such places often simultaneously attract members of the host society for a taste of the other, or business opportunities, yet also repel and induce fear as places of danger. For the migrant population, there is also ambivalence—as they are places that offer both opportunity for social mobility, yet also places of hard lives and immobility. In short, both are critical nodes in patterns of South-South mobility where dynamics of such mobility and reaction to it can be understood.
2
Alù, Giorgia. "Order and otherness in a photographic shot: Italians abroad and the Great War". Modern Italy 22, n.º 3 (agosto de 2017): 291–314. http://dx.doi.org/10.1017/mit.2017.34.
Texto completo da fonteResumo:
This article explores the meaning of photographic portraits of First World War Italian migrants, in terms of the tensions that emerge from their visual codes and the extent to which the subject’s interior reality and individuality might emerge from the reassuring surface imagery of photography and war. By analysing photographs of Italian migrants who either joined Italy’s army or enrolled in their adopted country’s army, we can see how the ‘otherness’ of the war – its artificial face of idealised glory, honour, and ordinariness, as presented through the portrait’s aesthetic codes – supplants the ‘otherness’ of the migrant individual, that is, their ambivalent life in between different cultures, traditions and identities. Yet, beyond the physical and psychological annihilation of the modern war, the photographic portrait, with its fabricated order and ‘otherness’, becomes, for the migrant soldier, a means of giving coherence to his dislocated existence. The nostalgic visual codes of the photograph, however, evoke an order that is now denied by the destructive mobility and mobilisation of both migration and war.
3
Rosa, Fernanda R., e Arthur D. Soto-Vásquez. "Aesthetics of Otherness: Representation of #migrantcaravan and #caravanamigrante on Instagram". Social Media + Society 8, n.º 1 (janeiro de 2022): 205630512210876. http://dx.doi.org/10.1177/20563051221087623.
Texto completo da fonteResumo:
This article examines the representation of the migrant caravan on Instagram showing how an aesthetics of otherness has prevailed in this representation. Aesthetics of otherness is the result of the interaction between platform users’ selections and platform affordances that creates a gap between the marginalized other and the user. Based on a qualitative content analysis of posts with the hashtags #caravanamigrante and #migrantcaravan, this research reveals that the two hashtags form parallel, although not alike, communicative spaces where migrant caravan representation is mostly mediated by professionals and organizations interested in promoting their own work and not by the migrants themselves. Despite this trend, users posting with #caravanamigrante were less likely to hijack the intent of the public, more likely to reference reasons for migration, and overall less likely to employ the aesthetics of otherness, which point to the possibility of circumventing the role of the platform in shaping the representation of marginalized people and social justice movements.
4
Palenga‐Möllenbeck, Ewa. "Making Migrants’ Input Invisible: Intersections of Privilege and Otherness From a Multilevel Perspective". Social Inclusion 10, n.º 1 (22 de março de 2022): 184–93. http://dx.doi.org/10.17645/si.v10i1.4789.
Texto completo da fonteResumo:
For some years, the German public has been debating the case of migrant workers receiving German benefits for children living abroad, which has been scandalised as a case of “benefit tourism.” This points to a failure to recognise a striking imbalance between the output of the German welfare state to migrants and the input it receives from migrant domestic workers. In this article I discuss how this input is being rendered invisible or at least underappreciated by sexist, racist, and classist practices of othering. To illustrate the point, I will use examples from two empirical research projects that looked into how families in Germany outsource various forms of reproductive work to both female and male migrants from Eastern Europe. Drawing on the concept of othering developed in feminist and postcolonial literature and their ideas of how privileges and disadvantages are interconnected, I will put this example into the context of literature on racism, gender, and care work migration. I show how migrant workers fail to live up to the normative standards of work, family life, and gender relations and norms set by a sedentary society. A complex interaction of supposedly “natural” and “objective” differences between “us” and “them” are at work to justify everyday discrimination against migrants and their institutional exclusion. These processes are also reflected in current political and public debates on the commodification and transnationalisation of care.
5
Bertucci, Marie-Madeleine. "Propositions pour l'étude de la notion de mise en altérité". Travaux neuchâtelois de linguistique, n.º 75 (1 de janeiro de 2021): 125–49. http://dx.doi.org/10.26034/tranel.2021.3008.
Texto completo da fonteResumo:
In a first step, this article aims to show that the notion of "mise en altérité" leads to the presentation of otherness as a negative and stigmatised difference, an inverted representation of the self, the other being reduced to the condition of a foreigner, which is embodied in particular in the figure of the ancient barbarian. It then leads to the identification of otherness with an elsewhere, a metaphor for an unequal political vision of social space, particularly in medieval thought, and finally to the reduction of otherness to a deficit, a dissimilarity, a source of heterogeneity. In a second step, we will highlight the processes of otherness and minorisation of migrant minority populations through racism and insult, and then we will study the impact of diasporas on the construction of the otherness of migrants. The analysis of diasporic situations brings out the tensions inherent in situations of mobility, which is identified as facts of retraditionalisation and demodernisation resulting fr om cultural difference and leading to a risk of endogamy, and beyond that, to ethnicisation and racisation.
6
Mohammed, Hesham M. M. "“Third-class humanˮ: On representation of the image of ethnic migrant in modern Russian drama (on the example of the play “Khach” by U. B. Gitsareva)". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 246–57. http://dx.doi.org/10.37816/2073-9567-2021-62-246-257.
Texto completo da fonteResumo:
The paper discusses artistic portrayal of an ethnic migrant in the modern Russian drama on the example of the play “Khach” (2014) by U. B. Gitsareva. The author focuses on the way migration is described and what are the meanings that inform this social phenomenon in the play. The play`s poetics is about giving a voice to migrants and distinguishing them from the mute mass, which organically fits into general tendency of Documentary Theater. The study highlights the concept of “strangeness” (“Otherness”), which is realized here both through a spatial chronotope and artistic objectivity; identifies and systematizes discursive means and mechanisms for constructing the image of an ethnic migrant, reveals perception and attitude of the host community towards the ethnic migrants, explores characteristics attributed to him in the host environment, analyzes how the topic of public recognition is embodied in everyday language and indicates strategies for migrants to overcoming “strangeness” (“otherness”). The author also substantiates the issue`s relevance for literary research. The choice of the paper`s subject is determined by the lack of studies of the given issue in terms of the modern Russian literature. As the analysis shows the play “Khach” is a comprehensive attempt at generalization, built into both the socio-psychological and ideological context.
7
Stamenković, Ivana. "Religious elements of media reporting on migrants: A comparison of journalist and reader perspectives". Socioloski pregled 58, n.º 3 (2024): 291–319. http://dx.doi.org/10.5937/socpreg58-51132.
Texto completo da fonteResumo:
Given that media narratives about migrants are permeated with political, economic, and religious factors, the aim of this analysis is to identify and compare patterns in reporting on the migrant crisis with patterns in readers' comments. This is to determine whether there are differences between these narratives in terms of how migrants are described and referred to, with a particular focus on the presence of religious elements. The sample used to analyze media reporting patterns in relation to the migrant crisis consists of journalistic articles from the online editions of the daily newspapers Politika and Kurir. Additionally, the sample includes the readers' comments accompanying these articles about the migrant crisis and migrants, which were published during 2015 and 2017. The research has found that there is a statistically significant difference between the reporting patterns of journalists and the commenting patterns of readers concerning several reference dimensions (Stamenković, 2021). Among these, the category of Otherness, with emphasized religious elements, stands out particularly, as well as the negative characterization of migrants as an aggressive, militant, and conquering group.
8
Ghorashi, Halleh. "“Dutchness” and the migrant “other”". Focaal 2010, n.º 56 (1 de março de 2010): 106–11. http://dx.doi.org/10.3167/fcl.2010.560109.
