Siga este link para ver outros tipos de publicações sobre o tema: Mass media and art.
Artigos de revistas sobre o tema "Mass media and art"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Mass media and art".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.
1
Karan, Marija. "(Re)positioning art music in contemporary traditional and digital mass media/radio context". New Sound, n.º 56-2 (2020): 49–63. http://dx.doi.org/10.5937/newso2056049k.
Texto completo da fonteResumo:
This paper discusses, actualizes and problematizes the representation and treatment of art music in the context of contemporary mass media radio discourse, in its traditional and digital/internet formats. The thesis is that understanding the content of high culture and art music is key to the social and cultural progress of the audience, and that it implies the clear views of the creator of the work of art music, on the one hand, and the experience of the recipient - that is, the audience, on the other hand. In this context, traditional and digital mass media must continue to act as the main transmitters/mediators of musical creation. Through the prism of art music on the radio, the types and ways of the operation of contemporary (meta) mass media are detected, as well as the effect of the reception of elements of mass/media culture on the audience. The critical-analytical-interpretive method interprets the phenomenon of artistic music on the radio and contributes to the research of the impact on the audience with music as the key parameter of mass media discourse.
2
Li, Xiangyun. "On the Influence of Mass Media on Music Dissemination under the Condition of Digitization". Journal of Education, Humanities and Social Sciences 23 (13 de dezembro de 2023): 902–5. http://dx.doi.org/10.54097/ehss.v23i.15078.
Texto completo da fonteResumo:
Under the condition of digitization, mass media would have entered people's field of vision as a carrier, and has had an important impact on music dissemination. With the continuous and in-depth development of the media industry, the relationship between mass media and music art has become complex, and has an implication on the production, dissemination and popularity of music art. And the paper mainly discusses the role of mass media and the influence of mass media on communication of music, together with analyzing the ways to reinforce the impact of mass media.
3
Hirst, Martin. "Art Silverblatt: Genre Studies in Mass Media. A Handbook". Publizistik 53, n.º 1 (março de 2008): 135–36. http://dx.doi.org/10.1007/s11616-008-0030-9.
Texto completo da fonte
4
Lopes, Fernando Augusto Silva. "Media, art and technology: a contemporary reflection". Comunicação e Sociedade 31 (29 de junho de 2017): 299–310. http://dx.doi.org/10.17231/comsoc.31(2017).2619.
Texto completo da fonteResumo:
This article is based on a report about cultural industries and their reflexes on media saturation. From that point, a reflection on technology, media and contemporary arts is presented, especially on the role of the body in the manifestation of art. This work seeks to ratify the influence of technology, of mass media and of information over the construction of the contemporary cultural values. It also provides a reflection on current contemporary artistic practices as elements that seek to evidence and question the standardizing influence of mass media and of the market. The background for the development of this article is the evolution of technologies, which expand the commodification of culture and make possible the deep social and cultural changes experienced in contemporary Western society. Finally, it is outlined a brief analysis of cultural identities and diversities in the teleinformatics era.
5
Shubina, E. L. "HEDGE APPROXIMATORS AS PROFESSIONAL TOOLS OF GERMAN MASS MEDIA DISCOURSE". Professional Discourse & Communication 1, n.º 1 (29 de maio de 2019): 83–98. http://dx.doi.org/10.24833/2687-0126-2019-1-1-83-98.
Texto completo da fonteResumo:
The purpose of this paper is the analysis of German mass media texts to investigate into hedge approximators. Synonymous analytical constructions eine Art … (a kind of); so etwas wie …; (so) etwas Ähnliches wie … are used to achieve certain pragmatic purposes the discourse of mass media. The most frequent word combination is eine Art... . The structural organization of such combinations is regulated by specific rules. The majorities of nominal groups of the eine Art N type without an attribute preceding the main component (eine Art Glück) do not allow to determine the case of the second noun in modern German. Nouns of all three genders, including noun of the weak type of declination, do not have inflexions. The case form of the main word in the phrase is revealed by expanding the cluster with an attribute. The basic types of such constructions are constructions with the genitive case (eine Art gemeinsamen Traums), construction with the preposition von and a noun in the dative case (eine Art von gemeinsamem Traum) and constructions with the case agreement between the two parts of the nominal group (in einer Art gemeinsamem Traum). The distribution of these types of constructions in the contemporary German language is determined in essence by grammatical factors, namely by the oblique form of the “auxiliary” noun and also by the number and by the semantic class of the second noun. All three synonymous clusters are used both with concrete and abstract nouns. These hedge markers make possible for authors of articles to limit the degree of confidence or doubt about the authenticity of the described fact, since sometimes there is no information about the nominated object, the risks of an erroneous statement being significantly minimized. Hedge markers show that the author is detached, careful, diplomatic and aims at avoiding conflictual situations.
6
Zhao, Hui wen, e Yi nong Tian. "Optimization study of media creation ideas based on the new media environment". SHS Web of Conferences 167 (2023): 02015. http://dx.doi.org/10.1051/shsconf/202316702015.
Texto completo da fonteResumo:
Nowadays, new media are being used in more and more fields, most notably in the communication industry, with endless online media and ever-evolving cell phone terminals appearing in our lives all the time and becoming an essential part of our lives. Under the influence of this background, the creation and dissemination of art have gradually become dependent on new media and have begun a profound transformation. On the one hand, the new media has promoted the circulation of art, making the originally niche art categories to the mass market; on the other hand, the expanding market and audience also play an important role in influencing art creation. Therefore, the creative thinking of art creators nowadays will also change accordingly with the change of the background of the times.
7
Проценко, Е. А. "ART OR ISKUSSTVO? PECULIARITIES OF RECODED LEXICAL ITEMS ASSIMILATION IN MASS MEDIA". НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, n.º 1(57) (17 de março de 2023): 33–44. http://dx.doi.org/10.36622/vstu.2023.39.58.002.