Texto completo da fonteResumo:
Peter Jan Margry and Herman Roodenburg, eds., Reframing Dutch culture: Between otherness and authenticity. Aldershot: Ashgate, 2007, 291 pp., ISBN 978-0-754-64705-8 (hardcover).Ian Buruma, Murder in Amsterdam: Liberal Europe, Islam, and the limits of tolerance. New York: Penguin Books, 2006, 288 pp., ISBN 978-0-143-11236-5 (paperback).
9
ERGÜN, Didem Başak. "Migrant Chic : Vilification by fashion photography". Revue plurilingue : Études des Langues, Littératures et Cultures 2, n.º 1 (2 de dezembro de 2018): 10–26. http://dx.doi.org/10.46325/ellic.v2i1.22.
Texto completo da fonteResumo:
Abstract
This article analyses Hungarian fashion photographer Norbert Baksa‟s controversial photography series entitled “Der Migrant”.The images are claimed to present a social commentary on the refugee crisis by the photographer. However, the critical analysis of the photos reveals that Baksa‟s images depict an obscene Oriental Otherness through portraying a Janus-faced refugee figure which embodies an oversexualized Oriental femininity mongrelized with dangerous, strange and fearful Muslim otherness.
Résumé
Cet article analyse les séries photographiques controversées du photographe de mode hongrois Norbert Baksa intitulées "Der Migrant". Les images prétendent présenter un commentaire social du photographe sur la crise des réfugiés. Cependant, l'analyse critique des photos révèle que les images de Baksa représentent une altérité orientale obscène à travers la représentation d'une figure de réfugié au visage Janus qui incarne une féminité orientale exagérée, associée à une altérité musulmane dangereuse, étrange et effrayante.
10
Pio, Edwina, e Caroline Essers. "Professional Migrant Women Decentring Otherness: A Transnational Perspective". British Journal of Management 25, n.º 2 (27 de fevereiro de 2013): 252–65. http://dx.doi.org/10.1111/1467-8551.12003.
Texto completo da fonte
11
SOGHOMONYAN, Amalya. "Exiled Writer in Migrant Literature". WISDOM 17, n.º 1 (21 de março de 2021): 231–37. http://dx.doi.org/10.24234/wisdom.v17i1.442.
Texto completo da fonteResumo:
The purpose of this paper is to reveal the phenomena of the exiled writer in migrant literature. The perceptions of homesickness, identity, belonging, multiculturalism, otherness, and exile help us to highlight a number of psychological realities that the exiled writer faces becoming a migrant. With the help of mythological, sociological and psychological categories, we tried to open hidden layers of migration. Migrant literature is individual, subjective, diverse, but the causes that make writer become migrant are sometimes similar.
12
Charitonidou, Marianna. "Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’". Humanities 10, n.º 2 (21 de abril de 2021): 71. http://dx.doi.org/10.3390/h10020071.
Texto completo da fonteResumo:
The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.
13
Drozdowicz, Jarema. "Migrujące podmioty. Relacje, konteksty i przyszłość problemu zróżnicowania kulturowego w edukacji". Kwartalnik Pedagogiczny, n.º 65/2 (9 de outubro de 2020): 28–38. http://dx.doi.org/10.31338/2657-6007.kp.2020-2.2.
Texto completo da fonteResumo:
The issue of migration is now becoming part of a wider debate on cultural diversity. This article explores selected aspects of this debate in the context of school education. A relatively new subdiscipline, the anthropology of education, is indicated as a useful perspective in this matter. Anthropological research on migration and cultural differences in general can be regarded here as a scientific reconstruction of the processes that lead to the construction of otherness. The cultural figure of a migrant in particular serves as an example of these processes in the context of European education. Western concepts of otherness thus build large part of the current political and social debates on migration and the presence of migrants in the educational milieu. The article examines these concepts in relation to the main contemporary migration trends visible in the West.
14
Churruca-Muguruza, Cristina. "Everyday Migrant Accompaniment: Humanitarian Border Diplomacy". Hague Journal of Diplomacy 17, n.º 1 (24 de fevereiro de 2022): 1–31. http://dx.doi.org/10.1163/1871191x-bja10088.
Texto completo da fonteResumo:
Summary This article advances the notion of humanitarian border diplomacy, contributing to current academic discussions on humanitarian diplomacy and on the practice-theory nexus by conceptualising NGOs’ migrant accompaniment at borders as a form of everyday humanitarian diplomacy. The contention is that humanitarian diplomacy is similar to other diplomatic practices. Starting by rethinking humanitarian diplomacy, it discusses the emergence of humanitarian border diplomacy as a key component of everyday migrant accompaniment. Humanitarian border diplomacy focuses on advancing migrants’ rights, seeking to make helpful, empowering and transformational interventions in an attempt to resist and change the contemporary global governance of migration. The article presents the everyday diplomatic practices of the Servicio Jesuita a Migrantes in Melilla, on Spain’s southern border, as an example of humanitarian border diplomacy. At the border, as an alternative space for resistance, difference and otherness, the need for diplomatic culture as the symbolic mediation of estrangement is revealed.
15
Zosso Francolini, Ismaël. "Mémoires migrantes : quand les élèves vont à la rencontre de l'histoire orale des migrations". Didactica Historica 6, n.º 1 (2020): 107–11. http://dx.doi.org/10.33055/didacticahistorica.2020.006.01.107.
Texto completo da fonteResumo:
“Migrants remember” is an oral history project for a number of classes over several years. Students are helped in constructing an oral-media collection of the history of migrant associations in Lausanne and the canton of Vaud. This school oral history activity questions in a concrete manner several aspects concerning diversity in school history teaching and puts students at the centre of their relationship to other cultures. This article tries to point out some markers for reflection concerning the links between migration, history and citizenship teaching and the notion of otherness.
16
Lugosi, Peter, e Thiago Allis. "Migrant entrepreneurship, value-creation practices and urban transformation in São Paulo, Brazil". Revista Brasileira de Pesquisa em Turismo 13, n.º 1 (1 de março de 2019): 141–63. http://dx.doi.org/10.7784/rbtur.v13i1.1538.
Texto completo da fonteResumo:
This paper examines the entrepreneurial practices of migrants, including refugees, establishing and operating businesses providing food, hospitality, leisure, tourism and events-related services and experiences. Drawing on empirical data gathered in São Paulo, Brazil, the study conceptualises how migrants create cultural ‘goods’ (encompassing material objects, services and experiences), which have been subjected to valuation processes. The paper considers the practices through which migrants mobilise identities, histories, and culturally-specific knowledge as resources in constructing experiential propositions. Moreover, we distinguish between five sets of practices: objectification of self; aestheticisation of otherness; authentication of place-specific food experiences; constructing hospitality venues as cultural spaces; and vitrine-ing (creating platforms for showcasing migrant talent). We discuss the potential consequences of these practices for migrants, consumers, urban environments and their residents, and identify avenues for future research.
17
Booluck-Miller, Pooja. "Par-delà l’exil : la grand-parentalité comme clé de la construction identitaire dans L’exil selon Julia". Dalhousie French Studies, n.º 123 (23 de novembro de 2023): 87–96. http://dx.doi.org/10.7202/1107712ar.
Texto completo da fonteResumo:
<p>Although terms such as “in-between”, “non-place” and “displacement” are commonly associated with the reality of migrants, they can also be applied to the condition of the elderly. In L’exil selon Julia by Gisèle Pineau, the journey of the eponymous character, an elderly migrant of Caribbean origin, demonstrates how this triple identity can generate and exacerbate a sense of otherness. This article not only highlights the work of nostalgia and melancholy in a new environment, but it also analyzes Julia’s creativity and resilience in creating her own Guadeloupe in France.</p>
18
Frendo, Francesco. "Reflections on the Little Rock: Assessing migrant inclusion in Maltese post-secondary education". Malta Journal of Education 2, n.º 2 (19 de novembro de 2021): 142–58. http://dx.doi.org/10.62695/hdzl4734.