Texto completo da fonteResumo:
Постановка задачи. Проблема использования лексики иноязычного происхождения не теряет своей актуальности на протяжении последних десятилетий из-за масштабного «нашествия» англо-американизмов. В статье ставится задача проанализировать слова иноязычного происхождения, широко используемые в современной прессе, но еще не вошедшие в систему русского языка. В качестве отдельного объекта исследования выделяются лексические единицы, образованные в результате межъязыкового перекодирования с иностранного языка. Результаты. В ходе исследования на материале современных газетных текстов было выявлено более 5000 словоупотреблений лексемы «арт». Перекодированная лексика подвергалась комплексному качественно-количественному анализу в плане графики, семантики, синтактики и стилистики. Выявлены признаки освоения перекодированной единицы не только на графическом, но и на морфологическом, синтаксическом и семантическом уровнях. Отмечаются некоторые особенности графической репрезентации иноязычной лексемы в зависимости от языка-источника. Установлено, что лексика иноязычного происхождения приобретает ряд особенностей, не свойственных языку-источнику, еще до вхождения в систему принимающего языка Выводы. По результатам исследования автор делает вывод о том, что формальное перекодирование означающего представляет собой лишь начальный этап освоения лексики иноязычного происхождения. Перекодированная лексика подвергается освоению также на уровне морфологии и синтаксиса, претерпевает некоторые изменения семантики. Анализируемая лексика представляет таким образом потенциальный запас лексических единиц, которые могут войти в состав современного русского языка. Problem statement. The problem of using foreign words is still relevant for the last decades due to a wide-spread “invasion” of Anglicisms and Americanisms. The article presents the analysis of foreign words that are widely used in modern press but not considered as a part of the Russian language system. Lexical items recoded into Russian from a foreign language are determined as a specific object of study. Results. More than 5000 examples of using the word «art» in modern Russian newspapers have been revealed during the research. A complex quantitative and qualitative analysis in regards to graphics, semantics, syntactics and stylistics has been provided. Some features of recoded words assimilation at graphic, morphologic, syntactiс and semantic levels are presented. Some peculiarities of graphic representation of foreign words depending on the language source are noticed. It has been found that recoded words receive some characteristics not given in their language source even before they enter a system of the recipient language. Conclusion. The author comes to the conclusion that formal recoding of the significant is only an initial stage of foreign words assimilation. The recoded lexical items go through the process of language acquisition not only at graphic but also morphologic and syntactic levels as well as they undergo some semantic changes. Thus the words in focus represent potential reserves that can become parts of modern Russian language.
8
Chang, Zhou, Norfadilah Kamaruddin e Wan Samiati WMD. "Analysis of Mass Media Influences on British Contemporary Art: A Turner Prize perspective". Environment-Behaviour Proceedings Journal 7, SI7 (31 de agosto de 2022): 135–39. http://dx.doi.org/10.21834/ebpj.v7isi7.3773.
Texto completo da fonteResumo:
Turner Prize has grown from an unattended state to an authoritative art festival. Besides the innovation of its own evaluation criteria, it also benefits from the extensive involvement of the media in the Turner Prize. The upsurge of visits and public discussion caused by this changed the cultural influence of contemporary art on the public, promoted the prosperity of the art market, and gave birth to new art forms. This paper attempts to analyse the positive and negative influences of mass media on British contemporary art from the Turner Prize and mass media. Keywords: Contemporary Art; Mass media; Turner Prize; Art Market eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI7%20(Special%20Issue).3773
9
Skilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing". Pacific Journalism Review : Te Koakoa 14, n.º 2 (1 de setembro de 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.
Texto completo da fonteResumo:
The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing.
This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent art writing.
10
Ahmed, Mohamed. "The Social Perspective in the Study of Mass Media Audience". Journal of King Abdulaziz University-Arts and Humanities 1, n.º 1 (1988): 63–92. http://dx.doi.org/10.4197/art.1-1.5.
Texto completo da fonte
11
Barker, Deborah E. "Visual Markers: Art and Mass Media in Alice Walker's Meridian". African American Review 31, n.º 3 (1997): 463. http://dx.doi.org/10.2307/3042573.
Texto completo da fonte
12
Leite, Rui Moreira. "Flávio de Carvalho: Media Artist Avant la Lettre". Leonardo 37, n.º 2 (abril de 2004): 150–58. http://dx.doi.org/10.1162/0024094041139175.
Texto completo da fonteResumo:
This paper examines the work of Brazilian artist Flávio de Carvalho (1899-1973) from the perspective of contemporary media art, highlighting his practical and theoretical legacy. Initially associated with the Anthropophagy art movement, Carvalho used mass media creatively and incorporated insights from psychology, sociology and anthropology into his art. He realized events that went beyond “performance art,” including a pioneering presentation on television in 1957. This article offers a brief overview of Carvalho's trajectory.
13
Bain, Ellen. "Art of Persuasion". Digital Literature Review 10, n.º 1 (18 de abril de 2023): 28–35. http://dx.doi.org/10.33043/dlr.10.1.28-35.
Texto completo da fonteResumo:
Gillian Flynn’s 2012 novel Gone Girl portrays the story of a wife, Amy, whose suppressed resentment and dysfunctional marriage cause her to frame her husband, Nick, for her murder. This essay seeks to analyze the common rhetorical devices of emotional appeal, credibility, and common logic utilized by Amy Dunne’s character in the novel to manipulate other characters and media into believing that her husband killed her. It will also analyze how she uses those same rhetorical devices to attempt to convince the readers that her actions in framing her husband for her murder were justified. This analysis won’t solely focus on how she goes about persuading the characters, media, and the audience; It will also analyze why it was so easy for her to do so. As a result, this essay will reveal the power that mass media and public perception hold in regard to criminal justice cases, and how this pressure from the media corresponds with a present-day bias favoring privileged white women in America's criminal justice system.
14
THEOLOGOU, KOSTAS, YOULI RAPTI, PETER FETTNER e YOULI PAPAIOANNOU. "ART AND COMMUNICATION AS A NOVEL EXPERIENCE IN MODERN CULTURE". Arhe 26, n.º 32 (18 de junho de 2020): 141–67. http://dx.doi.org/10.19090/arhe.2019.32.141-167.
Texto completo da fonteResumo:
In this paper we discuss the deadlocks of defining art in modern culture. The lack of criteria and modernism revisited are of crucial issue in this account. The theoretical mainframe of our approach is founded on the Frankfurt School thinkers (Max Horkheimer, Theodor Adorno, Walter Benjamin), and of course Jürgen Habermas. This theoretical apparatus also draws on contemporary accounts given by Sorbonne Professor Marc Jimenez and art critic John A. Walker.[1] The paper discusses whether fine art may survive, in what forms – and to what purpose – in an age of mass media and in conditions of rapid networked communication. The paper sets off from the critical role radical art plays in today’s divided yet global world and on the continuing debates between high art and low culture, but reflects on the interaction between art, media and technology.
To support our argument we suggest Body Art and other web/digital and technological applications in art, and the cyber-art currently being produced for the internet. The paper acknowledges the numerous interactions between art and culture in a postmodern pluralistic world, and draws from the vast range of contemporary works of art to illustrate and to criticize theoretical points. The true test of theory in aesthetics is their application to particular cases. When a theory shows limitations in such an application, we gain clues as to what theoretical adjustments or innovations are called for to accommodate today’s works.
The introductory part of the essay comprehensively surveys recent debates on works of art, mass culture and society, and their socio-philosophical significance. The main discussion refers to the work of Walter Benjamin and Jürgen Habermas, aptly commented on by Marc Jimenez;[2] after exploring the complex relationships between culture and art as it’s reflected in that work, the argument provides an account of the 1980s political turn in aesthetics and explicates the impact of new communication technologies in modern culture. The narration is enhanced by specific examples of works of art in the era of mass media, web and digital culture, and underlines both the styles’ pluralism and the variety of parameters affecting the interaction between art and mass media communication. Critical findings and suggestions for further research conclude the paper.