Texto completo da fonteResumo:
This paper examines a field ridden with palpable and tangible silence: migrant inclusion within the Maltese post-secondary educational system. Focusing on the theme of difference and otherness, this paper studies whether inclusive practices inform migrant student experiences within Maltese post-secondary education. Employing a qualitative approach, I attempt to provide insights on the way migrant learner experiences are shaped and constructed within Maltese post-secondary education. Furthermore, this analysis engages with the political and educational theories of the philosopher Hannah Arendt to argue that what needs to be reimagined are forms of extra-territoriality, focusing on the needs of an intercultural educational ambience that places the vicissitudes not as a crisis but an opportunity for an emergent pedagogy.
19
Li, Yao-Tai. "“It’s Not Discrimination”: Chinese Migrant Workers’ Perceptions of and Reactions to Racial Microaggressions in Australia". Sociological Perspectives 62, n.º 4 (fevereiro de 2019): 554–71. http://dx.doi.org/10.1177/0731121419826583.
Texto completo da fonteResumo:
Racial microaggressions appear in different forms and affect racial and ethnic groups through everyday practices. We know little, however, about how racial microaggressions are perceived and operate in the context of institutionalized racism. In an immigration context, the structural mechanisms that influence migrant workers’ interpretations of racial microaggressions remain understudied. This article examines job-search processes, self-perceptions of foreign-ness, group interactions, and work experiences of Chinese migrant workers in Australia. I argue that the intersection of foreign-ness, human capital, and migrant status reflects structural inequality in the field of overseas employment, which involves an ideological system that reminds migrant workers of their differences/otherness when racial microaggressions happen. The intersection also influences how migrant workers interpret and react to such microaggressions. Meanwhile, workplace relations and interaction patterns ease tensions between advantaged and disadvantaged groups, yet persistent racial stereotypes and unequal race relations are maintained in everyday life.
20
Park, Mi Yung. "Experiencing Everyday Otherness: A Study of Southeast Asian Marriage-Migrants in South Korea". Sustainable Multilingualism 20, n.º 1 (1 de junho de 2022): 46–68. http://dx.doi.org/10.2478/sm-2022-0003.
Texto completo da fonteResumo:
Summary This study explores the everyday Otherness experienced by Southeast Asian marriage-migrant women in South Korea. South Korea is increasingly ethnically diverse due to the dramatic rise in international marriages between foreign women and Korean men, most of which are facilitated by marriage brokers. Yet little research has been conducted on marriage-migrants’ experiences of communicating with local Koreans. Drawing on data collected through in-depth interviews with five participants from Cambodia and Vietnam, this study focuses on specific factors that cause conflicts between these women and local Koreans in various social contexts, including the household, workplaces, and wider communities, and how the women respond to such conflicts and manage challenging interactions. The participants’ narratives demonstrate the tensions and conflicts they encounter, which can be divided into three categories: the imposition of Korean ways of living, negative stereotyping, and language use. The women describe being perceived as deviating from Korean society’s cultural and linguistic norms and facing pressure to conform to these norms, which sometimes conflict with their own sense of identity. In addition, they experience marginalization through Othering and negative stereotyping in their interactions with Koreans and struggle to develop a sense of belonging to the host society. The results of this study provide implications for second language programs designed for marriage-migrants, which have the potential to enable marriage-migrants to achieve sustainable development in their second language learning and to support their development of multilingual and multicultural identities.
21
Erten, Asalet. "The Translation of the Concept of “The Otherness” in Migrant Literature". Translation Review 69, n.º 1 (março de 2005): 27–32. http://dx.doi.org/10.1080/07374836.2005.10523897.
Texto completo da fonte
22
Lintner, Claudia. "The Other Entrepreneurs - Migrant Economies as Spaces for Social Innovation?" Migration Letters 16, n.º 2 (5 de abril de 2019): 265–71. http://dx.doi.org/10.33182//ml.v16i2.742.
Texto completo da fonteResumo:
This article analyses the relationship between migrant entrepreneurship, marginalisation and social innovation. It does so, by looking how their ‘otherness’ is used on the one hand to reproduce their marginalised situation in society and on the other to develop new living and working arrangements promoting social innovation in society. The paper is based on a qualitative study, which was carried out from March 2014- 2016. In this period, twenty semi-structured interviews were conducted with migrant entrepreneurs and experts. As the results show, migrant entrepreneurs are characterised by a false dichotomy of “native weakness” in economic self-organisation against the “classical strength” of majority entrepreneurs. It is shown that new possibilities of acting in the context of migrant entrepreneurship are mostly organised in close relation to the lifeworlds and specific needs deriving from this sphere. Social innovation processes initiated by migrant entrepreneurs through their economic activities thus develop on a micro level and are hence less apparent. Supportive networks are missing on a structural level, so it becomes difficult for single innovative initiatives to be long-lasting.
23
Nwanyanwu, Augustine Uka. "Transculturalism, Otherness, Exile, and Identity in Chimamanda Ngozi Adichie’s Americanah". Matatu 49, n.º 2 (20 de dezembro de 2017): 386–99. http://dx.doi.org/10.1163/18757421-04902008.
Texto completo da fonteResumo:
Abstract Today African literature exhibits and incorporates the decentred realities of African writers themselves as they negotiate and engage with multifarious forms of diaspora experience, dislocation, otherness, displacement, identity, and exile. National cultures in the twenty-first century have undergone significant decentralization. New African writing is now generated in and outside Africa by writers who themselves are products of transcultural forms and must now interrogate existence in global cities, transnational cultures, and the challenges of immigrants in these cities. Very few novels explore the theme of otherness and identity with as much insight as Adichie’s Americanah. The novel brings together opposing cultural forms, at once transcending and celebrating the local, and exploring spaces for the self where identity and otherness can be viewed and clarified. This article endeavours to show how African emigrants seek to affirm, manipulate, and define identity, reclaiming a space for self where migrant culture is marginalized. Adichie’s exemplary focus on transcultural engagement in Americanah provides an accurate representation of present-day African literary production in its dialectical dance between national and international particularities.
24
Oh, Minjung. "Meaning of Marriage Migrant Women’s Self-help Community Through Oral-Life History: A Case Study of Marriage Migrant Women’s Self-help Community ‘Talk to Me’". Korean Society of Culture and Convergence 45, n.º 7 (31 de julho de 2023): 489–504. http://dx.doi.org/10.33645/cnc.2023.07.45.07.489.
Texto completo da fonteResumo:
The purpose of this study was to review the implications of the marriage migrant women’s self-help community for individuals and society through an oral life history. For this purpose, the study used D.G. Mandelbaum’s framework of analysis such as dimensions of life, turnings and adaptation. In dimensions of life, it has a meaning as an arena for acceptance struggle and that for the solidarity platform. At the turning point, the marriage migrant women attempted to solve the very delicate problems facing them in their real life, and therefore, they perceived the self-help community as an arena for their transformation from ‘otherness’ to ‘subjectification’ as well as that for a financial support. In the life of adaptation, they attached a meaning of space for solving the social problems. After all, it is deemed necessary to support and finance the marriage migrant women’s self-help community as a social value space to develop Korean society into an inclusive multi-cultural society.
25
van de Laar, Paul Thomas. "Bremen, Liverpool, Marseille and Rotterdam: Port Cities, Migration and the Transformation of Urban Space in the Long Nineteenth Century". Journal of Migration History 2, n.º 2 (30 de setembro de 2016): 275–306. http://dx.doi.org/10.1163/23519924-00202004.
Texto completo da fonteResumo:
During the long nineteenth century Bremen, Liverpool, Marseille and Rotterdam developed rapidly and built new harbour districts beyond the confines of the city. These new waterfronts became the zones of the other; an area defined by the social and cultural lives of casual workers, transient migrants and other disadvantaged groups and became a place in need of social and cultural reform. Few scholars have paid attention to the specific interrelations between migration and the transformation of urban space in port cities. This article addresses the issue of how diverse national and transnational migrant movements have shaped the urban identity of these port cities in this period. In a comparative framework, it raises the question what impact a transient population had on the harbour-related districts and how the appearance of these informal zones contributed to the image of the port city as a place of otherness.