[1] Marc Jimenez, Qu’est-ce que l’esthétique, Paris: Gallimard, 1997; John A. Walker, Art in the Age of Mass Media, London: Pluto, 2001.
[2] Jimenez, Ibid.
15
Potash, Jordan S. "Fast Food Art, Talk Show Therapy: The Impact of Mass Media on Adolescent Art Therapy". Art Therapy 26, n.º 2 (janeiro de 2009): 52–57. http://dx.doi.org/10.1080/07421656.2009.10129746.
Texto completo da fonte
16
Dahmen, Nicole Smith. "From the Walls to the Web: Media Aesthetics, Technological Innovation, and Audience Attention to Artwork Representations". International Journal of Art, Culture and Design Technologies 5, n.º 2 (julho de 2016): 30–48. http://dx.doi.org/10.4018/ijacdt.2016070103.
Texto completo da fonteResumo:
Aesthetic theory considers the reciprocal relationship between the creator, the object, and the viewer of an artwork. When viewing artworks on a museum website, a new element is added to the aesthetic model: the mass-mediated representation of the art object. This research brings together art and media theory, as well as technological understanding, to study mass-mediated presentations of artworks and to gauge audiences' visual attention to artworks based on differences in media presentations. Study findings indicate that art museums are generally showing rigor for visual displays of their artworks on their websites, thereby providing a legitimate visiting experience for their virtual patrons. However, regarding technology, art museum websites are not fully embracing web capabilities. Eyetracking data provide empirical evidence of the effects of certain changed aesthetic variables in the viewing experience. From a theoretical perspective, the research showed how aesthetic theory can be placed within a media aesthetic theory model to study the mass mediated viewing experience.
17
Gordienko, Natalia N. "Enlightenment activities of modern mass media". Vestnik of Kostroma State University 28, n.º 1 (20 de abril de 2022): 123–28. http://dx.doi.org/10.34216/1998-0817-2022-28-1-123-128.
Texto completo da fonteResumo:
The enlightenment activity of the media is aimed at raising the cultural level of people, is associated with the dissemination of information, knowledge, norms and values from the field of intangible production. The purpose of the article is to describe the main directions of enlightenment activities of the media. It talks about the importance of the enlightenment function of journalism and how to implement it. Informing consists in familiarising society with any facts or results of intellectual activity – politics, philosophy, religion, science, culture, art. These data contain socially significant knowledge, norms, values and correspond to humanistic tendencies of social development. Popularisation means the presentation of information in a form accessible to a mass audience. Media criticism is considered in the article as the ability to evaluate, analyse, interpret media content. Propaganda as a type of enlightenment activity is aimed at spreading knowledge and other information in order to form certain views, ideas, principles. The materials published in the weeklies “Rossiyskaya Gazeta” (Russian Gazette), “Argumenty i Fakty” (Arguments and Facts), “Literaturnaya Gazeta” (Literary Newspaper) are involved in the research. The main attention is paid to the current state of enlightenment in the press, its impact on the social role of journalism.
18
Puspitasari, Fingky Ayu, e Ayub Dwi Anggoro. "Semiotic analysis of gender bias in news coverage of Reog Ponorogo art". Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 8, n.º 1 (28 de março de 2024): 163–72. http://dx.doi.org/10.25139/jsk.v8i1.7057.
Texto completo da fonteResumo:
The focus of this research is to analyse the semiotic meaning conceptualised by Roland Barthes, which includes denotative and connotative meanings. This also delves into the myths constructed by the media-related representation of gender switching in Jathil Dancers in Reog Ponorogo and its relationship with the Media Coverage of Gemblak. Researchers extracted data by collecting news from mass media portals that discussed Gemblak Ponorogo. The results showed that mass media significantly maintains people's views on culture and tradition. In Roland Barthes' semiotic analysis, some media employ negative language that can influence a negative view of Gemblak. The media, with its point of view, news sources, and characterisation of those in the news, can significantly affect people's perceptions, and it continues to maintain these assumptions until now.
19
Zhang, Yunhe. "A Study on the Potential of UGC New Media Platforms for Art Education: A Case Comparison Based on Wikipedia and Bilibili". Korean Association For Learner-Centered Curriculum And Instruction 23, n.º 15 (15 de agosto de 2023): 979–90. http://dx.doi.org/10.22251/jlcci.2023.23.15.979.
Texto completo da fonteResumo:
Objectives The purpose of this study is to explore how art education can be achieved in user participation in editing content and comments by comparing new media platforms under the UGC model-Wikipedia and Bilibili.
Methods For this, a case comparison method was applied to Wikipedia and Bilibili, two new media sites that follow the UGC model. The two platforms were compared by carefully examining a number of factors, including media editing techniques, knowledge linkages, and media participants. To gather data and gain comprehensive insights into the Wikipedia and Bilibili platforms, this research identified and compared the similarities and differences between the two based on relevant information, including content characteristics and user interaction patterns.
Results The results of the study are as follows. First, for users, sharing their opinions about an artist or an art work or gaining art knowledge by editing text is an act of thinking about art-related content or information afterwards, which itself has the meaning of art education. Second, for the platform operator, it can expand the influence of the platform and attract more groups to participate in the activities of the platform, which is also an act of mass communication of art. Third, in today's visual information explosion, it is necessary to further consider how text editing and visual information can be better combined in the UGC platform to make more contributions to art education for the public.
Conclusions Based on the results of the analysis, the significance of the new media platforms in the UGC model- Wikipedia and Bilibili-for art education and the potential for development are illustrated. By conducting a comparative analysis, the similarities and differences between the two can be identified, allowing for a comprehensive understanding of their characteristics, benefits, and drawbacks. This can provide valuable insights for the development and utilization of art education through new media platforms.
20
Shechtman, Anna. "The Medium Concept". Representations 150, n.º 1 (2020): 61–90. http://dx.doi.org/10.1525/rep.2020.150.1.61.
Texto completo da fonteResumo:
In the second half of the twentieth century, in the very decades when the concept of “media” entered the vernacular, the “medium concept” began to shape American art criticism and curation. This was no coincidence: “mediums” emerged as a category for the organization and appreciation of art as the dialectical counterpart to media, and in response to the cultural imperialism of its mass-produced forms. As art became increasingly public, mediums became the public face of art.
21
Svitich, Luisa, Olga Smirnova e Mikhail Shkondin. "Social Creation and Media Publicity". Theoretical and Practical Issues of Journalism 8, n.º 2 (24 de maio de 2019): 229–43. http://dx.doi.org/10.17150/2308-6203.2019.8(2).229-243.