26
Olmos Alcaraz, Antonia, María Rubio Gómez e Ouafaa Bouachra Outmani. "FROM TATTOOS, VEILS AND NOTEBOOKS: REPRESENTATIONS OF OTHERNESS AND IDENTITY CONSTRUCTION PROCESSES IN YOUNG STUDENTS WITH MIGRANT BACKGROUNDS IN SPAIN". Revista Ambivalências 5, n.º 9 (12 de setembro de 2017): 61. http://dx.doi.org/10.21665/2318-3888.v5n9p61-86.
Texto completo da fonteResumo:
This study relationally analyses the processes of the construction of difference and the processes of identity construction in which young adolescents and pre-adolescents with migrant backgrounds within formal educational contexts are involved. The text aims to show and describe how otherness and identity work in an intersectional way. Our analysis considers intersectionality as the most appropriate way of approximation to the reality observed. To do so, we work from biographical interviews and life stories of young people produced through our own respective fieldwork. This material had been analyzed looking for the relations between identity categories (gender, religion, nationality...) and how these categories are interpreted for the young adolescents involved in the research. We research in twelve andalusian high schools with students, teachers and families. Along three scholar years, we made 132 interviews and 13 discussion groups. This allows us to address the theoretical objects of the study (otherness/identity) in a contextual and process-based way.
27
Bott, Esther. "Too Close for Comfort? ‘Race'and the Management of Proximity, Guilt and Other Anxieties in Paid Domestic Labour". Sociological Research Online 10, n.º 3 (novembro de 2005): 152–58. http://dx.doi.org/10.5153/sro.1141.
Texto completo da fonteResumo:
This paper examines relations between migrant domestic workers and their employers in London, and how employers use ideas about ‘race’ and racial difference to manage the difficulties and tensions involved in sharing their houses with employees. Using findings from preliminary interviews with employers (the initial phase of data gathering in a wider ongoing project), it looks at how employers might structure proximity/distance relations; levels of intimacy; social hierarchy and guilt management around a conceptual framework that hinges on notions of ‘difference’ and Otherness.
28
Jun, Euyryung. ""We have to transform ourselves first"". Focaal 2012, n.º 64 (1 de dezembro de 2012): 99–112. http://dx.doi.org/10.3167/fcl.2012.640109.
Texto completo da fonteResumo:
Multiculturalism has often been articulated through imperial and civilizational discourses that identify tolerance with the liberal West and intolerance with nonliberal societies and cultures. This article explores how the focus of the civilizational gaze is turned on the allegedly “not yet tolerant self“ in the neoliberal developmental state of South Korea. The mode of the liberal government that recently emerged in South Korea has been shaped not in the self-celebratory rhetoric of “what we are“ but in the self-critical, developmentalist rhetoric of “what we lack.“ Drawing from my fieldwork among local civic actors working in the field of migration, I discuss how the civic discourse of damunhwa, or “multiculturalism,“ that emerged in opposition to the “governmental objectification“ of migrant groups redirects the focus onto the ethical improvement of the general population, relying on another form of reified otherness that captures migrants and their presence in the country as “opportunities“ for South Korea's moral ventures.
29
Maye-Banbury, Angela, e Rionach Casey. "The sensuous secrets of shelter: How recollections of food stimulate Irish men’s reconstructions of their early formative residential experiences in Leicester, Sheffield and Manchester". Irish Journal of Sociology 24, n.º 3 (24 de julho de 2016): 272–92. http://dx.doi.org/10.1177/0791603516659503.
Texto completo da fonteResumo:
This paper examines the intersection between food, recollection and Irish migrants’ reconstructions of their housing pathways in the three English cities of Leicester (East Midlands), Sheffield (South Yorkshire) and Manchester (North). Previous studies have acknowledged more implicitly the role of memory in representing the Irish migrant experience in England. Here, we adopt a different stance. We explore the mnemonic power of food to encode, decode and recode Irish men’s reconstructions of their housing pathways in England when constructing and negotiating otherness. In doing so, we apply a ‘Proustian anthropological’ approach in framing the men’s representations of their formative residential experiences in the boarding houses of the three English cities during the 1950s and 1960s are examined. The extent to which food provided in the boarding houses was used as an instrument of discipline and control is examined. The relevance of food related acts of resistance, food insecurity and acts of hedonic meat-centric eating in constructing the men’s sociocultural identity are also explored.
30
Sinha, Paresha N., e Dharma Raju Bathini. "Resistance toward dominant US work practices in emerging markets". critical perspectives on international business 15, n.º 4 (7 de outubro de 2019): 323–40. http://dx.doi.org/10.1108/cpoib-11-2017-0083.
Texto completo da fonteResumo:
Purpose The purpose of this study is to apply the dominance effect theory and postcolonial notions of “otherness” to critically study the enactment of mimicry at IndianBread, an Indian fast-food chain that has adopted work practices typically found in US fast-food multinational enterprises (MNEs). Design/methodology/approach The authors used an interpretive sensemaking case study approach and collected qualitative data drawing on observations, notes from the company policy manual and in-depth interviews with eight staff at an IndianBread outlet. Data were also collected during informal interactions with staff at three other IndianBread outlets. The analysis focused on the enactment of mimicry and studied the postcolonial dynamics between managers and migrant workers to explain their resistance to the adoption of US work practices. Findings Work practices of US fast-food MNEs such as the standardization of workers’ appearance and basic “Englishization” such as greeting customers in English had been adopted at the IndianBread outlet. However, migrant workers resisted enforcement by contesting the superiority and relevance of these US work practices. The workers’ resistance was accommodated by local managers to pacify and retain them. Research limitations/implications The analysis contributes to a deeper understanding of the dynamics of resistance to the dominant influence of US work practices in emerging market firms. It expands current notions of “otherness” by presenting the perspective of “local” managers and migrant workers. The authors show how worker resistance embedded in their “identity work” involves contesting notions of “inferiority” of local work practices and selves. In the case of managers, accommodating resistance maintains their “legitimacy of dominance”. To that end, the study explains how the need to mimic US work practices is enforced, contested and ultimately diluted in competitive local firms in rising India. Practical implications The organizationally grounded data show how managerial accommodation of workers’ resistance to US practices creates a more flexible working environment that dilutes migrant workers’ sensitivity to their exploitation at the fast-food outlet. Social implications The findings identify the link between mimicry and resistance by the “other,” the ambivalence of the colonizing agent and the ongoing material exploitation within emerging economies. Originality/value To that end, the study explains how the need to mimic the US work practices is enforced, contested and ultimately diluted in the context of the competitive local firms in India.
31
Moffitt, Ursula, e Linda P. Juang. "Who is “German” and who is a “migrant?” Constructing Otherness in education and psychology research". European Educational Research Journal 18, n.º 6 (21 de fevereiro de 2019): 656–74. http://dx.doi.org/10.1177/1474904119827459.
Texto completo da fonteResumo:
Despite growing European and global interconnectedness, questions of national identity have only gained in importance in recent years. Yet the role researchers play in perpetuating norms of national belonging has gone largely unexamined. Who is included in unmarked national group labels such as German, Dutch, or Danish, who is understood as Other, and how terminology relates to exclusionary notions of national identity warrants greater investigation. Thus, using an exploratory review of recent research in the German context, the current study aimed to (a) identify relevant terminology in empirical education and psychology studies; (b) employ constructionist analysis to examine its situated meaning; (c) discuss societal and methodological implications; and (d) propose guidelines for more accurate and inclusive research. Based on a constructionist thematic analysis, a reiteration of a white ingroup and perceived immigrant Other was found. This dichotomy reinforces an exclusionary notion of who is German while omitting relevant information, such as participant generation or citizenship, from analyses. In doing so, researchers are perpetuating essentialized notions of national belonging while reporting incomplete and potentially inaccurate findings. Though selecting demographic information can be complex, recognizing the impact of labels and acknowledging heterogeneity are essential elements of inclusive and representative research.
32
Egger, Sabine. "Der Raum des Fremden als »fahrender Zug« in Herta Müllers Reisende auf einem Bein". Zeitschrift für interkulturelle Germanistik 7, n.º 2 (1 de julho de 2016): 35–54. http://dx.doi.org/10.14361/zig-2016-0205.
Texto completo da fonteResumo:
Abstract Irene, the protagonist in Herta Müller’s Reisende auf einem Bein, experiences the transit between two political systems as a continuous journey which does not end with her arrival, but extends into everyday life in the destination country, a life marked by Otherness, foreignness and placelessness. The political oppression suffered in her country of origin, an unnamed Eastern bloc state representing Nicolae Ceauşescu’s Romania, influences Irene’s perception of her Western destination country. While Irene suffers from the Otherness and placelessness experienced on her journey, this experience also constitutes her identity as a »vagabond« (Brittnacher / Klaue), making it impossible for her to stop. Irene makes this experience as a train passenger, as well as in train and metro stations where the movement of passing trains makes her feel disconnected, but also allows her to see the fractures in other relationships around her. The article shows how the train journey becomes a central metaphor of Irene’s transit experience, similar to Kristeva’s image of foreignness as a moving train, and describes Irene’s movement by means of the ›vagabond‹, the ›flâneur‹ (Benjamin), the ›nomad‹ (Deleuze / Guattari) and the ›system migrant‹ (Sorko).
33
Boum Make, Jennifer. "Telling refugees’ stories: Testimony and hospitality in graphic novel L’Odyssée d’Hakim by Fabien Toulmé". Crossings: Journal of Migration & Culture 12, n.º 1 (1 de abril de 2021): 301–13. http://dx.doi.org/10.1386/cjmc_00033_1.
Texto completo da fonteResumo:
Following the increase in migratory flows since 2015, in the Euro-Mediterranean region, bandes dessinées are mobilized to stir up compassion and prompt engagement with marginalized biographies. It begins with the premise that aesthetic approaches of bandes dessinées reveal a testing zone to juxtapose modalities of representation and expression of refugees and ways to interact with otherness. To interrogate the relationship between aesthetic devices and the formation of solidarity, this article considers the first volume of Fabien Toulmé’s trilogy, L’Odyssée d’Hakim: De la Syrie à la Turquie (2018). How does Toulmé’s use of aesthetic devices make space for the other, in acts of dialogue and exchange? What are the ethical implications for the exercise of bearing witness to migrant and refugee narratives, especially in the transcription and translation in words and drawing of their biographies? This article argues that visual narratives can provide for the creation of a hospitable testimonial space for migrants and refugees’ voices. The article outlines the aesthetic methodology deployed in graphic storytelling, reflects on what it means for the perception of refugees, and questions the use and ethical appeal of visual narratives as a form to curate hospitality.
34
di Campli, Antonio. "Otherness and closeness: residential tourism and rural gentrification processes". Archnet-IJAR: International Journal of Architectural Research 13, n.º 3 (11 de novembro de 2019): 736–55. http://dx.doi.org/10.1108/arch-05-2019-0122.
Texto completo da fonteResumo:
Purpose This essay looks at how various forms of residential tourism or lifestyle migration, produced by people arriving from the cities and territories of the so-called Global North, have triggered complex processes of social-spatial modification in the landscapes and rural environments of Vilcabamba, Ecuador, a small Andean village of approximately 5,000 inhabitants in the southern part of the canton of Loja. The paper aims to discuss this issue. Design/methodology/approach Residential tourism in rural areas is a phenomenon that can be investigated by combining socio-economic studies with spatial analyses to define the specific characteristics of territories and environments affected by this phenomenon. In the case of Vilcabamba, the relationships and conflicts between imaginations, spaces, ecologies and desires have taken the form of a complex “implicit project”, a “palimpsest-project” intended as a set of territorial descriptions, interpretations and transformation actions triggered by a plot featuring migrant tourists, activists, eco-institutions, schools, artisans, intellectuals and artists. Though weakly connected to one another, these subjects nonetheless produce substantially coherent actions. Findings Two main hypotheses are given as: the first is that in particular rural contexts, such as the Andean area around Vilcabamba, dwelling practices and economies related to residential tourism have triggered processes through which these areas have progressively become peripheries to distant metropolitan territories and are reconfigured as sets of specialised places. The second hypothesis is that Vilcabamba and its rural surroundings can be viewed as a particular “contact zone” in which different types of residential tourists and local dwellers interact, together with different economies of tourism. In this case the reference is, on the one hand, to the logics and discourses of the so-called extractive tourism, a concept that describes the processes of “extracting” and converting local cultural characteristics, and “indigenousness”. To support these hypotheses, the result is the construction of a spatial representation of the ways in which specific practices of residential tourism are territorialised, and how they modify the meaning and functioning of rural spaces. Originality/value What is new in the paper is the attempt to define a spatial representation of transnational spaces trying to highlight relationships between extractive tourism and remittance urbanism.
35
Cervi, Laura, Santiago Tejedor e Mariana Alencar Dornelles. "When Populists Govern the Country: Strategies of Legitimization of Anti-Immigration Policies in Salvini’s Italy". Sustainability 12, n.º 23 (7 de dezembro de 2020): 10225. http://dx.doi.org/10.3390/su122310225.
Texto completo da fonteResumo:
The study aims at disclosing the narrative of immigration and the construction of the otherness in Italian Interior Minister, Matteo Salvini’s discourse, geared towards the legitimization of anti-immigration policies. For this purpose, the author analyzes a sample of the Italian Interior Minister’s discourses related to three cases of migrant landings, drawing on Proximization Theory, revealing how the concepts of closeness and remoteness are manipulated for the construction of threat and the legitimization of negative political response. The study concludes that Salvini’s discourse presents all the classic characteristics of populism. It depicts virtuous and hardworking people threatened by the “others”, them “illegals” who are not “legitimate refugees”, along with inventing a new antagonist “other”, the rescue NGOs that are framed as criminals, justifying their criminalization.
36
Drewniak, Dagmara. "Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education". Zeitschrift für Anglistik und Amerikanistik 67, n.º 4 (18 de dezembro de 2019): 411–27. http://dx.doi.org/10.1515/zaa-2019-0030.
Texto completo da fonteResumo:
Abstract This paper explores the possibilities of introducing contemporary Canadian texts into a Polish university classroom. It contextualizes teaching English language literature in Poland as well as seeks options for promoting values such as openness and tolerance while facilitating global reading and raising students’ awareness on global conflicts and their meaning in the contemporaneous world. The paper aims at demonstrating that Canadian literature courses composed of texts concerned with immigration and multiculturalism turn out to have an enormous potential in creating valuable debates on the problem of embracing otherness, seeking bridges in mutual understanding, and promoting openness towards different identities. On the basis of close readings of three texts, M. Ondaatje’s The English Patient, A.J. Borkowski’s Copernicus Avenue, and E. Stachniak’s Necessary Lies, the present article also demonstrates how Canadian literature enriches and rescales students’ perception of cultural heterogeneity and responsibility of reading, thus offering new perspectives on the rapidly changing world.
37
KILIÇ, Ramazan. "Immigrant and Otherness: Narcissism of Sameness or Hospitality of the Other? -A Call for a Migrant Philosophy-". ATEBE, n.º 10 (31 de dezembro de 2023): 61–79. http://dx.doi.org/10.51575/atebe.1389773.