Texto completo da fonteResumo:
The article discusses the problems of formation of a model of informational impulse-wave interaction of society and mass media within a system of social creativity, which were suggested by A.P. Sukhodolov and co-authors, as well as characterizes systematic properties of media publicity as a factor of social creativity on the current civilization stage. Media publicity is analyzed as an informational phenomenon closely related to social art, to creativity of social practice, to interaction within society providing unity of thought and action, to intellectual interaction within a society, to enrichment of the intellect of audience groups based on continuously updated media reality in the informational potential of mass media.
22
Lipskiy, Vladimir N. "Development and transformation of mass culture". Yaroslavl Pedagogical Bulletin 5, n.º 122 (2021): 218–25. http://dx.doi.org/10.20323/1813-145x-2021-5-122-218-225.
Texto completo da fonteResumo:
The article shows that the phenomenon of mass culture in its current understanding is proceeded by a period of formation. Having begun its transformation with various kinds of mass spectacles even before our era, mass culture only by the middle of the XX century took shape into a modern kind of cultural practice. It is stated that for a long period, mass and «high» art were in opposition, since their value principles contradicted each other. At the same time, there comes a period in the development of mass culture when it needed «fresh» blood for its effective impact on the mass consciousness in the future, and in this situation its interested parties turned their eyes to «high» art. The article suggests that this metamorphosis had a commercial background, but at the same time this transformation marked a new stage in the formation of the analyzed phenomenon. It is shown that having entered into interaction with «high» art, mass culture not only transforms itself, under its influence, but also in a peculiar way initiates changes in the elite art itself. Attention is fixed on the fact that themovement of mass culture resembles a kind of pendulum fluctuations, which are influenced by the system of values that have developed within the framework of the social structure, and the course of the socio-historical process. Depending on this, the use of mechanisms embedded in mass media and mass communication media can transform it into a phenomenon that manifests itself in various ways. This is shown in the article on the material of the use of mass culture as an educational tool at various stages of development: both during the USSR and during the coronavirus pandemic in the 20s of the XXI century, as well as on the material of the use of mass culture mechanisms on political technologies to manipulate public consciousness.
23
Protsenko, E. A. "ART OR ISKUSSTVO? PECULIARITIES OF RECODED LEXICAL ITEMS ASSIMILATION IN MASS MEDIA". Modern Linguistic and Methodical-and-Didactic Researches, n.º 1(40) (31 de dezembro de 2023): 24–33. http://dx.doi.org/10.36622/mlmdr.2023.21.67.002.
Texto completo da fonteResumo:
Problem statement. The problem of using foreign words is still relevant for the last decades due to a wide-spread “invasion” of Anglicisms and Americanisms. The article presents the analysis of foreign words that are widely used in modern press but not considered as a part of the Russian language system. Lexical items recoded into Russian from a foreign language are determined as a specific object of study. Results. More than 5000 examples of using the word «art» in modern Russian newspapers have been revealed during the research. A complex quantitative and qualitative analysis in regards to graphics, semantics, syntactics and stylistics has been provided. Some features of recoded words assimilation at graphic, morphologic, syntactiс and semantic levels are presented. Some peculiarities of graphic representation of foreign words depending on the language source are noticed. It has been found that recoded words receive some characteristics not given in their language source even before they enter a system of the recipient language. Conclusion. The author comes to the conclusion that formal recoding of the significant is only an initial stage of foreign words assimilation. The recoded lexical items go through the process of language acquisition not only at graphic but also morphologic and syntactic levels as well as they undergo some semantic changes. Thus the words in focus represent potential reserves that can become parts of modern Russian language.
24
Belousova, Daria S. "The Impact of Cultural Industries on the Development of Performative Art in the Regions". Observatory of Culture 20, n.º 3 (14 de julho de 2023): 302–12. http://dx.doi.org/10.25281/2072-3156-2023-20-3-302-312.
Texto completo da fonteResumo:
The article examines the development of contemporary performative practices in the regions and the influence of cultural industries on them. The concepts of “performance art”, “art activism”, and “happening” are discussed. The dichotomy of exclusive/ mass is revealed: performative art is an exclusive personified creative act, and mass art is presented in the form of typical standardised works that are available for the general public. The question of cultural institutions is highlighted and their influence on the development of actual art in regions and the formation of cultural identity of the city is analysed. The author considers the problem of institutional critique as a tool for the development of cultural industries, confirming a hierarchical vertical hierarchy and levelling the work of artists in a situation of insecurity. There are given examples of how performative art forms cultural environment and becomes a trigger for development of regional cultural industries, creating around itself a field of scientific and philosophical discourse and involving the fields of mass-marketing, advertising, media and related financial components. The author analyses the process of globalisation and demonstrates the most effective way for regional contemporary art to integrate into the general cultural process - to offer innovative forms. Examples of successful implementation of this method are given.
25
Parajuli, Pradip. "Information, Communication and Mass Media; A Positive Outlook". Historical Journal 11, n.º 1 (1 de agosto de 2020): 26–33. http://dx.doi.org/10.3126/hj.v11i1.34632.
Texto completo da fonteResumo:
Mass media was gifted on the Nepali soil early as one and half century ago. We have no longer history on mass media and journalism as other countries compared to the four and half century long history of world journalism, the history of Nepalese mass media and journalism is undoubtedly a recent phenomenon. The art and science of using information to one's advantage is one of the keys to influence and power in any society. As a matter of fact man alone has the capacity to generate information through new symbols, and to share the meaning of these symbols with fellow men. One may even look with advantage at human history through the information/ communication prism.
It is the history of an ever-increasing capability to create new generated information and shares it with others to their mutual advantage to ward off danger, to inform about the new opportunities, etc. In brief, information/ communication are the key to organized human life.
26
Borgen, Maibritt. "Fundamental Feedback: Öyvind Fahlström's Kisses Sweeter than Wine". ARTMargins 4, n.º 3 (outubro de 2015): 17–39. http://dx.doi.org/10.1162/artm_a_00121.
Texto completo da fonteResumo:
The article analyzes Öyvind Fahlström's (1928–1976) performance Kisses Sweeter Than Wine, which took place as part of the festival 9 Evenings: art&engineering in New York (1966). It situates the performance's use of multimedia material as continuations of earlier investigations into manipulating language that played a central part in the artist's practice of both visual art and concrete poetry. It further argues that in Kisses Sweeter Than Wine such manipulations form a series of ruptures into the wider circulation of mass-media images, ruptures that locate Fahlström's use of media images in relation to both Pop Art and the beginning media activism under the Vietnam War.
27
Zayyrbekova, Aychurok. "FREQUENCY OF AGGRESSION IN THE MASS MEDIA". Applied psychology and pedagogy 6, n.º 1 (17 de dezembro de 2020): 97–105. http://dx.doi.org/10.12737/2500-0543-2020-97-105.