Texto completo da fonteResumo:
Günümüzün en çarpıcı sosyo-patolojik hadiselerinden biri olan göçmen problemi, daha ziyade politik konular bağlamında gündeme gelmektedir. Söz konusu tartışmalar, yerel ve politik çıkarlar çerçevesinde sürerken politik hesapların ardına gizlenen şey, göçmenin trajik konumudur. Politik tartışmalarla gündeme gelen göçmen, sosyal ilişkiler noktasında son derece olumsuz bir imaja bürünür. “Biz” aynılığının bir pürüzü olarak “Öteki” veya yerel kültürle uyumsuz bir öğenin ifadesi olan göçmen, “Ben”in alanından ötekiliğe itilirken sosyal düzlemde kamusallığı dönüştürmeye zorlayan bir tehdit unsuru olarak değerlendirilir. Politikanın çıkara dayalı belirleyici gücü her ne kadar probleme dair yeteri beşerî sağduyunun oluşumuna olumsuz etkileri olsa da felsefi literatürde Immanuel Kant, Hannah Arendt, Emmanuel Lévinas temelinde yoğun bir tartışma söz konusudur. Söz konusu düşünürlerin ortaya koyduğu düşünceleri göçmenlikle ilişkilendirme bağlamında ortaya konulan çalışmalardan farklı olarak çalışmamız; konuya dair temel düşünürler, görüşler ve ilgili görüşlerin temel dinamiklerini ortaya koymayı hedeflemiş, ilgili literatürün ana hatlarıyla ortaya konulmasına özen gösterilmiştir. Göçmenlik ve “Öteki”lik vurgusuna dair temel literatürün dinamiklerinden biri olarak öne çıkan Levinas, kendi zamanının politik krizlerinin nedeni olarak etik ilişkileri öncelemeyen Batı düşüncesine işaret etmiştir. Levinas’cı düşüncede Aynının “Başkası” karşısında yaşayacağı muhtemel politik, etik ve hukuki gerilim, ontolojiyi önceleyen düşünce geleneğinden farklı değerlendirmelere yol açar. Başkayı aynılığın alternatif bir alanı olduğu Levinas düşüncesinde Başkalığın aşkınlık boyutu ise “Öteki”ler karşısında konumunu aynılıktan ziyade “Öteki”deki başkalığın keşfiyle veya gerilimiyle Ben’i narsizimden çıkarma fonksiyonuna sahiptir. Aşkın Başkalığın şahsında teşekkül ettiği “Öteki”, “Ben”de koşulsuz konukseverlik eylemine yol açacağı kanaati söz konusudur. Levinas’ın gündem edindiği sorunların Arendt’in de tartıştığı görülür. Levinas’ta ifadesini bulduğu üzere etik bir ilişkiden ziyade politik bir ontolojik kavrayışla tezahür eden “Ötekilik” bağlamına Arendt’in eleştirileri söz konusudur. Böylelikle politik alanda Öteki’ye yer vermeyen hukuki yapının sorgulanması mümkün hale getirilirken politik söylem için “Öteki”nin önemi de açığa çıkmış olur. Bu noktada Kant’ta rastladığımız yabancı hakkı bağlamında koşullu konukseverlikle gündeme gelir. Ancak Levinas’ın koşulsuz konukseverliğinin pratik sorunlar barındırdığını ifade edecek olan Derrida, Kant’ın koşullu konukseverliğini de sorunlu bulmuştur. Öteki’ye karşı konuksevmezlik, günümüzde dijital ağlarda daha da zorlaşır. Konukseverlik düşüncesi bağlamında etik-politik bir düşünce zeminine kavuşması umulan zamanımızın Öteki’si olarak göçmen, mevcut literatürde geliştirilen konukseverlik düşüncesini yeniden tartışmayı sağlarken göçmenin felsefi kavrayışı hususunda düşünceler üretmeye ve bir göçmenlik felsefesi oluşturmanın önemine çağrı olmayı amaçlar.
38
Mercado Órdenes, Mercedes, e Ana Figueiredo. "Construcciones identitarias de inmigrantes haitianos en Santiago de Chile desde una perspectiva interseccional". Migraciones internacionales 13 (15 de agosto de 2022): 0. http://dx.doi.org/10.33679/rmi.v1i1.2495.
Texto completo da fonteResumo:
This work focuses on the identity constructions of Haitian immigrants in Chile. A qualitative study was conducted based on in-depth semi-structured interviews, which included analyzing thematic and intersectional contents in order to understand the identity constructions of the participants in their migration trajectories from Haiti to Chile. Results associated with the work and social experiences of the participants are presented, along with the ethnic-racial and sex-gender orders, bringing together differentiating axes such as religion, nationality, social class, and immigrant status. We found that the articulation of dimensions of oppression in Chile configures a Haitian-migrant-worker identity positioned as a radical otherness; incipient changes in sex-gender identities are also reported, emerging from subaltern social positions and as adaptation strategies in an adverse context.
39
Pereira Martins, Margarida. "Plural Identity and Migrant Communities in Guy Gunaratne’s In Our Mad and Furious City (2018)". Anglica. An International Journal of English Studies, n.º 32/1 (outubro de 2023): 69–85. http://dx.doi.org/10.7311/0860-5734.32.1.05.
Texto completo da fonteResumo:
This paper explores the complexity of plural identities of the characters living within the sociocultural space of a London community, who define themselves as being from “here” and “elsewhere,” in Guy Gunaratne’s In Our Mad and Furious City (2018). First-generation and second-generation migrants, originally from Ireland, Pakistan, Ja- maica, as well as other nations referred to in the novel, give life to the community at the Ends, a housing estate in Northwest London. On the one hand, in this suburban space, fury, neglect and powerlessness are deeply felt by the locals. However, the community also becomes the location for the creation of social habits, cultural patterns, forms of ex- pression and group unity through the interaction and shared experiences of the locals. This dichotomy reveals underlying anxieties that raise questions about otherness, marginalisa- tion and belonging, and how these aspects intersect in the construction of cultural identity. As characters struggle for meaning against a “cancel culture,” their individual experiences are what constitutes their plural and fluid identities.
40
Gümüş Mantu, Pınar. "Belonging and Otherness in Postmigrant Society: Experiences of Young Women of Turkish Background in Germany". Journal of Cultural Analysis and Social Change 8, n.º 2 (30 de dezembro de 2023): 16. http://dx.doi.org/10.20897/jcasc/14069.
Texto completo da fonteResumo:
The social position of women of Turkish background has often been questioned on the basis of the dominant societal perception imaging them as being isolated in the domestic sphere, oppressed by traditional, cultural, and patriarchal norms, and thus unable to integrate into the broader German society. Although the younger-generation women, born and/or raised in Germany as children of Turkish migrant workers, to a great extent actively participate in public life via education and the job market, at a discursive and social-relational level they are still often perceived and categorized as the non-German and the non-European Other. This paper takes a closer look at the gendered and racialized experiences of young women of Turkish origin by paying special attention to how othering relates to belonging in the postmigrant social context in Germany. On the basis of ethnographic field data collected via in-depth and expert interviews, it intends to engage in a critical-reflexive discussion from the perspective of a social group that has long been imagined as dwelling at the margins of society. Drawing upon recent discussions on the culturalization of migration (and integration) issues, the paper traces the current articulations of the culturalized perceptions of ‘the Turkish woman’ through the reflections of young women of Turkish origin, and discusses belonging in light of their experiences of exclusion and otherness. Taking a critical approach to studying the concept of integration as a discursive historical process, the paper suggests that the self-positionings of the research participants have been substantially affected by the mainstream integration-centered discourse and its interfaces with othering. However, young women’s active and subversive ways of dealing with these exclusionary discourses and practices point to a rather critical view of belonging, articulated through a stated consciousness of the past and present context, and claims for recognition in postmigrant Germany.
41
Riikonen, Evi-Carita. "The unexpected place: Brexit referendum and the disruptions to translocal place-making among Finns in the UK". Fennia - International Journal of Geography 198, n.º 1-2 (30 de agosto de 2020): 91–106. http://dx.doi.org/10.11143/fennia.89199.
Texto completo da fonteResumo:
As EU citizens and a ‘middling’ migrant group in the UK, Finns have been able to exercise a relatively limitless existence in Britain. However, this freedom became threatened after the Brexit referendum. Through a digital ethnographic approach, this paper shows that the result of the Brexit referendum turned Finns’ translocal place-making in the UK from being practiced by social bodies to being negotiated by political bodies and contributes to literature about translocal place-making as receptive to disruptions. The referendum disrupted Finns’ translocal place-making processes on personal and societal levels, cutting through both active, embodied processes in the UK and virtual, imagined processes in Finland. The referendum imposed newly experienced otherness and conditionality to the ability to participate in the British society. It did, however, also create translocal attachments towards both the UK and Finland. Through its disruptive nature, the event of the Brexit vote embedded itself in the future place-making orientations and narratives of the Finns in the UK, potentially having an impact on their future translocal trajectories and imaginaries.
42
Cox, Emma. "Unsanctioned Refugee Processing: Maritime Interception, Aesthetics, Hospitality". Theatre Journal 75, n.º 3 (setembro de 2023): 259–75. http://dx.doi.org/10.1353/tj.2023.a917476.
Texto completo da fonteResumo:
Abstract: The sea is central to constructions of the refugee —maritime passage indelibly linked to political process —even as image-making and narrativization on water are inhibited by the otherness of the pelagic environment. Legally unauthorized maritime transit has informed condemnatory narratives of refugeeness in recent decades, and wealthy nations increasingly rely on extra-territorial and expulsive procedures to prevent the arrival of forced migrants. The central Mediterranean is unique for its maritime activist activity, whereby NGO vessels carry out a volume of migrant rescues. The self-fashioning of NGO vessels—the so-called Civil Fleet—highlights the link between constructions of refugees as disorderly collectives and neocolonial power structures. This discussion centres around the work of the NGO boat Louise Michel, funded by the pseudonymous British graffiti artist Banksy. The vessel’s entry in 2020 into the domain of NGO search and rescue (SAR) activity in the Mediterranean increased the profile of this form of political humanitarian activism. As far as refugee processing is concerned, the Civil Fleet exemplifies intervention in its literal sense of coming between , using direct action to disrupt expulsive state-sanctioned bordering regimes, visibly exposing the relational dynamics of asylum. The maritime rescue of refugees by European NGOs constructs a hospitable mode of refugee processing that is paradoxically both predicted and unsanctioned. The aestheticization of Louise Michel’s interceptive acts is considered here in a dual sense: visually, as design, but also conceptually, as framed political dysfunction. The former renders rescue as image and narrative, while the latter reveals the limits of political humanitarianism itself within an ill-functioning asylum system.
43
Allen, Chris, e Özlem Ögtem-Young. "Brexit, Birmingham, belonging and home: the experience of secondary migrant Somali families and the dirty work of boundary maintenance". Safer Communities 19, n.º 2 (15 de abril de 2020): 49–59. http://dx.doi.org/10.1108/sc-10-2019-0035.
Texto completo da fonteResumo:
Purpose This study aims to investigate the impact of the Brexit referendum on feelings of belonging and home among secondary migrant Somali families in the city of Birmingham. Here, the Brexit referendum is understood through the analytical framework of the politics of belonging in that it functioned as a political mechanism that demarcated who was able to belong and who was not. Design/methodology/approach This research was qualitatively designed, comprising 25 in-depth, semi-structured interviews that used a whole family methodological approach. In doing so, this paper considers how the referendum challenged notions of citizenship as well as community and individual identities. Findings For the families engaged, they experienced the referendum as a mechanism that immediately conveyed notions of “otherness” and “foreign-ness” onto them, thereby creating anxiety, uncertainty and instability. This paper argues that the emotional components of belonging were also challenged to the extent that feelings of security, safety and “home” became rendered meaningless through the disempowering impact of the referendum via the removal of autonomy and choice in the bonds that exist between people and places. Originality/value This paper generates new knowledge about the impact of the Brexit referendum. As “one-off” event, this research provides new insights into the political, social and cultural impacts of the vote. It considers a minority group that is seen to be hard to reach and thereby under-researched.
44
Amir, Oussama. "The Issues of Interculturality in Migrant Literature: Case of the Novel Season of Migration to the North by Tayeb Salih". Journal of Literature and Linguistics Studies 2, n.º 1 (1 de novembro de 2024): 23–32. http://dx.doi.org/10.61424/jlls.v2i1.130.
Texto completo da fonteResumo:
This article explores the concepts of interculturality and multiculturalism, emphasizing their interactions and implications in postcolonial contexts. Interculturality promotes dialogue and understanding between cultures, while multiculturalism values the coexistence of these cultures within the same society. Literature, particularly immigration literature, provides a space for exploring intercultural dynamics by analyzing experiences of exile and identity redefinition. Through Tayeb Salih's novel Season of Migration to the North, the article examines how migratory narratives interrogate colonial legacies and cultural transformations. The reflection focuses on how these narratives reconfigure notions of belonging and otherness while revealing the tensions and resistances inherent in migratory experiences. Cet article examine les notions d'interculturalité et de multiculturalisme, en mettant l'accent sur leurs interactions et leurs implications dans les contextes postcoloniaux. L'interculturalité favorise le dialogue et la compréhension entre cultures, tandis que le multiculturalisme valorise la coexistence de ces cultures au sein d'une même société. La littérature, en particulier celle de l'immigration, offre un espace d'exploration des dynamiques interculturelles, en analysant les expériences d'exil et de redéfinition identitaire. À travers le roman Saison de la migration vers le Nord de Tayeb Salih, l'article explore comment les récits migratoires interrogent les héritages coloniaux et les transformations culturelles. La réflexion se concentre sur la manière dont ces récits reconfigurent les notions d'appartenance et d'altérité, tout en révélant les tensions et les résistances inhérentes aux expériences migratoires.
45
Shahrokhi, S. "Photo albums: deconstructing narratives of the self, migration, and movable memories". Etnograficheskoe obozrenie, n.º 6 (15 de dezembro de 2023): 12–25. http://dx.doi.org/10.31857/s0869541523060027.
Texto completo da fonteResumo:
Photo albums, as personal and cultural material objects, are intertwined with ideas about identity and memory. At the same time, the importance of memory in how we shape and make sense of our place in the world that is enhanced through evocative objects such as personal photographic archives (ranging from traditional family albums, to selfies on mobile phones, and beyond) becomes more pronounced in the context of the Anthropocene era in which diverse and unequal global movability (e.g., displacement, border crossing, and migration) has become a defining feature of who we are. Connecting between anthropological studies of border-crossing and migration art, this project explores how in the absence of a photo album, alternative modes of visual archives tell the migrant stories of affective connections to family homeland the past and the present Focusing on specific examples from the burgeoning body of alternative visual artwork by contemporary migration artists in Europe and the US this paper examines how identity and otherness are entangled in an ongoing process of becoming and unraveling as sociocultural norms. Beginning with Appadurai’s observations on how migration of objects precipitates the experience of border crossing this paper looks at how migration art activism empowers modes of resistance to normative exclusionary discourses and current anti-migration practices.
46
Essafir PhD, Hind. "KAZUO ISHIGURO: THE INTERNATIONAL AS A THIRD SPACE". International Journal of Advanced Research 12, n.º 08 (31 de agosto de 2024): 1086–93. http://dx.doi.org/10.21474/ijar01/19347.