Texto completo da fonteResumo:
The article examines the frequency of the content of aggression in the media and its impact on the human psyche. The article presents the results of a study of the frequency of manifestation of aggression in the media, using the method of quantitative content analysis, which is based on the study of the content of any documents, media materials, literature, works of art, personal and official documents. As an object of research, we identified the frequency of manifestation of aggression, the material of the study is a random sample of 7 films ("The Great Gatsby", "Pompeii", "State Councilor", "The Third Extra", "The Diary of Memory", "Law Abiding Citizen" and "Bruce omnipotent"). The units under study are movie episodes, which we have divided into 7 categories: open manifestation of aggression (verbal and non-verbal); display of humor; unreal situations (fantasy); manifestation of sentimentality; neutral and positively oriented neutral plots; narration; manifestation of fear. Having considered all the units of study of a random sample of movies, we came to the following conclusion: aggression is one of the most common categories on television. According to the results of the study, it can be assumed that one of the reasons for the aggressiveness of modern society is the presence of a large amount of negative information in the media, this is due to the fact that a person tends to "absorb" and copy forms of behavior "from the screen", in particular, this applies to children aged up to 12 years old.
28
Mazzone, Marian. "Andy Warhol: Computational Thinking, Computational Process". Leonardo 53, n.º 2 (abril de 2020): 179–82. http://dx.doi.org/10.1162/leon_a_01574.
Texto completo da fonteResumo:
This article positions Andy Warhol as a model for computational thinking and art-making, linking him to concepts in new media art. Warhol's work is analyzed for its variability in form generation and output, both in painting and on the early Amiga computer. His work becomes a simulation of the abstraction of process and methods of production familiar to us in electronic computational art of today. Rather than seen as banal mass production on the modern assembly line, Warhol's work can be seen as inspiration for new media arts practitioners.
29
Dwan, David, e Emilie Morin. "Introduction: Yeats and Mass Communications". International Yeats Studies 3, n.º 1 (1 de novembro de 2018): 1–13. http://dx.doi.org/10.34068/iys.03.01.01.
Texto completo da fonteResumo:
W. B. Yeats’s pursuit of an audience led him into the world of mass media—a landscape populated first by newspapers and later by radios, which he learned to navigate with shrewdness and skill. The purpose of this special issue is to examine Yeats’s various ventures in mass communication. Enlisting a broad range of critical approaches, contributors to this volume show how the demands of print journalism and radio broadcasting informed Yeats’s poetics, his thinking about the social vocation of art, and his ideas about how literature might be best received and structured. The essays also examine the reception and legacies of Yeats’s experiments with mass media, showing how he was at once self-consciously archaic and exultantly avant-garde. This article provides an introduction to this special volume of International Yeats Studies and attendant critical concerns.
30
Kaloev, Alan Tarielovich, e Elena Vladimirovna Lashcheva. "Academic and mass genres in the works of M. Magomayev". Культура и искусство, n.º 2 (fevereiro de 2023): 43–54. http://dx.doi.org/10.7256/2454-0625.2023.2.37826.
Texto completo da fonteResumo:
This article examines academic and mass genres in the work of the legendary singer of the Soviet pop music Muslim Magomayev. The subject of study is the musical creativity of M. Magomayev. The purpose of the study is the role of the creative heritage of a gifted singer, as well as understanding the value of his concert and artistic activities in the process of formation of the musical and artistic layer of the second half of the twentieth century, identifying the features of his musical language. The theoretical basis of the research was the works of M. Magomayev [16, 17, 22, 23], V. I. Antonova, A. N. Huseynova, V. V. Dubovsky, I. I. Nazarova, I. F. Sokolova, N. Reliable, R. Ramazanova, S. Belza, etc. The methodological basis of the work was the research of: M. Aranovsky [1], B. Asafiev [2], A. Iskanderova [7], L. Kazantseva [9], T. Lev [12], M. Lobanova [13], I. Mayevskaya [18], M. Mikhailov [19, 20, 21], E. Nazaikinsky [26, 27, 28, 29], S. Skrebkova [38], A. Sokolova [39], A. Sokhor [41, 42, 43], A. Zucker [47, 48], V. Zuckerman [49]; works on the problems of musical dramaturgy by Yu. Keldysh [10, 11], A. Selitsuogo [36], I. Sollertinsky [40], T. Chernova [50, 51]. The scientific novelty of the study is determined by the fact that for the first time the role of the performing interpretation of M. Magomayev's musical heritage is revealed, the stylistic features of the performer, the musical language of his songs and individual manner are revealed. The conclusions of this article may be useful in creating an educational and methodological base for the training of qualified specialists in the field of musical art. Also, in the study of the history of Russian pop music, and in the training of teaching staff in the field of music education. This problem can be introduced into the conservatorial disciplines of the historical, theoretical and methodological cycle for the specialties: musicology, musical art, pop and jazz singing.
31
Baragona, Alan. "Medievalism, Politics and Mass Media: Appropriating the Middle Ages in the Twenty-first Century by Andrew B.R. Elliott". Arthuriana 28, n.º 1 (2018): 74–76. http://dx.doi.org/10.1353/art.2018.0007.
Texto completo da fonte
32
Song, Mi Sook. "Combination of art and technology: The aesthetics of borrowing from media art". Liberal Arts Innovation Center 13 (30 de novembro de 2023): 45–67. http://dx.doi.org/10.54698/kl.2023.13.45.
Texto completo da fonteResumo:
This study examines aspects of appropriation art using mechanical and digital reproduction and reconsiders its aesthetic signifi cance. In addition, we looked at the new direction of liberal arts education by examining how the beauty and aesthetics of borrowed works help a different appreciation and understanding of classical paintings.
Modern art has continued to spread and develop into new art through its encounter with media following the development of science and technology. Media art, a form of combining media with art, generally refers to the introduction of various mass media such as photography, TV, video, and computers into art.
Appropriation art, which emerged as a result of the development of media, is the creation of new works by using and transforming images of other people's works. The essence of borrowed art is that it creates a multilayered aesthetic of familiarity and newness seen in borrowed works, creating an aesthetic that is diff erent from the original work. It lies in manifesting.
Recently, images from traditional paintings have been copied and used as important motifs in Korean contemporary art. Borrowing traditional paintings in media art can present a new methodology for art education. For example, in the case of Lee Lee-nam's work <New Geumgangjeondo> (2009), the original image is exposed at the beginning of the video, and the composition and structure of the original work, which is considered familiar, is perceived again. This changes from superfi cial recognition of the original work to actual recognition. You can create an opportunity to do so. After appreciating the work with learners, time to analyze and discuss the original work can lead to new refl ections on the original work. In addition, by allowing learners to freely copy and modify traditional paintings using digital technology, it can stimulate a serious attitude and interest in the original work. Through this, it is judged that there will be enough room to break away from the traditional appreciation attitude based on contemplation and become an active subject of appreciation. Therefore, borrowed art can be expected to expand the scope of learners' aesthetic experience and provide a new experience of appreciating original works as a viable methodology in art education.