Texto completo da fonteResumo:
This article envisagesIshigurian fiction as a site of compromise wherelinguistic and non-linguistic ingredients are mobilized to engage with the international bookmarket and its exigencies. This paper, thus, addresses Ishiguros texts as commodities, and sets out to uncover the complex and intricate processes whereby the authornegotiateshis status as a language migrant, cognizant of the aestheticdilemmas inherent in World Literature as well as of the stakes involved in writing for a global audience. It will similarly undertake to interrogate the ambivalent position of Ishiguro as a Japanese-bornBriton, and to explore the way otherness translates in hisworks, while coping with the tensions inherent in hisbicultural profile itfurther examines the motivations of the Western prize machinery in establishing Ishiguro as a literarymegastar through the authentification of his oeuvre with a strinkingly lavish over-awardedness.Concurrently, it seeks to probe the hijacking of the majority- if not the totality- of his works by the mighty movie industry which perfecty and faithfully encapsulates the essence of capitalist consumerism. This recuperation inevitably calls into scrutiny the very nature and substance of Ishiguros fiction, besides interpellating us to the canibalizing tendencies of the entertainment business in the West, while at the same time problematizingIshiguros stancecaughtbetween marketability imperatives, audience expectations and authorial integrity.
47
Hamann-Rose, Paul. "New poetics of postcolonial relations: global genetic kinship in Zadie Smith’s White Teeth and Amitav Ghosh’s The Calcutta Chromosome". Medical Humanities 47, n.º 2 (4 de março de 2021): 167–76. http://dx.doi.org/10.1136/medhum-2020-012020.
Texto completo da fonteResumo:
Conceptions of genetic kinship have recently emerged as a powerful new discourse through which to trace and imagine connections between individuals and communities around the globe. This article argues that, as a new way to think and represent such connections, genetic discourses of relatedness constitute a new poetics of kinship. Discussing two exemplary contemporary novels, Amitav Ghosh’s The Calcutta Chromosome (1995) and Zadie Smith’s White Teeth (2000), this article argues further that literary fiction, and postcolonial literary fiction in particular, is uniquely positioned to critically engage this new biomedical discourse of global and interpersonal relations. Ghosh’s and Smith’s novels illuminate and amplify the concept of a cultural poetics of genetic kinship by aesthetically transcending the limits of genetic science to construct additional genetic connections between the West and the Global South on the level of metaphor and analogy. As both novels oscillate spatially between the West and a postcolonial Indian subcontinent, the texts’ representations of literal and figurative genetic relations become a vehicle through which the novels test and reconfigure postcolonial and diasporic identities, as well as confront Western genetic science with alternative forms of knowledge. The emerging genetic imaginary highlights—evoking recent sociological and anthropological work—that meaningful kinship relations rely on biological as much as on cultural discourses and interpretations, especially in postcolonial and migrant contexts where genetic markers become charged with conflicting notions of connection and otherness.
48
Dr. Sangeeta Kotwal. "Encountering The ‘Other’: Diasporic Consciousness in Jasmine and Brick Lane". Creative Launcher 7, n.º 2 (30 de abril de 2022): 102–7. http://dx.doi.org/10.53032/tcl.2022.7.2.13.
Texto completo da fonteResumo:
Bharati Mukherjee and Monica Ali are both diasporic writers, from India and Bangladesh, respectively. Although Mukherjee’s growing up years were spent in India, it was her experience an immigrant in Canada, where she spent almost fourteen years of her life from 1966 to 1980, which provided her with the themes of her novels. The racism she encountered in Canada forced her to focus on issues such as cultural conflict, alienation, and gender discrimination, even gender violence. Her novel Jasmine encapsulates the experience of an Indian female immigrant to the US who despite various odds and hurdles, is able to survive and prevail. Monica Ali, a Dhaka born British writer, takes up gender problems as well as the issues of migrant community of Bangladesh and was hailed as the best of ‘young British novelists’ in 2003 for her debut novel Brick Lane. The novel explores the life of Nazneen, an immigrant in London, who becomes an embodiment of cultural conflict between east and west. The paper aims to bring out the fact that both women protagonists, Nazneen and Jasmine, as immigrants, adapt and survive due to the status of being the ‘other,’ which has been accorded to them since birth. Gender discrimination, which is a part of their life, turns them into fighters and survivors. The ‘otherness’ of their status, helps them acclimatise, while highlighting the commonality of their experience in terms of both, as females and immigrants.
49
Ngwaba, Ijeoma Ann. "Contextualising Identity in Buchi Emecheta’s Kehinde and Chimamanda Adichie’s Americanah". Theory and Practice in Language Studies 12, n.º 9 (1 de setembro de 2022): 1703–10. http://dx.doi.org/10.17507/tpls.1209.01.
Texto completo da fonteResumo:
Recent critical discourse on identity by most writers is geared towards identity negotiation. The reiterations of narratives on identity as a result of racism is suitable to refer to Jacque Derrida’s term, the hauntological as McCorkle suggests, in which “the thing that represents the demise of something also signals its continuation in a different form” (as cited in McCorkle, 2016). Slavery and racism necessitates the quest for identity in most areas affected by such experience. Most Diasporan writers often examine identity, ‘Otherness’, displacement, exile and dislocation which has also become the recurring themes in their literary works. This article is a comparative study on the quest for identity in Buchi Emecheta’s Kehinde (1994) and Chimamanda Ngozi Adichie’s Americanah (2013) and the inherent racism that pervades the entire London and American system. The literary works discuss the complex political and racial framework that has continued to support discrimination that most people of colour face. Thus they chronicle and deconstruct the inherent racism as a result of their quest for identity in a foreign land. Both authors write as a result of the recurring experience during their time which is obviously similar. The paper contends that Adichie’s Americanah focuses on racial concerns on African immigrants while showcasing the protagonist’s blog as an instrument of voice as regards the issue of identity. It further reiterates Kehinde’s efforts in succeeding in London against all odds. The article concludes that African immigrants affirm, and define their identity while reclaiming a space for themselves in the migrant culture.
50
Ramos-Velasquez, Vanessa Maia. "Anthropophagic Re-Manifesto for the Digital Age". Exchanges: The Interdisciplinary Research Journal 7, n.º 2 (30 de janeiro de 2020): 6–16. http://dx.doi.org/10.31273/eirj.v7i2.465.
Texto completo da fonteResumo:
In 2009 I started writing the essay Digital Anthropophagy and its companion piece, the manifesto-poem Anthropophagic Re-Manifesto for the Digital Age. Being an artist from Brazil, I could not escape the cultural mystique of ‘Anthropophagy’. For those unfamiliar with the term, the etymology has a Greek origin dating back to the mythological Kronos (Saturn) eating his own son – ‘Anthrōpophagia’: ‘Anthropos’= human being + ‘phagein’= to eat, i.e., an eating of a human. The words ‘Anthropophagy’ and ‘Anthropophagus’ were transplanted by the European conquistadors in the late 1400s/early 1500s to the land masses renamed ‘America’ and ‘The Caribbean’ at the onset of colonialism. Starting at this period, some native ethnicities of the ‘Amerindian’ populations have been described as practitioners of ritual Anthropophagy and/or Cannibalism. ‘Cannibalism’ itself supposedly finding its root in a misspelling or ironic naming – ‘Canib’[iii] – by Columbus when describing the Carib people of Antilles/Caribbean Islands during his navigational enterprises between 1492-1504.
In 1928, Oswald de Andrade devoured Brazilian colonial history itself writing the ‘Manifesto Antropófago’, an adjective form of the term, meaning a Manifesto that possesses the agency to eat. The proposition of the Brazilian Moderns was to devour what comes from outside (‘First World’ novelties), absorb their useful ‘otherness’ in order to output something uniquely Brazilian. Thus ‘Antropofagia’ is appropriated and forever transformed in the 1920s São Paulo into a Brazilian avantgarde. Antropofagia is considered by some critics to be perhaps the only true Brazilian artistic canon. The concepts of this cultural icon have inevitably impregnated my own artworks, especially in my condition of migrant since the age of 19, living in a constant state of becoming ‘other’ somewhere.