33
Marinach, Carine, Marie-Christine Papillon e Claude Pepe. "Identification of binding media in works of art by gas chromatography–mass spectrometry". Journal of Cultural Heritage 5, n.º 2 (abril de 2004): 231–40. http://dx.doi.org/10.1016/j.culher.2003.12.002.
Texto completo da fonte
34
Makulbekov, А., e T. Dronzina. "THE ART AUDIENCE AS A CULTURAL PHENOMENON". Adam alemi 89, n.º 3 (30 de setembro de 2021): 16–23. http://dx.doi.org/10.48010/2021.3/1999-5849.02.
Texto completo da fonteResumo:
Despite some theories based on the concept of “arts for art” and denying the connection with the public, in trend art cannot exist in Russia without the public. Only through the public art transmit an artistic message and realize its social functions. Re- lations with the public especially determine the development of art, the conditions for the existence of its institutions. Therefore, they always remain among the main subjects in the studies of the social functioning of art, bringing to the foreground one or another aspects of interaction. Modern civilizational trends are globalization, urbanization and the information technology rev- olution - which contributed to the rapid development of mass communication media, opened up unprecedented opportuni- ties for introducing wider masses to culture and art, turned art into an element of everyday life of a mass person.
35
Setiaji, Rony Siswo. "SMARTPHONE MEDIA BERKARYA SENI MASA KINI". Imaji 18, n.º 1 (30 de abril de 2020): 72–78. http://dx.doi.org/10.21831/imaji.v18i1.27826.
Texto completo da fonteResumo:
Dunia telah memasuki Era Revolusi Industri 4.0. Era dimana terjadi percepatan teknologi dan digitalisasi dalam berbagai bidang. Informasi, komunikasi, interaksi, transaksi dan edukasi dapat dilakukan hanya dalam genggaman layar smartphone. Begitu pula dalam menciptakan sebuah karya seni dan desain dapat memanfaatkan teknologi smartphone. Berdasarkan studi pendahulan yang dilakukan peneliti yaitu sekitar 80% mahasiswa seni rupa dan desain tidak menggunakan teknologi smartphone untuk berkarya seni. 60 % dari mereka tidak mengenal aplikasi smartphone yang dapat dimanfaatkan untuk berkarya seni. Tulisan ini bertujuan membahas peran penggunaan teknologi khususnya smartphone dalam kegiatan berkarya seni dan desain. Berikutnya, juga membahas berbagai aplikasi untuk berkarya seni kreatif seperti filpaclip, medibangpaint, procreate, sketchbook, artflow, infinite design serta adobe ilustrator. Terakhir, tulisan ini membahas tentang bisnis karya seni dan desain online melalui berbagai alamat website yang dapat diakses menggunakan layar smartphone. Diharapkan mahasiswa seni rupa dan desain dapat memanfaatkan perkembangan teknologi tidak hanya untuk kepentingan pribadi semata, namun juga kegiatan berkarya seni kreatif serta dapat menghasilkan income.Kata Kunci: Seni, Desain, Teknologi, Smartphone, Digital SMARTPHPONE, A MEDIA FOR CREATING VISUAL ART AND DESIGN NOWADAYS Abstract The world has entered the Industrial Revolution Era 4.0. The era where technology accelerated and digitalized in various aspects. Information, communication, interaction, transactions and education are done via a smartphone. In creating a work of art and design can be done with smartphone technology. However, based on the preliminary study conducted by researcher, around 80% of art and design students do not use smartphone technology to create art. 60% of them are not familiar with smartphone applications that can be used to create art. The objective of this paper is to discuss the role of the use of technology, especially smartphones in the work of art and design. Next, discuss various applications to create creative arts such as filpaclip, medibang paint, procreate, sketchbook, artflow, infinite design and adobe illustrator. Finally, this paper discusses the online art and design business through various website addresses that can be accessed using a smartphone screen. So it is expected that fine arts and design students can take advantage of technological developments not only for personal gain, but also for creative arts activities and can generate income. Keywords: Arts, Design, Technology, Smartphone, Digital
36
Kitnick, Alex. "Massage, c. 1966". October 159 (janeiro de 2017): 86–102. http://dx.doi.org/10.1162/octo_a_00283.
Texto completo da fonteResumo:
Tied to the body, the word “massage” in the mid-1960s was also associated with media, as well as the idea of mass manipulation. Framed through the work of the media theorist Marshall McLuhan and the artist Claes Oldenburg, this essay considers the intersections between media theory and body and performance art.
37
Ivshin, Konstantin, e Ekaterina Kudelina. "Digital visual modelling of educational virtual media". E3S Web of Conferences 389 (2023): 08011. http://dx.doi.org/10.1051/e3sconf/202338908011.
Texto completo da fonteResumo:
The modern educational process exists in an interactive information world. Modelling educational virtual media for mass involvement of learners in the process of formation of relevant competences. Digital visual art approaches form a holistic visual image of a virtual medium to actualize the subject of learning for learners. Examples of the implementation of the approaches in the creation of virtual media by Boxglass (Izhevsk) in educational institutions are described.
38
Havrilova, Liudmula, Olena Beskorsa e Olena Ishutina. "Designing a Distance Course for Developing the Art Teachers’ Media and Information Literacy". Educological discourse 43, n.º 1 (2023): 22–39. http://dx.doi.org/10.28925/2312-5829.2023.12.
Texto completo da fonteResumo:
Currently, media literacy is a necessary component of the general information culture of a person, which becomes absolutely crucial in the conditions of Russia’s military aggression and the harsh realities of the Ukrainian information space with numerous examples of spreading untrue, unverified, and “fake” information. In recent years, the concept of “media information literacy” (MIL) has become normalized in scientific circulation. It implies recognition of the leading role of information and media in everyday life, enables citizens to understand the functions of mass media and other information providers, critically evaluate their content and make informed decisions. In the documents of UNESCO and the European Commission, the concept of MIL is used as a universal term that denotes a set of knowledge, attitudes, abilities, and skills that allow access to information and knowledge, analyse, evaluate, use, create and disseminate them with maximum productivity in accordance with legislative and ethical standards and with respect for human rights. The article highlights the process of designing the distance course “Media Literacy in Art Classes” for teachers of general secondary education institutions that teach the courses of the art cycle, in particular, the integrated course “Art”. Scientific sources and legal documents were analysed to clarify the essence and modern interpretation of the concept of “media information literacy”; a number of mass open online courses on media literacy were considered; a survey of art teachers was conducted. According to the results of the survey, 6 topics, which were the most interesting to the respondents, were selected and the structure of the distance course, designed for 30 hours, 1 ECTS credit, was formed. The content of the course includes the study of the peculiarities of perception and critical evaluation of visual and audiovisual arts, as well as various aspects of the impact of media arts on the content of media messages. The course can be offered to teachers, especially teachers of primary school and courses in the educational field “Art”, as a certification programme in the system of advanced training.
39
Tuters, Marc, e Kazys Varnelis. "Beyond Locative Media: Giving Shape to the Internet of Things". Leonardo 39, n.º 4 (agosto de 2006): 357–63. http://dx.doi.org/10.1162/leon.2006.39.4.357.
Texto completo da fonteResumo:
Locative media has been attacked for being too eager to appeal to commercial interests as well as for its reliance on Cartesian mapping systems. If these critiques are well founded, however, they are also nostalgic, invoking a notion of art as autonomous from the circuits of mass communication technologies, which the authors argue no longer holds true. This essay begins with a survey of the development of locative media, how it has distanced itself from net art and how it has been critically received, before going on to address these critiques and ponder how the field might develop.
40
Kartseva, Ekaterina A. "Transformation of Art Communications and the Art Market in the Context of Digital Culture". Observatory of Culture 16, n.º 1 (26 de março de 2019): 16–28. http://dx.doi.org/10.25281/2072-3156-2019-16-1-16-28.
Texto completo da fonteResumo:
Digital culture has moved people to a fundamentally new environment, which has its own characteristics, patterns and practices. Studies show that the digitalization of society occurs exponentially from year to year. Society is increasingly interacting with digital, and its influence affects various aspects of modern culture. New cultural patterns of behavior are being formed, traditional communication practices are being modified. As any complex phenomenon, digital culture not only opens up new opportunities for society, but also poses new challenges. The search for an effective, ethical, comfortable interaction in the information environment has become one of the urgent tasks. The development of the art market has always largely depended on the quality and level of social and cultural communications. Today, when the mass media in the traditional sense have lost their monopoly on the production and distribution of information, giving way to “mass self-communication”, the art communications, relationships between the artist and the public, and construction of artistic careers are also undergoing certain transformations, influenced by social media. In recent years, the development of network structures, the increasing capabilities of digital storage systems, cryptocurrencies and blockchain registries have significantly changed the established system of the art market. This article is devoted to changes in the characteristics of the art market and its main subjects — artists, collectors, galleries — in the context of digital culture. These processes and paradigmatic shifts are considered both from the point of view of their technological features, and from the point of view of their influence on artistic culture and art communication in general. The article analyzes in detail what negative and positive aspects the digital culture brings to the participants of the art market.
41
Zharovskiy, Egor. "Features of Culture Coverage in Crimean Mass Media". Theoretical and Practical Issues of Journalism 9, n.º 1 (23 de março de 2020): 173–91. http://dx.doi.org/10.17150/2308-6203.2020.9(1).173-191.
Texto completo da fonteResumo:
Culture is one of the basic dimensions of social existence and human life, and influences functioning and development of any civilization. The mass media as social institute tend to focus their attention on the most significant aspects of a society's life. Items of culture often become topics of media texts. Therefore, the issue of the composition of these media texts is of currently relevance. The present-day media space is oversaturated with information and mass culture, which may result in the audience's low perceptivity of information and poorer aesthetic sense. In this relation, there is a necessity of studying features of culture coverage in the mass media in order to get an insight into the content of the culture topics. Since Russian regional mass media are an important link in the information distribution chain that provides public awareness of the culture, they require special attention. The target of the study is the range of culture topics covered in Crimean mass media. The article presents the results of a content-analytical study of media texts created by eleven Crimean mass in the period of 2015-2017. The culture topics of the texts included ethnic culture, religion, language, cultural heritage and art. Geographical location of culture topics was also taken into account. Basing on the results of the empirical study, the author infers that Crimean mass media provide non-uniform coverage of culture aspects: the media texts primarily focus on Russian and Crimean Tatar cultures, as well as on the culture of large Crimean cities, leaving behind cultural life in rural areas.
42
Bezruchko, Oleksandr, e Volodymyr Bardyn. "Presentation of the Sacred Heritage of Boikos by Means of Audiovisual Art". Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, n.º 1 (1 de junho de 2022): 38–45. http://dx.doi.org/10.31866/2617-2674.5.1.2022.256950.
Texto completo da fonteResumo:
The purpose of the study is to analyze the coverage of the Boiko church heritage in live-action films and documentary films, in mass media and in photographs. To determine the role of audio-visual art in the coverage of sacred objects of Boikivshchyna and to prove the necessity to preserve works of sacred heritage by means of photo art. The researh methodology consists in the application of the following methods: theoretical – the analysis of television plots and documentaries providing information about the church art of Boikivshchyna, synchronous and comparative method for deeper analysis of film adaptations of M. Gogol’s work, generalization of media influence on the formation of public opinion. Scientific novelty. For the first time the reflection of audiovisual means has been analyzed and a detailed analysis of documentaries, film adaptations, television reports and photo exhibitions representing the church art of the Boikos has been made. The factors influencing the importance of the popularization of sacred heritage have been defined. Conclusions. In the article, we have analyzed the coverage of the church heritage of Boikos in live-action films and documentary films, in mass media and in photographs. With the help of the analysis of television plots and documentaries, the role of audiovisual art in the coverage of sacred objects has been defined. The factors influencing the preservation of works of church heritage have been studied and generalized in detail.
43
Cutler, Edward. "News and the “new spirit” in art: Mass media roots of the temporal aesthetic". Communication Review 3, n.º 4 (dezembro de 1999): 251–86. http://dx.doi.org/10.1080/10714429909368587.
Texto completo da fonte
44
Spitulnik, Debra. "Anthropology and Mass Media". Annual Review of Anthropology 22, n.º 1 (outubro de 1993): 293–315. http://dx.doi.org/10.1146/annurev.an.22.100193.001453.
Texto completo da fonte
45
Pavlova, Daniela. "New Art Forms and Process Management Strategy in an Era of Mass Digitalization". Digital Presentation and Preservation of Cultural and Scientific Heritage 11 (10 de setembro de 2021): 297–302. http://dx.doi.org/10.55630/dipp.2021.11.28.
Texto completo da fonteResumo:
In ancient times it took centuries before a genre of art was adopted as cultural development (like painting, sculpture etc.), while with the bursting expansion of modern audiovisual forms this process occurs much more frequently, and the need for publicly recognized criteria for evaluating these new media becomes more apparent.
46
Ritzer, Ivo. "Maghreb forever: From Third-Worldism to the epistemology of multiplicity in media culture". Journal of African Cinemas 11, n.º 2 (1 de outubro de 2019): 103–15. http://dx.doi.org/10.1386/jac_00009_1.
Texto completo da fonteResumo:
Abstract Focusing on Post-Third Cinema in the Maghreb, this article analyses productions that break ith both the elitism and the nativist agenda of Third Cinema to establish film as a mass art, which, hile still heavily politicized, no longer needs to call itself ‘African’, or ‘Arabic’ or ‘non-western’, fter all. Post-Third Cinema may therefore be a paradigm of multiplicity within World Cinema that is based n an emphatically universal approach. Regarded this way, it is an art form that is universal to the extent that it achieves a global appeal that transcends cultural differences. Drawing on the epistemology of multiplicity, as in recent times laid out by scholars such as Alain Badiou, Fredric Jameson or Quentin eillassoux, this article maps Post-Third Cinema as a paradigm of a media culture of multiplicity, ocusing on the idea of a cinematic epistemology that possesses a unique capacity for thought on its own.
47
Choy, Maria C. "The Art of Bilingual Editing of Magazines". Babel. Revue internationale de la traduction / International Journal of Translation 42, n.º 2 (1 de janeiro de 1996): 84–94. http://dx.doi.org/10.1075/babel.42.2.04cho.
Texto completo da fonteResumo:
Abstract Mass communication has become a daily feature of our technological civilisation. This is as true of cross-cultural or intercultural encounters as it is of intra-cultural communication, and mass media have facilitated effective international information flow. Bilingual editing becomes an important medium of mass communication. The effectiveness of such communication rests upon the grammatical, lexical, sociolinguistic, socio-cultural, discourse and strategic competence of participants (editors, writers, translators and readers). It rests upon their ability to use creatively and to respond sensitively to language. In this dynamic process of communication, a bilingual editor not only plays the role of translator but also acts as a mediator; as Hatim and Mason (1990:223) suggest, s/he "has not only a bilingual ability but also a bi-cultural vision". In view of the diversity of usage of bilingual editing in the media, this research delves into the bilingual editing of magazines in Hong Kong. The study focuses on translation only from English and Chinese, or vice versa. Inasmuch as there is very little academic attention to bilingual editing and its nature, processes and techniques, or to the role of translation in bilingual editing, it is believed that this research will help facilitate cross-cultural communication between Westerners and Chinese. Résumé Dans notre civilisation, marquée par le seau de la technologie, la communication de masse relève du quotidien. Cette remarque est valable tant en ce qui concerne les rencontres interculturelles que la communication intraculturelle. De plus, la communication de masse favorise l'échange efficace des informations à l'échelon international. Les publications bilingues sont devenues un important support de la communication de masse. L'efficacité de cette communication repose sur le discours grammatical, lexical, socio-linguistique, socio-culturel et sur la compétence stratégique de ceux qui y participent (rédacteurs, écrivains, traducteurs et lecteurs). Elle repose sur leur faculté d'utiliser le langage avec créativité et d'y réagir avec sensibilité. Dans ce processus de communication dynamique, le rédacteur bilingue joue non seulement le rôle de traducteur mais aussi de médiateur, comme le suggèrent Hatim et Mason (1990:223): il ou elle "dispose non seulement d'une capacité de bilinguisme mais aussi d'une vision biculturelle". Au vu de la diversité d'emploi de la rédaction bilingue dans les médias, cette recherche fouille dans l'univers de l'édition de magazines bilingues à Hong Kong. L'étude se concentre uniquement sur la traduction de l'anglais et du chinois et vice-versa. Dans la mesure où dans les milieux académiques, on attache très peu d'importance à l'édition bilingue, à sa nature, à ses processus et techniques, ou au rôle de la traduction dans le monde de l'édition bilingue, l'auteur estime que cette recherche facilitera la communication interculturelle entre les Occidentaux et les Chinois.
48
Atanasovski, Srđan. "Socialism or Art: Yugoslav Mass Song and Its Institutionalizations". AM Journal of Art and Media Studies, n.º 13 (15 de setembro de 2017): 31. http://dx.doi.org/10.25038/am.v0i13.185.
Texto completo da fonteResumo:
The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that invites the participation of amateurs. Importantly, the institutions which have been disseminating the mass song under state socialism, such as various institutions of education, culture and art, have also served as mechanisms for the normalization of its ideological content. This article summarizes important aspects of the concept of the mass song in general and offers a multifaceted exemplification, before proceeding to discuss the history of mass songs in socialist Yugoslavia (including, by and large, what is usually referred to as partisan songs), with emphasis on the institutional framework through which they were practiced and disseminated, and on specificities that the genre had accrued within the Yugoslav framework. This historical framework of practicing mass songs in Yugoslavia provides a platform for opening the question of intrinsic incompatibility between the project of a classless society and the institution of art. In regards to this, article discusses contemporary practice of Yugoslav mass songs as practiced by self-organized choirs and their new political potential. Article received: May 6, 2017; Article accepted: May 14, 2017; Published online: September 15, 2017Original scholarly paperHow to cite this article: Atanasovski, Srđan. "Socialism or Art: Yugoslav Mass Song and Its Institutionalizations." AM Journal of Art and Media Studies 13 (2017): 31-42. doi: 10.25038/am.v0i13.185
49
Shestakova, Eleonora. "Приключения эстетической функции в кулинарном медиатексте". Studia Rossica Gedanensia, n.º 9 (31 de dezembro de 2022): 157–71. http://dx.doi.org/10.26881/srg.2022.9.09.
Texto completo da fonteResumo:
Adventures of the aesthetic function in culinary media text The paper formulates and substantiates the importance of distinguishing food photo as a new independent type of text and a genre of culinary media text, as well as its genre variant – a photo of a thematic dessert. Food photo, as a culinary media text, has a special «mass-media-gastronomic» language. In the thematic dessert photo, the aesthetic wholeness and function are tightly fused with other functions and address the practice and objectivity of social-home reality and leisure time. In food photography it is not important to play with food, as in food art, but it is important to use familiar sweetness and its images with many purposes, including changes of behavior in leisure and mass-media.
50
Nikolić, Sanela. "Izvođenje umetničko/teorijskog rada u mediju hiperteksta – net art Marka Amerike / Performance of Artistic/Theoretical Work in Medium of Hypertext – Mark Amerika’s Net Art". AM Journal of Art and Media Studies, n.º 6 (15 de outubro de 2014): 34–47. http://dx.doi.org/10.25038/am.v0i6.72.
Texto completo da fonteResumo:
In this study, I focus on the problem of relations between art and theoretical work when they are performed in hypertext/hypermedia Net Art environment. Mark Amerika’s hypermedia practice, produced by digital technologies and focused on the questions of status, functions and modes of art and theory productions in information and biopolitical society, is considered as a case study. Amerika uses hypertext and hypermedia for realization of research art practice and as a media of post-pedagogical and theoretical work which deviate from determined types of scholarly discourses about art and expanding the concept of writing in hypermedia direction. Referring to biopolitical theories, Amerika emphasizes the communication linkage problem between biological organism and networked, hypertextual systems which is always de/regulatory. Remixology, implemented in digital, interactive internet environment, Amerika considers as a critical metaactivity against the manipulation of behavior in mass media of communications space and system of global networking.